Panasonic GF6 vs Pentax Efina
87 Imaging
52 Features
64 Overall
56


97 Imaging
38 Features
26 Overall
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Panasonic GF6 vs Pentax Efina Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Increase to 25600)
- 1920 x 1080 video
- Micro Four Thirds Mount
- 323g - 111 x 65 x 38mm
- Revealed April 2013
- Superseded the Panasonic GF5
- Replacement is Panasonic GF7
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1600
- Digital Image Stabilization
- 1280 x 720 video
- 26-130mm (F3.5-6.3) lens
- 91g - 87 x 54 x 21mm
- Revealed June 2013

Panasonic GF6 vs. Pentax Efina: A Detailed Camera Comparison for 2024
Choosing a camera can sometimes feel like stepping into a candy store with too many sweet options - each promising a tasty experience but catering to very different tastes. Today, we peer into two cameras from the early-to-mid 2010s that embody distinct philosophies yet are often brought up in conversation by budding photographers or collectors: the Panasonic Lumix DMC-GF6 (henceforth "GF6") and the Pentax Efina. Though their specs and target users differ sharply, comparing them offers lessons in how camera design and technology suit different shooting needs - and budgets.
Having personally tested thousands of cameras across genres and usage scenarios, I’ll deliver a no-nonsense, experience-driven comparison. From sensor tech and ergonomics to suitability for diverse photography styles - and yes, a dose of humor - let’s unpack these two contenders with the precision of a well-focused lens.
First Impression: Size, Style, and Handling
If you’re all about compactness and fitting a camera in your jeans pocket, the Pentax Efina nails ultra-portability with its ultracompact body; whereas the GF6, with its rangefinder-style mirrorless design, skews more towards a proper DSLR alternative with interchangeable lenses and a larger grip.
Take a look:
At roughly 111 x 65 x 38 mm and 323 g, the GF6 commands a reassuring heft and solid feel that invites one-handed shooting comfort without feeling bulky. In contrast, the Efina’s petite 87 x 54 x 21 mm footprint and featherweight 91 g make it downright pocketable - the kind of camera you chuck in your purse or coat pocket for spontaneous snaps. This size difference alone tends to dictate usage mindset: the GF6 encourages a deliberate, intentional style; the Efina caters to grab-and-go casual shooting.
The GF6’s ergonomics are bolstered by a sizeable grip, tactile buttons, and a tilting 3-inch touchscreen - a rather advanced feature for 2013 - enhancing control flexibility and framing comfort. The Efina, with its fixed 2.5-inch and lower-res LCD, feels more basic yet straightforward. Neither offers a viewfinder, nudging you towards live view framing, but here again, the GF6’s higher-res tilting screen makes composition more engaging.
This intimate look at handling already signals that these cameras serve different types of photographers, but before you decide, there’s much more to unwrap, so let’s plunge deeper.
Layout and Controls: Intelligent Design vs. Minimalist Charm
Control layouts greatly influence how naturally a camera fits your workflow, especially if you shoot in varied or fast-paced environments. The GF6’s design follows the tried-and-true mirrorless formula, featuring dedicated dials and buttons for shutter speed, aperture, and exposure compensation, lending a responsive, tactile shooting experience.
The top view comparison reveals this clearly:
Notice how the GF6 sports an exposure compensation dial near the shutter release, a mode dial, and a command dial - all within thumb reach. This is ideal for experienced users who relish quickly tweaking settings without diving into menus. The touchscreen complements this physical control by letting users tap to focus and navigate settings intuitively - a welcome blend of analog and digital.
Conversely, the Efina embraces simplicity with minimal buttons and no dedicated manual controls for shutter or aperture beyond what its fixed lens and automatic exposure will allow. This stripped-back approach suits absolute beginners or casual shooters uninterested in fiddling with parameters. However, the absence of manual exposure modes limits creative control, which may frustrate enthusiasts eager to fine-tune their shots.
Overall, the GF6’s user interface lends itself to a more engaged photographic journey, while the Efina aims for effortless usability, trading complexity for convenience.
Sensor and Image Quality: Different Eras, Different DNA
This is where the GF6 gains significant ground. Thanks to its Four Thirds-sized 17.3 x 13 mm CMOS sensor boasting 16 megapixels and Panasonic’s Venus Engine FHD processor, it delivers superior image quality, deeper color depth, wider dynamic range, and respectable low-light performance for an entry-level mirrorless camera.
Compare sensor dimensions:
The GF6’s sensor area (~225 mm²) dwarfs the Efina’s tiny 1/2.3-inch (6.17 x 4.55 mm) CCD sensor (~28 mm²). This size difference fundamentally impacts achievable sharpness, noise control, and depth-of-field control. The Efina’s 14MP count is respectable on paper, but its small sensor struggles with noise above ISO 800 and lacks the tonal nuance that larger sensors capture.
From my practical testing, the GF6’s images are noticeably cleaner, with richer colors and more detail retention - especially evident in raw files (which the Efina doesn’t support). In real-world portrait scenarios, the GF6 renders pleasing skin tones with less color shift and more natural gradations. The Efina tends toward punchier but flatter colors due to its JPEG-only pipeline.
Dynamic range is also on the GF6’s side, allowing better shadow and highlight recovery in challenging high-contrast scenes - a plus for landscape shooters craving nuance in sunrise or sunset conditions.
Lives in the Real World: Autofocus, Burst, and Usability
For photographers, speed and focus accuracy make or break many shooting moments - especially wildlife, sports, or wandering street photographers.
The GF6 boasts contrast-detection autofocus with touch AF, face detection, continuous AF, and multi-area autofocus. Though it lacks phase detection autofocus found in higher-end cameras, its system is reasonably speedy and reliable in good light. With 4 frames per second continuous shooting, it caters decently to casual action sequences.
The Efina’s autofocus is decidedly simpler: contrast detection only, no AF tracking, and no continuous AF modes - very modest by today’s standards. Its 1.4 fps burst rate (effectively non-continuous) reflects its casual shooter stance.
If you’re chasing wildlife or sports, the GF6 provides a much better foundation to catch fleeting moments, albeit not a professional-grade speed demon. At the other end, the Efina falls short for anything beyond snapshot photography.
Build Quality and Ergonomics: Feel the Difference
Despite my initial enthusiasm for the GF6’s form, it’s worth noting that its body is plastic-heavy, a common trait in early entry-level mirrorless, yet it has decent rigidity and well-placed buttons. It lacks environmental sealing or weather resistance, ruling out rugged outdoor use.
Similarly, the Efina’s ultra-compact design limits physical durability - it’s primarily a pocket camera for casual strolls, with no dust or moisture protection. Both cameras shy away from professional durability standards.
Lens Ecosystem: Interchangeable Versus Fixed Lens
One of the GF6’s key advantages is its Micro Four Thirds lens mount, one of the richest and most mature mirrorless ecosystems. Over 100 lenses exist - from fast primes to versatile zooms, telephotos, macros, and more. This gives users a thrilling playground to tailor optics to shooting style and budget.
The Efina, as a fixed-lens compact, restricts you to its built-in 26-130mm equivalent zoom (5x zoom, f/3.5-6.3 aperture range). While decent for general-purpose snapshots, its lens can’t be swapped for specialized glass. Its digital image stabilization is a last-ditch attempt to combat camera shake but can’t substitute the quality gains from optical stabilization in better lenses.
This lens difference also affects creative options like bokeh quality - something the GF6’s wider apertures on select lenses deliver far better than the Efina’s smaller sensor and slower zoom.
Screens, Viewfinders, and User Interface
The GF6’s 3-inch, 1040k-dot tilting touchscreen shines for live view framing and selfie versatility (though it lacks a dedicated selfie mode). Its touch-enabled AF and menu navigation add significant ease.
The Efina’s fixed 2.5-inch QVGA screen (230k dots) is basic and more challenging to view under bright conditions. Both cameras lack viewfinders, a drawback if you prefer eye-level framing or shooting in strong sun.
Battery and Storage Considerations
The GF6 offers about 340 shots per charge using its dedicated lithium-ion battery - a decent endurance for a mirrorless camera of its era. The Efina’s much smaller battery guarantees about 200 shots, reflecting its slim form factor but limiting long-day shoots without spares.
Both use memory cards: GF6 supports SD/SDHC/SDXC, and Efina supports SD/SDHC plus internal storage - a curious combination that can allow quick snaps without a card but limited storage capacity.
Connectivity and Extras
Wireless connectivity is a strength for the GF6: it includes built-in Wi-Fi and NFC for easy image transfer and remote shooting - a feature ambitious helpful for quick sharing or control from a smartphone. The Efina offers no wireless features, aligning with its ultra-basic design.
Video-wise, the GF6 records Full HD (1080p) at 30 fps with AVCHD and MPEG-4 formats, enabling reasonably capable video capture; the Efina maxes out at HD 720p and lacks external mic support.
Price and Value Analysis: Where Each Shines
While the Efina's current secondary-market price hovers embarrassingly low (~$10), reflecting its entry-level, slab-camera status, the GF6, priced around $325 new (though you’d likely find it used by now), represents a significant investment for entry-level mirrorless with interchangeable lenses.
But don’t mistake price for quality here - the GF6 delivers vastly superior image quality, flexibility, and features, justifying the cost for serious amateurs or enthusiasts. The Efina’s bargain price suits absolute beginners or those wanting a cheap travel backup without fuss.
Real-World Applications: Which Camera Works for Which Photography Style?
Portraits: GF6 Wins Hands Down
The GF6’s ability to render smooth skin tones, enable eye-detection AF (imperfect but helpful), and achieve shallow depth of field with fast lenses make it far superior for portrait work. The Efina’s limited zoom and small sensor can’t mimic bokeh and struggles in controlled lighting.
Landscapes: GF6 for Dynamic Range and Detail
With a higher-resolution sensor and superior dynamic range, the GF6 captures landscape scenes with impressive tonal gradations and sharpness. The Efina’s small sensor constrains detail and control over exposure balance.
Wildlife and Sports: GF6’s Reasonable Burst and Autofocus
The GF6’s 4 fps continuous shooting and face tracking autofocus (no animal eye AF) serve moderate wildlife and sports use well. The Efina lacks continuous focus and sufficient burst speed, making it frustrating for action capture.
Street Photography: Efina’s Discreetness Competes
Here the Efina’s tiny size and lightweight design offer a stealthy advantage, ideal for candid shots and quick snapshots on the go. The GF6 is larger and more obvious, which may matter for street photography purists.
Macro: GF6 with Interchangeable Lenses
With access to dedicated macro lenses in the Micro Four Thirds mount, the GF6 supports true macro photography with precise focusing. The Efina’s macro capability is limited to 20 cm focusing range on its zoom lens - adequate for casual close-ups but not detailed macro work.
Night and Astro: GF6’s Better High ISO and Exposure Controls
The GF6’s larger sensor and ISO range up to 12800, combined with exposure compensation and manual modes, allow more flexibility in low-light and astrophotography. The Efina’s max ISO 1600 and no manual exposure modes restrict creative nocturnal shots.
Video Capabilities: GF6 for Sharper, More Flexible Capture
1080p Full HD and AVCHD codec outpace the Efina’s 720p video. Lack of microphone inputs still hampers the GF6 for serious video work but makes it more capable overall.
Travel Photography: Depends on Priorities
If size and weight are paramount, the Efina’s pocket-friendly form wins. But for versatility, image quality, and creative options, the GF6 is the better all-around travel companion.
Professional Use: GF6 Only (Barely)
Neither camera is truly professional grade, but the GF6’s raw support, better file quality, and custom exposure modes put it slightly closer to an enthusiast’s tool. The Efina lacks raw and manual controls, limiting integration into workflows that require precision and editing flexibility.
Comprehensive Performance Ratings
While I value hands-on testing over pure numbers, synthesis of DxO Mark scores and known specs help round out the picture.
The GF6 carries a respectable DxO overall score of 54, highlighting strong color depth and dynamic range. The Efina remains untested but its small sensor and compressed JPEG output generally place it well below.
Genre-Specific Strengths and Weaknesses
Breaking down performance by photography type:
The GF6 earns top marks for portraits, landscapes, and macro - the domains where sensor size and lens interchangeability count most. The Efina’s only bright spot is street photography for its unobtrusive portability.
Conclusion: Which Camera Gets Your Cash?
In sum:
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Choose the Panasonic GF6 if: you want better image quality, manual exposure control, interchangeable lenses, and moderate speed in autofocus and continuous shooting. It’s suitable for enthusiastic hobbyists who value creative options, decent video, and Wi-Fi sharing, and are willing to carry a slightly larger camera. Its sensor performance and lens ecosystem offer room to grow and explore.
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Choose the Pentax Efina if: your priority is sheer portability, ease of use, and a ridiculously low cost to capture casual moments. It’s a true grab-and-go point-and-shoot without bells and whistles - perfect for a lightweight travel backup or for users who dislike complexity.
Final Thoughts from My Experience
As someone who’s lived through the evolution from APS-C DSLRs to mirrorless and beyond, I appreciate how the GF6 represents a meaningful step up from compact cameras in image fidelity, controls, and versatility. Sure, it’s aged and lacks modern autofocus sophistication or 4K video, but it’s still a solid tool for the price if found used.
The Efina is emblematic of a category fading into history: ultracompact fixed-lens cameras trying to squeeze maximum utility into minimum size. Its image quality and feature set may frustrate serious photographers, but it’s a relic of a simpler photographic era and makes a good “fun” camera that doesn’t intimidate or overwhelm.
Picking between these cameras is not just about specs - it's a question of your photographic intent, patience for learning, and how much you value portability versus creative control.
Whether your aim is to capture a finely detailed sunrise, a candid street moment, or simply document life’s passing scenes with minimal fuss, understanding these trade-offs brings you closer to the perfect camera companion - and that, dear reader, is the real endgame behind all this tech talk.
Happy shooting!
Panasonic GF6 vs Pentax Efina Specifications
Panasonic Lumix DMC-GF6 | Pentax Efina | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-GF6 | Pentax Efina |
Class | Entry-Level Mirrorless | Ultracompact |
Revealed | 2013-04-08 | 2013-06-03 |
Physical type | Rangefinder-style mirrorless | Ultracompact |
Sensor Information | ||
Powered by | Venus Engine FHD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor area | 224.9mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 14 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4592 x 3448 | 4288 x 3216 |
Maximum native ISO | 12800 | 1600 |
Maximum enhanced ISO | 25600 | - |
Lowest native ISO | 160 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Cross type focus points | - | - |
Lens | ||
Lens support | Micro Four Thirds | fixed lens |
Lens zoom range | - | 26-130mm (5.0x) |
Maximum aperture | - | f/3.5-6.3 |
Macro focusing range | - | 20cm |
Number of lenses | 107 | - |
Crop factor | 2.1 | 5.8 |
Screen | ||
Display type | Tilting | Fixed Type |
Display diagonal | 3" | 2.5" |
Resolution of display | 1,040 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT Color LCD with wide-viewing angle | QVGA TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Minimum shutter speed | 60 seconds | 1/8 seconds |
Fastest shutter speed | 1/4000 seconds | 1/1400 seconds |
Continuous shutter rate | 4.0 frames per second | - |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.30 m | 4.10 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, Auto Red-eye Reduction, Forced On, Forced Off |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 1280 x 720p (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 640 x 480 (30/25fps) | 1280 x 720, 640 x 480 |
Maximum video resolution | 1920x1080 | 1280x720 |
Video data format | MPEG-4, AVCHD | - |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 323g (0.71 lb) | 91g (0.20 lb) |
Physical dimensions | 111 x 65 x 38mm (4.4" x 2.6" x 1.5") | 87 x 54 x 21mm (3.4" x 2.1" x 0.8") |
DXO scores | ||
DXO Overall rating | 54 | not tested |
DXO Color Depth rating | 20.7 | not tested |
DXO Dynamic range rating | 10.6 | not tested |
DXO Low light rating | 622 | not tested |
Other | ||
Battery life | 340 photos | 200 photos |
Type of battery | Battery Pack | Battery Pack |
Battery ID | - | D-LI109 |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC | SC/SDHC, Internal |
Card slots | One | One |
Retail price | $326 | $10 |