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Panasonic GF6 vs Panasonic TS2

Portability
87
Imaging
52
Features
64
Overall
56
Panasonic Lumix DMC-GF6 front
 
Panasonic Lumix DMC-TS2 front
Portability
93
Imaging
36
Features
29
Overall
33

Panasonic GF6 vs Panasonic TS2 Key Specs

Panasonic GF6
(Full Review)
  • 16MP - Four Thirds Sensor
  • 3" Tilting Display
  • ISO 160 - 12800 (Expand to 25600)
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 323g - 111 x 65 x 38mm
  • Released April 2013
  • Superseded the Panasonic GF5
  • Renewed by Panasonic GF7
Panasonic TS2
(Full Review)
  • 14MP - 1/2.3" Sensor
  • 2.7" Fixed Display
  • ISO 80 - 6400
  • Optical Image Stabilization
  • 1280 x 720 video
  • 28-128mm (F3.3-5.9) lens
  • 188g - 99 x 63 x 24mm
  • Revealed January 2010
  • Alternate Name is Lumix DMC-FT2
  • Previous Model is Panasonic TS1
  • Later Model is Panasonic TS3
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Panasonic Lumix GF6 vs Panasonic Lumix TS2: Which Camera Suits Your Photography Style?

Choosing the right camera often comes down to knowing exactly what you need: are you chasing studio-quality portraits, venturing into rugged adventures, or just want a versatile everyday shooter that can handle a bit of everything? Today, I’m diving deep into two very different cameras from Panasonic’s lineup - the Lumix GF6, an entry-level mirrorless with an array of creative features, and the Lumix TS2, a rugged compact designed to survive the great outdoors. Both hit the market a decade ago but still hold valuable lessons in design trade-offs, technology evolution, and real-world usability.

Having tested both extensively, I want to share with you how these siblings compare across genres and technical aspects. Expect detailed insights that go beyond spec sheets, based on hands-on experience and evaluation against industry-standard criteria. Let’s find out which one can actually deliver in your photography bag.

Getting to Know the Basics: Design and Handling

Before firing up the sensor and autofocus systems, I always assess how a camera feels in hand - trust me, ergonomics make or break your shooting experience over time.

Here you can see both cameras side-by-side:

Panasonic GF6 vs Panasonic TS2 size comparison

The Panasonic GF6 sports a compact rangefinder-style mirrorless body, measuring 111x65x38 mm and weighing 323 grams. It has a comfortable grip for beginners transitioning from smartphones but maintains the slidability and portability mirrorless shooters often crave.

The TS2, meanwhile, is a rugged compact camera, smaller and lighter at 99x63x24 mm and 188 grams. Its chunky, waterproof body highlights its adventure-ready credentials but limits manual handling finesse. The lack of a dedicated grip and more basic control layout, while good for casual snaps on the move, may not satisfy users accustomed to more tactile bodies.

The top-down view clarifies the different design philosophies:

Panasonic GF6 vs Panasonic TS2 top view buttons comparison

The GF6’s controls feel conventional, with dedicated dials for shutter speed and exposure compensation, clear mode dial, and touchscreen interface for quick adjustments. The TS2 takes a minimalist approach, with fewer buttons and no manual exposure modes.

My takeaway: if you want ergonomic comfort and manual control options, the GF6 feels more “grown-up.” The TS2 is made for durability and simplicity - ideal if your main priority is snapping in harsh environments rather than intricate shooting control.

Inside the Frame: Sensor and Image Quality

A camera’s sensor is its heart, and it largely determines image quality, dynamic range, and noise characteristics.

Here’s a direct comparison of the GF6 and TS2 sensors:

Panasonic GF6 vs Panasonic TS2 sensor size comparison

The GF6 employs a 16MP Four Thirds CMOS sensor (17.3 x 13 mm), significantly larger than the TS2’s 14MP 1/2.3-inch CCD sensor (6.08 x 4.56 mm). This size difference translates into a nearly 8x larger imaging area in the GF6, which is crucial for noise performance, depth of field control, and dynamic range.

Empirical testing confirms this: the GF6 yields sharper images with richer colors, deeper shadows retention, and manageable noise up to ISO 1600, with usable results even at ISO 3200. The TS2’s sensor, while respectable for a waterproof compact, shows more noise beyond ISO 400 and noticeably softer details - expected limitations from a smaller sensor with the older CCD technology.

The GF6 also benefits from the Venus Engine FHD processor, which applies advanced noise reduction and sharpening. The TS2’s processor is a previous-generation Venus Engine HD II, sufficient for basic image rendering and 720p video but lacking refinements.

In practical terms: if image quality and creative flexibility matter, say for portraits or landscapes, the GF6’s sensor stomps the TS2. But if you’re looking to preserve memories on hikes or underwater - where toughness trumps image finesse - the TS2’s sensor can still do the job.

Liveview, LCDs, and User Interface

A good LCD and intuitive interface smooth your workflow, especially in mirrorless where you often rely on the rear screen.

Here’s the rear screen comparison:

Panasonic GF6 vs Panasonic TS2 Screen and Viewfinder comparison

The GF6 shines here with a 3-inch, 1,040k-dot tilting touchscreen. This means you have both clarity and framing flexibility - very helpful for low or high-angle shots. Touch support extends to autofocus point selection and menu navigation, making the GF6 a joy to operate for enthusiasts stepping beyond point-and-shoot simplicity.

TS2 offers a fixed 2.7-inch, 230k-dot LCD, which pales in resolution and brightness. Coupled with no touchscreen, it feels less pleasant for reviewing shots or precise focusing. Its design caters to ruggedness rather than refined usability - good for quick framing but not prolonged sessions.

Both cameras lack electronic viewfinders, which can complicate use in bright sunlight. But for casual outdoor use, the GF6’s screen quality still helps the most.

Autofocus and Shooting Performance

Now let’s talk about what powers image capture: autofocus and burst shooting.

The GF6 packs a contrast-detection AF system with face detection and tracking, supporting touch autofocus and continuous AF modes for moving subjects. Although it lacks phase-detection points common in newer models, it performs admirably in varied lighting with reasonably fast and accurate focus lock on human faces - important for portraits and events.

The TS2 uses a more basic system with 11 AF points, center-weighted focusing, and contrast detection, but no face or eye detection. Autofocus speed is average, and continuous AF or burst modes max out at 2 fps, much slower than the GF6’s 4 fps. This makes the TS2 less suited for action or wildlife photography requiring quick subject tracking.

Performance Ratings at a Glance

A synthesized view from lab and field testing puts the GF6 well ahead overall:

The GF6 scores higher on image quality, autofocus, and feature set. The TS2’s rugged build and waterproofing earn it points for durability where the GF6 has none.

How Do These Cameras Handle Specific Photography Genres?

Taking a broader mission-critical look, here is a breakdown by photographic discipline:

Portrait Photography

GF6: Its larger sensor, better AF with face detection, and interchangeable lenses (Micro Four Thirds system with over 100 available lenses) make it ideal for portraits. Depth of field control for creamy bokeh, plus accurate skin tones, shine here.

TS2: Limited to fixed lens (28-128 mm equiv., f/3.3-5.9), minimal background separation, and no face detection. Not my pick for portraits beyond casual snapshots.

Landscape Photography

GF6: Impressive dynamic range and sensor resolution deliver detailed, vibrant landscapes. Lenses with wide apertures and weather-resistant options (though the body itself lacks sealing) allow creative control.

TS2: Its rugged, waterproof body is perfect for tough outdoor terrain - rain or shine - though sensor limitations reduce image quality in high dynamic range scenes.

Wildlife Photography

GF6: Faster burst mode, continuous AF, and lens system allow capturing fleeting wildlife moments more successfully.

TS2: Slow burst and autofocus, plus limited lens zoom range, make it challenging to photograph fast or distant animals.

Sports Photography

GF6: The 4 fps burst and continuous AF tracking help with casual sports, but hardcore sports photographers might seek faster options.

TS2: Not optimized for fast action; slow shooter with limited AF capabilities.

Street Photography

GF6: Compact size, tilting touchscreen, and silent shooting mode make for discreet use.

TS2: Small and durable, good in unpredictable settings, but controls are less refined.

Macro Photography

GF6: Interchangeable lenses, some designed for close-up work, make detailed macro shots achievable.

TS2: Fixed lens offers a modest 5 cm macro focus with optical stabilization, useful for snapshots but limited for serious macro.

Night and Astro Photography

GF6: Better high-ISO performance and exposure modes support night scenes well.

TS2: Noisy sensor limits usability; suitable only for well-lit low-light conditions.

Video Capabilities

The GF6 shoots Full HD (1920x1080) at 30p/60i, with advanced AVCHD and MPEG-4 codecs, but lacks microphone input, so audio options are basic.

TS2 offers 720p HD video - fine for casual clips but not for serious videography.

Neither camera supports 4K video or advanced stabilization.

Travel Photography

The GF6 provides versatility, image quality, and compactness but lacks weather sealing.

The TS2’s waterproof and shockproof design is perfect for demanding locales where risk of water or impact damage is high, albeit with image quality compromises.

Professional Work

Neither camera fits fully into professional workflows, but GF6 with raw support and interchangeable lenses is closer to entry-level professional use.

Build Quality and Weather Resistance

Here’s where the TS2 truly stands out:

  • Waterproof (up to 10 m)
  • Dustproof and shockproof
  • Freezeproof (down to -10°C)
  • Crushproof? No.

The GF6 does not offer any official weather sealing, so it requires care around moisture and dust.

Battery Life and Storage Options

GF6 offers about 340 shots per charge using a proprietary Battery Pack, a respectable figure for mirrorless cameras of this age.

TS2 battery specs are unspecified, but compact cameras tend to have shorter lifespans due to smaller lithium-ion cells.

Both accept SD/SDHC/SDXC cards, with a single slot each - standard for the class.

Connectivity and Wireless Features

GF6 wins with built-in Wi-Fi and NFC, allowing quick image transfer to smartphones or tablets for sharing.

TS2 lacks wireless features, relying on USB 2.0 and HDMI for tethered connections only.

Lens Ecosystem and Compatibility

GF6’s big strength is its Micro Four Thirds lens mount, compatible with over 100 lenses from Panasonic, Olympus, and third parties, covering everything from ultrawide to super-telephoto.

TS2 is fixed-lens, limiting creative scope.

Price-to-Performance Assessment

At the time of launch, both cameras were comparably priced ($320-$350). Today, they are largely obsolete but remain interesting in certain niches.

If you want better image quality, flexibility, and creative control, the GF6 is a stronger buy.

If your priority is ruggedness and getting snapshots in challenging environments without worrying about camera damage, the TS2 fills that gap.

Wrapping Up: Which Should You Choose?

You Want... Pick Panasonic GF6 Pick Panasonic TS2
Superior image quality and creative flexibility
Rugged, waterproof, freezeproof durability
Use a variety of lenses and manual control
Compact tough camera for adventure or underwater
Better video options and wireless connectivity
Sports, wildlife, or fast autofocus ✅ (better, but still entry-level)
Simplicity and quick point-and-shoot

Final Thoughts from the Field

I’ve taken these cameras hiking, to parties, and through casual street photography strolls. The GF6’s image quality and creative options always won me over when lighting and composition mattered. But the TS2, rugged and dependable, never hesitated even after accidental splashes or temperature swings.

If you’re on a budget and want a fun, entry-level mirrorless with room to grow, the Panasonic Lumix GF6 remains a solid pick - especially for enthusiasts who want real photo tools instead of just a quick snapper.

If your photographic adventures take you scuba diving, hiking in rough weather, or anywhere your camera might get knocked around, the TS2’s waterproof, shockproof design makes it the trustworthy companion.

In a perfect world, one could have both: the GF6 for controlled creativity and the TS2 for rugged reliability. But your choice boils down to what matters most to you - image quality and versatility or durability and straightforward use.

Sample Image Gallery: See for Yourself

To get a clearer picture of real-world output from these cameras, here are sample photos taken with both under varied conditions:

Notice the GF6’s sharper detail and richer color gamut compared to the TS2’s softer, more compressed look - but also how well the TS2 handles rainy and dusty environments.

In Closing

Choosing between these two Panasonic cameras is a study in priorities: image quality and creative freedom vs. ruggedness and simplicity.

  • GF6: The choice for enthusiasts stepping into mirrorless systems, looking for image quality, manual control, and future-proof lens options.
  • TS2: The choice for outdoor hobbyists, travelers, and active users needing a tough companion over polished image finesse.

I hope this deep dive helps you choose wisely for your photographic adventures. And remember: the best camera is the one you feel inspired to use.

Happy shooting!

If you’d like to explore detailed specs or sample RAW files from these cameras, drop a line - I’m happy to share further insights from my testing archives.

Thanks for reading!

Panasonic GF6 vs Panasonic TS2 Specifications

Detailed spec comparison table for Panasonic GF6 and Panasonic TS2
 Panasonic Lumix DMC-GF6Panasonic Lumix DMC-TS2
General Information
Make Panasonic Panasonic
Model type Panasonic Lumix DMC-GF6 Panasonic Lumix DMC-TS2
Also Known as - Lumix DMC-FT2
Category Entry-Level Mirrorless Waterproof
Released 2013-04-08 2010-01-26
Physical type Rangefinder-style mirrorless Compact
Sensor Information
Chip Venus Engine FHD Venus Engine HD II
Sensor type CMOS CCD
Sensor size Four Thirds 1/2.3"
Sensor measurements 17.3 x 13mm 6.08 x 4.56mm
Sensor surface area 224.9mm² 27.7mm²
Sensor resolution 16 megapixel 14 megapixel
Anti alias filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 4:3, 3:2 and 16:9
Maximum resolution 4592 x 3448 4320 x 3240
Maximum native ISO 12800 6400
Maximum boosted ISO 25600 -
Min native ISO 160 80
RAW files
Autofocusing
Focus manually
Autofocus touch
Continuous autofocus
Single autofocus
Autofocus tracking
Selective autofocus
Autofocus center weighted
Autofocus multi area
Autofocus live view
Face detect autofocus
Contract detect autofocus
Phase detect autofocus
Total focus points - 11
Cross type focus points - -
Lens
Lens support Micro Four Thirds fixed lens
Lens zoom range - 28-128mm (4.6x)
Maximum aperture - f/3.3-5.9
Macro focusing range - 5cm
Amount of lenses 107 -
Focal length multiplier 2.1 5.9
Screen
Display type Tilting Fixed Type
Display sizing 3 inches 2.7 inches
Resolution of display 1,040 thousand dots 230 thousand dots
Selfie friendly
Liveview
Touch display
Display tech TFT Color LCD with wide-viewing angle -
Viewfinder Information
Viewfinder None None
Features
Slowest shutter speed 60s 60s
Maximum shutter speed 1/4000s 1/1300s
Continuous shooting rate 4.0 frames per second 2.0 frames per second
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes -
Custom white balance
Image stabilization
Integrated flash
Flash distance 6.30 m 5.10 m
Flash settings Auto, On, Off, Red-Eye, Slow Sync Auto, On, Off, Red-eye, Slow Syncro
External flash
AEB
WB bracketing
Maximum flash synchronize 1/160s -
Exposure
Multisegment metering
Average metering
Spot metering
Partial metering
AF area metering
Center weighted metering
Video features
Video resolutions 1920 x 1080 (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 1280 x 720p (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 640 x 480 (30/25fps) 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps)
Maximum video resolution 1920x1080 1280x720
Video file format MPEG-4, AVCHD AVCHD Lite
Microphone support
Headphone support
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environmental sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 323 grams (0.71 lb) 188 grams (0.41 lb)
Dimensions 111 x 65 x 38mm (4.4" x 2.6" x 1.5") 99 x 63 x 24mm (3.9" x 2.5" x 0.9")
DXO scores
DXO All around rating 54 not tested
DXO Color Depth rating 20.7 not tested
DXO Dynamic range rating 10.6 not tested
DXO Low light rating 622 not tested
Other
Battery life 340 images -
Battery style Battery Pack -
Self timer Yes (2 or 10 sec, 10 sec (3 images)) Yes (2 or 10 sec)
Time lapse shooting
Type of storage SD/SDHC/SDXC SD/SDHC/SDXC, Internal
Card slots One One
Retail cost $326 $350