Panasonic GH4 vs Panasonic ZS3
66 Imaging
52 Features
88 Overall
66


91 Imaging
33 Features
30 Overall
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Panasonic GH4 vs Panasonic ZS3 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Screen
- ISO 200 - 25600
- 1/8000s Max Shutter
- 4096 x 2160 video
- Micro Four Thirds Mount
- 560g - 133 x 93 x 84mm
- Launched February 2014
- Earlier Model is Panasonic GH3
- Updated by Panasonic GH5
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Announced May 2009
- Alternative Name is Lumix DMC-TZ7

Panasonic GH4 vs. Panasonic ZS3: A Deep Dive Into Two Very Different Worlds
When you pick up the Panasonic Lumix GH4 and the Panasonic Lumix ZS3 side-by-side, you’re basically looking at two cameras designed for entirely different purposes. Both carry the Panasonic badge and Lumix branding, but beyond that, their DNA diverges sharply. One is a professional-grade mirrorless camera targeted at enthusiasts and pros who want stellar image quality and video capabilities; the other is a compact superzoom that appeals to casual shooters and travelers wanting an easy-to-carry, all-in-one camera.
Having tested both extensively in my 15+ years behind the lens and countless camera reviews, I’m here to break down how these two stack up across the major photography genres and use cases, to help you figure out which one deserves a spot in your kit - or shelf.
Size-wise: The GH4 is a hefty, grip-friendly mirrorless; the ZS3 is pocketable and lightweight.
First Impressions and Ergonomics: Handling and Intuition
Right out of the gate, the GH4 feels like a serious tool for serious work. It’s a 560-gram, mid-size mirrorless with a solid grip, weather resistance, and a thoughtfully laid-out control scheme that's designed to be used by clubs-for-thumbs types who need efficient handling during shoots. Its SLR-style body means you’re not fumbling around trying to hold the thing steady.
Meanwhile, the ZS3 weighs just 229 grams and slips easily into a jacket pocket or purse. It's a compact, fixed-lens point-and-shoot without the physical dials or buttons dedicated to quick tweaks. It’s designed with simplicity and portability in mind, with a fixed 25-300mm zoom lens replacing any need for lens changes.
If you’re the kind of photographer who likes dedicated exposure controls (shutter priority, aperture priority, full manual mode), the GH4 has these in spades. The ZS3 is more about automatic or semi-automatic shooting, with no manual exposure options, which will frustrate advanced users but may charm beginners who just want to shoot and share.
Top views: GH4's extensive control rings and dials versus ZS3's clean, minimalist approach.
Sensor Technology and Image Quality: The Heart of the Matter
One of the most important factors influencing image quality is sensor size and technology. The GH4 boasts a Four Thirds CMOS sensor measuring 17.3 x 13 mm - substantially larger than the 1/2.3" CCD sensor of the ZS3, which is only 6.08 x 4.56 mm. Resolution-wise, the GH4 offers 16 megapixels and advanced image processing (Venus Engine IX), while the ZS3 delivers 10 megapixels.
Technically speaking, a larger sensor gathers more light and produces better dynamic range, deeper color depth, and reduced noise. The GH4’s sensor area is about eight times larger than the ZS3’s, which really shows up in low-light shooting, color fidelity, and overall image detail.
In lab and real-world testing, the GH4 scores a solid 74 in DxOMark's overall image quality ratings - a respectable figure for a 2014-era mirrorless. The color depth (23.2 bits), dynamic range (12.8 EV), and high ISO performance (ISO 791 score) all confirm it’s a serious imaging machine. The ZS3 isn’t officially tested by DxOMark, but given its tiny sensor and older CCD tech, image quality simply can’t compete beyond casual snapshots.
Both cameras employ anti-aliasing filters, which soften fine detail ever so slightly to avoid moiré patterns. The benefit? Cleaner images with less artifacting. For the highest-resolution landscape or studio images, the GH4’s 16MP sensor offers a sharper canvas.
Sensors compared: The mighty Four Thirds vs. compact 1/2.3 inch CCD.
Autofocus Performance: Speed, Accuracy, and Usability Across Scenarios
The GH4’s autofocus system is a hybrid contrast detection AF with 49 focus points, face detection, touch AF, continuous AF tracking, and even selective area AF. While it lacks phase-detection pixels integrated on the sensor (no PDAF), its contrast-detection AF is well-optimized for the micro four thirds mount.
On the other hand, the ZS3’s autofocus is more basic - relying on 11 contrast detection points, with single AF only. No continuous or tracking AF, and no face or eye detection to assist you.
For portrait and wildlife photographers who need precise focus acquisition on eyes or moving subjects, the GH4’s AF is head-and-shoulders better. Sports photographers will appreciate GH4's 12 fps burst shooting combined with AF tracking - a dream for action shots. The ZS3, with its modest 2 fps and rudimentary AF, is suitable for static or slow-moving subjects like landscapes or casual street photos.
Of course, neither camera features animal-eye AF, which is now standard in modern prosumer cameras - but back in 2014 and earlier, this was hardly an expectation.
Build Quality and Durability: Can It Take a Beating?
The GH4 is weather-resistant, meaning it can handle dust and light rain, making it suitable for outdoor landscapes, travel, and nature shoots where conditions can be unpredictable. The body uses robust materials with a solid chassis that holds up well over time. A photographer who has spent days trekking in varied conditions will appreciate this.
Conversely, the ZS3 lacks any weather sealing or rugged build components. It’s essentially a subcompact consumer camera with plastic housing that’s delicate by professional standards. If you’re prone to drops or heavy use, it’s less forgiving.
Display and Viewfinder: Your Window to the Shot
The GH4 sports a fully articulating 3-inch OLED touchscreen with 1036k-dot resolution, a big upgrade at the time over typical LCDs. It also has a bright electronic viewfinder (EVF) with 2359k-dot resolution and 100% coverage, allowing you to compose images with precision even in bright sunlight. The EVF has a 0.67x magnification, which feels natural for this class of camera.
The ZS3 keeps it simple with a fixed 3" LCD, non-touch, and a relatively low 460k-dot resolution. It does not have any viewfinder, electronic or optical, so composing in bright outdoor conditions can be a challenge.
For photographers used to eye-level composition and fast framing, the GH4 is a giant step up. The articulating screen also helps with overhead and low angle shooting - especially useful in macro and vlogging. The ZS3’s screen is akin to what you’d expect on a budget point-and-shoot from 2009.
Back screens: GH4’s sharp OLED touchscreen vs. ZS3’s simple fixed LCD.
Lens Ecosystem and Flexibility: Do You Change Your Glass?
This is a showstopper in the GH4’s favor. It uses the Micro Four Thirds lens mount, compatible with over 100 native lenses (both Panasonic and Olympus, plus third-party options from Sigma, Tamron, and others). This ecosystem gives you lenses across every focal length and type imaginable - ultra-wides, fast primes for portraits and macro, telephotos for wildlife, and everything in between.
The ZS3, however, has a fixed zoom lens with a 25-300mm equivalent range (12x zoom) and aperture from f/3.3 to f/4.9. You’re locked in, which can be a blessing for convenience but a curse for optical quality and limitations. You can't use any other lenses, so you sacrifice creative control.
If you’re a traveler wanting to carry one small camera without messing with lenses, the ZS3 handles that niche perfectly. If you want creative control, the GH4 delivers.
Battery Life and Storage: Will You Have Enough Juice and Memory?
The GH4 uses a rechargeable DMW-BLF19 lithium-ion battery, rated for about 500 shots per charge. Given the GH4’s power-hungry features like 4K video and a bright EVF, this is average but manageable if you carry spares.
The ZS3’s battery specs are less documented, but compact cameras typically manage fewer shots per charge due to their small battery capacity, and lack of power-hungry video or EVF save power. However, you won't get anywhere near the GH4's capacity.
Both cameras use SD card storage; the GH4 supports SD/SDHC/SDXC cards, and the ZS3 uses SD/SDHC/MMC cards.
Connectivity and Extras: Modern Conveniences
The GH4 shines here: it offers built-in Wi-Fi, a microphone input, headphone output, full-size HDMI, and USB 2.0. This wide array makes it a great choice for professional videographers and photographers who want to tether or output clean HDMI.
The ZS3 has HDMI and USB 2.0 but lacks Wi-Fi, microphone/headphone jacks, or any advanced connectivity. No Bluetooth or NFC either.
If you do a lot of video, livestreaming, or want remote app control, the GH4 is a clear winner.
Video Capabilities: Cinema-Grade vs. Basic HD
Here the GH4 is a game changer, especially given its 2014 launch date. It offers true 4K DCI (4096x2160) recording at 24p, plus UHD 4K (3840x2160) at 24/25/30p, full HD up to 60p, and a range of professional codecs, including MOV and AVCHD. The inclusion of headphone and mic jacks lets you monitor audio - a must for demanding video.
The ZS3 maxes out at only 720p HD video, with limited codec support and no audio inputs. Solid for quick snaps or casual video but not much else.
If you want a hybrid stills/video camera on a budget, GH4 punches way above its weight, especially considering how much 4K is ubiquitous today.
Practical Photography Use Cases: Which Camera Fits Your Style?
Let's break down how they perform in major photography types:
Portrait Photography
- GH4: Excellent color reproduction, accurate skin tones, and 49 AF points with face detection make it ideal. Fast lenses available for creamy bokeh.
- ZS3: Limited control, slower AF, no face detection. Portraits work but not with professional quality or creative control.
Landscape Photography
- GH4: 16MP Four Thirds sensor provides great detail and dynamic range. Weather sealing lets you shoot wide in harsh conditions.
- ZS3: Small sensor limits detail and dynamic range; no weather sealing means cautious use.
Wildlife Photography
- GH4: Fast 12 fps shooting, solid AF tracking, and compatibility with telephoto lenses make it capable of capturing wildlife in action.
- ZS3: 12x zoom helps bring distant subjects closer, but slow AF and burst rate hurt chances of catching fast action.
Sports Photography
- GH4: Perfect for sports enthusiasts, with rapid frame rates, good low-light capability for indoor/late games, and accurate AF tracking.
- ZS3: No continuous AF or fast frame rates; not recommended for sports.
Street Photography
- GH4: Bulkier but silent shutter mode helps for discreet shooting. Articulating screen good for candid low or high angles.
- ZS3: Small, quiet, and portable, great for inconspicuous street photography on the fly, albeit at the expense of manual control.
Macro Photography
- GH4: Can pair with specialty macro lenses for high magnification and precision focusing; no in-body stabilization, but many lenses offer it optically.
- ZS3: 3 cm macro minimum focus makes close-ups accessible but with less crispness and control.
Night/Astro Photography
- GH4: Higher native ISO up to 25600, good low-light performance; manual controls and bulb mode support long exposures.
- ZS3: Limited native ISO (max 6400), and constrained manual settings limit astrophotography possibilities.
Video Workflows
- GH4: Professional video codecs, external mic and headphone ports, 4K 24p cinema-quality capture - able to be the main video camera for filmmakers on a budget.
- ZS3: Basic 720p video; fine for family shoots or casual clips but nothing pro.
Travel Photography
- GH4: More gear to carry, but versatility and image quality pay off. Good battery life for longer trips.
- ZS3: Pocketable, light, ready to shoot anytime with good reach from the zoom.
Professional Use
- GH4: Supports raw files, tethered shooting, and advanced modes; a trustworthy workhorse for hybrid shooters.
- ZS3: Consumer-grade JPEG only; not suited for professional workflows.
Side-by-side gallery (GH4 on left, ZS3 on right) illustrating difference in detail, color, and depth.
Pros and Cons Summary
Panasonic GH4
Pros:
- Large Four Thirds sensor with excellent image quality and dynamic range
- Advanced, versatile autofocus system with face detection and tracking
- Fully articulating OLED touchscreen and high-res EVF
- 4K video recording with pro-grade specs
- Weather sealed body suitable for challenging conditions
- Wide Micro Four Thirds lens ecosystem
- Good battery life for mirrorless
- Built-in Wi-Fi, microphone and headphone ports for video
Cons:
- Heavier and larger than compact cameras
- No in-body image stabilization (reliant on lens IS)
- Complexity may overwhelm beginners
- Price (~$1500 body only) may be a barrier for casual shooters
Panasonic ZS3
Pros:
- Pocketable and very lightweight
- 12x optical zoom covers wide to telephoto in one lens
- Optical image stabilization helps with handheld shots
- Simple user interface and full auto modes for beginner-friendly shooting
- Affordable (~$200) and easy to use
- Decent macro focusing at close range
Cons:
- Small 1/2.3" sensor limits image quality significantly
- Slow autofocus and no continuous AF
- Limited manual controls and no RAW support
- No video beyond 720p HD
- No viewfinder; screen struggles in bright light
- No weatherproofing or rugged features
A visual rating showing GH4’s all-around dominance against ZS3’s entry-level appeal.
Performance scores across photography disciplines where GH4 leads in prosumer and professional uses.
Who Should Buy Which? Clear Recommendations
Choose the Panasonic GH4 if:
- You’re a hybrid shooter demanding strong still and video performance
- Professional or serious enthusiast looking for quality, reliability, and creative options
- You want a durable, weather-resistant camera that can grow with you
- Video is a big component of your work, or you want 4K capability
- You own or want access to a wide range of lenses for various shooting genres
Choose the Panasonic ZS3 if:
- You want an ultraportable camera for casual travel and snapshots
- You’re a beginner or budget-conscious cheapskate who doesn’t want to think too much about settings
- You like the convenience of an all-in-one zoom lens for general photography
- Video is only an occasional twitch, and HD 720p suffices
- You prioritize low weight and pocketability over image quality
Final Verdict: Expertise-Informed Buying Advice
Looking back at these two Lumix models side-by-side is almost like comparing apples and oranges - but both have their perfect users. The GH4, now a several-years-old but still formidable pro mirrorless, remains a crowd favorite for anyone wanting to step into hybrid imaging without breaking the bank. Its strong sensor, robust features, and excellent video make it highly versatile for portrait, landscape, wildlife, sports, and professional work.
The ZS3, meanwhile, is a charming relic from an earlier consumer compact era, with limited creative controls and modest image quality but a large optical zoom and usable macro mode that make it a terrific grab-and-go camera for simple shooting needs. It appeals to casual shooters who want “point and shoot” combined with a handy zoom.
If you were to pick one for serious photography investment, the GH4 is a clear winner - offering tangible benefits once you move beyond casual snapshots. But if your priority is ultra-portability and simplicity, the ZS3 continues to deliver value in its niche, especially at its low price point.
Either way, I hope this detailed comparison helps you make a choice based on what you really need in your photographic journey.
Happy shooting!
For more hands-on reviews and camera technology insights, stay tuned. I’ve tested thousands of cameras across genres and price points, so you’re always getting the real deal, backed by experience.
Panasonic GH4 vs Panasonic ZS3 Specifications
Panasonic Lumix DMC-GH4 | Panasonic Lumix DMC-ZS3 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-GH4 | Panasonic Lumix DMC-ZS3 |
Also called as | - | Lumix DMC-TZ7 |
Category | Pro Mirrorless | Small Sensor Superzoom |
Launched | 2014-02-07 | 2009-05-14 |
Physical type | SLR-style mirrorless | Compact |
Sensor Information | ||
Chip | Venus Engine IX | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 16 megapixels | 10 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4608 x 3456 | 3648 x 2736 |
Maximum native ISO | 25600 | 6400 |
Lowest native ISO | 200 | 80 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 49 | 11 |
Lens | ||
Lens mount type | Micro Four Thirds | fixed lens |
Lens zoom range | - | 25-300mm (12.0x) |
Maximal aperture | - | f/3.3-4.9 |
Macro focusing distance | - | 3cm |
Amount of lenses | 107 | - |
Crop factor | 2.1 | 5.9 |
Screen | ||
Type of screen | Fully Articulated | Fixed Type |
Screen sizing | 3" | 3" |
Resolution of screen | 1,036 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | OLED | - |
Viewfinder Information | ||
Viewfinder | Electronic | None |
Viewfinder resolution | 2,359 thousand dots | - |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.67x | - |
Features | ||
Minimum shutter speed | 60s | 60s |
Fastest shutter speed | 1/8000s | 1/2000s |
Continuous shutter rate | 12.0fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | - |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 17.00 m (at ISO 200) | 5.30 m (Auto ISO) |
Flash modes | Auto, auto/redeye reduction, forced on, forced on/redeye reduction, slow sync, slow sync/redeye reduction, forced off | Auto, On, Off, Red-Eye reduction, Slow Sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250s | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 4096 x 2160 (24p), 3840 x 2160 (24p, 25p, 30p), 1920 x 1080 (24p, 25p, 30p, 50p, 60p), 1280 x 720 (24p, 25p, 30p), 640 x 480 (25p, 30p) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 4096x2160 | 1280x720 |
Video format | MPEG-4, AVCHD | AVCHD Lite |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 560g (1.23 lb) | 229g (0.50 lb) |
Physical dimensions | 133 x 93 x 84mm (5.2" x 3.7" x 3.3") | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO Overall rating | 74 | not tested |
DXO Color Depth rating | 23.2 | not tested |
DXO Dynamic range rating | 12.8 | not tested |
DXO Low light rating | 791 | not tested |
Other | ||
Battery life | 500 photographs | - |
Battery type | Battery Pack | - |
Battery ID | DMW-BLF19 | - |
Self timer | Yes (2 or 10 secs (single or three-shot)) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/MMC/SDHC card, Internal |
Card slots | 1 | 1 |
Pricing at release | $1,500 | $200 |