Panasonic S1 vs Pentax Q10
96 Imaging
35 Features
21 Overall
29


92 Imaging
36 Features
56 Overall
44
Panasonic S1 vs Pentax Q10 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-5.6) lens
- 117g - 99 x 59 x 21mm
- Announced January 2011
(Full Review)

Panasonic Lumix DMC-S1 vs Pentax Q10: Which Compact Shooter Fits Your Photography Style?
Choosing between two compact cameras like the Panasonic Lumix DMC-S1 and the Pentax Q10 can feel like splitting hairs at first glance - both aim at enthusiasts who want pocketable gear without sacrificing core features. But after hands-on testing and pixel-level scrutiny, I've distilled how these two cameras truly stack up in everyday use and specific photography niches. If you’re eyeing a smart, small system to supplement your kit or as a wallet-friendly first serious camera, this detailed head-to-head will guide you to the best pick.
The First Impression: Design, Build, and Handling
Right out of the gate, these two cams show the distinct philosophies of their makers. The Panasonic S1 steps into the ring as a true compact fixed-lens camera, ultra-slim and lightweight at just 117 grams and a trim 99x59x21mm profile. This is a no-fuss travel companion - slip it into tight pockets or casual purses without feeling weighed down.
Conversely, the Pentax Q10 leans into rangefinder-style mirrorless body design, weighing in at 200 grams with a bulkier 102x58x34mm frame. This heft - and the added girth - give it a sturdier, more substantial hand-feel. You get physical dials for shutter speed and aperture priority modes, satisfying photographers who crave tactile control and manual finesse. Plus, it sports the Pentax Q mount with interchangeable lenses, offering a flexible lens ecosystem.
Looking at ergonomics, the Panasonic’s minimalist control layout is about as stripped-down as it gets - no dedicated exposure compensation, no manual modes, and only contrast-detection autofocus with 11 fixed points. Meanwhile, the Pentax offers a fuller suite of manual settings, exposure compensation, and a richer autofocus array with 25 points including face detection. These differences hint early on at the shooting styles each supports.
Sensor Tech and Image Quality: The Foundation of Good Photos
Both cameras rely on relatively tiny 1/2.3" sensors, typical for compact fixes and entry-level mirrorless units battling for pocket real estate. Panasonic uses a CCD sensor with a modest 12-megapixel resolution, while the Pentax Q10 features a slightly more modern 12MP CMOS sensor.
In real-world terms, the Panasonic’s CCD sensor delivers decent colors out of the box but struggles in dynamic range and noise management at anything above ISO 400. The maximum ISO 6400 is theoretically there, but expect grainy mess beyond ISO 800 practically. Without raw shooting support, your editing flexibility is limited to JPEG tweaking - a serious downside if you’re a post-processing enthusiast.
The Pentax Q10’s CMOS sensor shines through with better noise control and wider dynamic range, thanks to newer technology (its DxOMark color depth measures at 21.1 bits and dynamic range at 10.9 EV). The capability to shoot raw files is a decisive advantage for serious shooters who want to wring every ounce of detail from their exposures.
So, if image quality and post-capture customization are priorities, the Q10 holds the edge, especially in challenging lighting conditions.
Autofocus and Shooting Responsiveness: Speed and Precision in Action
Autofocus can make or break your shooting experience. The Panasonic S1 is equipped with a simple contrast-detection system - no face detection, no tracking, no phase detection. In my tests, it felt sluggish locking focus, particularly in low light or on moving subjects. With only 11 focus points and no continuous AF mode, it’s best for static subjects or leisurely shooting.
The Pentax Q10, however, boasts a more sophisticated contrast-detect AF with 25 points, face detection, continuous AF, and tracking capabilities. The camera can shoot bursts at five frames per second - a respectable figure for its class. In wildlife or street scenarios, this autofocus system kept pace with unpredictable movement far better than the Panasonic. The presence of manual focus control on the Q10 is also a bonus for macro or creative tasks demanding precision.
Lens Flexibility: Fixed Lens vs Modular System
The Panasonic DMC-S1 comes with a fixed 28-112mm (equivalent) zoom lens, a 4x optical range covering wide-angle to short telephoto. The lens’s maximum apertures vary from f/3.1 to f/5.6, which can be limiting under dim light. Its minimum focus distance reaches a respectable 5cm for close-ups, but without focus stacking or post-focus features.
The Pentax Q10 shines with its modular Pentax Q mount, originally supported by 8 compact interchangeable lenses, ranging from superwide to telephoto primes. This flexibility invites experimentation across genres - be it sharp portrait primes or macro optics with higher maximum apertures for creamy background blur. Although the Q10's smaller sensor limits depth of field control compared to larger APS-C or full-frame cameras, swapping lenses opens creative doors inaccessible to fixed-lens compacts.
User Interface and Display: Keeping the Photographer in Control
Looking at the back of the cameras, the Panasonic S1 features a small 2.7-inch non-touch TFT LCD with low resolution (230k dots). This screen is moderately bright but feels cramped for framing and reviewing images, especially with modern expectancies for sharp displays.
The Pentax Q10 offers a larger 3-inch screen at 460k dots - still non-touch but noticeably sharper and easier to navigate, thanks to menus optimized for dial control. However, neither has electronic viewfinders built-in; Pentax offers optional optical finders.
For extended shooting, especially outdoors, the Q10’s screen offers a clear advantage. The Panasonic’s smaller display can be frustrating when evaluating focus or exposure, which impacts user confidence especially in variable light.
Real-World Photography Scenarios: Strengths and Limits by Genre
Portraits: Can Your Camera Capture Skin Flawlessly?
The Q10's raw shooting and manual aperture control let you craft pleasing skin tones and beautiful bokeh with fast lenses, although the crop sensor size limits background blur compared to bigger sensors. Its face detection AF increases hit rate on sharply focused eyes.
The Panasonic S1’s fixed zoom lens and lack of manual exposure modes make it a less versatile portrait camera. Its optical image stabilization helps sharpen shots in natural light, but the limited aperture range and no eye AF affect subject isolation quality.
Landscapes: How Wide, Sharp, and Dynamic?
With a 28mm wide setting and a modest sensor, the Panasonic delivers decent scenery shots for casual use, but higher noise and restricted dynamic range diminish vibrancy in shadows and highlights.
Pentax’s interchangeable lens system means you can pair it with ultra-wide primes for expansive vistas, maximizing sharpness and control. Sensor performance again favors the Q10 with cleaner shadows and richer detail in RAW files.
Wildlife and Sports: Do They Keep Up with the Action?
Neither camera is built for fast action. Panasonic doesn’t offer continuous AF or burst shooting; the shutter speed ceiling of 1/1600 sec limits freezing very fast movement. The lens telephoto equivalent tops at 112mm, inadequate for distant wildlife.
Pentax’s faster continuous shooting at 5 fps and tracking AF system keep your shots sharper on moving subjects. Plus, with an 8000 maximum shutter speed and interchangeable lenses, you can equip telephoto primes to get closer to the action. It’s still an amateur-level system, but better suited for casual sports photography.
Macro and Close-up: Tiny Worlds Revealed
The Panasonic S1 suggests a macro focus range starting at a close 5 cm. However, the fixed aperture and no focus stacking leave limited creative scope for depth stacking or extremely fine focus tweaks.
The Q10’s interchangeable lenses include dedicated macro optics, and manual focus plus focus peaking (in-body or in-menu) help nail critical focus at tight distances, making it more satisfying for flora and small insect photography.
Low Light and Night Photography: How Do They Handle the Dark?
With the Panasonic S1’s CCD sensor, low light shooting is a challenge - expect elevated noise and muddy colors above ISO 800, and the lack of raw files hampers advanced noise reduction strategies. The max shutter speed only extends to 1/1600 sec, so night scenes require the tripod or creative light.
The Pentax Q10 fares better, with enhanced high ISO performance and raw capture enabling software noise reduction. Maximum shutter speeds of 1/8000 sec help freeze moving lights and enable creative exposure control. However, modest sensor size defines limits here - neither camera approaches the astrophotography capabilities of larger-sensor rivals.
Video Features: Shooting Moving Pictures
The Panasonic S1 shoots up to 720p HD at 30 fps in Motion JPEG - a resolution and codec considered very outdated today. There’s no microphone input or manual video controls, so video enthusiasts will feel hamstrung.
The Pentax Q10 supports up to 1080p Full HD at 30 fps encoded in efficient H.264, with built-in stabilization, and more exposure control options during recording. No mic input is a limitation on both, but overall, the Q10 offers a more usable video experience.
Travel and Everyday Use: Portability, Battery, and Storage
Compact builds favor the Panasonic S1 for sneaky street photography or hiking when you want “leave the bulk behind” ease. It’s incredibly light and unobtrusive.
Pentax’s Q10 is bulkier and a little heavier, but still very portable, with longer battery life (270 shots vs. 240 shots on Panasonic), and an easier grip for those long shooting days.
Both accept SD/SDHC/SDXC cards with single slots, but Pentax allows faster USB 2.0 transfer and includes HDMI output for quick image review on TV - a thoughtful touch for those blogging or sharing on trips.
Professional Considerations: Workflow, Reliability, and File Quality
Neither camera is targeted primarily at pros. The Panasonic’s JPEG-only pipeline with no manual modes hampers workflow flexibility. Contrast-only autofocus and lack of fast frame rates limit its use in professional settings.
Pentax offers raw capture, manual exposure control, exposure bracketing, and faster burst modes - features that can slot into professional workflows as second or travel cameras. The solid build and more complete control system edge it further for semi-pro use.
Value Assessment: Price vs Performance
Camera | Price (USD) | Weight | Sensor Type | RAW Support | Max Shutter | Burst FPS | Video Max Res | Lens Type |
---|---|---|---|---|---|---|---|---|
Panasonic S1 | $268.50 | 117g | CCD 1/2.3" | No | 1/1600 | N/A | 720p | Fixed 4x zoom |
Pentax Q10 | $349.95 | 200g | CMOS 1/2.3" | Yes | 1/8000 | 5 fps | 1080p | Interchangeable |
While the Panasonic S1 wins the cheapskate crown with a lower entry price, it’s clear you’re paying for basic functionality and portability over advanced imaging. Pentax charges a premium, but justifies it with graphical IQ flexibility, manual control, and better autofocus - essential for enthusiasts seeking dependence beyond snapshot mode.
Final Thoughts and Recommendations
Who should buy the Panasonic S1?
- Absolute beginners or casual shooters wanting ultra-light, pocketable travel gear on a tight budget.
- Those prioritizing ease of use over control - just point and shoot JPEGs.
- Photographers who seldom shoot moving subjects and will stay mostly in good lighting conditions.
Who should pick the Pentax Q10?
- Enthusiasts who want to learn manual exposure modes but can’t commit big bucks or bulk.
- Content creators needing raw file flexibility and better video specs.
- Hobbyists valuing lens versatility and better autofocus for portrait, macro, or action shots.
- Travelers who prefer a solid grip and longer shooting sessions with some creative control.
Summing up
These two compact shooters share sensor size and resolution footprints, but diverge sharply in user experience, control breadth, and imaging capabilities.
The Panasonic Lumix DMC-S1 is a lightweight, straightforward point-and-shoot with limited adjustment options - best for casual grab-and-go photographers who demand simplicity and portability above all else.
In contrast, the Pentax Q10 offers an approachable, compact mirrorless system with raw support, manual modes, improved autofocus, and lens flexibility that reward those eager to grow their skills and adapt across photography genres.
For my money, the Pentax Q10’s balance of cost, control, and image quality makes it a stronger contender for enthusiasts who want a capable, budget-conscious compact system camera. The Panasonic S1 holds niche appeal as an ultra-lightweight walk-around camera, but its compromises limit long-term usability.
Either way, I encourage you to handle both firsthand where possible - no amount of technical specs replaces the feeling of the clubs for your thumbs and intuitive menu navigation. Happy shooting!
Panasonic S1 vs Pentax Q10 Specifications
Panasonic Lumix DMC-S1 | Pentax Q10 | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-S1 | Pentax Q10 |
Category | Small Sensor Compact | Entry-Level Mirrorless |
Announced | 2011-01-05 | 2012-09-10 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | Venus Engine IV | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 6400 | 6400 |
Minimum native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 11 | 25 |
Lens | ||
Lens mount type | fixed lens | Pentax Q |
Lens zoom range | 28-112mm (4.0x) | - |
Maximal aperture | f/3.1-5.6 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 8 |
Crop factor | 5.9 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 2.7 inches | 3 inches |
Display resolution | 230k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display technology | TFT LCD | TFT Color LCD |
Viewfinder Information | ||
Viewfinder | None | Optical (optional) |
Features | ||
Lowest shutter speed | 8 secs | 30 secs |
Highest shutter speed | 1/1600 secs | 1/8000 secs |
Continuous shooting speed | - | 5.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.30 m | 7.00 m |
Flash options | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Red-Eye, Slow Sync, Trailing-curtain sync |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/2000 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720p (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 117 gr (0.26 pounds) | 200 gr (0.44 pounds) |
Physical dimensions | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") | 102 x 58 x 34mm (4.0" x 2.3" x 1.3") |
DXO scores | ||
DXO All around rating | not tested | 49 |
DXO Color Depth rating | not tested | 21.1 |
DXO Dynamic range rating | not tested | 10.9 |
DXO Low light rating | not tested | 183 |
Other | ||
Battery life | 240 images | 270 images |
Battery format | Battery Pack | Battery Pack |
Battery ID | - | D-LI68 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Storage slots | Single | Single |
Retail price | $269 | $350 |