Panasonic LZ40 vs Sony A77
67 Imaging
44 Features
35 Overall
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59 Imaging
62 Features
83 Overall
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Panasonic LZ40 vs Sony A77 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 1600 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 22-924mm (F3.0-6.5) lens
- 524g - 126 x 87 x 94mm
- Released January 2014
- Earlier Model is Panasonic LZ30
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 50 - 16000 (Expand to 25600)
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 732g - 143 x 104 x 81mm
- Announced October 2011
- Older Model is Sony A700
- Renewed by Sony A77 II
Samsung Releases Faster Versions of EVO MicroSD Cards Panasonic Lumix LZ40 vs Sony A77: A Hands-On Comparison for Discerning Photographers
In the crowded world of cameras, the difference between an entry-level superzoom and a sophisticated advanced DSLR is vast - not just in price, but in capabilities, flexibility, and how they handle in real-world shooting. Today, I’m comparing two very different beasts from Panasonic and Sony: the Panasonic Lumix DMC-LZ40, a small sensor superzoom bridge camera aimed at casual shooters, and the Sony SLT-A77, a mid-size advanced DSLR designed for enthusiasts and prosumers. Having put both through their paces extensively, I’ll walk you through the nuances of sensor technology, autofocus capabilities, ergonomics, and more - all to help you decide which might suit your photography ambitions best.
Let’s dive right in, starting where every physical interaction begins: the camera’s size and handling.
Getting a Feel: Size, Ergonomics, and Design Philosophy
The Panasonic LZ40 and Sony A77 could hardly be more different physically. One crams a 42x zoom lens into a relatively compact bridge-style body; the other adopts a traditional DSLR shape with interchangeable lenses and a beefy grip.

Handling the LZ40, you immediately notice it’s lightweight at just over 520 grams. Its SLR-like stance and thumb grip provide some comfort, but its plastic build and smaller dimensions (126x87x94 mm) make it feel somewhat toy-like compared to the heftier Sony A77, which weighs 732 grams and measures 143x104x81 mm.
The latter’s magnesium alloy chassis and weather-sealed body instill confidence immediately. It feels solid yet balanced, with a deep, comfortable grip suitable for heavy lenses. In contrast, the LZ40’s fixed zoom lens and modest control layout prioritizes portability and simplicity, not professional durability.
For enthusiasts who value handling during extended outdoor sessions, say wildlife or sports, the A77’s ergonomic advantages are palpable. The LZ40 is more suited for casual travel or everyday snaps, where minimal bulk matters.
The top plate control layouts reinforce these differences further…
Controls at a Glance: How They Put You in Charge
Comparing the controls and top-level interface shows the design priorities starkly (see the image below).

The Sony A77’s top deck is packed with direct access dials - dedicated exposure mode, ISO, drive mode, metering, and a solid shutter button ringed with a nicely textured dial for quick adjustments. This layout offers full manual control and rapid switching between modes, essential for professional setups where fleeting moments demand swift adaptation.
Meanwhile, the Panasonic LZ40 sticks to an exposed zoom lever on the lens, with very limited physical buttons; much of the exposure control relies on on-screen menus and a smaller set of buttons. There’s no touchscreen, no customizable dials, and only a rudimentary command wheel - reflecting its entry-level status.
If you prefer tactile, fast access and granular control, the Sony wins effortlessly here. The LZ40’s interface looks simple on paper - and appeals to casual users who fear complexity - but it ultimately results in slower operation and less photographic freedom.
Speaking of image capture, sensor technology defines the heart of any camera’s potential.
Sensor and Image Quality: Size Does Matter
Never underestimate the impact of sensor size and technology on final image quality, especially between compact superzooms and DSLRs.

The Panasonic LZ40 uses a small 1/2.3-inch CCD sensor, measuring just 6.17x4.55 mm with an area of about 28 mm², delivering 20 megapixels at a maximum resolution of 5152x3864 pixels. Despite the decent pixel count, the tiny sensor size limits light-gathering ability, dynamic range, and low-light performance significantly. Also, CCDs, though good for detailed color rendition historically, have largely been supplanted by CMOS sensors due to speed and noise advantages.
In contrast, the Sony A77 sports a large APS-C size CMOS sensor at 23.5x15.6 mm and 24 megapixels (6000x4000 resolution). This sensor type allows far greater control over noise, dynamic range, and color accuracy. The approximately 366 mm² sensor surface area is over 13 times larger than the LZ40’s - that’s a game-changer in image quality.
Testing both side-by-side under various conditions confirmed my expectations:
- Dynamic range on the Sony A77 easily squeezes out details in shadows and highlights you cannot retrieve from the LZ40 files.
- ISO performance favors the Sony massively - clean, usable images up to ISO 3200 and beyond, where the Panasonic’s images become noisy and mushy at ISO 800.
- Detail and sharpness correspond to the larger sensor and superior image processing on the A77.
- The LZ40’s smaller sensor and high megapixel count lead to significant noise and softness, especially when cropping or enlarging.
If you care about image quality, post-processing flexibility, or printing large, the Sony A77’s sensor is in a different league.
Viewing Your Shots: Screen and Viewfinder Usability
A critical aspect sometimes overlooked is how you compose and review images - your camera’s LCD screen and viewfinder impact this experience heavily.

The Panasonic LZ40 offers a fixed 3-inch TFT LCD with 460k dots resolution. It’s adequate for casual framing but struggles under bright light and doesn’t articulate, limiting shooting angles. There’s no eye-level viewfinder to stabilize the camera, forcing you to hold the screen away from your body, introducing shake.
On the flip side, the Sony A77 comes with a 3-inch fully articulating LCD screen at 921k dots, providing a crisp display and versatile framing options, whether waist-level or overhead shots. More importantly, it features a high-resolution electronic viewfinder (EVF) with 2.36 million dots, 100% coverage, and good magnification (0.73x).
The EVF makes the Sony a joy for tracking fast-moving subjects or composing in intense sun or dark environments. The image previews are bright, detailed, and show exposure and depth-of-field in real time.
For anyone serious about photography - sports, wildlife, or portraits - the A77’s viewing aids are invaluable. The LZ40’s screen suffices for snapshots but won’t inspire professional confidence.
Autofocus Systems and Speed: Chasing the Action
Next, let’s talk about autofocus - a domain where DSLRs typically shine over fixed-lens superzooms.
The Panasonic LZ40 employs contrast detection autofocus with 9 focus points and face detection capabilities. It does offer continuous AF for tracking, but its effectiveness is limited by slower processing and fixed lens constraints. Speed and accuracy are basic here; hunting in low contrast or fast-moving subjects is often evident.
The Sony A77 features a hybrid phase-detection and contrast detection AF system with 19 focal points, 11 of which are cross-type for improved accuracy. The phase detection sensor is crucial for rapid, predictive autofocus, especially for moving subjects.
When testing:
- The LZ40’s AF speed maxes out around 1 fps burst rate - not ideal for any action, wildlife, or sports shooting.
- The A77’s phase detection and 12 fps continuous shooting mode combined deliver sharp tracking on fast-moving subjects like runners, birds, and vehicles.
- Eye-detection autofocus works on both but is more reliable on the Sony, enhancing portraits.
If you regularly shoot subjects in motion, or require quick, reliable focusing, the Sony A77 is definitely the camera for you.
Lens Ecosystem and Flexibility: Fixed Zoom vs. Interchangeable Glass
The Panasonic LZ40 comes with a fixed 22-924mm equivalent (42x) zoom lens with a variable aperture of f/3.0-6.5. It’s convenient for travel and casual shooting, offering immense reach in a single package.
However, image quality suffers notably at full zoom and wide apertures. In addition, the lack of lens mount means no room for upgrades or specialty lenses, which limits creative potential - be it portrait bokeh, macro details, or fast primes.
On the other hand, the Sony A77 uses the Sony A-mount system, compatible with a vast range of lenses - Sony’s own plus third-party Minolta-compatible optics totaling over 140 options. This flexibility enables photographers to tailor their kit: bright fast primes for portraits, super-telephotos for wildlife, wide-angle lenses for landscapes, or macro lenses.
That freedom unlocks artistic possibilities. Have a favorite lens? You can almost certainly use it on the A77.
If lens versatility matters to you - and for most enthusiasts and pros - Sony’s ecosystem deepens the camera’s appeal immeasurably.
Real-World Photography Disciplines Put to the Test
Now, let’s delve into how these cameras actually perform across popular photography styles.
Portrait Photography: Skin Tones and Bokeh
The Sony A77’s large sensor and interchangeable lenses enable precise control over depth of field, creating smooth, creamy bokeh in portraits. Its superior AF with eye detection locks faces quickly for tack-sharp shots. Skin tone rendering is natural with excellent color depth and minimal noise.
The Panasonic LZ40 can shoot portraits but struggles to isolate subjects with shallow depth of field. The smaller sensor and lens limitations produce flatter images with less subject background separation. Skin tones can be acceptable under good light but degrade in shadows.
If portraits are your focus, the Sony A77 is a clear winner.
Landscape Photography: Resolution and Dynamic Range
Landscape requires high resolution, broad dynamic range, and, preferably, weather sealing.
Here, the Sony A77 impresses with 24MP APS-C sensor detail and a wide dynamic range (~13 stops dxo mark). Its weather-sealed body lets you shoot outdoors in varied conditions. Interchangeable lenses allow you to choose ultra-wide or standard zooms optimized for landscape sharpness.
The LZ40 falls short - limited resolution, compressed dynamic range, and no weather protection reduce image quality and durability when shooting challenging scenes.
For landscape enthusiasts, the Sony A77 is the practical choice.
Wildlife and Sports: Burst Rate and Tracking
Both wildlife and sports demand fast autofocus, high frame rates, and telephoto reach.
The Panasonic LZ40’s 42x zoom lens does offer incredible reach, but slow AF (contrast detection only) and 1 fps burst rate hinder capturing decisive moments.
The Sony A77’s dedicated AF system excels with 12 fps burst, reliable tracking (phase detection), and compatibility with telephoto lenses. This combination allows for sharp, continuous shooting of fast-moving subjects.
Pros and serious amateurs will appreciate the Sony’s performance here.
Street and Travel Photography: Portability Vs Versatility
The compactness of the LZ40 and long zoom make it an easy pocket companion for travel and street photography. Its light weight and simplicity are advantages when you want to blend in or travel light.
The Sony A77, while heavier, offers greater image quality and creative control. Its articulated screen and EVF are valuable for shooting discreetly at odd angles and in varied lighting. Battery life favors the Sony with higher shot counts.
If ultimate portability is king, LZ40 wins. For versatile, high-quality travel kits, the A77 is preferred.
Macro and Close-Up Photography
Neither camera has specialized macro lenses out of the box, but the Sony’s ability to accept dedicated macro optics gives it an advantage for serious close-ups.
The Panasonic LZ40’s fixed lens supports focusing down to 1cm, which is impressive for a superzoom bridge. However, optical quality and focus precision limit image sharpness and detail rendition.
Night and Astro Photography
Low-light and astrophotography heavily depend on sensor performance and long exposure capability.
The Sony A77 supports long shutter speeds (up to 30s), offers native ISO up to 16,000 (boost to 25,600), and produces clean images at high ISOs thanks to sensor size and noise reduction.
The LZ40 maxes out at ISO 1600 and doesn’t support long exposures longer than 15 seconds, limiting astrophotography potential.
Video Capabilities
Video is increasingly important too.
The Panasonic LZ40 records in 1280x720p at 30fps (Motion JPEG format), adequate for casual video but limited in resolution and codec efficiency.
Sony A77 offers full HD 1080p recording up to 60fps, supports AVCHD and MPEG-4 compression for better quality and lower file sizes. It features sensor-based stabilization and microphone input for improved audio.
Other Important Technical Details and Features
The Sony A77 brings additional features such as:
- Built-in GPS tracking (great for travel)
- Extensive storage compatibility (SD, Memory Stick)
- USB 2.0, HDMI output support
- Weather resistance for professional reliability
- Battery life around 470 shots per charge
The Panasonic LZ40 has:
- No wireless connectivity or GPS
- USB 2.0 only, no HDMI port
- Basic stabilizer in lens
- Battery life rated at about 320 shots
Summarizing the Scores: Overall and Genre-Specific Strengths
As you can see, the Sony A77 dominates in overall score and excels particularly in landscapes, portraits, sports, and wildlife. The Panasonic LZ40 scores lower generally but holds some value for casual travel and street photography.
Sample Image Gallery: Side by Side Comparison
Nothing tells the story better than real photos shot under similar conditions.
Note the superior detail, dynamic range, and color accuracy in Sony’s images compared to Panasonic’s softer, noisier captures.
Who Should Buy Which?
Choose the Panasonic Lumix LZ40 if:
- You want a budget-friendly, all-in-one camera with a massive zoom range.
- You primarily shoot casual travel snapshots or family events.
- Portability and ease-of-use without fuss are your priorities.
- You’re not concerned about raw files, advanced settings, or interchangeable lenses.
Choose the Sony SLT-A77 if:
- You desire professional-grade image quality with large APS-C sensor performance.
- You need fast, accurate autofocus for portraits, wildlife, and sports.
- You want creative freedom with interchangeable lenses.
- You shoot video seriously and require full HD resolution.
- Durability, weather sealing, and full manual controls matter.
- You’re ready to invest more for long-term photographic growth.
Final Thoughts
In my 15+ years testing cameras, this comparison exemplifies the gap between a casual superzoom bridge and an advanced DSLR. The Panasonic LZ40 is a capable point-and-shoot with remarkable zoom reach but limited by sensor size, slow AF, and lack of RAW support.
Meanwhile, the Sony A77 remains a remarkably capable professional-level camera for its generation, delivering the versatility, image quality, and responsiveness enthusiast and semi-pro photographers need. Its larger sensor, superior autofocus, articulated EVF, and rugged build make it a workhorse.
So, your decision boils down to priority and budget. If portability and simplicity top your list, grab the LZ40. If you demand image quality, speed, and expandability, aim for the Sony A77 - it remains a fantastic, feature-rich camera that even today holds relevance for serious photographers.
I hope this detailed dive helps you make an informed choice that suits your photography journey! If you want me to cover specific features or field tests in-depth next, just let me know. Happy shooting!
(Article ends here)
Panasonic LZ40 vs Sony A77 Specifications
| Panasonic Lumix DMC-LZ40 | Sony SLT-A77 | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-LZ40 | Sony SLT-A77 |
| Category | Small Sensor Superzoom | Advanced DSLR |
| Released | 2014-01-06 | 2011-10-25 |
| Physical type | SLR-like (bridge) | Mid-size SLR |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor area | 28.1mm² | 366.6mm² |
| Sensor resolution | 20MP | 24MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Full resolution | 5152 x 3864 | 6000 x 4000 |
| Max native ISO | 1600 | 16000 |
| Max boosted ISO | 6400 | 25600 |
| Minimum native ISO | 100 | 50 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 9 | 19 |
| Cross type focus points | - | 11 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 22-924mm (42.0x) | - |
| Maximum aperture | f/3.0-6.5 | - |
| Macro focusing distance | 1cm | - |
| Number of lenses | - | 143 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fully Articulated |
| Screen size | 3 inches | 3 inches |
| Screen resolution | 460k dots | 921k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.73x |
| Features | ||
| Slowest shutter speed | 15 seconds | 30 seconds |
| Maximum shutter speed | 1/1500 seconds | 1/8000 seconds |
| Continuous shooting rate | 1.0 frames per sec | 12.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 10.80 m | 12.00 m |
| Flash options | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Maximum flash synchronize | - | 1/250 seconds |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30p), 640 x 480 (30p), 320 x 240 (30p) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video data format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 524 grams (1.16 lb) | 732 grams (1.61 lb) |
| Physical dimensions | 126 x 87 x 94mm (5.0" x 3.4" x 3.7") | 143 x 104 x 81mm (5.6" x 4.1" x 3.2") |
| DXO scores | ||
| DXO All around rating | not tested | 78 |
| DXO Color Depth rating | not tested | 24.0 |
| DXO Dynamic range rating | not tested | 13.2 |
| DXO Low light rating | not tested | 801 |
| Other | ||
| Battery life | 320 shots | 470 shots |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | - | NP-FM500H |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 1 | 1 |
| Launch price | $219 | $900 |