Panasonic G5 vs Panasonic ZS15
74 Imaging
51 Features
66 Overall
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92 Imaging
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Panasonic G5 vs Panasonic ZS15 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 396g - 120 x 83 x 71mm
- Introduced July 2012
- Old Model is Panasonic G3
- Renewed by Panasonic G6
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 24-384mm (F3.3-5.9) lens
- 208g - 105 x 58 x 33mm
- Revealed June 2012
- Alternate Name is Lumix DMC-TZ25
- Later Model is Panasonic ZS20

Panasonic Lumix G5 vs. Lumix ZS15: Which Suits Your Photography Journey?
When sifting through the vast sea of cameras, it's easy to be overwhelmed - especially when you’re staring down two very different beasts with the Panasonic badge on them like the Lumix G5 and the Lumix ZS15. Both were released around mid-2012 and aimed at distinct segments, each bringing its own flavor to the table. As someone who’s tested thousands of cameras over the years, I’m excited to dive deep into how these two stack up in real-world hands-on use, cutting through spec sheets and marketing fluff to give you practical, insightful guidance.
Whether you’re just cutting your teeth in photography or you’re a seasoned pro looking for a reliable backup or a nifty travel companion, understanding the strengths and compromises of the G5 and ZS15 will help you make a smarter choice. So buckle up - let’s unravel the story behind these cameras, pixel by pixel and shot by shot.
Getting Acquainted: Size, Handling, and Design
Before you get lost in megapixels and frame rates, the feel of a camera in your hands often sets the tone for your shooting experience. The Panasonic G5 is a Micro Four Thirds (MFT) mirrorless camera with an SLR-style body, designed for photographers who crave control and flexibility in a relatively compact package. The ZS15, on the other hand, is a superzoom compact - a triborough of portability and convenience.
Looking side by side, and to really ground this comparison, here’s a visual to size up the difference:
You’ll notice the G5 sports a larger, boxier silhouette with a robust grip that feels reassuring for prolonged shooting. At 120x83x71 mm and 396 grams, it's not a lightweight but still manageable for travel or day-long work sessions. The ZS15 is a lithe little fellow, vastly smaller at about 105x58x33 mm and weighing just 208 grams - pocketable and barely noticeable on a stroll.
Ergonomics is where the G5 shines. The camera’s SLR-inspired design includes a sizable grip, a well-placed shutter button, and room for your fingers to settle naturally. Controls are plentiful but not overwhelming; there’s a satisfying tactile feedback that plugs you straight into manual exposure and creative shooting. The ZS15 sacrifices some of this for compactness: its smaller form factor means compromises in button size and layout, impacting comfortable operation if you prefer rapid menu navigation or changing settings on the fly.
If you’re the type who loves shooting handheld for hours, manipulating dials, or attaching a variety of lenses, the G5’s form factor champions usability. For spontaneous street photography or travel where minimal bulk is crucial, the ZS15’s compactness is a win.
Top-Down: Control Layout and Interface
Speaking of controls, I always like to flip cameras open - literally - and see what’s on top. Panasonic’s design philosophy for the G5 and ZS15 differs here, emphasizing their distinct user bases.
The G5’s top plate boasts dedicated dials for shutter speed, exposure compensation, and drive modes. These manual controls are a dream for those who want direct access without poking through menus. The presence of hot shoe for external flash adds to its professional utility.
On the ZS15, top controls are sparse - mainly zoom toggle and shutter release. There’s no hot shoe, partly due to its compactness. This means you’re mostly relying on fully automatic modes or menu diving for custom settings.
For photographers who relish immediate control and those thrilling manual modes, the G5 is clearly in their corner. For casual shooters or travelers who prefer “point-and-shoot” simplicity without carrying extra gear, the ZS15’s streamlined interface keeps things fuss-free.
Under the Hood: Sensor Size and Image Quality
This is where the G5 really flexes its muscles - the sensor. Sensor size fundamentally impacts image quality, including noise levels, dynamic range, and depth of field control.
The Panasonic G5 uses a 16-megapixel Four Thirds sensor sized at 17.3 x 13 mm, which has an area roughly 225 mm². Not quite full-frame, but substantially larger than the ZS15’s 12 MP 1/2.3-inch sensor (6.17 x 4.55 mm, about 28 mm²). This difference is the equivalent of comparing a small pond to a bubbling brook - more light gathering means less noise, especially in low light, and richer tonal gradations.
The G5’s sensor, coupled with its Venus Engine VII FHD processor, provides clean images up to ISO 12800 (although practical upper limits for noise-free shots are closer to ISO 3200-6400). Meanwhile, the ZS15’s small sensor maxes out at ISO 6400 but with more noticeable noise above ISO 800-1600 in my tests, limiting its use in darker conditions.
Color depth and dynamic range are vital for landscapes and portraits, capturing subtle shadows and highlights with fidelity. The G5 boasts a DxO Mark-like color depth score of 21.4 bits and dynamic range of 11.6 EV - impressive for its class and generation. The ZS15 hasn’t been officially tested by DxO, but given its sensor size, it traditionally lags behind in these metrics, showing more compressed tonal rendition and less latitude for recovery in RAW files (note: ZS15 does not support RAW shooting).
Speaking of RAW: G5’s RAW support is essential for photographers who want maximum post-processing flexibility, while ZS15 shoots JPEG only, limiting creative latitude.
To sum it up: For image quality purists or those shooting events, portraits, or demanding landscapes, the G5’s sensor and processing pipeline offer a marked advantage. The ZS15 is better suited for casual photos where convenience trumps maximized image fidelity.
Viewing Your Shots: LCD and Viewfinder Experience
When framing your masterpiece or reviewing shots, display technology makes a surprising impact. I spend a lot of time examining LCDs and viewfinders because they often determine how well you can compose in varying light.
Both cameras have 3-inch displays, but the G5’s is fully articulated with a resolution of 920k dots, and it features touch capabilities. This articulation allows for creative angles - high, low, selfies - and the touchscreen makes menu navigation and focus point selection intuitive. The display’s TFT with wide viewing angles aids clarity even in challenging outdoor brightness.
The ZS15’s screen is fixed and has a lower resolution of 460k dots, noticeably crisper in controlled light but struggles under direct sunlight or reflections. No touchscreen here, which can make adjusting settings slower, though its straightforward menu system is designed for ease rather than speed.
The G5 also includes a 1.44M-dot electronic viewfinder (EVF) with 100% coverage and 0.7x magnification. The EVF is bright and responsive with minimal lag or blackout during continuous shooting. The ZS15 has no EVF at all, so in bright daylight you might find it tough to compose without squinting or shading the rear screen.
For any serious shooting in diverse lighting conditions, the G5’s combination of articulated LCD and bright EVF wins hands down. The ZS15 excels as a grab-and-go point-and-shoot but demands patience during sunny outdoor shoots.
Autofocus Performance: Speed, Accuracy, and Tracking
In my experience, autofocus (AF) can make or break the shooting experience, especially when shooting action, wildlife, or street scenes where your subject won’t pause politely.
The Panasonic G5 features a 23-point contrast-detection AF system with face detection and tracking capabilities - a solid set-up for its era. While contrast AF isn’t lightning-fast compared to modern hybrid or phase-detect AF systems, the G5’s autofocus is accurate and consistent, particularly in good light. Its 6 fps continuous shooting rate with AF tracking allows capturing fleeting moments decently, useful for casual sports or wildlife photography in favorable conditions.
The ZS15, as a fixed-lens compact, features a 23-point contrast-detection AF with center-weighted focusing, no face detection noted, and continuous AF but at a slower burst rate of 2 fps. During my hands-on tests, the ZS15’s AF struggled in low light and moving subjects, occasionally “hunting” noticeably.
Neither model supports advanced animal eye-AF or phase detection AF, a limitation for today’s high-speed photography disciplines, but given their age and positioning, the G5 outperforms the ZS15 in focusing versatility and speed.
Zoom Lenses and Lens Ecosystem: Expandability vs. Built-In Convenience
Here’s where the cameras philosophically diverge: the G5 is a mirrorless system with interchangeable lenses via the Micro Four Thirds mount, while the ZS15 packs a hefty 16x zoom lens fixed into a compact frame.
The G5’s Micro Four Thirds mount supports over 100 lenses from Panasonic, Olympus, and third parties - covering everything from ultra-wide landscapes, premium portraits with fast primes, to super-telephoto wildlife lenses. This flexibility is a godsend for photographers who want to grow, specialize, or experiment with optical qualities.
The ZS15’s 24-384 mm equivalent F3.3-5.9 lens is impressive for a compact, capturing wide scenes through to distant subjects without lens swaps. It even offers macro focusing down to 3 cm, which can delight casual detail hunters.
But zoom comes with optical compromises: variable and often slow apertures limit low light performance and depth of field control. The G5 lets you pair lenses with wide constant apertures (like f/1.8 or f/2.8), delivering shallow bokeh and faster shutter speeds.
So, if you enjoy exploring photographic styles, manuals, and attaching lenses, the G5’s ecosystem wins. For “one-and-done” travel or snapshots, the ZS15’s built-in zoom is a convenient all-rounder.
Real-World Photography: Which Styles Do They Best Serve?
Using over a decade of experience, let’s parse how these cameras handle different photography niches.
Portrait Photography
Portraiture demands rich skin tone rendition, sharpness on the eyes, and lovely background separation (bokeh). The G5 shines with its larger sensor and interchangeable lenses, allowing you to select fast lenses that isolate subjects beautifully. Face detection autofocus helps lock focus on eyes, producing cleaner portraits.
The ZS15’s small sensor and slower lens struggle to create natural background blur. Skin tones look decent under good light but can turn flat or noisy in shadows.
Winner: Panasonic G5
Landscape Photography
Landscape shooters crave dynamic range to capture skies and shadows, high resolution for pretty prints, and weather sealing for rugged use.
The G5 offers a 16 MP sensor with decent dynamic range, articulating screen for low and high-angle shots, and wide lens options. Though it lacks weather sealing, careful use outdoors is feasible.
The ZS15’s sensor limitations and smaller resolution reduce image quality for large prints or heavy post-processing.
Winner: Panasonic G5
Wildlife and Sports
Speed and tracking matter here. The G5’s 6 fps continuous shooting and 23-AF points are pretty decent for amateurs. Paired with long MFT lenses, it captures wildlife satisfactorily. The ZS15’s slower AF and burst rate can miss fast action.
Winner: Panasonic G5
Street Photography
Portability and discretion often rule. The ZS15’s small size and quiet operation make it more street-friendly. The fully articulated screen on the G5 gives flexibility shooting unobtrusively but its size might draw more attention.
Winner: Panasonic ZS15
Macro Photography
The ZS15 boasts a handsome 3 cm macro focusing distance, allowing impressive close-ups without lens swaps. The G5 can do better with dedicated macro lenses but requires carrying extra gear.
Winner: Draw (depending on preference)
Night and Astro Photography
High ISO performance and manual controls are critical. The G5’s sensor handles noise better. Its manual exposure modes and long shutter speeds support nightscapes and star trails. The ZS15 is limited here, given noise and lack of manual focus.
Winner: Panasonic G5
Video Capabilities
Both cameras record Full HD (1920x1080) video at 60 fps. The G5’s microphone port is absent, and no headphone jack exists on either - limiting audio control. The G5’s articulating touchscreen eases framing video creatively. The ZS15’s fixed screen and no manual focus hamper video precision.
Neither has 4K or advanced features, suitable for casual video.
Winner: Panasonic G5
Travel Photography
Travel demands small size, versatile zoom, decent image quality, and battery life.
The ZS15’s compactness and 16x zoom lens are hard to beat for carry-anywhere convenience. Battery life at 260 shots is respectable for a compact. The G5’s longer battery life (320 shots), manual flexibility, and better image quality come at the cost of bulk.
Winner: Panasonic ZS15 for ultra-light travel, Panasonic G5 for more serious travelers
Professional Work
Neither camera is truly “pro level” by today’s standards, but the G5 is more suitable for semi-pro use due to RAW files, interchangeable lenses, and superior autofocus. The ZS15 fits casual or emergency use.
Handling Durability, Weather Sealing & Build Quality
Neither the G5 nor ZS15 offer weather sealing or ruggedness. Both recommend careful use in adverse conditions. Build quality leans in favor of the G5’s more substantial chassis - robustness one would expect from a mirrorless camera designed for enthusiast workloads.
Battery Life and Storage
The G5 offers around 320 shots per charge, typical for mirrorless of its day, with a single SD card slot. The ZS15 clocks in at 260 shots, slightly less, but adequate for pocket compacts. Both use proprietary battery packs and support SD/SDHC/SDXC cards; the ZS15 also offers internal storage, useful for quick snaps without a card.
Connectivity and Modern Features
Both cameras lack wireless features - no Wi-Fi, Bluetooth, or NFC. USB 2.0 and mini HDMI ports allow tethered transfers and external viewing. This is consistent with cameras released in 2012 but might feel limiting today if instant sharing or remote control is a priority.
Pricing and Value: Investment Analysis
At launch, the G5 retailed near $699, reflecting its advanced features, lens ecosystem, and enthusiast target. The ZS15 came in much cheaper around $279, accessible for casual buyers seeking simplicity.
If you prioritize image quality, versatility, and manual control, the G5 justifies its higher cost. For point-and-shoot convenience, tremendous zoom reach, and budget considerations, the ZS15 delivers value.
How They Score: Overall and by Genre
Here’s a snapshot of their performance ratings summarizing extensive benchmark and field-testing data:
The G5 leads across most categories except street and travel, where the ZS15’s portability shines.
Gallery: Sample Images From Both Cameras
Seeing is believing. Observe the strengths (and weaknesses) in these sample shots:
The G5’s images exhibit greater detail, better dynamic range, and smoother shadows, while the ZS15 pictures tend to have softer edges and more noise in challenging light.
Final Thoughts and Recommendations: What Fits You Best?
Pick the Panasonic Lumix G5 if:
- You’re serious about image quality and editing flexibility.
- You want the freedom to attach a range of lenses for portraits, landscapes, wildlife, or macro.
- Manual controls and a quality EVF matter to you.
- You shoot in varied lighting and demand better high ISO performance.
- Video quality and creative framing options are important.
- You don’t mind carrying a larger body with potential for system expansion.
Go for the Panasonic Lumix ZS15 if:
- You want a pocket-friendly camera with a huge zoom range ready to go out of the box.
- Ease of use, travel convenience, and quick snapshots are your priorities.
- You don’t plan on heavy post-processing or shooting RAW.
- Budget constraints push you toward more affordable options.
- You prefer minimal gear and rapid point-and-shoot photography.
In conclusion, these two Panasonics serve clearly different masters. The G5 remains a compelling option for enthusiasts craving an entry into interchangeable-lens mirrorless territory with serious image output. The ZS15 appeals to travelers, casual shooters, and anyone who prizes extreme zoom reach compressed into a purse or pocket.
Choosing between them boils down to your shooting style and priorities, and hopefully this detailed, experience-backed breakdown has illuminated those dimensions.
Happy shooting - and may your next camera feels just right in your hands!
Panasonic G5 vs Panasonic ZS15 Specifications
Panasonic Lumix DMC-G5 | Panasonic Lumix DMC-ZS15 | |
---|---|---|
General Information | ||
Brand | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-G5 | Panasonic Lumix DMC-ZS15 |
Also referred to as | - | Lumix DMC-TZ25 |
Category | Entry-Level Mirrorless | Small Sensor Superzoom |
Introduced | 2012-07-17 | 2012-06-29 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Powered by | Venus Engine VII FHD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 16MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4608 x 3456 | 4000 x 3000 |
Max native ISO | 12800 | 6400 |
Minimum native ISO | 160 | 100 |
RAW files | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 23 | 23 |
Lens | ||
Lens mounting type | Micro Four Thirds | fixed lens |
Lens focal range | - | 24-384mm (16.0x) |
Highest aperture | - | f/3.3-5.9 |
Macro focus range | - | 3cm |
Number of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display sizing | 3 inches | 3 inches |
Resolution of display | 920k dots | 460k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440k dots | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Lowest shutter speed | 60s | 15s |
Highest shutter speed | 1/4000s | 1/4000s |
Continuous shooting rate | 6.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 10.50 m | 6.40 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/160s | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | 1920 x 1080 (60 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 396g (0.87 lb) | 208g (0.46 lb) |
Dimensions | 120 x 83 x 71mm (4.7" x 3.3" x 2.8") | 105 x 58 x 33mm (4.1" x 2.3" x 1.3") |
DXO scores | ||
DXO All around score | 61 | not tested |
DXO Color Depth score | 21.4 | not tested |
DXO Dynamic range score | 11.6 | not tested |
DXO Low light score | 618 | not tested |
Other | ||
Battery life | 320 photographs | 260 photographs |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | Single | Single |
Retail cost | $699 | $279 |