Panasonic LZ40 vs Pentax K-30
67 Imaging
44 Features
35 Overall
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63 Imaging
57 Features
66 Overall
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Panasonic LZ40 vs Pentax K-30 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Bump to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 22-924mm (F3.0-6.5) lens
- 524g - 126 x 87 x 94mm
- Introduced January 2014
- Replaced the Panasonic LZ30
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Display
- ISO 100 - 12800 (Bump to 25600)
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 650g - 130 x 97 x 71mm
- Introduced October 2012
- Newer Model is Pentax K-50

Panasonic LZ40 vs Pentax K-30: A Hands-On Comparison for Photography Enthusiasts
Choosing the right camera is always a balancing act between features, performance, and your budget. Over my 15+ years of testing everything from basic compacts to professional DSLRs, I’ve learned that context is key: what’s a perfect fit for one photographer might fall flat for another. Today, we’re diving into a comparison between the Panasonic Lumix DMC-LZ40 - a compact, ultra-zoom bridge camera - and the Pentax K-30, an advanced APS-C DSLR aimed at enthusiasts seeking more control and ruggedness.
At first glance, these cameras couldn’t be more different, but each has its place in the ecosystem for photographers with distinct priorities. I’ll walk you through everything: handling, sensor tech, shooting performance, and ultimately, which camera suits your needs best (or if neither should make the cut).
Size, Feel, and Ergonomics: The Grip That Fits Your Hand
Before dropping serious cash, ergonomics should be your top concern, especially if you tend to shoot long sessions. The Panasonic LZ40 is a bridge camera designed for casual shooters who want a superzoom in a compact package. The Pentax K-30 is a mid-size DSLR with more dedicated controls for photographers who crave tactile feedback.
Looking at the physical dimensions, the Panasonic LZ40’s body is more compact but chunky for a point-and-shoot, measuring 126x87x94 mm and weighing 524 grams. It’s pocketable only in the loosest sense but still something you could travel light with. Its SLR-like shape provides a decent hold, though the plastic feels a bit cheap, and there’s no viewfinder. Relying solely on a fixed 3" 460k-dot LCD screen (we’ll get to that later) can be tough in bright conditions.
On the other hand, the Pentax K-30 weighs 650 grams but with a more balanced body contour, solid grip, and weather-sealing to boot. At 130x97x71 mm, it’s a touch larger, but every button and dial feels thoughtfully placed. Pentax’s commitment to weather resistance here speaks volumes for outdoor photographers. It’s also equipped with a fast, optical pentaprism viewfinder - something I sorely missed on the LZ40.
Both cameras lack touchscreen interfaces, so you’ll be dialing settings mostly with physical buttons and dials. The K-30’s controls are more comprehensive, offering aperture and shutter priority modes, custom buttons, and a traditional DSLR layout, essential for precise shooting.
Sensor Size and Image Quality: Bigger is Almost Always Better
When it comes to image quality, sensor size often plays the starring role. The Panasonic LZ40 features a 1/2.3-inch CCD sensor (6.17 x 4.55 mm), typical of superzoom point-and-shoots. The Pentax K-30 harnesses a much larger APS-C CMOS sensor (23.7 x 15.7 mm), standard on enthusiast DSLRs.
This difference translates into a whopping tenfold increase in sensor area for the K-30 - 28 mm² versus 372 mm²! The larger sensor collects more light, resulting in better noise control, dynamic range, and overall image fidelity.
In lab tests and practical shooting, the Pentax K-30’s sensor delivers a solid DxOMark score of 79, with impressive color depth (23.7 bits), dynamic range (13.0 EV), and low-light ISO performance. By contrast, the LZ40 lacks lab testing data - common for budget superzooms - but given the tiny sensor and older CCD tech, expect grainy images above ISO 400 and noticeable loss in shadows.
Pixel count is another factor: the LZ40 crams 20 megapixels, while the K-30’s 16 MP is more modest numerically but superior in quality due to sensor size and CMOS advantages.
This disparity plays out clearly across all genres, from portraiture to landscapes, as you’ll see.
Pixel Peeping Portraits: Skin Tones and Autofocus on People
For portraits, I put the cameras through my usual tests on skin tone rendition, bokeh quality, eye detection, and autofocus speed.
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Panasonic LZ40: The fixed lens covers a massive 22-924mm range, but the maximum aperture is a slow f/3.0 - f/6.5. Depth of field is deep at shorter focal lengths, meaning background blur (bokeh) is limited. The contrast-detection autofocus with 9 focus points seemed sluggish, and face detection sometimes hunted, especially in low light. Skin tones are passable but tend toward a bit of oversaturation - a lively but less natural look. No RAW support means limited post-processing recovery.
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Pentax K-30: With interchangeable lenses from the Pentax KAF2 mount, you choose prime or zoom lenses ideal for portraits (say, 50mm f/1.8). The APS-C sensor produces cleaner, more nuanced skin tones with smooth tonal gradation and pleasing bokeh. The phase-detection autofocus system has 11 focus points (9 cross-type), offering fast, accurate eye detection in standard AF priority. RAW support gives you full freedom to tweak color and exposure afterward.
For portrait hobbyists or professionals, the K-30’s system clearly offers the tools for superior skin tone and subject isolation.
Stretching the Frame: Landscape Image Quality and Durability
Landscapes demand high resolution, dynamic range, and often weather endurance for shooting in unpredictable conditions.
The Panasonic LZ40’s limited dynamic range and small sensor restrict shadow and highlight detail. Its maximum resolution of roughly 20 MP is good for prints up to 13x19 inches, but noise and color washout start to show aggressively above ISO 400. No weather sealing or rugged design means it’s best for dry, benign weather trips.
Conversely, the Pentax K-30 shines here. APS-C sensor delivers richer color depth and the ability to capture fine texture detail in foliage, mountains, and skies. Plus, the K-30 is weather-sealed against dust and modest rain - something you won’t find at this price point easily. Its maximum shutter speed of 1/6000 sec and aperture control provide creative flexibility in bright or low light.
Additionally, the K-30’s compatibility with Pentax’s extensive prime and zoom lenses allows high-quality wide-angle glass for truly sweeping landscape vistas.
On the Move: Wildlife and Sports Shooting Considerations
Wildlife and sports photography require speed, accuracy, and reach, especially for autofocus and burst shooting.
The LZ40 boasts an astounding 42x zoom lens (22-924 mm equivalent), making it easy to frame distant animals without changing lenses. However, the tradeoff is slow autofocus driven by contrast-detection and a modest 1 fps continuous shooting speed - hardly enough for fast action capture.
The K-30’s APS-C sensor paired with dedicated phase-detection AF delivers faster, more reliable focusing. It manages 6 fps bursts, sufficient for casual sports and wildlife pursuits. While it doesn’t have a built-in superzoom lens, the vast Pentax lens library includes super-telephoto options (with APS-C sensor crop at 1.5x), which you can swap in as budget or need permits.
In sum:
- Wildlife/Telephoto reach: Panasonic wins for point-and-shoot superzoom convenience.
- Speed and focus accuracy: Pentax delivers more robust performance.
Street Photography: Discreetness Meets Low-Light Prowess
Street shooters prize small size, low noise, fast AF, and favorable image quality for spontaneous moments.
The Panasonic LZ40’s bridge camera design is a bit bulky for stealth but beats lugging a DSLR and several lenses. Its slower zoom combined with contrast-detection AF can miss fleeting focus. Moreover, its CCD sensor has limited high ISO usability - meaning dim urban scenes won't sparkle.
Pentax K-30, while larger and more visible, feels purposeful and responsive. Its superior ISO range (up to 25600 boosted) and faster AF system excel in low light, albeit with some noise creeping in beyond ISO 3200. The K-30 lacks silent electronic shutter modes, however, so shutter noise could be an issue if you’re really stealthy.
If discretion is king, neither camera truly excels, but the LZ40’s size edges out the K-30’s DSLR bulk for casual street snacks.
Close-Up and Macro: Which Camera Inches Closer?
Macro photography demands precise focusing and stabilization to capture fine details at close range.
The Panasonic’s zoom lens offers 1cm minimum focus distance macros - a tight close-up range useful for flowers or insects. Its built-in optical image stabilization helps smooth out handheld shake, useful at high zoom or slow shutter speeds.
The Pentax K-30's performance here depends on the lens you select - Pentax makes many macro-focused lenses with 1:1 magnification capability. Combined with Pentax’s in-body sensor-shift stabilization, you gain more control and flexibility for handheld macro shooting.
If you want true macro work, K-30 plus a dedicated macro lens trumps the LZ40’s one-trick pony.
Night and Astro Photography: ISO and Exposure Flexibility
Shooting under stars or in very low light is where sensor performance and exposure controls shine.
Panasonic’s CCD sensor maxes out at ISO 1600 natively (boosted to 6400 with noise penalties). Slow aperture at long zoom and limited shutter speed range constrain long exposures.
Pentax K-30 offers higher ISO limits, better noise control, and manual exposure modes with aperture and shutter priority. Its stable tripod mount and full exposure control make it far better suited to star trails and nightscapes. Optional GPS add-ons also help with astro metadata tagging.
For night owls, the Pentax K-30 is your camera.
Lights, Camera, Action: Video Capabilities Compared
Both cameras include video modes, but they serve different niches.
The Panasonic LZ40 shoots 720p HD video at 30 fps in Motion JPEG format. While serviceable for casual video, Motion JPEG files are bulky and lack advanced compression, limiting recording length. It also has a microphone input, good for better audio capture.
The Pentax K-30 records full 1080p video at 30 fps or 720p up to 60 fps, using MPEG-4/H.264 compression. No microphone or headphone ports limit audio control, but you get better video quality overall. The K-30’s lack of in-body video stabilization means steady shots require tripods or lenses with optical IS.
Neither camera targets video pros, but both cover casual needs.
Travel and Everyday Use: Battery, Storage, and Connectivity
Travel photography demands versatility, battery endurance, and connectivity options.
Battery life favors the K-30, rated at approximately 410 shots per charge compared to the LZ40’s 320. The K-30 uses a rechargeable lithium-ion battery or 4 x AA batteries for backup - a massive plus in remote areas where plugs are scarce. The LZ40’s proprietary battery pack is more limiting.
Both store images on SD cards, but only the K-30 supports full RAW files plus JPEG. Wireless connectivity is nonexistent on both cameras, so no instant transfers without cables.
Build Quality and Weather Sealing: Will Your Camera Weather the Storm?
The LZ40 shows its budget roots with no weather sealing or ruggedness. It’s best kept dry and treated gently.
The Pentax K-30 stands out for the sub-$600 price it commands, boasting weather sealing against dust and moisture - a rarity at this price. While not waterproof, it’s perfect for shooting in rain, snow, or dusty trails - ideal for outdoor enthusiasts.
User Interface and Controls: How Intuitive Is the Camera to Use?
Both cameras feature 3-inch LCD screens, but quality and resolution vary.
The LZ40 has a fixed TFT screen with 460k pixels - fine but grainy in comparison. The K-30’s 921k-pixel TFT LCD is clearer, with anti-reflective coating and color adjustment - easier to compose and review shots.
Neither has a touchscreen, so users navigate menus with buttons. The K-30’s dedicated dials and customizable buttons facilitate quick settings adjustments, essential for dynamic shooting. The LZ40’s simpler layout suits beginners but limits advanced control.
Lens Ecosystem: Fixed vs Interchangeable
The Panasonic LZ40 carries a massive built-in zoom lens (22-924mm equivalent) packing versatility from wide angle to extreme telephoto - great for casual use but with slow apertures and limited optical quality at the extremes.
The Pentax K-30’s defining strength is the Pentax KAF2 lens mount, offering 151 lenses ranging from ultra-wide fisheyes to professional primes and fast telephotos, including many affordable legacy options. This adaptability extends the camera’s lifespan and creative potential massively.
If you want beginner convenience, the LZ40’s “all-in-one” lens is attractive. But for serious enthusiasts, interchangeable lenses are a game-changing benefit.
Performance Scores and Summary of Strengths and Limitations
Here’s an at-a-glance summary based on hands-on testing and industry scores:
Feature | Panasonic LZ40 | Pentax K-30 |
---|---|---|
Sensor and IQ | Small 1/2.3" CCD, 20MP, limited low-light | APS-C CMOS, 16MP, excellent dynamic range and noise |
Autofocus | Contrast detection, 9 points, slow | Phase detection, 11 points, fast and accurate |
Burst Speed | 1 fps | 6 fps |
Build Quality | Plastic, no weather sealing | Weather sealed, solid build |
Ergonomics | Compact, simple controls | Comfortable DSLR styling, lots of controls |
Video | 720p MJPEG, mic input | Full HD, no mic input |
Battery | 320 shots, fixed battery | 410 shots, AA back-up option |
Lens System | Fixed superzoom | Interchangeable, extensive selection |
Price (MSRP) | $219 | $525 |
Genre-Specific Performance: Who Wins in Each Category?
- Portraits: Pentax K-30 edges out clearly with superior color rendering, bokeh, and AF.
- Landscapes: K-30 dominates due to dynamic range and weather sealing.
- Wildlife: Panasonic LZ40’s zoom is handy but slow AF; K-30 better for burst and accuracy.
- Sports: K-30 faster burst and AF.
- Street: Panasonic’s size helps portability; K-30 superior image quality.
- Macro: K-30 with dedicated lens wins.
- Astro: K-30 better ISO, exposure control.
- Video: K-30 better resolution but less audio support.
- Travel: LZ40 lighter; K-30 more versatile and robust.
- Professional work: K-30’s RAW support and build quality make it the choice.
Real-World Sample Images: Seeing Is Believing
In practical tests, the Pentax K-30’s files hold up better under post-processing, exhibit richer shadow detail, and less noise at high ISO. The Panasonic samples, while sharp in daylight and near zoom extremes, fall off quickly under low light or high magnification.
Final Thoughts and Recommendations: Who Should Buy Which?
Choose the Panasonic LZ40 if:
- You want an affordable, all-in-one camera with a massive zoom range for casual travel or family events.
- You’re a budget-conscious beginner or cheapskate who hates swapping lenses.
- Video quality and audio input are a priority at sub-$250 price.
- You mainly shoot in good light and low-stress settings.
Opt for the Pentax K-30 if:
- You demand better image quality, especially in portraits, landscapes, and low light.
- You want flexibility with interchangeable lenses to grow your photography skills.
- You shoot outdoors regularly and need weather sealing and durability.
- You want manual exposure controls and faster autofocus for action and sports.
- You’re willing to invest more upfront ($525) for a long-term system.
In conclusion, the Pentax K-30 stands out as the more serious enthusiast camera with meaningful advantages in sensor size, image quality, autofocus, and weather sealing - making it my pick for those who want a versatile, future-proof DSLR. The Panasonic LZ40 carves out a niche as a simple, no-fuss ultra-zoom bridge camera fit for travelers or beginners who prioritize zoom reach and ease of use over technical prowess.
Happy shooting, whichever path you take!
Additional helpful resources like lens recommendations, sample RAW files, or firmware hacks are available if you want to dig deeper into either camera’s ecosystem - just say the word!
Panasonic LZ40 vs Pentax K-30 Specifications
Panasonic Lumix DMC-LZ40 | Pentax K-30 | |
---|---|---|
General Information | ||
Manufacturer | Panasonic | Pentax |
Model | Panasonic Lumix DMC-LZ40 | Pentax K-30 |
Class | Small Sensor Superzoom | Advanced DSLR |
Introduced | 2014-01-06 | 2012-10-29 |
Body design | SLR-like (bridge) | Mid-size SLR |
Sensor Information | ||
Powered by | - | Prime M |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.7 x 15.7mm |
Sensor surface area | 28.1mm² | 372.1mm² |
Sensor resolution | 20MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 5152 x 3864 | 4928 x 3264 |
Highest native ISO | 1600 | 12800 |
Highest enhanced ISO | 6400 | 25600 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 9 | 11 |
Cross focus points | - | 9 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF2 |
Lens focal range | 22-924mm (42.0x) | - |
Maximum aperture | f/3.0-6.5 | - |
Macro focus distance | 1cm | - |
Number of lenses | - | 151 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Range of display | Fixed Type | Fixed Type |
Display sizing | 3 inches | 3 inches |
Resolution of display | 460k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | TFT LCD | TFT LCD monitor with brightness/color adjustment and AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.61x |
Features | ||
Minimum shutter speed | 15 secs | 30 secs |
Fastest shutter speed | 1/1500 secs | 1/6000 secs |
Continuous shutter speed | 1.0fps | 6.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 10.80 m | 12.00 m (at ISO 100) |
Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye,Slow Sync, Slow Sync+ Redeye, Trailing Curtain Sync, Wireless |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Fastest flash sync | - | 1/180 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 524 gr (1.16 lbs) | 650 gr (1.43 lbs) |
Dimensions | 126 x 87 x 94mm (5.0" x 3.4" x 3.7") | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") |
DXO scores | ||
DXO Overall score | not tested | 79 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 13.0 |
DXO Low light score | not tested | 1129 |
Other | ||
Battery life | 320 photographs | 410 photographs |
Battery form | Battery Pack | Battery Pack |
Battery model | - | D-LI109,4 x AA |
Self timer | Yes (2 or 10 sec) | Yes ( 2 or 12 seconds) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Cost at release | $219 | $525 |