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Panasonic GF5 vs Sony NEX-5N

Portability
89
Imaging
48
Features
54
Overall
50
Panasonic Lumix DMC-GF5 front
 
Sony Alpha NEX-5N front
Portability
89
Imaging
56
Features
69
Overall
61

Panasonic GF5 vs Sony NEX-5N Key Specs

Panasonic GF5
(Full Review)
  • 12MP - Four Thirds Sensor
  • 3" Fixed Display
  • ISO 160 - 12800
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 267g - 108 x 67 x 37mm
  • Released April 2012
  • Replaced the Panasonic GF3
  • New Model is Panasonic GF6
Sony NEX-5N
(Full Review)
  • 16MP - APS-C Sensor
  • 3" Tilting Display
  • ISO 100 - 25600
  • 1920 x 1080 video
  • Sony E Mount
  • 269g - 111 x 59 x 38mm
  • Launched October 2011
  • Superseded the Sony NEX-5
  • Renewed by Sony NEX-5R
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone

Panasonic Lumix GF5 vs Sony Alpha NEX-5N: An Exhaustive Entry-Level Mirrorless Comparison

Selecting an entry-level mirrorless camera often involves balancing cutting-edge features, sensor performance, handling, and system versatility within a modest budget. The Panasonic Lumix GF5 and Sony Alpha NEX-5N - both prominent offerings from the early 2010s - continue to attract interest for their blend of portability and capable imaging performance. Having rigorously tested both cameras across varied photographic disciplines and operational real-world scenarios, this article delves deeply into their mechanical design, sensor technology, autofocus systems, and more. Our aim is to empower photography enthusiasts and professionals with a clear understanding of how these two models measure up, helping inform purchasing or upgrade decisions.

Panasonic GF5 vs Sony NEX-5N size comparison

Form Factor and Ergonomics: Handling for All-Day Use

The Panasonic GF5 and Sony NEX-5N both adopt a rangefinder-style mirrorless form factor prioritizing compactness, but their physical dimensions and control layouts differ subtly, affecting handling and user comfort.

  • Panasonic GF5: Measuring 108 x 67 x 37 mm and weighing 267g, the GF5 is impressively pocketable. The chassis is constructed with smooth, rounded edges and a modest grip. While very portable, its diminutive size challenges photographers with larger hands, sometimes making manual control adjustments less intuitive during extended use.

  • Sony NEX-5N: Slightly larger at 111 x 59 x 38 mm with a marginally heavier 269g body, the 5N compensates with a more pronounced grip and a flatter top plate accommodating more button real estate. This layout promotes better balance with longer lenses and improved tactile feedback. The reduced body depth arguably helps with carry convenience despite the taller form.

The ergonomic distinctions become clear when considering varied hand sizes, glove use, or one-handed shooting situations. Neither camera features illuminated buttons or extensive weather sealing, which limits durability under adverse conditions.

Panasonic GF5 vs Sony NEX-5N top view buttons comparison

On the control front, the GF5 opts for simplicity, including a touchscreen interface that facilitates direct focus point selection. However, the lack of an electronic viewfinder (EVF) can hinder composition in bright sunlight. In contrast, the NEX-5N offers an optional external EVF, a niche feature that can enhance framing precision. Both models lack fully articulating screens but the NEX 5N includes a tilting LCD panel (up 80°, down 45°) - beneficial for unconventional compositions and candid shooting angles. The GF5’s fixed TFT screen balances resolution and viewing angles well, though its 3” display size is standard for the category.

Sensor Architecture and Image Quality: The Heart of Photography

At the core of any camera comparison lies sensor technology, which heavily impacts resolution, low-light capabilities, dynamic range, and overall image rendition.

Panasonic GF5 vs Sony NEX-5N sensor size comparison

  • Panasonic GF5: Utilizes a 12.1 MP Four Thirds sensor measuring 17.3 x 13.0 mm with a 2.1x crop factor. The sensor integrates a CMOS architecture with an anti-aliasing filter to mitigate moiré. According to DxO Mark benchmarks, it scores a composite 50 points overall, offering respectable color depth at 20.5 bits and a dynamic range near 10 EV at base ISO. Low-light ISO performance is limited, with usable output around ISO 573 before noticeable noise degradation.

  • Sony NEX-5N: Features a larger 16.1 MP APS-C sensor sized 23.4 x 15.6 mm with a lower 1.5x crop factor. By leveraging an inherently bigger sensor area (365 mm² versus the GF5’s 225 mm²) and higher pixel count, the Sony secures an overall DxO Mark score of 77, with superior color depth of 23.6 bits, wider dynamic range of 12.7 EV, and enhanced high ISO usability - low light sensitivity rated at ISO 1079. The NEX-5N’s sensor responds more favorably in challenging lighting and retains finer detail.

Practically, this translates into cleaner images with better tonal gradations and highlight handling on the Sony - especially important for landscape and portrait work where dynamic range determines retouching latitude. The Panasonic’s Four Thirds sensor, despite its smaller size, still produces sharp and vibrant images aided by the mature Venus Engine FHD processor but falls behind in noise resilience.

Autofocus Systems Under the Microscope: Precision and Responsiveness

Autofocus remains a defining factor for many shooters, particularly for genres demanding speed, accuracy, or tracking capability.

  • Panasonic GF5: Employs a contrast-detection AF system with 23 focus points. It supports face detection, continuous, single, tracking, and selective AF modes, supplemented by touch-focused AF via the LCD. Its AF system performs adequately for casual shooting and still subjects in good light but occasionally falters with fast-moving targets or in low contrast environments.

  • Sony NEX-5N: Also contrast-detection-based, features 25 AF points and comprehensive multi-area AF modes, including facial detection. While lacking phase-detection or hybrid AF - which were later integrated in successors - its system is noticeably snappier than GF5’s, offering 10 fps burst shooting, favoring sports and wildlife enthusiasts who demand quick capture sequences.

Neither camera offers animal eye AF, a recent advancement absent in early mirrorless designs. Testing confirms Sony’s AF provides more dependable single shot acquisition and continuous focus continuity but with limitations in tracking dynamic subjects over extended frames.

Build Quality and Environmental Resistance: Durability Assessment

Neither camera boasts weather sealing, dustproofing, or robust shockproof features common in contemporary mirrorless releases. Both are designed as lightweight travel and everyday shooters rather than rugged outdoor tools.

  • The GF5’s plastic construction is solid yet feels less premium, manifesting slight creaks after prolonged handling.
  • The NEX-5N utilizes a more metal-heavy chassis, enhancing durability without a significant weight penalty.

Given the lack of environmental sealing, protective measures such as rain covers are advisable for outdoor work under unpredictable conditions.

LCD Screen and Viewfinder Experience: Framing and Playback

Panasonic GF5 vs Sony NEX-5N Screen and Viewfinder comparison

As touched upon, the GF5 and NEX-5N use comparably sized 3-inch, 920k-dot resolutions TFT LCDs, but their articulation and viewing angles contrast sharply.

  • The GF5’s fixed screen offers sharp image review and touch input capabilities but hampers creative shooting angles – an important drawback for macro or street photographers who benefit from screen flexibility.
  • The NEX-5N’s tilting screen is superior in versatility for waist-level or overhead compositions, enhancing usability in dynamic environments.

Neither features built-in electronic viewfinders, with Sony offering an optional add-on EVF that trims some of the frame-rate lag inherent to LCD-only framing.

Lens Ecosystem and System Flexibility

Lens choice is fundamental to the photographic experience and workflow adaptability.

  • Panasonic GF5: Leverages the Micro Four Thirds mount, a mature, versatile platform with over 107 lens options spanning primes, zooms, and specialty optics. The 2.1x crop factor amplifies telephoto reach but limits ultra-wide angle utility. Image stabilization is generally lens-based in this system, as the GF5 body lacks in-body stabilization, which may influence handheld performance.

  • Sony NEX-5N: Supports the Sony E mount with around 121 native lenses covering focal ranges and apertures from multiple manufacturers. Its APS-C sensor crop (1.5x) balances moderate telephoto extension with wide angle capabilities. While the camera body also lacks in-body image stabilization, later lenses incorporate optical image stabilization. The NEX system’s larger sensor can better exploit fast/aperture optics for creative depth of field control.

Lens ecosystem depth, quality, and cost will inform system longevity; both mounts offer excellent third-party support and low-light optics.

Continuous Shooting and Buffer Performance for Action Genres

Burst rates and buffer sizes impact sports, wildlife, and event photography, where decisive moments require fast repeated captures.

  • Panasonic GF5: Caps burst shooting at a modest 4 fps using contrast-detection AF. The buffer limits sustained shooting to roughly 10 JPEG frames before slowing, constraining utility in fast-paced sequences.

  • Sony NEX-5N: Nearly triples this capability, shooting at 10 fps (though AF tracking is disabled in high-speed mode), supporting better burst shooting workflows ideal for wildlife and sports. Buffer size permits up to 15-20 JPEG frames at this speed.

This difference underscores Sony’s advantage for photographers requiring rapid continuous captures at entry-level.

Video Capability and Multimedia Integration

Both cameras deliver full HD video recording, yet implementation nuances differ.

  • Panasonic GF5: Offers AVCHD and MPEG-4 video options at up to 1920x1080 resolution and 60/50 fps frame rates. It includes in-camera contrast-detection autofocus during recording but lacks external microphone input, limiting audio quality realism for dedicated video shooters. Video stabilization is absent, relying on lens OIS if available.

  • Sony NEX-5N: Records in AVCHD up to 1080p at 60 fps as well. It lacks built-in stabilization and external mic ports but benefits from a more responsive AF during video capture. Additionally, it supports Eye-Fi wireless card compatibility, facilitating wireless image transfer - appealing for social media or workflow efficiency.

Both cameras fall short of provisions for 4K or advanced video features by modern standards, though adequate for casual videography.

Battery Life and Storage Convenience

  • Battery endurance: The Panasonic GF5 delivers roughly 360 shots per charge as per CIPA standards, adequate for day trips but requiring spares for extended sessions. The NEX-5N improves on this with approximately 460 shots per charge - most notable for mirrorless models of its vintage.

  • Storage: Both accept SD/SDHC/SDXC cards, with the NEX-5N uniquely supporting Sony’s proprietary Memory Stick formats for legacy use. Single card slots necessitate mindful management, as overflow workflows common in professional shooting aren’t optimized.

Genre-Specific Performance Summary: Strengths and Limitations Across Photography Types

Evaluating both cameras across multiple photographic disciplines reveals nuanced suitability profiles:

Portraiture

  • Sony NEX-5N: Larger sensor enables shallower depth-of-field and smoother bokeh quality, enhancing subject isolation. Slight edge in flesh tone rendering due to superior color depth.
  • Panasonic GF5: Acceptable for casual portraits but Four Thirds sensor restricts background separation; lack of eye-detection AF can hinder pinpoint focus in critical portraits.

Landscape Photography

  • Sony NEX-5N: Dynamic range superiority preserves highlights and shadows, beneficial in high-contrast scenes. Slightly higher resolution sensors afford greater print enlargement potential.
  • Panasonic GF5: Solid images with vibrant color but narrower dynamic range necessitates careful exposure bracketing.

Wildlife / Sports

  • Sony NEX-5N: Higher burst rate and faster autofocus edges this model for tracking fast-moving subjects, though still limited by contrast only AF.
  • Panasonic GF5: Slower burst and AF restrict capabilities for action photography.

Street Photography

  • Panasonic GF5: Compact form and quiet operation favor candid capturing. Touchscreen focus adds discreetness.
  • Sony NEX-5N: Larger with tilt LCD adding compositional creativity, though less inconspicuous.

Macro Photography

  • Both cameras lack built-in focus stacking or post-focus modes; macro results rely heavily on lens choice and manual technique. Tilting LCD on NEX-5N facilitates precise framing.

Night and Astrophotography

  • Sony NEX-5N: Larger sensor and superior ISO performance yield cleaner night shots.
  • Panasonic GF5: Performance adequate but image noise escalates quickly beyond ISO 800.

Video

  • Similar Full HD resolutions; Panasonic’s touch AF provides smoother transitions. Both cameras limited for enthusiasts seeking advanced video controls.

Travel and General Use

  • Both excel in portability, but Panasonic’s smaller size plus touchscreen controls may edge accessibility for casual travelers.
  • NEX-5N’s superior battery life and tilt screen support diversified shooting.

Professional Contexts

  • Neither camera targets professional-grade durability or extended operation. Limited file format options and weaker buffering speed caution against professional event use.

Final Evaluations and Recommendations

Panasonic Lumix GF5

The GF5 is oriented toward entry-level photographers who prioritize compactness and intuitive touchscreen controls for everyday photography. Its Micro Four Thirds sensor, while smaller, produces pleasing images in favorable lighting, and the vast lens array yields creative flexibility. The omission of an EVF and relatively slow burst speeds suggest compromises for ambition in sports or wildlife photography. Video shooters may find the lack of microphone input inhibitive.

Recommended for:

  • Beginners seeking a pocketable, easy-to-use mirrorless system
  • Casual portrait, street, and travel photographers valuing compactness over speed
  • Budget-conscious buyers emphasizing straightforward stills with occasional video

Sony Alpha NEX-5N

Offering a larger APS-C sensor with superior dynamic range and low-light performance, the NEX-5N appeals to enthusiasts aiming for image quality with greater versatility across genres. The faster autofocus, tilt LCD, and higher burst rate broaden creative possibilities, although absence of in-body stabilization and video input/output limits video professionals. Its robust lens ecosystem and longer battery life enhance workflow flexibility.

Recommended for:

  • Amateur and enthusiast photographers requiring improved image quality and speed
  • Landscape and portrait shooters benefiting from enhanced dynamic range
  • Wildlife and sports photographers who prioritize burst performance
  • Users desiring more flexible screen articulation and optional EVF support

Conclusion: Choosing Between Two Reliable Legacy Entrants

The Panasonic GF5 and Sony NEX-5N embody foundational milestones in the democratization of mirrorless camera technology. While technologically dated by 2024 standards, their enduring appeal lies in their balance of portability, image quality, and accessible features. Deciding between these models hinges primarily on sensor size preference, autofocus responsiveness, and handling - plus specific use case requirements such as burst shooting or screen articulation.

For those prioritizing editorial image quality, dynamic range, and action capability, the Sony NEX-5N proves the more capable tool. Conversely, photographers valuing compact size, portability, and an intuitive touchscreen interface may find the Panasonic GF5 a pleasant companion.

Both cameras warrant consideration depending on budget, shooting style, and whether system lens ecosystems align with current or future photographic goals.

Panasonic GF5 vs Sony NEX-5N Specifications

Detailed spec comparison table for Panasonic GF5 and Sony NEX-5N
 Panasonic Lumix DMC-GF5Sony Alpha NEX-5N
General Information
Manufacturer Panasonic Sony
Model Panasonic Lumix DMC-GF5 Sony Alpha NEX-5N
Category Entry-Level Mirrorless Entry-Level Mirrorless
Released 2012-04-05 2011-10-03
Body design Rangefinder-style mirrorless Rangefinder-style mirrorless
Sensor Information
Chip Venus Engine FHD Bionz
Sensor type CMOS CMOS
Sensor size Four Thirds APS-C
Sensor measurements 17.3 x 13mm 23.4 x 15.6mm
Sensor surface area 224.9mm² 365.0mm²
Sensor resolution 12 megapixel 16 megapixel
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 3:2 and 16:9
Highest Possible resolution 4000 x 3000 4912 x 3264
Maximum native ISO 12800 25600
Minimum native ISO 160 100
RAW files
Autofocusing
Focus manually
AF touch
Continuous AF
AF single
AF tracking
AF selectice
AF center weighted
AF multi area
Live view AF
Face detect AF
Contract detect AF
Phase detect AF
Number of focus points 23 25
Lens
Lens mounting type Micro Four Thirds Sony E
Amount of lenses 107 121
Focal length multiplier 2.1 1.5
Screen
Display type Fixed Type Tilting
Display diagonal 3 inch 3 inch
Resolution of display 920 thousand dot 920 thousand dot
Selfie friendly
Liveview
Touch capability
Display tech TFT Color LCD with wide-viewing angle Tilt Up 80°, Down 45° TFT LCD
Viewfinder Information
Viewfinder None Electronic (optional)
Features
Min shutter speed 60 seconds 30 seconds
Max shutter speed 1/4000 seconds 1/4000 seconds
Continuous shutter speed 4.0fps 10.0fps
Shutter priority
Aperture priority
Expose Manually
Exposure compensation Yes Yes
Custom WB
Image stabilization
Inbuilt flash
Flash range 6.30 m 12.00 m
Flash modes Auto, On, Off, Red-Eye, Slow Sync Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in
External flash
Auto exposure bracketing
White balance bracketing
Max flash sync 1/160 seconds 1/160 seconds
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 1920 x 1080 (60, 50 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 640 x 480 (30 fps)
Maximum video resolution 1920x1080 1920x1080
Video format MPEG-4, AVCHD AVCHD
Microphone input
Headphone input
Connectivity
Wireless None Eye-Fi Connected
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 267 gr (0.59 lbs) 269 gr (0.59 lbs)
Physical dimensions 108 x 67 x 37mm (4.3" x 2.6" x 1.5") 111 x 59 x 38mm (4.4" x 2.3" x 1.5")
DXO scores
DXO Overall score 50 77
DXO Color Depth score 20.5 23.6
DXO Dynamic range score 10.0 12.7
DXO Low light score 573 1079
Other
Battery life 360 pictures 460 pictures
Style of battery Battery Pack Battery Pack
Battery model - NPFW50
Self timer Yes (2 or 10 sec, 10 sec (3 images)) Yes (2 or 10 sec, 10sec (3 images))
Time lapse shooting
Type of storage SD/SDHC/SDXC SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo
Storage slots 1 1
Cost at release $600 $550