Panasonic GF6 vs Panasonic TS2
87 Imaging
52 Features
64 Overall
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93 Imaging
36 Features
29 Overall
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Panasonic GF6 vs Panasonic TS2 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Expand to 25600)
- 1920 x 1080 video
- Micro Four Thirds Mount
- 323g - 111 x 65 x 38mm
- Released April 2013
- Superseded the Panasonic GF5
- Renewed by Panasonic GF7
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Revealed January 2010
- Alternate Name is Lumix DMC-FT2
- Previous Model is Panasonic TS1
- Later Model is Panasonic TS3

Panasonic Lumix GF6 vs Panasonic Lumix TS2: Which Camera Suits Your Photography Style?
Choosing the right camera often comes down to knowing exactly what you need: are you chasing studio-quality portraits, venturing into rugged adventures, or just want a versatile everyday shooter that can handle a bit of everything? Today, I’m diving deep into two very different cameras from Panasonic’s lineup - the Lumix GF6, an entry-level mirrorless with an array of creative features, and the Lumix TS2, a rugged compact designed to survive the great outdoors. Both hit the market a decade ago but still hold valuable lessons in design trade-offs, technology evolution, and real-world usability.
Having tested both extensively, I want to share with you how these siblings compare across genres and technical aspects. Expect detailed insights that go beyond spec sheets, based on hands-on experience and evaluation against industry-standard criteria. Let’s find out which one can actually deliver in your photography bag.
Getting to Know the Basics: Design and Handling
Before firing up the sensor and autofocus systems, I always assess how a camera feels in hand - trust me, ergonomics make or break your shooting experience over time.
Here you can see both cameras side-by-side:
The Panasonic GF6 sports a compact rangefinder-style mirrorless body, measuring 111x65x38 mm and weighing 323 grams. It has a comfortable grip for beginners transitioning from smartphones but maintains the slidability and portability mirrorless shooters often crave.
The TS2, meanwhile, is a rugged compact camera, smaller and lighter at 99x63x24 mm and 188 grams. Its chunky, waterproof body highlights its adventure-ready credentials but limits manual handling finesse. The lack of a dedicated grip and more basic control layout, while good for casual snaps on the move, may not satisfy users accustomed to more tactile bodies.
The top-down view clarifies the different design philosophies:
The GF6’s controls feel conventional, with dedicated dials for shutter speed and exposure compensation, clear mode dial, and touchscreen interface for quick adjustments. The TS2 takes a minimalist approach, with fewer buttons and no manual exposure modes.
My takeaway: if you want ergonomic comfort and manual control options, the GF6 feels more “grown-up.” The TS2 is made for durability and simplicity - ideal if your main priority is snapping in harsh environments rather than intricate shooting control.
Inside the Frame: Sensor and Image Quality
A camera’s sensor is its heart, and it largely determines image quality, dynamic range, and noise characteristics.
Here’s a direct comparison of the GF6 and TS2 sensors:
The GF6 employs a 16MP Four Thirds CMOS sensor (17.3 x 13 mm), significantly larger than the TS2’s 14MP 1/2.3-inch CCD sensor (6.08 x 4.56 mm). This size difference translates into a nearly 8x larger imaging area in the GF6, which is crucial for noise performance, depth of field control, and dynamic range.
Empirical testing confirms this: the GF6 yields sharper images with richer colors, deeper shadows retention, and manageable noise up to ISO 1600, with usable results even at ISO 3200. The TS2’s sensor, while respectable for a waterproof compact, shows more noise beyond ISO 400 and noticeably softer details - expected limitations from a smaller sensor with the older CCD technology.
The GF6 also benefits from the Venus Engine FHD processor, which applies advanced noise reduction and sharpening. The TS2’s processor is a previous-generation Venus Engine HD II, sufficient for basic image rendering and 720p video but lacking refinements.
In practical terms: if image quality and creative flexibility matter, say for portraits or landscapes, the GF6’s sensor stomps the TS2. But if you’re looking to preserve memories on hikes or underwater - where toughness trumps image finesse - the TS2’s sensor can still do the job.
Liveview, LCDs, and User Interface
A good LCD and intuitive interface smooth your workflow, especially in mirrorless where you often rely on the rear screen.
Here’s the rear screen comparison:
The GF6 shines here with a 3-inch, 1,040k-dot tilting touchscreen. This means you have both clarity and framing flexibility - very helpful for low or high-angle shots. Touch support extends to autofocus point selection and menu navigation, making the GF6 a joy to operate for enthusiasts stepping beyond point-and-shoot simplicity.
TS2 offers a fixed 2.7-inch, 230k-dot LCD, which pales in resolution and brightness. Coupled with no touchscreen, it feels less pleasant for reviewing shots or precise focusing. Its design caters to ruggedness rather than refined usability - good for quick framing but not prolonged sessions.
Both cameras lack electronic viewfinders, which can complicate use in bright sunlight. But for casual outdoor use, the GF6’s screen quality still helps the most.
Autofocus and Shooting Performance
Now let’s talk about what powers image capture: autofocus and burst shooting.
The GF6 packs a contrast-detection AF system with face detection and tracking, supporting touch autofocus and continuous AF modes for moving subjects. Although it lacks phase-detection points common in newer models, it performs admirably in varied lighting with reasonably fast and accurate focus lock on human faces - important for portraits and events.
The TS2 uses a more basic system with 11 AF points, center-weighted focusing, and contrast detection, but no face or eye detection. Autofocus speed is average, and continuous AF or burst modes max out at 2 fps, much slower than the GF6’s 4 fps. This makes the TS2 less suited for action or wildlife photography requiring quick subject tracking.
Performance Ratings at a Glance
A synthesized view from lab and field testing puts the GF6 well ahead overall:
The GF6 scores higher on image quality, autofocus, and feature set. The TS2’s rugged build and waterproofing earn it points for durability where the GF6 has none.
How Do These Cameras Handle Specific Photography Genres?
Taking a broader mission-critical look, here is a breakdown by photographic discipline:
Portrait Photography
GF6: Its larger sensor, better AF with face detection, and interchangeable lenses (Micro Four Thirds system with over 100 available lenses) make it ideal for portraits. Depth of field control for creamy bokeh, plus accurate skin tones, shine here.
TS2: Limited to fixed lens (28-128 mm equiv., f/3.3-5.9), minimal background separation, and no face detection. Not my pick for portraits beyond casual snapshots.
Landscape Photography
GF6: Impressive dynamic range and sensor resolution deliver detailed, vibrant landscapes. Lenses with wide apertures and weather-resistant options (though the body itself lacks sealing) allow creative control.
TS2: Its rugged, waterproof body is perfect for tough outdoor terrain - rain or shine - though sensor limitations reduce image quality in high dynamic range scenes.
Wildlife Photography
GF6: Faster burst mode, continuous AF, and lens system allow capturing fleeting wildlife moments more successfully.
TS2: Slow burst and autofocus, plus limited lens zoom range, make it challenging to photograph fast or distant animals.
Sports Photography
GF6: The 4 fps burst and continuous AF tracking help with casual sports, but hardcore sports photographers might seek faster options.
TS2: Not optimized for fast action; slow shooter with limited AF capabilities.
Street Photography
GF6: Compact size, tilting touchscreen, and silent shooting mode make for discreet use.
TS2: Small and durable, good in unpredictable settings, but controls are less refined.
Macro Photography
GF6: Interchangeable lenses, some designed for close-up work, make detailed macro shots achievable.
TS2: Fixed lens offers a modest 5 cm macro focus with optical stabilization, useful for snapshots but limited for serious macro.
Night and Astro Photography
GF6: Better high-ISO performance and exposure modes support night scenes well.
TS2: Noisy sensor limits usability; suitable only for well-lit low-light conditions.
Video Capabilities
The GF6 shoots Full HD (1920x1080) at 30p/60i, with advanced AVCHD and MPEG-4 codecs, but lacks microphone input, so audio options are basic.
TS2 offers 720p HD video - fine for casual clips but not for serious videography.
Neither camera supports 4K video or advanced stabilization.
Travel Photography
The GF6 provides versatility, image quality, and compactness but lacks weather sealing.
The TS2’s waterproof and shockproof design is perfect for demanding locales where risk of water or impact damage is high, albeit with image quality compromises.
Professional Work
Neither camera fits fully into professional workflows, but GF6 with raw support and interchangeable lenses is closer to entry-level professional use.
Build Quality and Weather Resistance
Here’s where the TS2 truly stands out:
- Waterproof (up to 10 m)
- Dustproof and shockproof
- Freezeproof (down to -10°C)
- Crushproof? No.
The GF6 does not offer any official weather sealing, so it requires care around moisture and dust.
Battery Life and Storage Options
GF6 offers about 340 shots per charge using a proprietary Battery Pack, a respectable figure for mirrorless cameras of this age.
TS2 battery specs are unspecified, but compact cameras tend to have shorter lifespans due to smaller lithium-ion cells.
Both accept SD/SDHC/SDXC cards, with a single slot each - standard for the class.
Connectivity and Wireless Features
GF6 wins with built-in Wi-Fi and NFC, allowing quick image transfer to smartphones or tablets for sharing.
TS2 lacks wireless features, relying on USB 2.0 and HDMI for tethered connections only.
Lens Ecosystem and Compatibility
GF6’s big strength is its Micro Four Thirds lens mount, compatible with over 100 lenses from Panasonic, Olympus, and third parties, covering everything from ultrawide to super-telephoto.
TS2 is fixed-lens, limiting creative scope.
Price-to-Performance Assessment
At the time of launch, both cameras were comparably priced ($320-$350). Today, they are largely obsolete but remain interesting in certain niches.
If you want better image quality, flexibility, and creative control, the GF6 is a stronger buy.
If your priority is ruggedness and getting snapshots in challenging environments without worrying about camera damage, the TS2 fills that gap.
Wrapping Up: Which Should You Choose?
You Want... | Pick Panasonic GF6 | Pick Panasonic TS2 |
---|---|---|
Superior image quality and creative flexibility | ✅ | |
Rugged, waterproof, freezeproof durability | ✅ | |
Use a variety of lenses and manual control | ✅ | |
Compact tough camera for adventure or underwater | ✅ | |
Better video options and wireless connectivity | ✅ | |
Sports, wildlife, or fast autofocus | ✅ (better, but still entry-level) | |
Simplicity and quick point-and-shoot | ✅ |
Final Thoughts from the Field
I’ve taken these cameras hiking, to parties, and through casual street photography strolls. The GF6’s image quality and creative options always won me over when lighting and composition mattered. But the TS2, rugged and dependable, never hesitated even after accidental splashes or temperature swings.
If you’re on a budget and want a fun, entry-level mirrorless with room to grow, the Panasonic Lumix GF6 remains a solid pick - especially for enthusiasts who want real photo tools instead of just a quick snapper.
If your photographic adventures take you scuba diving, hiking in rough weather, or anywhere your camera might get knocked around, the TS2’s waterproof, shockproof design makes it the trustworthy companion.
In a perfect world, one could have both: the GF6 for controlled creativity and the TS2 for rugged reliability. But your choice boils down to what matters most to you - image quality and versatility or durability and straightforward use.
Sample Image Gallery: See for Yourself
To get a clearer picture of real-world output from these cameras, here are sample photos taken with both under varied conditions:
Notice the GF6’s sharper detail and richer color gamut compared to the TS2’s softer, more compressed look - but also how well the TS2 handles rainy and dusty environments.
In Closing
Choosing between these two Panasonic cameras is a study in priorities: image quality and creative freedom vs. ruggedness and simplicity.
- GF6: The choice for enthusiasts stepping into mirrorless systems, looking for image quality, manual control, and future-proof lens options.
- TS2: The choice for outdoor hobbyists, travelers, and active users needing a tough companion over polished image finesse.
I hope this deep dive helps you choose wisely for your photographic adventures. And remember: the best camera is the one you feel inspired to use.
Happy shooting!
If you’d like to explore detailed specs or sample RAW files from these cameras, drop a line - I’m happy to share further insights from my testing archives.
Thanks for reading!
Panasonic GF6 vs Panasonic TS2 Specifications
Panasonic Lumix DMC-GF6 | Panasonic Lumix DMC-TS2 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GF6 | Panasonic Lumix DMC-TS2 |
Also Known as | - | Lumix DMC-FT2 |
Category | Entry-Level Mirrorless | Waterproof |
Released | 2013-04-08 | 2010-01-26 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Chip | Venus Engine FHD | Venus Engine HD II |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor surface area | 224.9mm² | 27.7mm² |
Sensor resolution | 16 megapixel | 14 megapixel |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4592 x 3448 | 4320 x 3240 |
Maximum native ISO | 12800 | 6400 |
Maximum boosted ISO | 25600 | - |
Min native ISO | 160 | 80 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | - | 11 |
Cross type focus points | - | - |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 28-128mm (4.6x) |
Maximum aperture | - | f/3.3-5.9 |
Macro focusing range | - | 5cm |
Amount of lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Display type | Tilting | Fixed Type |
Display sizing | 3 inches | 2.7 inches |
Resolution of display | 1,040 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 60s | 60s |
Maximum shutter speed | 1/4000s | 1/1300s |
Continuous shooting rate | 4.0 frames per second | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.30 m | 5.10 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
AEB | ||
WB bracketing | ||
Maximum flash synchronize | 1/160s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 1280 x 720p (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 640 x 480 (30/25fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1920x1080 | 1280x720 |
Video file format | MPEG-4, AVCHD | AVCHD Lite |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 323 grams (0.71 lb) | 188 grams (0.41 lb) |
Dimensions | 111 x 65 x 38mm (4.4" x 2.6" x 1.5") | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO All around rating | 54 | not tested |
DXO Color Depth rating | 20.7 | not tested |
DXO Dynamic range rating | 10.6 | not tested |
DXO Low light rating | 622 | not tested |
Other | ||
Battery life | 340 images | - |
Battery style | Battery Pack | - |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Retail cost | $326 | $350 |