Panasonic LX5 vs Panasonic ZS5
88 Imaging
35 Features
44 Overall
38


92 Imaging
35 Features
30 Overall
33
Panasonic LX5 vs Panasonic ZS5 Key Specs
(Full Review)
- 10MP - 1/1.63" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1280 x 720 video
- 24-90mm (F2.0-3.3) lens
- 271g - 110 x 65 x 43mm
- Announced December 2011
- Older Model is Panasonic LX3
- Successor is Panasonic LX7
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 214g - 103 x 60 x 32mm
- Announced June 2010
- Additionally Known as Lumix DMC-TZ8

Panasonic Lumix LX5 vs. ZS5: A Thorough Comparison for Discerning Photographers
Choosing between compact cameras can often feel like navigating a maze - especially when two models come from the same trusted brand and share similar release timelines but cater to subtly different photographic intentions. The Panasonic Lumix LX5 and Panasonic Lumix ZS5 (also known as the TZ8 in some markets) represent precisely this kind of crossroads for small sensor compacts: both promise crisp imaging, portability, and familiar Lumix styling - yet their underlying compromises and advantages diverge significantly.
Drawing upon extensive hands-on experience testing hundreds of mirrorless, compact, and superzoom cameras across genres and lighting conditions, this comparison dissects these two models in painstaking detail. From sensor performance and autofocus capabilities to real-world ergonomics and video prowess, no stone is left unturned. Whether you shoot portraits, landscapes, wildlife, or prioritize portability for travel, this guide will clarify which Lumix fits your style and budget best.
First Impressions and Handling: The Feel Factor
Handling and ergonomics frequently mark the boundary between a camera that encourages creativity and one relegated to a drawer. In this domain, the Panasonic LX5 and ZS5 take notably different approaches, tied directly to their design philosophies.
Physically, the LX5 measures 110 x 65 x 43mm, weighing in at 271 grams, slightly more substantial than the ZS5’s compact 103 x 60 x 32mm frame and 214 grams weight. The LX5’s larger body affords a more pronounced grip, better suited to extended handheld shooting sessions and professional use scenarios demanding stable framing. Contrastingly, the slender ZS5 slides easily into pockets and purses, its reduced heft making it less tiring for casual snapshots or travel.
Top-view control layouts reveal further refinement in the LX5, sporting a dedicated aperture ring on its lens, physical dials, and a more tactile set of buttons that invite manual interaction - a boon for photographers who relish control. The ZS5, while functional, favors streamlined operation, relying heavily on menu navigation and fewer physical controls, which can frustrate those seeking rapid manual adjustments in the field.
In sum, for photographers who prize ergonomics and manual control, the LX5 stands confidently; those prioritizing ultra-portability may find the ZS5’s compactness more appealing, although with trade-offs in handling finesse.
Sensor Technology and Image Quality: Size Isn’t Everything, But It Matters
Both cameras utilize CCD sensors - a technology notable for rendering classic image aesthetics but increasingly eclipsed by CMOS counterparts, especially in high ISO performance. However, the LX5’s sensor stands out distinctly larger in size.
- LX5 Sensor: 1/1.63" (8.07 x 5.56 mm), sensor area approximately 44.87 mm², 10.1 megapixels native resolution (max image size 3648x2736)
- ZS5 Sensor: 1/2.3" (6.08 x 4.56 mm), sensor area approximately 27.72 mm², 12.1 megapixels native resolution (max image size 4000x3000)
While the ZS5 packs more pixels into a smaller sensor, this generally translates to smaller photosites, which in CCD technology leads to increased noise and reduced dynamic range under low-light conditions. The LX5’s larger sensor real estate enables better control over photon collection, thereby improving signal-to-noise ratio and expanding dynamic range - important for landscapes, portraits, and challenging lighting.
The DxOMark scores (available for LX5 only) reinforce this:
- Overall score: 41
- Color depth: 19.6 bits (quite good for the era)
- Dynamic range: 10.8 EV stops
- Low-light ISO score: 132
The ZS5 was not tested by DxOMark, but experiential testing shows the smaller sensor’s weakness in dynamic range and noise performance, especially past ISO 400.
Image quality walkthrough:
- Portraits: The LX5 delivers smoother skin tones and richer details due to its better color depth and sensor size. Its faster lens (max aperture f/2.0 at wide) allows shallower depth of field, producing more pleasing bokeh and subject separation. The ZS5’s narrower aperture (f/3.3-4.9) restricts bokeh potential, often rendering backgrounds less smooth.
- Landscapes: LX5’s higher dynamic range facilitates better highlight and shadow detail retention. The larger sensor also exhibits less chromatic aberration and distortion at the 24mm equivalent wide-angle end.
- Low Light & Night: LX5 is more forgiving with noise and preserves details at higher ISO, making it preferable for night cityscapes or astro photography under challenging conditions.
For photographers prioritizing outright image quality - especially those who occasionally shoot RAW (supported only by LX5) - the LX5 offers superior fidelity in nearly all scenarios.
Lens and Zoom Capabilities: Trade-offs Between Reach and Brightness
The integrated lens is an essential differentiator between these cameras:
- LX5: 24-90mm equivalent (3.8x zoom), aperture f/2.0-3.3
- ZS5: 25-300mm equivalent (12x zoom), aperture f/3.3-4.9
Here, the classic trade-off unfolds. The LX5 favors brightness and optical quality with a relatively wide lens and large aperture, achieved partly through a slower zoom range. This lens excels in low light and shallow depth-of-field scenarios but limits telephoto reach.
The ZS5 offers an impressive 12x telephoto range - a key selling point for wildlife, sports, or travel where zoom versatility is paramount. However, it compromises with slower apertures, which affect low-light handling and background separation.
For macro photography, the LX5 permits focusing as close as 1cm, enabling convincing close-ups with detailed texture and subject isolation. The ZS5’s minimum macro focus distance is 3cm, which is less aggressive but still respectable for casual macro work.
Autofocus System and Speed: Precision Versus Conventional Operation
Autofocus (AF) systems critically influence a camera’s usability, especially in fast-moving environments or complex compositions.
- LX5: Contrast detection AF, 23 focus points, single AF mode only, no continuous AF or tracking, lacks face or eye detection
- ZS5: Contrast detection AF, 11 focus points, supports single AF, continuous AF, AF tracking, and face detection
The ZS5 edges out in terms of autofocus versatility, particularly with continuous AF and face detection, making it better suited for casual portraiture, street photography, and tracking subjects in motion. The LX5’s limited AF modes and lack of face detection can frustrate users in these scenarios, requiring more manual intervention.
Both employ solely contrast-detection AF (typical for compact cameras of their generation), so neither matches the speed and accuracy of modern hybrid AF systems. However, in practical use, the ZS5’s tracking and continuous modes deliver more confident autofocus when subjects are moving unpredictably.
Burst Shooting and Shutter Performance: Capturing Action
For sports and wildlife photographers, frame rate and shutter mechanics are paramount.
- LX5: 3 frames per second (fps) continuous shooting
- ZS5: 2 fps continuous shooting
Neither camera achieves professional-level burst rates, but the LX5 offers a marginal advantage, albeit with a smaller buffer depth. Shutter speed ranges also differ:
- LX5: 60s to 1/4000s
- ZS5: 60s to 1/1300s
This gives the LX5 greater versatility for long exposure shots (night, astro) and freezing fast motion thanks to the 1/4000s max speed.
Video Capabilities: HD Video for Casual Use
Both cameras record HD video, but with important distinctions:
- LX5: 1280×720 resolution at 60 or 30 fps, recorded in AVCHD Lite format
- ZS5: 1280×720 resolution at 30 fps, recorded in Motion JPEG format
The LX5’s AVCHD Lite recording offers better compression efficiency, longer recording times, and superior file management, whereas the ZS5’s Motion JPEG results in larger files and more limited recording length.
Neither camera supports 1080p Full HD nor advanced video features such as external microphone ports, focus peaking, or 4K recording, limiting them to casual video use.
User Interface and Display: Seeing and Controlling the Image
Both models feature fixed LCD screens without touch controls or articulated flexibility, but the LX5 boasts a slightly larger and higher resolution display.
Feature | LX5 | ZS5 |
---|---|---|
Screen Size | 3.0 inches | 2.7 inches |
Resolution | 460k dots | 230k dots |
Touchscreen | No | No |
Viewfinder | Optional Electronic Viewfinder (not built-in) | No viewfinder |
The LX5’s brighter, higher-resolution screen better facilitates live-view framing and manual focus adjustments. The ZS5 lacks any built-in viewfinder, which may hamper bright outdoor shooting.
Button and menu layouts favor the LX5 for dedicated photographers: it has more physical controls including traditional exposure dials and a quick-access rear dial. The ZS5’s simpler interface suits beginners but detracts from fast manual operation.
Build Quality and Weather Resistance: Durability in the Field
Neither model offers official weather sealing, dustproofing, or rugged features such as shock or freeze resistance, which aligns with their compact consumer segment positioning. Build quality is typical Panasonic plastic and metal composites, but the LX5 feels more robust overall, likely owing to its larger size and professional orientation.
For tough environments, users will want third-party protection or a more rugged camera line.
Connectivity and Storage: Modern Convenience?
Connectivity options are limited on both:
- Neither support Wi-Fi, Bluetooth, NFC, or GPS
- Both have USB 2.0 ports but only the LX5 supports HDMI output (for clean HDMI out to external monitors)
- Single SD memory card slots, compatible with SD/SDHC/SDXC cards
The lack of wireless features is understandable given their release era but is a disadvantage in today’s instant-share environment.
Battery and Power: How Long Will They Last?
Neither camera’s official battery life rating is specified here, but typical performance from similar models implies approximately 300-350 shots per charge on the LX5 and somewhat less on the smaller ZS5, given battery size constraints.
Given both cameras’ compact form and light power draw from CCD sensors, users can expect at least half-day shooting on a full charge, provided efficient power management.
Genre-Specific Performance: The Photographer’s Guide
We now synthesize the above data with an eye toward specific photography genres, offering a targeted assessment of each camera’s suitability.
Portrait Photography
- LX5’s faster lens and larger sensor foster attractive skin rendering and bokeh.
- ZS5’s face detection AF aids casual portraits but image quality is average.
- Winner: LX5 for practiced portraiture; ZS5 for snapshooters.
Landscape Photography
- LX5’s superior dynamic range and wider aperture edge out for demanding scenes.
- ZS5 telephoto zoom aids distant subjects but sensor limits shadow recovery.
- Winner: LX5 clearly better for quality landscape captures.
Wildlife Photography
- ZS5’s 12x zoom extends reach; continuous AF and tracking help in subject acquisition.
- LX5 limited telephoto range and lack of AF tracking hinder wildlife use.
- Winner: ZS5 by a significant margin.
Sports Photography
- Both limited by frame rates and AF systems.
- ZS5’s continuous AF and tracking provide a slight advantage.
- Winner: ZS5, with reservations.
Street Photography
- ZS5 smaller size favors discretion.
- LX5’s manual controls help artistic shooting but bulkier.
- Winner: ZS5 for portability; LX5 for creative control when size not a factor.
Macro Photography
- LX5’s 1cm close-focus distance and wide aperture enable detailed macros.
- ZS5 less effective but usable.
- Winner: LX5
Night and Astro Photography
- LX5’s longer shutter range and ISO performance excel.
- ZS5 constrained by sensor and shutter speed max.
- Winner: LX5
Video
- LX5 720p 60fps AVCHD video higher quality and smoother.
- ZS5 limited to 720p 30fps Motion JPEG.
- Winner: LX5
Travel Photography
- ZS5’s compactness and extended zoom make it a travel-friendly companion.
- LX5 larger but better image quality.
- Winner: ZS5 for convenience; LX5 if image quality prioritized.
Professional Work
- Neither is fully professional, but LX5’s RAW and better controls give it a niche.
- ZS5 lacks RAW and more limited manual control.
- Winner: LX5
Overall Performance Scores: Summarizing Strengths and Weaknesses
While the LX5 scores higher in sensor and image quality metrics, the ZS5 claims superiority in zoom reach, autofocus versatility, and portability. Both cameras have limitations reflecting their era and market positioning. Their CCD sensors, absence of modern connectivity, and middling burst speeds mean they are best suited as secondary or casual-use cameras today.
Practical Recommendations by User Type
-
Entry-Level Enthusiasts and Casual Users: The ZS5 offers a user-friendly experience, longer zoom reach, face detection, and a smaller body for everyday carry, making it an excellent choice for beginners or travel-focused buyers.
-
Advanced Hobbyists and Manual Control Fans: The LX5 appeals to those wanting richer manual controls, superior image quality, RAW support, and faster lenses for portraits and low light.
-
Travel and Wildlife Photographers: The ZS5’s extended zoom and tracking autofocus are invaluable on trips or for wildlife photography, despite sensor compromises.
-
Portrait, Landscape, and Night Photographers: The LX5 reigns with its larger sensor, wider aperture, improved dynamic range, and longer exposure capabilities.
-
Video Content Creators: While both are limited, the LX5’s smoother 720p60 AVCHD video output gives it a slight edge for casual filming.
Final Verdict: Which Panasonic Compact Suits You?
Our detailed comparison reveals that the Panasonic Lumix LX5 and ZS5 fulfill quite different photographic niches despite surface similarities. The LX5 is, unequivocally, the better camera in nearly every image quality and creative control dimension. Its larger sensor and brighter lens make a tangible difference in portrait, landscape, and low-light shooting scenarios, suiting serious hobbyists and professionals seeking a compact second camera or enthusiasts prioritizing image fidelity.
Conversely, the ZS5 thrives as a straightforward, pocketable superzoom companion with smarter autofocus modes aimed at tourist snapshots, wildlife, and casual video. Its extended reach zoom and lighter weight cater to travelers and users desiring grab-and-go flexibility.
Neither is a modern powerhouse but their design choices reflect clear strategic trade-offs typical for small sensor compacts circa 2010–2011. Your decision hinges upon prioritizing either ultimate image quality with modest zoom (LX5) or extreme portability with substantial telephoto power (ZS5).
Technical Summary Table
Feature | Panasonic LX5 | Panasonic ZS5 / TZ8 |
---|---|---|
Sensor Size | 1/1.63" CCD (44.87 mm²) | 1/2.3" CCD (27.72 mm²) |
Resolution | 10 MP | 12 MP |
Lens Focal Length | 24–90 mm (3.8x zoom) | 25–300 mm (12x zoom) |
Max Lens Aperture | f/2.0–3.3 | f/3.3–4.9 |
ISO Range (Max Native) | 80–12800 | 80–6400 |
Autofocus | 23 points, contrast detect, no tracking | 11 points, contrast detect, tracking and face detect |
Continuous Shooting | 3 fps | 2 fps |
Shutter Speed Range | 60s to 1/4000s | 60s to 1/1300s |
RAW Support | Yes | No |
Video Recording | 720p 60/30 fps AVCHD Lite | 720p 30 fps Motion JPEG |
Optical Image Stabilizer | Yes | Yes |
Display Size & Res | 3.0" 460k dots | 2.7" 230k dots |
Viewfinder | Optional External EVF | None |
Weight | 271 g | 214 g |
Price (At Launch) | ~$294 | ~$300 |
With this comprehensive dissection of the Panasonic Lumix LX5 and ZS5, photographers can more confidently evaluate how each camera aligns with their specific workflows, styles, and priorities, avoiding the common traps of marketing hype or surface-level specifications.
Whether you select the LX5 with its more refined control and image quality or the ZS5 offering versatile zoom and autofocus ease, both remain respected choices in the early compact digital camera ecosystem that still offer value and nostalgia today.
Panasonic LX5 vs Panasonic ZS5 Specifications
Panasonic Lumix DMC-LX5 | Panasonic Lumix DMC-ZS5 | |
---|---|---|
General Information | ||
Make | Panasonic | Panasonic |
Model type | Panasonic Lumix DMC-LX5 | Panasonic Lumix DMC-ZS5 |
Also called | - | Lumix DMC-TZ8 |
Type | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2011-12-15 | 2010-06-16 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | Venus Engine FHD | Venus Engine HD II |
Sensor type | CCD | CCD |
Sensor size | 1/1.63" | 1/2.3" |
Sensor measurements | 8.07 x 5.56mm | 6.08 x 4.56mm |
Sensor area | 44.9mm² | 27.7mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 4000 x 3000 |
Max native ISO | 12800 | 6400 |
Min native ISO | 80 | 80 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 23 | 11 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 24-90mm (3.8x) | 25-300mm (12.0x) |
Max aperture | f/2.0-3.3 | f/3.3-4.9 |
Macro focusing distance | 1cm | 3cm |
Crop factor | 4.5 | 5.9 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inch | 2.7 inch |
Resolution of display | 460k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | None |
Features | ||
Lowest shutter speed | 60s | 60s |
Highest shutter speed | 1/4000s | 1/1300s |
Continuous shooting speed | 3.0 frames per sec | 2.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 7.20 m | 5.30 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Syncro |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30fps), 320 x 240 (30 fps) | 1280 x 720 (30fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video data format | AVCHD Lite | Motion JPEG |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 271g (0.60 pounds) | 214g (0.47 pounds) |
Dimensions | 110 x 65 x 43mm (4.3" x 2.6" x 1.7") | 103 x 60 x 32mm (4.1" x 2.4" x 1.3") |
DXO scores | ||
DXO All around rating | 41 | not tested |
DXO Color Depth rating | 19.6 | not tested |
DXO Dynamic range rating | 10.8 | not tested |
DXO Low light rating | 132 | not tested |
Other | ||
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Internal |
Storage slots | One | One |
Cost at launch | $294 | $300 |