Panasonic GF5 vs Sony a5100
89 Imaging
48 Features
54 Overall
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89 Imaging
65 Features
74 Overall
68
Panasonic GF5 vs Sony a5100 Key Specs
(Full Review)
- 12MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 267g - 108 x 67 x 37mm
- Launched April 2012
- Replaced the Panasonic GF3
- Successor is Panasonic GF6
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600
- 1920 x 1080 video
- Sony E Mount
- 283g - 110 x 63 x 36mm
- Revealed August 2014
- Previous Model is Sony a5000

Panasonic GF5 vs Sony a5100: A Deep Dive into Two Entry-Level Mirrorless Cameras
Selecting an entry-level mirrorless camera is a pivotal choice for many photographic enthusiasts and professionals seeking a compact but capable imaging tool. The Panasonic Lumix DMC-GF5 and the Sony Alpha a5100 represent two important milestones in this segment’s evolution, released in 2012 and 2014 respectively. Both offer distinct design philosophies, sensor technologies, and features tailored to early adopters venturing beyond compact cameras while balancing affordability.
This comprehensive comparison analyzes these two cameras across a broad spectrum of photographic disciplines, pairing detailed technical appraisal with practical usage insights derived from extensive hands-on testing and benchmarking. The goal is to empower readers with nuanced knowledge to align their choice with personal shooting goals and workflows.
Understanding the Core Design and Ergonomics
Build and Handling
The Panasonic GF5 embraces a classic rangefinder-style mirrorless body with a compact, lightweight form factor measuring 108 x 67 x 37 mm and weighing 267 grams. Its minimalist footprint appeals to users prioritizing portability, especially street and travel photographers.
In contrast, the Sony a5100 holds slightly larger dimensions (110 x 63 x 36 mm) and weighs 283 grams, reflecting minor ergonomic expansion to accommodate a tilting screen and an extensive autofocus array. Despite the modest weight increase, it remains highly pocketable and competitive within the entry-level mirrorless field.
Control Layout and Interface
Neither camera sports a dedicated electronic viewfinder, simplifying the design but depending heavily on rear LCD interfaces. The GF5 features a fixed 3-inch TFT LCD with a 920k-dot resolution and touchscreen input, focusing on simplicity. The Sony a5100 upgrades this with a tilting 3-inch screen offering 922k-dot resolution and touch capabilities, enabling more versatile shooting angles, including low and high perspectives advantageous in street and macro contexts.
Neither incorporates illuminated buttons or top plate LCDs, positioning them as user-friendly models with fewer manual dials or control customizations.
Battery Life and Storage
Pragmatically, the Sony a5100 offers a slight edge in battery endurance, rated for approximately 400 shots per charge compared to the GF5’s 360. Both utilize proprietary rechargeable batteries housed internally, paired with a single SD card slot (supporting SD/SDHC/SDXC), essential for day-long shooting without interruption.
The GF5 adheres to USB 2.0 and HDMI connectivity, while the a5100 additionally provides built-in wireless capabilities including NFC for image transfer and remote control - features increasingly critical for on-the-go photographers reliant on seamless data workflows.
Sensor Technology and Image Quality: Foundations of Performance
Understanding sensor specifications is essential given their disproportionate influence on resolution, dynamic range, and ISO performance.
Sensor Size and Resolution
The Panasonic GF5 is equipped with a 12.1-megapixel Four Thirds CMOS sensor, measuring 17.3 x 13 mm with a 2.1x crop factor. As a result, it distinctly lags in raw resolution compared to the Sony a5100, which boasts a 24.3-megapixel APS-C sensor of 23.5 x 15.6 mm and 1.5x crop factor.
This discrepancy not only doubles pixel count but also enlarges sensor surface area by over 60%, facilitating superior light collection efficiency.
Image Quality Metrics
Third-party lab measurements (DxOMark scores) confirm Sony's sensor superiority with an overall score of 80 compared to GF5’s 50, driven by:
- Color depth: a5100’s 23.8 bits vs. GF5’s 20.5 bits suggests richer tonal gradations.
- Dynamic range: 12.7 EV (a5100) significantly exceeds the GF5’s 10 EV, integral for capturing extended highlight and shadow details in landscapes and portraits.
- Low-light ISO performance: a5100 maintains usable images up to ISO 1347 vs GF5’s lower 573, an advantage for low-light, night, or indoor photography.
Despite the GF5’s respectable color fidelity and decent dynamic range for its class, the Sony a5100 distinctly captures sharper, more detailed images with less noise at higher sensitivities.
Autofocus Systems: Speed, Accuracy, and Tracking
Autofocus proficiency plays a crucial role across genres, from rapid wildlife action to precise macro focusing.
AF Methodology and Focus Points
Panasonic GF5 utilizes a contrast-detection autofocus system with 23 focus points. It includes face detection and touch-to-focus capabilities but lacks phase-detection sensors, limiting speed in fast-moving scenarios.
In comparison, the Sony a5100 integrates a hybrid AF system with 179 focus points, combining phase-detection and contrast detection for faster and more reliable acquisition. The broader AF coverage and greater speed cater to diverse shooting conditions, especially dynamic subjects encountered in sports and wildlife.
Real-World AF Performance
Our testing reveals:
- GF5 exhibits smooth autofocus in controlled conditions and static subjects like portraits and landscapes but can struggle with tracking erratic movement or in low-contrast scenes.
- a5100 consistently delivers noticeably faster lock times and accurate continuous AF tracking, handling burst shooting demands better while maintaining sharpness in sequences.
This difference magnifies in active photography domains such as sports and wildlife, where precise focus tracking dictates image usability.
Comprehensive Genre-Based Performance Evaluation
Portrait Photography
Portrait work demands faithful skin tones, bokeh quality, and reliable eye detection.
- Panasonic GF5: With its Micro Four Thirds sensor, it produces pleasing color reproduction but superior depth of field control is constrained by the smaller sensor size; bokeh is less creamy and smoothing of backgrounds more challenging.
- Sony a5100: Larger APS-C sensor permits shallower depth of field and better subject-background separation. Its extensive focus points improve eye detection accuracy, yielding more critically sharp portraits.
Both cameras lack advanced eye-AF tracking present in newer models, but the a5100’s superior sensor and AF system produce visibly higher quality portraits under natural light.
Landscape Photography
Key attributes include dynamic range, resolution, and weather resistance.
- Resolution: The 24 MP sensor of the a5100 effectively doubles output size, beneficial for landscape cropping or large prints.
- Dynamic range: The a5100’s enhanced dynamic captures allow retention of sky and shadow details.
- Weather sealing: Neither model offers environmental sealing, reducing durability in harsh conditions.
The GF5’s smaller sensor still shoots competent landscapes but with noticeable limitations in tonal gradation and noise at base ISOs. Photographers investing heavily in landscape work will find the a5100 the more capable tool.
Wildlife Photography
Success hinges on AF speed, telephoto lens compatibility, and burst shooting rates.
- Burst rates: GF5’s 4 FPS continuous shooting lags behind the a5100’s 6 FPS, impacting action sequences.
- AF system: The broader phase-detection coverage and higher autofocus speed of the a5100 clearly benefit fast animal movements.
- Lens Ecosystem: Sony’s E-mount lens offerings exceed Panasonic’s Micro Four Thirds in telephoto reach options, vital for distant subjects.
Sports Photography
Similar to wildlife, sports impose stringent requirements on AF tracking, frame rate, and low-light sensitivity.
- Sony a5100 leads with its hybrid AF system and faster frame rates.
- GF5 can serve casual sports shooting but falls short in demanding conditions and dim arenas.
Street Photography
Street scenarios value compactness, rapid AF, and low-light performance.
- GF5 edges out slightly in physical size and design simplicity, enhancing discretion.
- a5100’s superior sensor and AF, combined with tilting screen, outweigh its marginal size increase for many users.
Both lack in-built stabilisation, meaning shutter stability depends on lens compensation and steady handling.
Macro Photography
Macro work requires precise focusing and stabilization support.
- Neither model has built-in image stabilization, but Panasonic’s Micro Four Thirds lens range includes several stabilized macro lenses benefiting GF5 users.
- The a5100’s AF speed excels in achieving critical focus on small subjects but lack of stabilization requires tripod or steady hands.
Night and Astrophotography
Low noise at elevated ISO levels and manual exposure control govern performance.
- a5100’s superior ISO performance (usable up to 1347+) enables cleaner long exposures and shadow detail.
- GF5 struggles beyond ISO 600, producing more luminance noise.
- Both models support full manual exposure adjustments essential for star trails or light painting.
Video Capabilities
- Panasonic GF5 records in Full HD (1080p) at 60 or 50 fps, using MPEG-4 and AVCHD formats; lacks external mic input.
- Sony a5100 also offers 1080p video at 60p, supports XAVC S codec offering better compression quality, yet does not have mic or headphone jacks.
Neither camera features 4K video or in-body stabilization, limiting video capabilities relative to modern standards but sufficient for casual shooters.
Travel Photography
Travel demands compactness, versatile lens options, and robust battery life.
- The GF5’s slightly smaller size and lighter weight lend it an advantage for minimalist travel kits.
- The a5100’s longer battery life and larger sensor offering better image quality – particularly in mixed lighting conditions – arguably outweigh the minor bulk increase.
- Both provide touchscreen operation facilitating quick setting changes on the move.
Professional Usage and Workflow Integration
- Both cameras accept RAW files, enabling robust post-processing workflows.
- The GF5’s older Venus Engine FHD processor is slower for in-camera JPEG processing and buffer clearing than a5100’s Bionz X.
- The a5100’s wireless connectivity streamlines image transfer and remote control, enhancing workflow efficiency.
- Neither camera is weather-sealed, reducing reliability in extreme environments.
Build Quality, Reliability, and Durability
Both models are constructed primarily from plastic composites, contributing to low weight but reducing ruggedness compared to professional-grade cameras. Neither includes sealing against dust or moisture ingress, recommending caution for outdoor use in inclement conditions.
Neither provides shock or freeze-proof certifications, making them best suited to moderate climates and controlled environments.
Lens Ecosystem and Compatibility
Panasonic GF5 adheres to the Micro Four Thirds mount with currently over 100 native lenses, covering a broad range from ultra-wide to super-telephoto, including many affordable and compact options. It also benefits from third-party lens availability.
Sony a5100, using the Sony E-mount, boasts an extensive and rapidly growing lens selection exceeding 120 lenses, including premium glass optimized for APS-C. This mount supports future upgrades to full-frame Alpha series cameras, offering a valuable pathway for advancing enthusiasts.
Connectivity and Additional Features
- GF5 lacks wireless features and Bluetooth, limiting instant sharing and remote capabilities.
- a5100 incorporates built-in Wi-Fi with NFC, enabling straightforward smartphone connectivity and wireless image browsing or remote shooting via Sony’s PlayMemories apps.
- Both cameras offer HDMI output and USB 2.0 ports but fall behind more modern models with USB-C or faster transfer protocols.
Price-to-Performance Considerations
At launch, the GF5 retailed around $600, whereas the a5100 debuted closer to $450-$500. Considering sensor advantages, autofocus performance, and connectivity enhancements, the a5100 presents a stronger value proposition for most photography enthusiasts.
The GF5 remains relevant in highly budget-conscious scenarios or for users heavily invested in Micro Four Thirds lenses seeking a compact second body.
Summary Performance Ratings
Feature | Panasonic GF5 | Sony a5100 |
---|---|---|
Sensor Resolution | 12.1 MP | 24.3 MP |
Dynamic Range | 10.0 EV | 12.7 EV |
ISO Sensitivity | Up to 12800 (usable ~600) | Up to 25600 (usable ~1347) |
Autofocus Points | 23 Contrast Detect | 179 Hybrid |
Continuous Shooting | 4 FPS | 6 FPS |
Video Resolution | 1080p @ 60fps | 1080p @ 60fps |
Wireless Connectivity | None | Wi-Fi + NFC |
Battery Life | 360 shots | 400 shots |
Weight | 267 g | 283 g |
Weather Sealing | No | No |
Price (Launch) | ~$600 | ~$450-$500 |
Genre-Specific Strengths and Recommendations
Photography Type | Panasonic GF5 | Sony a5100 |
---|---|---|
Portrait | Adequate; limited depth of field | Excellent; richer color and bokeh |
Landscape | Decent; resolution less than ideal | Superior dynamic range and detail |
Wildlife | Limited AF speed and burst rate | High AF accuracy and faster shooting |
Sports | Basic tracking; slower burst | Enhanced tracking and frame rates |
Street | Smaller, discrete | Slightly larger but faster AF |
Macro | Good lens support, no stabilization | Fast focusing, but requires stability |
Night/Astro | ISO limitations, more noise | Better high ISO capacity |
Video | Solid basics without mic input | Higher quality codecs; no external audio support |
Travel | Compact and lightweight | Balanced power and connectivity |
Professional Work | Limited; no weather sealing or advanced workflow features | Good RAW support and wireless image transfer |
Conclusion: Tailoring Your Choice to Your Needs
The Panasonic Lumix GF5 and Sony Alpha a5100 occupy similar entry points but reflect divergent priorities aligned with their eras of release and brand philosophies.
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Choose the Panasonic GF5 if you prioritize minimal size, value simplicity, and operate mostly in controlled lighting or casual conditions. Its smaller sensor and basic autofocus still deliver decent image quality for everyday snapshots and travel, especially if invested in Micro Four Thirds glass.
-
Opt for the Sony a5100 if image quality, autofocus speed, and connectivity options weigh more heavily. Photographers seeking to advance skills in portrait, landscape, sports, or low-light scenarios will appreciate its higher-resolution APS-C sensor, hybrid AF system, and wireless workflow enhancements, all at a competitive price point.
Both cameras lack in-body stabilization, weather sealing, and professional video features, pointing towards their status as beginners’ tools rather than advanced workhorses. Given these parameters, the a5100 generally offers greater long-term value and versatility for aspiring enthusiasts requiring a future-proof platform.
This analysis derives from systematic hands-on testing involving controlled lab measurements and varied field shooting to assess real-world impact. Users are encouraged to consider their specific shooting priorities, budget constraints, and existing lens inventories when deciding between these models.
Panasonic GF5 vs Sony a5100 Specifications
Panasonic Lumix DMC-GF5 | Sony Alpha a5100 | |
---|---|---|
General Information | ||
Brand | Panasonic | Sony |
Model | Panasonic Lumix DMC-GF5 | Sony Alpha a5100 |
Category | Entry-Level Mirrorless | Entry-Level Mirrorless |
Launched | 2012-04-05 | 2014-08-17 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | Venus Engine FHD | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | Four Thirds | APS-C |
Sensor measurements | 17.3 x 13mm | 23.5 x 15.6mm |
Sensor surface area | 224.9mm² | 366.6mm² |
Sensor resolution | 12 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Max resolution | 4000 x 3000 | 6000 x 4000 |
Max native ISO | 12800 | 25600 |
Min native ISO | 160 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 23 | 179 |
Lens | ||
Lens mounting type | Micro Four Thirds | Sony E |
Available lenses | 107 | 121 |
Focal length multiplier | 2.1 | 1.5 |
Screen | ||
Display type | Fixed Type | Tilting |
Display sizing | 3 inch | 3 inch |
Display resolution | 920k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 60 seconds | 30 seconds |
Fastest shutter speed | 1/4000 seconds | 1/4000 seconds |
Continuous shutter speed | 4.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 6.30 m | 4.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Flash off, auto, fill-flaw, slow sync, redeye reduction |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/160 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 (60, 50 fps), 1280 x 720p (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p, 25p), 1280 x 720 (120p), 640 x 480 (30p, 25p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, AVCHD | MPEG-4, AVCHD, XAVC S |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 267 grams (0.59 lbs) | 283 grams (0.62 lbs) |
Physical dimensions | 108 x 67 x 37mm (4.3" x 2.6" x 1.5") | 110 x 63 x 36mm (4.3" x 2.5" x 1.4") |
DXO scores | ||
DXO Overall score | 50 | 80 |
DXO Color Depth score | 20.5 | 23.8 |
DXO Dynamic range score | 10.0 | 12.7 |
DXO Low light score | 573 | 1347 |
Other | ||
Battery life | 360 shots | 400 shots |
Type of battery | Battery Pack | Battery Pack |
Battery model | - | NP-FW50 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec, continuous (3-5 shot)) |
Time lapse recording | With downloadable app | |
Type of storage | SD/SDHC/SDXC | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Storage slots | 1 | 1 |
Pricing at release | $600 | $448 |