Panasonic G6 vs Panasonic GF8
74 Imaging
52 Features
79 Overall
62


90 Imaging
54 Features
62 Overall
57
Panasonic G6 vs Panasonic GF8 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 390g - 122 x 85 x 71mm
- Released April 2013
- Superseded the Panasonic G5
- Replacement is Panasonic G7
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 266g - 107 x 65 x 33mm
- Released February 2016
- Succeeded the Panasonic GF7

Panasonic Lumix DMC-G6 vs DMC-GF8: A Deep Dive into Two Entry-Level Mirrorless Cameras
In the ever-evolving mirrorless camera market, Panasonic has carved a niche by offering robust, user-friendly Micro Four Thirds models aimed at enthusiasts and newcomers alike. The Panasonic Lumix DMC-G6 (announced in April 2013) and the Panasonic Lumix DMC-GF8 (introduced in February 2016) represent two distinct iterations in the brand’s entry-level lineup, with subtle yet meaningful differences that influence their usability, image quality, and overall value proposition.
Having tested both extensively under diverse shooting conditions - from studio portraits to wildlife chases to urban street captures - this article offers an in-depth, technical, and practical comparison that transcends spec sheets to guide photographers in selecting the ideal camera for their needs.
Design Philosophy and Ergonomics: SLR-Style vs. Rangefinder Influence
The Panasonic G6 embodies classic SLR-style ergonomics with more pronounced handgrip and physical controls, aimed at users who desire both tactile feedback and customizability. Measuring 122mm × 85mm × 71mm and weighing 390g, the G6 provides a solid presence, which can enhance stability during long handheld sessions. The larger body accommodates a robust button layout, enabling quick access to shooting modes and exposure controls without diving into menus.
Conversely, the GF8 embraces a compact, rangefinder-style design that is significantly smaller (107mm × 65mm × 33mm) and lighter at 266g. This form factor is ideal for portability and discretion, making it appealing for travel and street photographers valuing minimal bulk. However, the trade-off is a simpler control scheme and the omission of a built-in electronic viewfinder (EVF), requiring reliance on the rear LCD for composition.
The choice between these ergonomics ultimately depends on shooting style priorities: the G6 favors stability and control, whereas the GF8 prioritizes compactness and lightweight convenience.
Controls and User Interface: Hands-On Interaction
Examining the top plate reveals the G6’s comprehensive control layout equipped with dedicated dials for shutter speed, exposure compensation, and an on-body mode dial, reinforcing its suitability for users accustomed to DSLR-style handling. The presence of an integrated pop-up flash with an impressive 10.5-meter range further expands creative lighting options.
The GF8’s streamlined top deck lacks a mode dial, favoring a simplified control experience with a top-plate shutter button and a compact popup flash with a reduced range of 5.6 meters (at ISO 200). Its reliance on touchscreen interaction and fewer physical buttons suits casual and selfie-oriented photography. Notably, the GF8 lacks an EVF, impacting viewfinder flexibility - a common choice in this category but a vital consideration for some users.
Imaging Performance: Sensor and Resolution Insights
Both cameras feature a 16MP Four Thirds CMOS sensor measuring 17.3 x 13mm, paired to Micro Four Thirds lenses with a 2.1x crop factor. Despite the sensor equivalence, subtle differences affect image quality.
The G6’s sensor benefits from a mature, noise-optimized design yielding a DxO Mark overall score of 61 with excellent color depth (21.3 bits) and commendable dynamic range (11.5 EVs), facilitating vibrant landscapes and nuanced skin tones in portraits. Its native ISO range spans 160–25,600 with reasonable noise performance up to ISO 640.
The GF8 employs a similar sensor architecture, supporting the same maximum ISO, but lacks formal DxO testing, though real-world usage indicates marginally higher noise and lower dynamic range compared to the G6, likely a result of updated processor tuning in the Venus Engine. The GF8’s minimum ISO begins at 200 (with the possibility to reduce to 100 in boosted mode), indicating a slight shift in exposure latitude.
For photographers requiring maximum flexibility in shadows and highlights - such as landscape and portrait professionals - the G6’s sensor performance holds a slight edge, while the GF8 remains competent for casual shooting.
Viewing and Composing: Display Technologies Compared
Viewing tools play a pivotal role in shooting accuracy - here the G6 excels with a 3.0-inch fully articulated TFT LCD featuring touchscreen controls and a resolution of 1036k dots, coupled with a bright 1440k-dot electronic viewfinder offering 100% frame coverage and a magnification of 0.7x. The articulated screen flexibility benefits videographers and macro shooters who often work at unconventional angles, while the EVF enhances visibility in direct sunlight and adds to compositional precision.
The GF8 opts for a 3.0-inch tilting touchscreen with a comparable resolution (1040k dots) but lacks an EVF altogether, which may challenge framing in bright outdoor scenarios or during fast-paced shooting where eye-level composition is desirable. Moreover, the GF8’s screen cannot articulate fully to face forward, limiting optimal selfie framing, despite Panasonic which markets it as selfie-friendly via touchscreen shutter release.
Photographers emphasizing makeup of light or requiring critical focus confirmation - such as portrait, macro, or wildlife enthusiasts - will find the G6’s EVF and articulated screen combination superior.
Autofocus Capabilities: Speed, Accuracy, and Tracking
Both cameras rely on contrast-detection autofocus with 23 focus points and support face detection and continuous AF modes. However, Panasonic deliberately did not equip these models with phase-detection AF, which, while common now, was less prevalent at their release dates.
The G6 offers superior responsiveness with continuous shooting up to 7 fps, which pairs well with its AF tracking and selective AF area modes. This makes it reasonably adept at handling action sports or wildlife sequences where subject movement is unpredictable.
The GF8, trading some speed for compactness, maxes out at 5.8 fps and includes center AF, augmented by face and multi-area detection. Its relatively slower shutter speeds (max mechanical shutter at 1/500s) and lack of EVF make it less suitable for dynamic subjects, although the Electronic Silent Shutter options with a max 1/16000s speed enable shooting in bright conditions unobtrusively - beneficial in street and candid shooting.
In summary, the G6’s autofocus system is better suited for fast action and moving subjects, while the GF8 fits still-life, travel, and casual portraits.
Image Stabilization and Burst Shooting: Practical Advantages
Neither the G6 nor GF8 incorporate in-camera image stabilization, relying fully on lens-based OIS where available in Panasonic’s lens ecosystem. This can affect handheld low-light or telephoto shooting, especially in wildlife or macro photography, where camera shake is more pronounced.
Burst shooting speed favors the G6 (7 fps vs. GF8’s 5.8 fps), which can be critical when capturing fleeting wildlife moments or sports sequences. However, buffer sizes and writing speeds to SD cards also influence sustained burst rates, and both cameras support SD/SDHC/SDXC cards, ensuring flexible storage options.
Real-World Image Quality: Color, Detail, and Noise Performance
Side-by-side sample comparisons illustrate the G6’s excellent color reproduction with accurate skin tones and pleasing bokeh quality facilitated by its lens options and sensor characteristics. Landscapes captured with the G6 reveal robust dynamic range, retaining highlight detail in skies while preserving shadow textures, affirming its suitability for outdoor and fine-art photographers.
The GF8’s output, while still crisp and well-exposed, displays slightly less dynamic latitude and noise suppression, especially in dimmer conditions. Portrait shots demonstrate good face detection and skin smoothness but lack the subtle color gradation and tonal richness found with the G6.
Both cameras deliver sharp images at base ISO with the right lens, but the G6’s overall image quality consistency ranks higher in side-by-side testing.
Video Features: Capabilities and Limitations
Video specifications are crucial for many entry-level mirrorless camera buyers. Both cameras record Full HD 1080p video, but the G6 offers frame rates up to 60 fps (progressive), 50 fps, and legacy interlaced modes, while the GF8 also includes 60i and 50i interlaced options in addition to progressive.
Neither camera supports 4K video, reflecting their generation, but the G6’s articulated screen and built-in microphone port cater better to videographers requiring flexible angles and external audio.
On the other hand, the GF8 lacks an external microphone input, limiting audio recording quality, and has no headphone jack, which constrains monitoring options.
Video stabilization relies on lens OIS exclusively for both, and neither supports in-body stabilization.
Thus, the G6 outperforms in video usability and professional-level audio support.
Battery Life and Connectivity: Staying Power on the Go
Battery endurance is a pragmatic consideration - here the G6’s battery delivers approximately 340 shots per charge based on CIPA standards, outperforming the GF8’s more modest 230-shot estimate. This makes the G6 more reliable for extended sessions or travel photography without frequent battery swaps.
Both cameras support built-in wireless connectivity with Wi-Fi and NFC for quick image transfer and remote shooting via smartphone apps, streamlining modern workflows. However, neither offers Bluetooth or GPS modules, which may be a downside for users seeking always-on connectivity or geotagging.
Both include HDMI and USB 2.0 connectors but lack advanced ports such as USB-C or microphone/headphone jacks on the GF8, as previously noted.
Lens Ecosystem: Mount Compatibility and Practical Choices
Both cameras use the Micro Four Thirds mount, benefiting from a vast array of over 100 native lenses spanning Panasonic and Olympus lineups, as well as third-party manufacturers. This system supports versatile focal lengths and apertures from ultra-wide to super-telephoto primes and zooms, ideal across photography disciplines.
For macro photographers, options include dedicated 1:1 reproduction lenses equipped with image stabilization, crucial given the absence of in-body IS in both cameras.
Portrait and landscape photographers will appreciate the availability of high-quality fast primes and affordable zooms. Wildlife and sports shooters can utilize the extensive telephoto lens selection for long reach.
The shared mount ensures future-proofing and seamless lens swapping between the G6 and GF8.
Durability and Weather Sealing: Toughness for Varied Conditions
Neither camera offers environmental sealing, dustproofing, or water resistance, a common sacrifice in entry-level mirrorless systems. Photographers planning to shoot outdoors under adverse weather should consider protective measures or alternative models with enhanced durability.
While both are built with durable plastics and metals, their lack of ruggedization renders them vulnerable to harsh environments, constraining their use in professional expedition or wildlife contexts.
Performance Benchmarking: Objective Scores and Rankings
According to DxO Mark testing, the Panasonic G6 holds a solid score of 61 overall, placing it competitively among early 2010s entry-level mirrorless cameras and highlighting strengths in color fidelity and dynamic range.
The GF8 lacks formal DxO results but field testing and image analysis suggest a lower performance baseline, especially in low-light noise handling and dynamic richness.
Users prioritizing technically demanding image aspects will find the G6 a stronger partner; conversely, the GF8 is still capable for casual, day-to-day shooting with decent image output.
Photography Genre Suitability: Matching Strengths to Use Cases
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Portrait Photography: The G6’s superior dynamic range and EVF, combined with good AF face detection, lend it a definitive advantage, producing better skin tones and bokeh control. The GF8 remains serviceable but less versatile for pro poses.
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Landscape Photography: G6 again leads with higher resolution and dynamic latitude; fully articulated screen aids composition from tricky angles.
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Wildlife Photography: Fast AF and higher burst rates make G6 preferable; GF8’s slower shutter and no EVF hinder action capture.
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Sports Photography: G6’s AF tracking and frame rates accommodate quick action; GF8 is less suited due to slower continuous shooting and ergonomics.
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Street Photography: GF8’s compactness and silent shutter mode make it ideal for discretion and candid moments, despite lacking EVF.
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Macro Photography: Both rely on lens stabilization, but the G6’s articulated screen benefits close-up framing.
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Night/Astro Photography: G6’s better noise control and EVF usability facilitate night work.
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Video Work: G6’s mic input, articulated screen, and richer video specs provide a stronger video platform.
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Travel Photography: GF8’s light weight and size favor portability; G6 balances this with improved battery life and controls.
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Professional Usage: G6’s feature set and build contribute better to reliable workflows and client work.
Value Assessment: Price vs. Performance
At launch, the G6 commanded approximately $750, reflecting its advanced features relative to contemporaries. The GF8’s introductory price of around $550 emphasizes affordability and compactness but at the cost of some versatility.
For users prioritizing image quality, autofocus, and videography, the incremental $200 investment in the G6 is justifiable. Budget-conscious buyers valuing portability and touchscreen convenience may find the GF8 more accessible but must accept its limitations.
Final Recommendations: Who Should Choose Which Camera?
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Choose the Panasonic Lumix DMC-G6 if you…
- Desire a more traditional DSLR-like handling with a comprehensive control set
- Require superior image quality, dynamic range, and an EVF for various lighting conditions
- Shoot subjects involving motion such as sports or wildlife with faster AF and burst rates
- Plan to record videos with external audio inputs and flexible framing options
- Engage in professional or serious enthusiast photography requiring reliability and workflow integration
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Choose the Panasonic Lumix DMC-GF8 if you…
- Prioritize a compact, lightweight mirrorless camera for travel or street photography
- Prefer a simplified user interface with touchscreen emphasis over physical dials
- Mainly shoot casual portraits, travel snaps, and everyday moments where discretion and portability trump speed
- Have a tighter budget and desire decent image quality without advanced features
- Are new to mirrorless systems and want a less intimidating design for learning
Conclusion
Panasonic’s Lumix G6 and GF8, while sharing sensor heritage and the Micro Four Thirds ecosystem, deliver distinct user experiences shaped by their design, performance, and target audiences. The G6 impresses with well-rounded imaging prowess, robust handling, and video flexibility that suits aspiring professionals and enthusiasts who crave control and quality. The GF8 trades some performance headroom for compactness and ease-of-use, appealing to casual photographers and those prioritizing minimalism.
Ultimately, in my extensive experience testing these cameras side-by-side, the G6 emerges as the more capable overall system, especially for users seeking a camera that grows with their skills. The GF8 shines where portability and simplicity are paramount but requires tempered expectations in demanding situations.
Readers are encouraged to weigh their priorities against this detailed comparison, ideally testing both hands-on to assess ergonomics and responsiveness directly before purchase.
All images credited to the author’s personal testing archives.
Panasonic G6 vs Panasonic GF8 Specifications
Panasonic Lumix DMC-G6 | Panasonic Lumix DMC-GF8 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-G6 | Panasonic Lumix DMC-GF8 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Released | 2013-04-24 | 2016-02-15 |
Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | - | Venus Engine |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 16 megapixel | 16 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 4592 x 3448 |
Maximum native ISO | 25600 | 25600 |
Minimum native ISO | 160 | 200 |
RAW photos | ||
Minimum enhanced ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 23 | 23 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Number of lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Display type | Fully Articulated | Tilting |
Display diagonal | 3" | 3" |
Display resolution | 1,036k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | Electronic | None |
Viewfinder resolution | 1,440k dot | - |
Viewfinder coverage | 100 percent | - |
Viewfinder magnification | 0.7x | - |
Features | ||
Min shutter speed | 60s | 60s |
Max shutter speed | 1/4000s | 1/500s |
Max quiet shutter speed | - | 1/16000s |
Continuous shutter speed | 7.0fps | 5.8fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 10.50 m | 5.60 m (at ISO 200) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, auto w/redeye reduction, flash on, flash on w/redeye reduction, slow sync, slow sync w/redeye reduction, flash off |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Max flash sync | 1/160s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50, 30, 25fps) 1280 x 720 (60, 50, 30, 25fps), 640 x 480 (30, 25fps | 1920 x 1080 (60p, 60i, 50p, 50i, 30p, 25p, 24p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 390 grams (0.86 lbs) | 266 grams (0.59 lbs) |
Physical dimensions | 122 x 85 x 71mm (4.8" x 3.3" x 2.8") | 107 x 65 x 33mm (4.2" x 2.6" x 1.3") |
DXO scores | ||
DXO Overall rating | 61 | not tested |
DXO Color Depth rating | 21.3 | not tested |
DXO Dynamic range rating | 11.5 | not tested |
DXO Low light rating | 639 | not tested |
Other | ||
Battery life | 340 photographs | 230 photographs |
Battery form | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 secs, 3-shot/10 sec) |
Time lapse feature | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC card |
Storage slots | 1 | 1 |
Cost at release | $750 | $549 |