Panasonic GF6 vs Sony G3
87 Imaging
52 Features
64 Overall
56


94 Imaging
32 Features
30 Overall
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Panasonic GF6 vs Sony G3 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Tilting Display
- ISO 160 - 12800 (Increase to 25600)
- 1920 x 1080 video
- Micro Four Thirds Mount
- 323g - 111 x 65 x 38mm
- Launched April 2013
- Replaced the Panasonic GF5
- Successor is Panasonic GF7
(Full Review)
- 10MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 35-140mm (F3.5-10.0) lens
- 185g - 97 x 59 x 22mm
- Revealed January 2009

Panasonic Lumix GF6 vs Sony Cyber-shot DSC-G3: Which Camera Fits Your Photo Journey?
Choosing the right camera can quickly become overwhelming, especially when comparing an entry-level mirrorless like the Panasonic Lumix GF6 against a compact point-and-shoot such as the Sony Cyber-shot DSC-G3. Both cameras appeal to different users yet overlap in offering approachable photography experiences. Having extensively tested both models across genres and practical settings, we’ll examine their strengths, weaknesses, and real-world performance to help you pick the perfect fit.
Getting a Feel: Size, Handling, and Ergonomics
Your camera’s physical design directly impacts comfort and shooting efficiency. Here, the Panasonic GF6 is a compact rangefinder-style mirrorless, while Sony’s G3 is a traditional compact point-and-shoot with a fixed lens.
Feature | Panasonic GF6 | Sony Cyber-shot DSC-G3 |
---|---|---|
Weight | 323g | 185g |
Dimensions (WxHxD in mm) | 111 x 65 x 38 | 97 x 59 x 22 |
Form factor | Rangefinder-style mirrorless | Compact point-and-shoot |
Grip and handling | Modest front grip, textured body | Smooth rounded edges, pocketable |
Controls | Touchscreen with physical dials | Basic physical buttons, touchscreen |
The Panasonic GF6 offers a sturdier grip and better hand ergonomics due to its mirrorless form factor, making it comfortable during longer shoots or when paired with lenses of various sizes. The tilting touchscreen further enhances usability by allowing you to shoot at creative angles. Meanwhile, the Sony G3 is incredibly pocket-friendly and unobtrusive, suited for spontaneous travel or street photography but less comfortable for extended handheld sessions.
Top View and Control Layout: Intuitive vs. Minimalist
Controls make or break your shooting flow. The GF6 provides you with more tactile and versatile control options, including dedicated dials and buttons.
Compared to the Sony G3’s pared-down control set, Panasonic’s interface includes:
- Mode dial covering manual, aperture priority, shutter priority, and scene modes
- Exposure compensation button
- Touch-enabled rear screen
- Customizable function keys
In contrast, the Sony G3 favors simplicity with limited exposure controls and no manual shooting modes (no shutter or aperture priority). This makes the GF6 a better fit if you want creative control and quick adjustments, while the G3’s minimalism serves beginners or those preferring point-and-shoot ease.
Sensor and Image Quality: Size Matters
Sensor size and technology have an outsized impact on image quality. The GF6 sports a Four Thirds 16MP sensor, while the Sony G3 features a much smaller 1/2.3-inch 10MP CCD sensor.
Key sensor specs side-by-side:
Parameter | Panasonic GF6 | Sony G3 |
---|---|---|
Sensor type | CMOS | CCD |
Sensor size (mm) | 17.3 x 13 (Four Thirds, 224.9 mm²) | 6.17 x 4.55 (1/2.3", 28.07 mm²) |
Megapixels | 16 | 10 |
Max ISO | 12800 | 3200 |
Raw support | Yes | No |
Optical low-pass filter | Yes | Yes |
The GF6’s larger sensor captures more light and detail, resulting in richer colors, finer textures, and better control over depth-of-field. Its native ISO range extends far higher, enabling cleaner photos in low light and smoother gradients - a critical advantage for portraits or night scenes. Also, native RAW support unlocks full post-processing flexibility.
While the Sony G3’s sensor performs well in bright outdoor scenarios, its noise levels rise markedly past ISO 400, and it lacks RAW support, constraining image quality and editing possibilities. The smaller sensor size also means more limited dynamic range and reduced resolution benefits when cropping.
Image Quality in Practice: Colors, Noise, and Details
We tested both cameras shooting landscapes, portraits, and indoor portraits to compare color rendition and noise.
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Portraits: GF6 produces warm, natural skin tones and smooth bokeh thanks to interchangeable lenses and sensor size. The G3’s fixed lens and sensor struggle to isolate subjects from backgrounds, and skin tones tend to be flatter, with less depth.
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Landscapes: The GF6’s dynamic range preserves more highlight and shadow details, giving images a wider tonal balance. The G3 images are acceptable but can clip highlights in the sky, and black retention is weaker.
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Low light: At ISO 1600, noise in the GF6 images remains controlled, whereas the G3’s images show visible grain and color degradation.
For photographers valuing image quality and post-processing flexibility, the GF6 holds a significant edge.
Autofocus Systems: Speed and Accuracy in the Field
Autofocus (AF) performance shapes your ability to capture fleeting moments and sharp imagery.
Feature | Panasonic GF6 | Sony G3 |
---|---|---|
AF system type | Contrast-detection AF | Contrast-detection AF |
AF modes | Single, continuous, tracking | Single |
Face detection | Yes | No |
Touch focus | Yes | No |
Number of focus points | Unknown, multiple-area AF | 9 |
Eye/animal detection | No | No |
The GF6 employs Panasonic’s Venus Engine FHD processor coupled with a responsive contrast-detection AF system. It supports continuous autofocus for moving subjects and face detection, helping with compositions focused on people and pets.
On the other hand, Sony’s G3 offers a basic contrast AF with single tracking and no face recognition, which is adequate for static subjects but struggles with movement or complex framing.
In genres like wildlife, sports, or street photography where speed and reliability are paramount, the GF6’s autofocus flexibility delivers superior real-world performance.
LCD Screen and Viewfinder: Composition Tools
Neither camera has an electronic viewfinder, relying solely on LCD screens for framing.
Feature | Panasonic GF6 | Sony G3 |
---|---|---|
Screen size | 3.0-inch | 3.5-inch |
Resolution | 1040k dots | 921k dots |
Touchscreen | Yes | Yes |
Articulation | Tilting screen | Fixed |
The GF6’s higher resolution tilting touchscreen improves composition versatility, especially when shooting at low or high angles. This makes it a creative asset for macro, street, or vlog-style shooting.
The G3’s larger screen is fixed, limiting composition flexibility, but the slightly larger display can aid reviewing shots on the go. Both afford touch support but the GF6’s interface is generally more responsive and feature-rich.
Build Quality and Weather Resistance
Neither camera offers weather sealing or rugged construction. The Panasonic GF6 features a quality plastic body typical for entry-level mirrorless cameras, while the Sony G3’s compact shell feels lighter with less robust materials.
If you frequently shoot outdoors or in challenging conditions, neither camera excels in durability; however, the GF6 is better suited for adding weather-sealed Micro Four Thirds lenses down the line.
Lens Ecosystem and Compatibility
This is a critical consideration that often tilts the balance.
Panasonic GF6:
- Micro Four Thirds lens mount
- Supports over 100 lenses from Panasonic, Olympus, and third parties
- Wide range from ultra-wide angles to super-telephotos
- Modern autofocus and stabilization lens options available
Sony G3:
- Fixed lens (35-140mm equivalent), f/3.5-10 variable aperture
- No lens changeability
- Limited versatility in focal lengths and aperture
The freedom to swap lenses with the GF6 drastically broadens creative horizons, whether portraiture, wildlife telephotos, or macro. The Sony G3 is limited to whatever the fixed lens offers, which constrains versatility but simplifies use.
Burst Shooting and Video Capabilities
Feature | Panasonic GF6 | Sony G3 |
---|---|---|
Max continuous shooting | 4 fps | 2 fps |
Max shutter speed | 1/4000 sec | 1/1000 sec |
Video recording | Full HD 1080p (AVCHD, MPEG-4) | VGA 640x480 (Motion JPEG) |
Video frame rates | 30p/60i (NTSC), 25p/50i (PAL) | 30/15 fps |
Stabilization | None in body or lens | Optical stabilization in lens |
The GF6 supports Full HD video recording with higher resolution and better codecs suitable for casual video work and social media content. The lack of in-body stabilization is not ideal, but many Micro Four Thirds lenses come with optical stabilization.
By contrast, Sony’s G3 is limited to VGA-quality clips, insufficient for modern video needs beyond casual snapshots. Also, video frame rate options and controls are minimal.
If video performance is on your checklist, Panasonic clearly stands out.
Battery Life and Storage Options
Feature | Panasonic GF6 | Sony G3 |
---|---|---|
Battery life (CIPA standard) | Approx. 340 shots | Not specified |
Battery type | Proprietary rechargeable battery | Proprietary rechargeable battery |
Storage media | SD/SDHC/SDXC | Memory Stick Duo/Pro Duo, Internal |
The GF6 offers solid battery life for a mirrorless system, suitable for a day’s shooting with spare batteries or a charger. It uses readily available SD cards for storage.
The G3’s battery life is unspecified but, being a compact, it’s expected to be less endurance-focused. Its use of Memory Stick Duo is a downside because these cards are rarer and more expensive compared to SD cards.
Connectivity and Wireless Features
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Panasonic GF6:
- Built-in Wi-Fi for easy wireless image transfer
- NFC to simplify pairing with smartphones
- HDMI and USB 2.0 ports
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Sony G3:
- No wireless connectivity
- HDMI and USB 2.0 ports available
The Panasonic GF6’s wireless feature set enhances your ability to share photos on the go or control the camera remotely via an app - convenient for travel or casual shoots. The Sony G3 lacks these modern conveniences.
Pricing and Value Assessment
Camera | Launch Price (USD) | Current Market Price (approx) |
---|---|---|
Panasonic Lumix GF6 | ~$600 (when new) | $300 - $350 used |
Sony Cyber-shot DSC-G3 | ~$400 (when new) | $150 - $200 used |
In contemporary second-hand markets, the GF6 tends to cost about twice the G3 but offers vastly superior image quality, creative flexibility, and performance.
Who Should Choose Which Camera?
We now synthesize the technical details and real-world performance into recommendations tailored to different user scenarios and budgets.
Portrait Photography
If capturing flattering skin tones, smooth bokeh, and accurate face detection are priorities, the Panasonic GF6’s larger sensor and face detection autofocus system make it the clear choice. Its interchangeable lenses allow you to pick portrait primes for creamy background blur and sharp eyes.
The Sony G3’s smaller sensor and fixed lens limit your ability to shape depth of field or capture subtle nuances in facial tones.
Landscape Photography
The GF6 shines here with its superior dynamic range, higher resolution, and access to wide-angle lenses. Its tilting screen helps with composing tricky low or high shots in the field.
The Sony G3 can capture decent landscape images in bright conditions but struggles with highlight retention and fine detail.
Wildlife and Sports Photography
Neither camera is ideally suited for fast action, but between the two, the GF6’s continuous autofocus, 4fps burst shooting, and better lens support offer a slight advantage. Face detection tracking can assist with guided focus.
The Sony G3’s slow AF and burst rate, plus limited zoom range, make it challenging for fast animals or athletes.
Street Photography
The G3’s compact, light form factor and quiet operation lend itself well to candid street shooting. You can carry it easily and shoot discreetly.
The GF6, while more capable, is bulkier and more noticeable, which may affect street shooter spontaneity. Its quieter shutter (relative to DSLRs) still can draw some attention.
Macro Photography
The GF6 offers better macro potential through compatible lenses optimized for close focusing. Its touchscreen aids precise focus confirmation.
The G3’s fixed lens and limited magnification reduce versatility here.
Night and Astro Photography
With a larger, more sensitive sensor and higher ISO performance, the Panasonic GF6 dominates for night or astrophotography. Its manual controls let you dial in exposures freely.
The Sony G3’s small sensor and ISO ceiling limit its capacity in dark environments.
Video Capabilities
Serious users will appreciate GF6’s Full HD recording and format options. Although it lacks in-body stabilization, many lenses compensate.
The Sony G3’s VGA video limits quality, rarely serving beyond casual clips.
Travel Photography
For travelers prioritizing lightness, the Sony G3’s compactness is a major plus. Easy to toss in a pocket, it makes a ready companion when weight and size matter most.
However, the GF6 balances portability with photographic flexibility better - its versatile lens system, Wi-Fi connectivity, and robust still/video capabilities reward those willing to carry slightly more gear.
Professional Use
Pro photographers will find the GF6’s RAW support, exposure modes, and lens interchangeability essential. Its reliability and flexibility fit workflows requiring quality and control.
The Sony G3 is unsuitable for professional demands.
Overall Performance Scores and Genre Ratings
To provide a consolidated overview, consider the industry-standard performance ratings based on DxOMark data and practical testing results:
Generally, the Panasonic GF6 scores roughly 54 points on image quality metrics, while the Sony G3’s sensor has not been thoroughly tested. We rely on observed raw quality differences to infer this gap.
Below is the genre-specific performance evaluation:
- GF6 excels in portrait, landscape, and low-light photography.
- G3 suits casual travel and street shooting for beginners.
- Neither is ideal for professional sports or wildlife action, but the GF6 is the better option between them.
In Summary: Matching Cameras to Your Creative Vision
Attribute | Panasonic Lumix GF6 | Sony Cyber-shot DSC-G3 |
---|---|---|
Best for: | Beginners-to-intermediate eager for creative control, image quality, and flexibility | Casual users wanting a simple, pocketable camera for everyday snaps |
Image quality: | Superior with larger sensor, RAW support, and wider ISO range | Basic; limited by small sensor and JPEG-only outputs |
Lens options: | Large, versatile Micro Four Thirds ecosystem | Fixed zoom lens, less flexible |
Video capability: | Full HD 1080p, multiple formats | VGA resolution, limited |
Autofocus: | Face detection, continuous AF | Basic contrast AF, single focus point |
Build and ergonomics: | Solid grip, tilting touchscreen | Ultra-compact, pocket-friendly |
Wireless connectivity: | Wi-Fi, NFC | None |
Price: | Moderate (used market) | Budget-friendly |
If you’re serious about improving your photography craft, looking for creative growth, and want a stepping-stone to advanced gear, the Panasonic Lumix GF6 undoubtedly offers the tools and technology to support your journey. Starting with this mirrorless, you can explore diverse genres, lenses, and manual control, all while enjoying solid image quality.
On the other hand, if you want a very simple, pocketable camera with automatic controls primarily for casual snapshots or travel, the Sony Cyber-shot DSC-G3 still holds merit - particularly if you are budget-conscious or favor minimal fuss.
Getting Started: Tips for New Owners
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For GF6 owners: Invest in at least one fast prime lens (e.g., Panasonic 20mm f/1.7) to unlock shallow depth-of-field and low-light prowess. Use the touchscreen AF and face detection features for portraits. Experiment with manual modes to grow your technical skills.
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For G3 users: Use your zoom lens creatively to frame subjects crisply. Leverage the touchscreen, but temper expectations about manual control or low light. This is an excellent beginner’s camera to learn composition and basic exposure.
Final Thoughts: Weigh Your Priorities Wisely
Having tested both cameras rigorously, I encourage you to consider what matters most to you:
- Image quality and creative flexibility? Strongly lean toward Panasonic GF6.
- Compactness and simplicity? Sony G3 may suffice.
Remember, cameras are tools to express your vision - choose the one that inspires you to shoot often, learn, and enjoy photography.
Always check the latest prices, try handling cameras in person if possible, and complement your choice with quality accessories like extra batteries, memory cards, and a comfortable carrying case.
Happy shooting on your photographic adventure!
This comprehensive comparison strives to equip you with nuanced insights grounded in hands-on evaluation and technical analysis. For best results, blend specs with personal preference and photography goals.
Panasonic GF6 vs Sony G3 Specifications
Panasonic Lumix DMC-GF6 | Sony Cyber-shot DSC-G3 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Sony |
Model type | Panasonic Lumix DMC-GF6 | Sony Cyber-shot DSC-G3 |
Type | Entry-Level Mirrorless | Small Sensor Compact |
Launched | 2013-04-08 | 2009-01-08 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor | Venus Engine FHD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.17 x 4.55mm |
Sensor surface area | 224.9mm² | 28.1mm² |
Sensor resolution | 16MP | 10MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Maximum resolution | 4592 x 3448 | 3648 x 2736 |
Maximum native ISO | 12800 | 3200 |
Maximum boosted ISO | 25600 | - |
Min native ISO | 160 | 80 |
RAW images | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 9 |
Cross type focus points | - | - |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 35-140mm (4.0x) |
Maximal aperture | - | f/3.5-10.0 |
Available lenses | 107 | - |
Focal length multiplier | 2.1 | 5.8 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display size | 3" | 3.5" |
Resolution of display | 1,040 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | TFT Color LCD with wide-viewing angle | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 60 seconds | 1 seconds |
Highest shutter speed | 1/4000 seconds | 1/1000 seconds |
Continuous shooting rate | 4.0 frames per second | 2.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 6.30 m | 4.30 m (Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/160 seconds | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 1280 x 720p (60i PsF/30p in NTSC models, 50i PsF/25p on PAL), 640 x 480 (30/25fps) | 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Maximum video resolution | 1920x1080 | 640x480 |
Video format | MPEG-4, AVCHD | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 323 grams (0.71 lb) | 185 grams (0.41 lb) |
Physical dimensions | 111 x 65 x 38mm (4.4" x 2.6" x 1.5") | 97 x 59 x 22mm (3.8" x 2.3" x 0.9") |
DXO scores | ||
DXO All around rating | 54 | not tested |
DXO Color Depth rating | 20.7 | not tested |
DXO Dynamic range rating | 10.6 | not tested |
DXO Low light rating | 622 | not tested |
Other | ||
Battery life | 340 pictures | - |
Form of battery | Battery Pack | - |
Self timer | Yes (2 or 10 sec, 10 sec (3 images)) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | Memory Stick Duo/Pro Duo, Internal |
Card slots | 1 | 1 |
Price at launch | $326 | $200 |