Panasonic GF5 vs Panasonic GM1
89 Imaging
48 Features
54 Overall
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93 Imaging
52 Features
60 Overall
55
Panasonic GF5 vs Panasonic GM1 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 267g - 108 x 67 x 37mm
- Launched April 2012
- Older Model is Panasonic GF3
- Replacement is Panasonic GF6
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Screen
- ISO 200 - 25600
- 1920 x 1080 video
- Micro Four Thirds Mount
- 204g - 99 x 55 x 30mm
- Announced December 2013
- Newer Model is Panasonic GM5

Panasonic Lumix GF5 vs GM1: An In-Depth Field-Tested Comparison for the Modern Mirrorless Enthusiast
When Panasonic introduced the Lumix GF5 in 2012 and followed up with the GM1 in late 2013, the Micro Four Thirds mirrorless segment got two very intriguing cameras that aimed to blend portability with solid imaging performance. Over the years of rigorous testing, I’ve put both models through their paces across multiple genres - from portraiture to wildlife to astro - and alongside the technical specs, I’ve closely observed how each handles in practical use. This comprehensive comparison unpacks their strengths and compromises, contextualizing them for today’s photo enthusiasts and serious hobbyists who might still consider these compact cameras as budget-friendly alternatives or as secondary bodies.
First Impressions: Size and Ergonomics Matter More Than You Think
Before even firing a shutter, you feel the difference in the size and weight of these two Lumix siblings. The GF5 sports a slightly larger footprint and heftier presence - measuring 108x67x37mm and tipping the scales at 267g - while the GM1 takes a markedly more minimalist approach at 99x55x30mm and a featherweight 204g.
This size delta is more than just specs on paper. The GF5’s chunkier body provides a reassuring grip, especially with larger lenses attached, boosting confidence during prolonged handheld shooting. It also offers more physical controls, reducing the need to dive into menus. On the flip side, the GM1 is obsessively compact, making it incredibly pocketable and discreet - ideal if street photography or travel convenience tops your priority list.
Whether you value robust ergonomics or crave stealthiness, these physical differences immediately frame the cameras’ appeal. My recurring conclusion after working extensively with both: if your style leans toward deliberate, controlled shooting sessions, the GF5’s padded grip is worth the extra bulk. But if you want ultra-minimalism without sacrificing sensor size, the GM1’s titanic slimness is hard to beat.
Design and Control Layout: Intuitive or Minimalist?
Moving beyond size, control placement significantly influences shooting efficiency. Both cameras embrace the classic rangefinder-style mirrorless design Panasonic is known for, but subtle layout choices differentiate them.
The GF5 sticks with a familiar design, offering a mode dial atop and dedicated buttons for ISO, exposure compensation, and movie mode. These make quick shifts on the fly intuitive, especially during dynamic shoots. The touchscreen functionality is responsive and complements physical controls smoothly, though it lacks gesture multitouch found on newer models.
The GM1 pares down controls, reflecting its ultra-compact ambition. While it carries a mode dial, some buttons are more minimalistic or require menu diving, which can slow fast-paced usage. The touchscreen is slightly higher resolution and similarly responsive, but the lack of a viewfinder on either model encourages reliance on this LCD.
Overall, the GF5’s layout strikes a more balanced approach between tactile controls and touchscreen use, favoring users who prioritize fast access. The GM1 serves those willing to adapt to a more digital-interface driven workflow in exchange for portability.
Sensor Technology and Image Quality: Same Sensor, Different Sensibilities
Both cameras leverage Micro Four Thirds CMOS sensors sized at 17.3mm x 13mm, sharing the same sensor area (~225mm²), but the GM1 upgrades resolution to 16MP versus the GF5’s 12MP. Sensor technology improvements aside, this 33% increase in pixel count on the GM1 offers greater detail retention, sharpening landscape and portrait work.
Institute testing (including DxOMark benchmarks) confirms this difference: The GF5 scores an overall 50, with color depth at 20.5 bits and dynamic range around 10 EV; the GM1 achieves a higher overall 66 with 22.3 bits in color depth and 11.7 EV dynamic range. Low-light ISO performance also edges in favor of the GM1, scoring roughly 660 compared to 573 for the GF5. These metrics are not just abstract numbers - they translate into better shadow detail retrieval, richer color gradations, and cleaner high ISO images especially when shooting indoors or at dusk.
From my real-world shoots, portraits rendered by the GM1 show subtler skin tone gradations, while the GF5, though discreetly softer, handles contrast nicely with good exposure control. Both cameras employ anti-aliasing filters, slightly damping microdetail but helping minimize moiré and false color artifacts.
So, if image quality per pixel is paramount, especially for large prints or cropping flexibility, the GM1’s sensor technically has the upper hand. The GF5’s experience, however, remains perfectly capable for casual portraits and social sharing.
Display and Interface: Key to a Smooth Shooting Experience
Each camera features a fixed, 3-inch wide-angle TFT LCD touchscreen, with the GM1 boasting a slight bump in resolution - 1036k dots versus the GF5’s 920k dots. These figures matter in the field when reviewing focus, highlights, or subtle shadow areas.
The GF5’s interface feels a little more dated, bearing resemblance to its 2012 debut with straightforward menu navigation and quick access to vital exposure functions. The GM1’s screen offers marginally crisper playback and sharper touch controls, which is helpful when zooming into focus peaking or adjusting settings.
Neither camera has an electronic viewfinder, an omission that outdoor photographers may want to consider seriously as bright sunlight can reveal LCD glare. To my eye, both screens hold up indoors and in shade, but noise or blur detection is more precise on the GM1 due to its improved resolution.
Image Quality Gallery: Comparing Real-World Output
I captured a series of shots in varied conditions with both cameras to truly compare image quality in the field.
Observing these samples, several points stand out:
- Portraits: GM1 handles skin tones with more tonal nuances and smoother bokeh transitions, aided by the higher resolution sensor.
- Landscapes: The increased resolution and dynamic range on the GM1 help resolve finer details in foliage and extended tonal gradation in skies.
- Low-light: The GM1 manages noise better at ISO 1600 or 3200, with cleaner shadows and subtle color retention.
- Flash Use: GF5’s built-in flash has a longer effective range (6.3m vs. GM1’s 4m), making it marginally better for fill-light portraits indoors.
Both cameras can yield excellent JPEG straight out of camera when exposure is spot on, but RAW processing on the GM1 shows more latitude, especially in shadow recovery.
Autofocus: Accuracy and Usability in the Real Shooting World
Both cameras feature 23 contrast-detection autofocus points with face detection and touch AF. Neither sports phase-detection, which limits AF speed compared to modern hybrids. However, user experience varies:
- GF5: Offers slightly slower continuous autofocus at 4 fps, with reliable focus locking in good light. AF tracking struggles moderately in rapidly changing subjects such as sports or wildlife.
- GM1: Slightly faster burst at 5 fps, with improved AF center point and multi-area tracking modes that feel more responsive thanks to some fine-tuning after GF5’s launch.
Neither camera features advanced animal eye-detection AF, but they handle human face detection competently, an important factor for portraitists.
In practical wildlife or sports shots, both cameras are limited by slower AF speed and buffer depth, but for street and travel photography, AF precision combined with touch-to-focus remains serviceable.
Build Quality and Environmental Robustness: Not the Rugged Warriors
Neither the GF5 nor GM1 offers weather sealing, dustproofing, or shock resistance. Both are plastic-heavy in their chassis design to maintain lightness and cost-effectiveness.
This means neither camera is ideally suited for extreme outdoor conditions or professional use demanding rugged reliability. A rain cover or protective case is advisable for landscape or wildlife shooters venturing into inclement weather.
Video Capabilities: Basic but Useful Full HD
Both cameras support 1080p Full HD recording at 60/50i fps for smooth motion, along with 720p and lower resolutions. They use MPEG-4 and AVCHD codecs - standard for their era.
Neither camera offers 4K or advanced video features like log profiles or headphone/microphone jacks, limiting audio control and post-production latitude. Built-in flash can interfere with shooting in video mode due to slow flash recycle and brightness shifts.
Both cameras lack in-body image stabilization, so relying on stabilized lenses or gimbals is necessary for smooth handheld shots. For casual video blogging or family recording, the GM1’s slightly improved autofocus tracking in video mode is a benefit.
Battery Life and Storage: Practical but Limited
- GF5: Rated for approximately 360 shots per battery charge.
- GM1: Rated at 230 shots, reflecting compromises made for compactness.
During extensive shooting sessions, the GF5’s larger battery noticeably outlasts the GM1, reducing the need for frequent swaps. Both use standard SD/SDHC/SDXC cards and have one storage slot.
Connectivity and Extras: Wireless Gains on the GM1
While the GF5 lacks any wireless features, the GM1 includes built-in Wi-Fi - an important modern convenience for quick image transfers and remote shooting via smartphone apps. This feature greatly enhances workflow flexibility for casual shooters and travel photographers.
Neither camera supports GPS, Bluetooth, or NFC.
Summing Up Performance Ratings
Based on comprehensive lab testing and real-world experience, here are the overall scores:
- Panasonic GF5: Mid-level performance with strong ergonomics and moderate image quality.
- Panasonic GM1: Improved sensor performance, higher resolution, wireless connectivity, but with compromised battery life and smaller body.
The genre-specific performance analysis reinforces these conclusions:
Photography-Specific Insights for Pros and Enthusiasts
Portrait Photography:
GM1’s higher resolution and nuanced color depth deliver superior skin tones and pleasing bokeh rendition. GF5’s longer flash range benefits indoor fill-flash situations, but GM1 wins for eye-detection reliability.
Landscape Photography:
Both cameras offer similar lens ecosystems, yet GM1’s better dynamic range and resolution provide an edge, especially in challenging light. Neither is weather-sealed, so bring adequate protection outdoors.
Wildlife and Sports:
AF speed and burst rates are modest on both, but GM1’s slight advantage may capture a few more decisive moments. Both fall short of professional action cameras but suffice for casual wildlife or sports snippets.
Street Photography:
GM1’s compactness and Wi-Fi make it a discreet, socially connected companion. GF5 is bulkier but offers sturdier handling to brace against quick spontaneous shots.
Macro Photography:
No specific macro features or in-camera stabilization, so rely heavily on stabilized lenses. Sensor resolution helps GM1 resolve fine details better.
Night and Astro Photo:
Neither model shines at very high ISO, but GM1’s cleaner low-light images open more creative possibilities. Lack of advanced modes like bulb and extended exposure is a limitation.
Video:
Basic but competent 1080p HD video on both. GM1 slightly better due to improved AF in video.
Travel Photography:
GM1’s size and wireless connectivity significantly favor it here, despite shorter battery life. GF5’s ergonomic grip makes longer street hikes more comfortable.
Professional Work:
Neither is designed as a prosumer workhorse; limited build robustness, lack of viewfinder, and modest buffer limit serious professional applications.
Lens Options and Ecosystem
Both cameras share the Micro Four Thirds mount, giving access to an extensive selection of lenses from Panasonic, Olympus, and third-party manufacturers - over 100 lenses and growing.
This versatility enables tailoring rigs to your preferred genre: fast primes for portraits, telephotos for wildlife, wide and macro for landscapes and close-up work.
Final Thoughts: Which Camera Suits Who?
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Choose the Panasonic GF5 if: You want a robust and user-friendly entry-level mirrorless with better ergonomics, longer battery life, and straightforward controls. It’s well-suited to beginners or casual photographers who prioritize handling and longer shooting time without the need for high-resolution imagery or wireless features.
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Choose the Panasonic GM1 if: You value extreme portability, higher image resolution, and built-in Wi-Fi for on-the-go sharing. It’s great for street photographers, travelers, and enthusiasts who can cope with a smaller grip and shorter battery life in exchange for an ultra-compact design and enhanced image quality.
In sum, the GF5 and GM1 exemplify Panasonic’s early Micro Four Thirds mirrorless philosophy: balance of imaging quality and portability, targeting different user preferences within entry-level mirrorless.
Whatever route you take, you don’t sacrifice sensor size or lens options, a testament to the system’s enduring strength. For those on a budget hunting a capable compact system camera for everything from portraits to casual wildlife shots, this side-by-side comparison should clarify which legacy Lumix best matches your style, priorities, and workflow.
Knowledge and hands-on testing remain our best guide - because at the end of the day, your camera should feel like an extension of your vision, not a limitation.
Panasonic GF5 vs Panasonic GM1 Specifications
Panasonic Lumix DMC-GF5 | Panasonic Lumix DMC-GM1 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GF5 | Panasonic Lumix DMC-GM1 |
Type | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2012-04-05 | 2013-12-19 |
Physical type | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | Venus Engine FHD | - |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | Four Thirds |
Sensor measurements | 17.3 x 13mm | 17.3 x 13mm |
Sensor surface area | 224.9mm² | 224.9mm² |
Sensor resolution | 12MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 4592 x 3448 |
Highest native ISO | 12800 | 25600 |
Lowest native ISO | 160 | 200 |
RAW format | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 23 | 23 |
Lens | ||
Lens support | Micro Four Thirds | Micro Four Thirds |
Amount of lenses | 107 | 107 |
Crop factor | 2.1 | 2.1 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 3" | 3" |
Screen resolution | 920 thousand dots | 1,036 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | TFT Color LCD with wide-viewing angle | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/4000s | 1/500s |
Highest silent shutter speed | - | 1/16000s |
Continuous shooting rate | 4.0 frames per second | 5.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.30 m | 4.00 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | 1/160s | 1/50s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60, 50 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 24p), 1280 x 720p (60p, 50p), 640 x 480 (30p, 25p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 267 gr (0.59 lbs) | 204 gr (0.45 lbs) |
Dimensions | 108 x 67 x 37mm (4.3" x 2.6" x 1.5") | 99 x 55 x 30mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO All around rating | 50 | 66 |
DXO Color Depth rating | 20.5 | 22.3 |
DXO Dynamic range rating | 10.0 | 11.7 |
DXO Low light rating | 573 | 660 |
Other | ||
Battery life | 360 photographs | 230 photographs |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec, 10 sec (3 images)) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Cost at launch | $600 | $750 |