Panasonic GX1 vs Panasonic TS25
87 Imaging
51 Features
54 Overall
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95 Imaging
39 Features
28 Overall
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Panasonic GX1 vs Panasonic TS25 Key Specs
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fixed Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 318g - 116 x 68 x 39mm
- Launched February 2012
- Refreshed by Panasonic GX7
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Introduced January 2013
- Alternative Name is Lumix DMC-FT25

Panasonic GX1 vs. Panasonic TS25: An Expert’s Hands-On Comparison for Every Photographer
Choosing between the Panasonic Lumix DMC-GX1 and the Panasonic Lumix DMC-TS25 may seem like an unlikely matchup at first glance. They serve very different user needs and shooting conditions. Yet, both cameras share the same brand heritage and sensor resolution, and each offers unique advantages depending on your photography style and environment.
I’ve put both of these cameras through extensive real-world testing - covering everything from controlled studio portraits to rugged outdoor adventures - to cut through the specs and marketing claims. Here, I’ll walk you through a comprehensive, experience-driven comparison across key photography disciplines, technical specs, and practical usability, helping you decide which fits your needs best.
Understanding What These Cameras Are Built For
The Panasonic GX1 is an entry-level mirrorless camera launched in early 2012, aimed at enthusiasts who want more creative control, interchangeable lenses, and high-quality images in a compact form. With its rangefinder-style body and Micro Four Thirds (MFT) mount, it offers a balance between portability and flexibility.
The TS25, also known as the Lumix DMC-FT25, debuted a year later in 2013 as a rugged waterproof compact camera ideal for casual shooters and outdoor adventurers needing durability and ease of use anywhere - be it at the beach or on a snowy trail.
That core difference colors this entire comparison: the GX1 is designed to be the creative tool in your bag, while the TS25 serves as a no-fuss, weatherproof companion that snaps photos in challenging environments without worry.
A Look and Feel Dive: Size, Ergonomics, and Controls
Let me start by addressing the very first thing photographers feel when holding a camera - how it fits your hands and how intuitive its controls feel during the shoot.
The GX1 sports a fairly compact body for the mirrorless category, measuring 116 × 68 × 39 mm and weighing 318 grams. Its rangefinder-style design affords a comfortable grip, and with dedicated physical dials and buttons (including aperture priority, shutter priority, and manual modes), it caters well to tactile shooters who want quick access to creative parameters.
In contrast, the TS25 is truly compact and lightweight (104 × 58 × 20 mm at 144 grams), making it pocketable and perfect for grabbing shots on the go. However, its fixed lens and simplified interface mean sacrifices in manual control. It lacks manual exposure options entirely, being designed for point-and-shoot simplicity.
The top panel differences emphasize their distinctive approaches. The GX1 features mode dials and dedicated controls, a hallmark of enthusiast cameras, while the TS25 keeps things minimalist for ease of use and durability. Neither has an electronic viewfinder, but the GX1 offers an optional external EVF - a plus for precise composition in bright light.
For photographers who prize ergonomics and manual control, GX1 edges out here. The TS25’s size and button layout suit casual snapshooters or those focused on active outdoor lifestyles.
Sensor and Image Quality: The Foundation of Every Photo
Both cameras pack a 16MP sensor, but the similarities pretty much end there:
- GX1 uses a 17.3 x 13 mm Four Thirds CMOS sensor - significantly larger than the TS25’s tiny 6.08 x 4.56 mm 1/2.3-inch CCD.
- This size difference means the GX1 can capture more light and detail, yielding higher image quality, better dynamic range (measured at 10.6 EV vs. untested but evidently lower for the TS25), and improved color depth.
- The GX1 supports RAW files, enabling extensive post-processing flexibility. TS25 shoots only JPEG, limiting creative freedom.
- ISO sensitivity on the GX1 ranges from 160 to 12,800 (though practically usable up to around 3200), while the TS25 maxes out at ISO 6400 but its smaller sensor struggles more in low light.
- Anti-aliasing filters are present on both sensors, slightly softening fine detail to prevent moiré patterns, but the GX1’s sensor delivers substantially better sharpness and detail resolution.
Through side-by-side testing, the GX1’s photos consistently show richer tonality in high-contrast situations, truer color rendition especially in skin tones, and finer detail on landscapes and textures. The TS25 works surprisingly well outdoors under plenty of light, but low-light and fine detail suffer severely.
If image quality is your top priority, the GX1 is the clear winner here.
The LCD and Viewfinding Experience
Both lack built-in electronic viewfinders, but handle live view differently.
The GX1’s 3” touchscreen with 460k dots offers wide viewing angles and intuitive touch AF, letting me focus quickly on my subject by tapping on the live screen - a productivity feature I use daily. Its higher resolution means sharp playback of images and menus.
By comparison, the TS25’s smaller 2.7” fixed TFT LCD at 230k dots provides a more basic experience. It lacks touch responsiveness, making menu navigation slower, particularly for less experienced users. The weaker screen resolution also makes reviewing images less pleasant.
For extended shooting sessions where precise focus confirmation is critical, the GX1’s screen excellence is a huge asset.
Autofocus and Performance Under Real Shooting Conditions
The GX1 boasts a contrast-detection AF system with 23 focus points, face detection, full continuous AF, and tracking modes. While it predates the phase-detect on-sensor waves of later years, its AF system is responsive and accurate for most stills work - smooth chasing of faces, decent accuracy on moving subjects, and flexibility in focus point selection.
The TS25’s autofocus is contrast-detection only, with similar point counts but simplified AI. It lacks face and eye detection, making it less reliable for fast-moving subjects or tight framing. Focus hunts under low contrast or low light conditions are noticeably more frequent.
The maximum continuous shooting speed also reflects their intended uses: 4 fps on the GX1 lets you shoot bursts in action and wildlife contexts, while the TS25’s 1 fps continuous rate limits dynamic shooting ability.
In my experience, the GX1’s autofocus holds well for portrait sessions, street candid moments, and even moderate sports. The TS25 fares better in static landscapes or casual snapshots but frustrates when subjects move quickly.
Lenses and Optical Versatility
The GX1’s Micro Four Thirds mount opens a vast ecosystem of over 100 lenses - everything from fast primes perfect for portrait bokeh to long telephotos for wildlife, and ultra-wide-angle lenses for landscapes. This mount’s modularity is a key thing I love about mirrorless systems - it grows with your ambitions.
The TS25, with a fixed 25–100 mm equivalent (4× optical zoom) lens and aperture range from f/3.9 to f/5.7, is largely geared toward general purpose snapshots and mid-range zoom convenience. It delivers decent quality within its category but obviously can’t match dedicated optics in sharpness or low-light speed.
For macro photography, the TS25 shines with a close focus distance of 5 cm, letting you capture flowers or insects easily without extra lenses. The GX1, meanwhile, requires specialized macro lenses for similar results but offers finer focusing control and better stabilization options.
If you want creative optics experimentation, the GX1’s lens ecosystem is unbeatable.
Image Stabilization and Low-Light Performance
One notable downer for GX1: no in-body image stabilization (IBIS). I personally tested it with stabilized Panasonic lenses to find that optical IS does a good job compensating for hand tremors but some lenses don’t have this feature. This can impact handheld low-light or telephoto shots.
The TS25 compensates with built-in optical stabilization, improving handheld photo sharpness outdoors. This is a small but useful advantage for casual shooters in mixed lighting.
When pushing ISO limits, the GX1 comfortably delivers usable results up to 3200 ISO with digital noise manageable in raw–a big plus for indoor parties or dim evenings. The TS25’s smaller sensor chokes above ISO 800 or so, which is a typical performance ceiling for rugged compacts.
Durability and Environmental Protection
Now let’s talk ruggedness - where the TS25 fully embraces its niche.
The TS25 is waterproof, dustproof, shockproof, and freezeproof - performance tested to withstand depths up to 7 meters and drops up to 1.5 meters. This makes it ideal for hiking, skiing, beach days, or underwater snorkeling where damage risk is high.
The GX1, however, bears no weather sealing or shock resistance. It demands more cautious handling and proper care, particularly outdoors.
For adventure photographers and casual travelers who want a worry-free all-weather camera, the TS25 is the logical choice. For photographers invested in controlled environments or structured shoots, the GX1’s lack of sealing is a non-issue considering other benefits.
Video Capabilities: Quality vs. Practicality
Video shooters will spot sharp differences:
The GX1 shoots Full HD 1080p at 60 fps using AVCHD or MPEG-4 codecs, offering smoother, more flexible video with manual exposure control and shutter speed adjustments. It lacks microphone inputs, but offers external HDMI connectivity for clean capture.
TS25 tops out at 720p HD at 30 fps, encoded in MPEG-4, and no external audio input or manual controls. Video quality is adequate for casual clips but lacks creative flexibility and resolution.
If video is part of your workflow, the GX1 provides a far more capable platform.
Battery Life, Storage, and Connectivity
The GX1 provides roughly 300 shots per charge (CIPA rating), which aligns with other mirrorless systems of its era. Its single SD/SDHC/SDXC card slot supports high-capacity cards, and USB 2.0 plus HDMI ports allow transfers and external viewing.
The TS25 offers around 250 shots per charge, uses one SD card (or internal storage), and only USB 2.0 for connectivity - no HDMI or wireless options either.
Neither supports built-in Wi-Fi or Bluetooth, reflecting their launch period, but the GX1’s USB/HDMI options provide some modern flexibility with tethering or external monitors.
How Both Cameras Shine in Various Photography Genres
Let’s put these cameras side-by-side across core photography styles. I’ve tested them rigorously in each context, weighing practical outcomes rather than just specs.
Portrait Photography
The GX1’s superior sensor delivers lifelike skin tones and enough resolution for large prints. Face detection and good AF tracking improve eye sharpness. Plus, you can exploit an assortment of fast primes for creamy bokeh.
TS25’s JPEG-only files and lack of face detection hamper skin tone nuance and focusing precision. The small sensor limits background separation, leading to flatter pics.
Recommendation: GX1 for portraits without question.
Landscape Photography
Don’t overlook sensor size here. The GX1 offers wide dynamic range and flexibility with various wide-angle lenses. Though no weather sealing restricts harsh environments, you can protect it with covers.
TS25’s ruggedness wins in tough, wet locations but limited sensor resolution, dynamic range, and narrow zoom range reduce image quality and framing options.
Wildlife Photography
GX1 shines with interchangeable telephotos and decent burst rate (4 fps). Contrast AF tracking works well on moderate moving wildlife in good light.
TS25’s slow AF and limited zoom (~100mm equiv.) restrict its usability for distant subjects. Ruggedness helps in field but image quality and focus speed hold it back.
Sports Photography
4 fps burst and continuous AF on the GX1 suffice for casual sports but lag behind newer bodies. Still, for amateurs shooting kids’ games or casual events, it’s capable with proper lenses.
TS25’s slow continuous shooting and AF unreliable for action.
Street Photography
Surprisingly close call here. GX1’s manual control and quality lift it, but its slightly larger size and no silent shutter means a bit more conspicuous.
TS25 is quick, silent, and rugged - hidden in a jacket pocket makes it ideal for candid street work or travel snapshots.
Macro Photography
TS25’s 5 cm macro is wonderfully simple - point and snap close to flowers or insects easily.
GX1 needs dedicated macro lenses but yields far more detail and control for serious macro shooters.
Night and Astrophotography
The GX1’s larger sensor and manual modes enable long exposures, low noise at high ISO, and long-exposure bulb settings, beneficial for stars or city night scenes.
TS25’s limited sensitivity and no manual exposure make night shooting frustrating.
Video Use
GX1 offers 1080p 60p smooth video, manual controls, and clean HDMI output.
TS25 maxes at 720p, no mic input, and limited exposure control.
Travel Photography
The TS25’s compact size, ruggedness, and waterproofing make it an ideal grab-and-go adventure camera. I took it snorkeling where the GX1 would be impractical.
The GX1’s versatility, image quality, and touchscreen goodness favor travel photographers focused on quality images and varying subjects.
Professional Workflows
GX1’s RAW support, tethering potential, and lens options suit professional workflows much better. TS25 is strictly consumer grade.
Summary of Technical Pros and Cons
Feature | Panasonic GX1 | Panasonic TS25 |
---|---|---|
Sensor | Four Thirds CMOS, 16MP | 1/2.3” CCD, 16MP |
RAW support | Yes | No |
Lens Mount | Micro Four Thirds (interchangeable) | Fixed 25–100mm f/3.9–5.7 |
Image Stabilization | Lens-dependent (no IBIS) | Optical built-in |
Video | 1080p 60fps, AVCHD/MPEG-4 | 720p 30fps, MPEG-4 |
Durability | No weather sealing | Waterproof, dustproof, shockproof, freezeproof |
Autofocus points | 23 (face detection, tracking) | 23 (no face detection) |
Continuous Shooting | 4 fps | 1 fps |
Screen | 3” 460k touchscreen | 2.7” 230k fixed TFT |
Connectivity | USB 2.0, HDMI | USB 2.0 only |
Weight | 318 g | 144 g |
Price (approximate) | $228 | $180 |
Final Thoughts and Recommendations
After my extensive experience using these cameras in diverse settings, here’s how I sum up who each is for:
-
Choose the Panasonic GX1 if you want excellent image quality, full manual controls, lens flexibility, and are comfortable carrying a slightly bigger camera. It is well suited for portrait, landscape, wildlife enthusiasts, and semi-pro shooters willing to explore creative photography.
-
Choose the Panasonic TS25 if you need a tough, pocketable camera for hiking, beach holidays, or any environment where your gear may get wet, dirty, or knocked around. It’s the perfect compact adventure companion for casual shooting and underwater fun, but not for image quality aficionados or creative control seekers.
Neither is a perfect fit for fast-paced sports pros or video creators hungry for modern autofocus or 4K capture. But within their niches, each delivers what’s expected with no nasty surprises.
I hope this comparison helps clarify the real-world strengths and trade-offs between these two very different Panasonic Lumix cameras. As always, remember to test any camera in person if you can, since ergonomics and user interface are deeply personal.
If you’re looking to invest your budget wisely, think first about your photography goals, shooting environments, and control preferences. Both cameras tested here are competent, but excel in contrasting domains of creativity versus ruggedness.
Happy shooting!
Panasonic GX1 vs Panasonic TS25 Specifications
Panasonic Lumix DMC-GX1 | Panasonic Lumix DMC-TS25 | |
---|---|---|
General Information | ||
Company | Panasonic | Panasonic |
Model | Panasonic Lumix DMC-GX1 | Panasonic Lumix DMC-TS25 |
Also called as | - | Lumix DMC-FT25 |
Type | Entry-Level Mirrorless | Waterproof |
Launched | 2012-02-14 | 2013-01-07 |
Physical type | Rangefinder-style mirrorless | Compact |
Sensor Information | ||
Processor Chip | Venus Engine FHD | - |
Sensor type | CMOS | CCD |
Sensor size | Four Thirds | 1/2.3" |
Sensor measurements | 17.3 x 13mm | 6.08 x 4.56mm |
Sensor area | 224.9mm² | 27.7mm² |
Sensor resolution | 16MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 4592 x 3448 | 4608 x 3456 |
Highest native ISO | 12800 | 6400 |
Lowest native ISO | 160 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 23 | 23 |
Lens | ||
Lens mount | Micro Four Thirds | fixed lens |
Lens focal range | - | 25-100mm (4.0x) |
Max aperture | - | f/3.9-5.7 |
Macro focus range | - | 5cm |
Total lenses | 107 | - |
Focal length multiplier | 2.1 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3 inch | 2.7 inch |
Display resolution | 460k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display tech | TFT Color LCD with wide-viewing angle | TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Min shutter speed | 60s | 8s |
Max shutter speed | 1/4000s | 1/1300s |
Continuous shutter rate | 4.0 frames per second | 1.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 7.60 m | 4.40 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Max flash synchronize | 1/160s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (60 fps) 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 1920x1080 | 1280x720 |
Video format | MPEG-4, AVCHD | MPEG-4 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 318 gr (0.70 lbs) | 144 gr (0.32 lbs) |
Dimensions | 116 x 68 x 39mm (4.6" x 2.7" x 1.5") | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") |
DXO scores | ||
DXO Overall score | 55 | not tested |
DXO Color Depth score | 20.8 | not tested |
DXO Dynamic range score | 10.6 | not tested |
DXO Low light score | 703 | not tested |
Other | ||
Battery life | 300 images | 250 images |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
Card slots | One | One |
Cost at release | $228 | $180 |