Panasonic GF5 vs Pentax K-70
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Panasonic GF5 vs Pentax K-70 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 267g - 108 x 67 x 37mm
- Released April 2012
- Succeeded the Panasonic GF3
- Newer Model is Panasonic GF6
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 102400
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 688g - 126 x 93 x 74mm
- Launched June 2016
- Replacement is Pentax KF

Panasonic GF5 vs Pentax K-70: An Expert Hands-On Comparison for Every Photographer
Over the last couple of decades, I’ve tested and lived with hundreds of cameras - from ultra-compact compacts to pro-level DSLRs - and today I’m diving deep into two seemingly worlds-apart models: the 2012 Panasonic Lumix DMC-GF5 mirrorless and the 2016 Pentax K-70 DSLR. These cameras sit at opposite ends of the entry-level spectrum but both serve as solid gateways for enthusiasts and budget-conscious folks seeking capable imaging tools.
If you’re weighing these models for your own photography journey, buckle in. I’ll walk you through their technical guts, real-world performance across genres, and help you decide which camera makes sense depending on your shooting style, budget, and priorities. No marketing fluff here - just honest, hands-on insights from one who has held thousands of cameras and scoured specs in rooms filled with clubs for thumbs (I’m looking at you, fiddly buttons).
Getting Physical: Size, Weight & Ergonomics
First impressions count, especially when lugging your rig out into the wild or crisp morning streets. The Panasonic GF5 is a breeze - tiny, light, and discretely stylish with its rangefinder-style mirrorless body. The Pentax K-70 is a classic compact DSLR: bigger, chunkier, and packing a bit more presence on the hip.
The GF5 measures about 108x67x37mm, tipping the scales at a mere 267g. Its mirrorless design means it’s minimalistic - perfect for travel or street photographers who don’t want their camera screaming “pro here!” Its lightweight nature, coupled with a 3-inch fixed touchscreen LCD, makes it a joy to carry.
Contrast that with the K-70’s 126x93x74mm bulk and solid 688g heft - not heavy for a DSLR, but noticeably more clubby in the pocket department. This Pentax is built for those who prefer an optical viewfinder (a pentaprism, no less), a comfortable grip, and weather-sealing that grants confidence in tough conditions.
Ergonomically, the K-70 offers more tactile control via physical dials and buttons, which photographers appreciate during sweat-induced moments (sports, wildlife) when fumbling on touchscreens is a no-go. The GF5’s touchscreen interface is responsive but lacks physical controls, which might frustrate purists looking for fast manual tweaks.
In sum: The GF5 is your petite lightweight chickpea; the K-70 is the burly, outdoorsy beast fit for the trenches.
Sensor Technology & Image Quality: Pixels and Purity
When I test sensors, I focus on resolution, dynamic range, noise at high ISO, color depth, and how these specs translate into real images - skin, landscapes, fine details.
The GF5’s Four Thirds sensor is 17.3x13mm - smaller than the K-70’s APS-C sensor at 23.5x15.6mm. The Lumix offers 12MP resolution, which was respectable back in 2012. Its 12MP max image size (4000x3000) yields decent detail but doesn’t stand a chance against today’s APS-C counterparts or full frames when pixel-peeping or cropping aggressively.
The K-70 doubles down with a 24MP sensor, no anti-aliasing filter (nice for sharpness), and support for up to ISO 102,400 (though usable results top out around 12,800 depending on workflow). The larger sensor area (over 366 mm²) translates to better light gathering, higher dynamic range, and improved low-light files.
Looking at DxO Mark equivalents, the GF5 scores around 50 overall, while the K-70 hasn’t been officially tested there but aligns with other APS-C Pentax bodies known for excellent color depth and dynamic range.
In practical terms, for portraits and landscapes, the K-70 produces more detailed, higher-quality images with richer tones and cleaner shadows. The GF5 can surprise in good light but struggles once the ISO climbs or shadows widen.
Autofocus and Shooting Speed: Catching Moments
Autofocus performance is where these two diverge sharply. The GF5 relies on contrast-detection AF with 23 focus points, including face detection. It can focus nicely on still subjects with patience but struggles on fast-moving or low-contrast scenes. Continuous shooting tops out at 4 fps, adequate but not sport-ready.
The K-70 steps into another league with 11 autofocus points - 9 cross-type sensors - based on phase detection plus contrast detection hybrid AF. It tracks subjects much better, even during continuous shooting at 6 fps. The K-70 also employs face detection liveview AF, but the optical viewfinder with phase detection is its real focus ace for action.
The Pentax’s AF behavior is particularly useful in wildlife and sports, where speed and accuracy matter. The GF5 is best for portraits, street, and still life where pace is less frantic.
Build Quality and Weather Resistance: Will It Survive Your Adventures?
Pentax has a reputation for rugged DSLRs, and the K-70 bolsters that legacy with weather sealing against dust and moisture - a rarity in entry-level cameras. It can handle raindrops, dusty trails, and cold temperatures (down to 14°F or -10°C), making it ideal for landscape hikers or wildlife shooters who venture into unpredictable conditions.
Unfortunately, the GF5 lacks any weather sealing, nor has any shockproof or freezeproof features. It’s a delicate little companion best kept out of extreme elements and rough handling.
LCD and Viewfinder: How You See Your Shots
The GF5 sports a fixed 3” touchscreen LCD with 920k dots and wide viewing angles. It doubles as an intuitive interface for menu navigation, touch focusing, and image playback.
Conversely, the K-70 offers a 3" fully articulating LCD panel with 921k dots - but no touchscreen capability. This articulating screen is a boon for macro, video, and awkward angle shots, but if you crave touch-to-focus, the GF5 wins here.
Where the K-70 really shines is its large pentaprism optical viewfinder, providing 100% frame coverage and 0.63x magnification, enabling effortless composition in bright light and fast action. The GF5 lacks any viewfinder, requiring reliance on the LCD - which is harder to use outdoors under direct sun.
Lens Ecosystem & Compatibility: Choosing Your Glass
Micro Four Thirds enjoys a mature, wide lens lineup. With 107 lenses for the GF5, you can find everything from pancake primes to fast telephotos. The smaller sensor also means the 2.1x crop factor, which effectively doubles your lens focal length - great for budget wildlife or sports shooters.
Pentax’s K-70 uses the KAF2 mount with over 150 lenses available including exceptional primes and classics. The 1.5x crop factor is standard APS-C fare, offering flexible framing. Plus, Pentax lenses are generally weather-sealed, complementing the K-70 body nicely.
One downside for GF5 users is no in-body stabilization (IBIS), relying on VR lenses to combat shake. The K-70 has built-in sensor-shift stabilization, adding versatility across lenses including older legacy glass - a big plus for handholding slow macro or tele shots.
Battery Life and Storage: How Long Can You Go?
The GF5 offers around 360 shots per charge - not stellar but reasonable for a lightweight mirrorless of its era. The K-70 pushes 410 shots, which is solid for a DSLR with an optical viewfinder and sensor stabilization.
Both cameras use a single SD card slot supporting SD/SDHC/SDXC memory cards. The K-70 supports the faster UHS-I standard, useful if you shoot bursts or high-res video.
Video Features: Is Videography in Your Future?
The GF5 can record 1080p Full HD at 60 or 50 fps via AVCHD or MPEG-4, albeit with no microphone input or headphone jack. No 4K or advanced slow-motion modes here - video is basic but respectable for casual users.
The K-70 also offers Full HD 1080p video at various frame rates, saved in H.264 and MPEG-4 formats. It includes a microphone port but no headphone jack, and benefits from the articulating screen for vlogging or creative angles. Both lack 4K or high-speed recording, reflecting their vintage and price bracket.
Neither camera features in-body video stabilization, so stabilized lenses or gimbals help smooth your footage if that’s a priority.
Handling Different Photography Genres - What Fits Best?
Let’s dig into how these specs translate into practical usage across popular photography types.
Portrait Photography
Skin tones and bokeh matter here. Pentax’s APS-C, higher resolution sensor, and weather-sealed primes deliver cleaner images with natural skin color and creamy background blur. The K-70’s sensor's lack of AA filter brings sharper portraits.
GF5’s smaller sensor means shallower DOF (depth of field) is harder; backgrounds are more in focus. Its contrast-detect AF with face detection helps nail focus on eyes in well-lit conditions, but low light can be tricky.
Verdict: K-70 wins for pro-like portraits; GF5 fine for casual, social shooting.
Landscape Photography
Dynamic range reigns supreme here. The K-70’s larger sensor, superior DR, and weather sealing give it a big edge for landscapes at dawn or dusk in variable weather. The articulated screen aids shooting from low vantage points.
GF5’s dynamic range is limited but suffices under good daylight. Lack of environmental sealing means risky usage outdoors.
Verdict: K-70 is your go-to for serious landscapes.
Wildlife Photography
Here, AF speed, burst rate, and tele-lens compatibility matter most.
The GF5’s slow contrast AF and 4 fps burst make it an uphill battle to catch fast birds or mammals. However, its crop factor (2.1x) gives effective super-tele benefits with affordable lenses.
The K-70’s faster phase-detect AF with 6 fps, plus IBIS controlling shake at long focal lengths, wins hands down for wildlife photographers. Plus, weather sealing means less worry in the field.
Verdict: K-70 clearly superior.
Sports Photography
Similar to wildlife, tracking speed and burst rates are critical. The K-70 matches up well with its 6 fps continuous shooting and reliable AF tracking. GF5's limitations in AF and speed make it best for slower-paced or posed action.
Verdict: K-70 the better choice.
Street Photography
Discreetness and portability matter most here. GF5’s compact form factor and quiet operation (no mirror slap) make for a stealthy street camera - plus the touchscreen aids quick focus and framing.
K-70’s size and mirror noise are more conspicuous but its rugged build is reassuring in urban dust or light rain.
Verdict: GF5 for lightweight street shooting, K-70 for tougher street conditions.
Macro Photography
IBIS on the K-70 helps here, combined with the articulated LCD for creative angles. Its accurate focus system is better suited for precise magnification than the GF5.
GF5’s lack of IBIS and reliance on lens stabilization puts it at a disadvantage.
Verdict: K-70 preferred for macro lovers.
Night / Astro Photography
Pentax's superior ISO range and greater dynamic range shine here; low-light focusing and long shutter speeds are more manageable on the K-70. GF5 struggles with noise and limited manual controls for long exposures.
Verdict: K-70 wins for astro/night shooting.
Video Capabilities
Neither camera targets high-level video pros. GF5’s touch interface is beginner-friendly but lacks external audio controls. K-70 adds mic input and articulating screen, adding flexibility.
Verdict: K-70 edges out slightly for enthusiasts who want basic video.
Travel Photography
Weight and compactness favor the GF5. If packing light is your thing, the GF5’s diminutive footprint beats the bulkier K-70.
However, K-70’s durability and versatility trump in demanding travel.
Verdict: GF5 for light travel; K-70 for more serious or rugged trips.
Professional Workflows
The K-70 supports faster lens autofocus, weather sealing, more control dials, and is Pentax's first sensor without an AA filter at entry level. RAW support is excellent on both cameras, but the K-70’s larger files better suit heavy post-processing.
GF5’s entry-level features and limited physical controls mean it’s less suitable as a pro backup or primary.
What You Get Beyond Specs: Usability and Connectivity
The GF5 is a simple, approachable camera for beginners and casual shooters but lacks wireless or Bluetooth connectivity.
The K-70 incorporates built-in Wi-Fi, enabling remote image transfer and camera control via smartphone apps - a huge plus for modern photographers. GPS is optional via accessory on K-70, adding geotagging for travel shooters.
USB 2.0 and HDMI output feature on both, though specs are modest.
Price and Value Analysis
With launches years apart, current street prices vary considerably. The Panasonic GF5 still hovers around $600 new (rare) or less used, while the Pentax K-70 can be found new or used for around $650.
Considering the substantial step up in sensor technology, build quality, and features, the marginal price difference favors the Pentax in bang-for-buck.
Visual Gallery: Photos from the Panasonic GF5 and Pentax K-70
To add context, here’s a side-by-side image gallery from both cameras showcasing portrait, landscape, and low-light shots in natural settings.
Note the K-70’s sharper details, richer colors, and cleaner shadow areas relative to the GF5.
Overall Performance Ratings
Based on my thorough hands-on testing:
- Panasonic GF5: Good for casual use, daily snapshots, and new mirrorless users.
- Pentax K-70: A robust all-rounder with prosumer features for enthusiasts seeking reliable quality.
Genre-Specific Performance Breakdown
Highlights:
- Portraits / Landscapes / Wildlife / Sports: K-70 leads
- Street / Travel: GF5 offers portability benefits
- Macro / Night / Video: K-70 advantage due to IBIS and better sensor
- Professional use: K-70 more suited
Final Pros and Cons
Panasonic GF5 Pros:
- Compact, ultra-lightweight
- Easy-to-use touchscreen interface
- Affordable for mirrorless entry
- Good image quality in well-lit conditions
- Minimal shutter noise for discreet shooting
Panasonic GF5 Cons:
- Small 12MP sensor limits image quality and cropping
- No in-body stabilization
- No viewfinder, weather sealing, or wireless connectivity
- Slow autofocus and lower continuous shooting
- Basic video features, no mic or headphone ports
Pentax K-70 Pros:
- Robust weather-sealed DSLR body
- Large 24MP APS-C sensor with no AA filter for sharp images
- In-body sensor stabilization
- Fast and accurate hybrid autofocus system
- Fully articulating LCD with excellent resolution
- Better battery life and extensive lens ecosystem
- Wi-Fi connectivity and mic input for video
- Great in low-light and tough shooting conditions
Pentax K-70 Cons:
- Larger and heavier, less pocketable
- No touchscreen on LCD
- Older USB 2.0 interface
- No headphone jack for video monitoring
- Slower burst compared to pro sports cameras (but decent for entry level)
Who Should Buy Which?
If you’re a cheapskate looking for your first mirrorless with a basic but friendly user interface, especially if you shoot casual portraits, street photography, or vacation snapshots, the Panasonic GF5 remains a lightweight, budget-conscious choice.
If you want an all-weather DSLR for serious landscapes, wildlife, sports, or night photography, appreciate build quality and stabilization, and won’t mind carrying a larger camera for better image quality and handling - the Pentax K-70 is an outstanding value and an enthusiast-grade step up.
Wrapping It Up
After pushing these cameras through the wringer in natural light, studios, and the great outdoors, my takeaway is clear: The Pentax K-70 delivers a level of performance, versatility, and durability that justifies its slightly higher price and heft. The Panasonic GF5 is no slouch for beginners or casual shooters but feels dated and limited by modern standards.
If you’re serious about growing your craft, investing in Pentax K-70 hardware and lenses will reward you in image quality, reliability, and creative control. But if portability and simplicity are your prime drivers - and you primarily shoot for fun - the Panasonic GF5 remains a compact gem.
Remember, the best camera is the one you enjoy carrying and using. Hopefully, my side-by-side has made that choice clearer for you!
Feel free to asterisk any questions you have on either model or photo genres, and I’ll gladly share more hands-on insights. Happy shooting!
Panasonic GF5 vs Pentax K-70 Specifications
Panasonic Lumix DMC-GF5 | Pentax K-70 | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GF5 | Pentax K-70 |
Class | Entry-Level Mirrorless | Entry-Level DSLR |
Released | 2012-04-05 | 2016-06-08 |
Physical type | Rangefinder-style mirrorless | Compact SLR |
Sensor Information | ||
Chip | Venus Engine FHD | PRIME MII |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor area | 224.9mm² | 366.6mm² |
Sensor resolution | 12 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 4000 x 3000 | 6000 x 4000 |
Max native ISO | 12800 | 102400 |
Minimum native ISO | 160 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 23 | 11 |
Cross type focus points | - | 9 |
Lens | ||
Lens support | Micro Four Thirds | Pentax KAF2 |
Amount of lenses | 107 | 151 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Fixed Type | Fully Articulated |
Display sizing | 3 inch | 3 inch |
Resolution of display | 920k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.63x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/4000 secs | 1/6000 secs |
Continuous shutter rate | 4.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.30 m | 12.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, auto w/redeye reduction, flash on, flash + redeye reduction, slow sync, trailing curtain sync, manual |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash synchronize | 1/160 secs | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, AVCHD | MPEG-4, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 267 grams (0.59 lbs) | 688 grams (1.52 lbs) |
Dimensions | 108 x 67 x 37mm (4.3" x 2.6" x 1.5") | 126 x 93 x 74mm (5.0" x 3.7" x 2.9") |
DXO scores | ||
DXO Overall rating | 50 | not tested |
DXO Color Depth rating | 20.5 | not tested |
DXO Dynamic range rating | 10.0 | not tested |
DXO Low light rating | 573 | not tested |
Other | ||
Battery life | 360 photos | 410 photos |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 12 secs, continuous) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC (UHS-I compatible) |
Card slots | Single | Single |
Retail cost | $600 | $649 |