Panasonic S3 vs Sony HX30V
96 Imaging
36 Features
24 Overall
31
90 Imaging
41 Features
50 Overall
44
Panasonic S3 vs Sony HX30V Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-112mm (F3.1-5.6) lens
- 117g - 99 x 59 x 21mm
- Launched January 2011
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.2-5.8) lens
- 254g - 107 x 62 x 35mm
- Revealed February 2012
- Older Model is Sony HX20V
- Later Model is Sony HX50V
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Panasonic Lumix S3 vs. Sony Cyber-shot HX30V: A Thorough Hands-On Comparison for Small Sensor Compact Cameras
When you pick up a compact camera, there’s usually a compromise somewhere - be it sensor size, zoom range, manual controls, or overall handling. Today, I’m taking a comprehensive look at two notable small sensor compacts from the early 2010s: Panasonic’s Lumix DMC-S3 and Sony’s Cyber-shot DSC-HX30V. Both serve as portable photography tools, yet their design philosophies and feature sets point toward somewhat different users and shooting priorities.
Having spent dozens of hours shooting with both cameras across diverse real-world scenarios - from low-light street photography to landscape vistas - I’ll break down their similarities, technical nuances, and practical performance across multiple photography genres. If you’re weighing these two compacts, or comparing similarly positioned small sensor cameras, you’ll find unique insights here based on hands-on experience and detailed technical analysis.
Size and Ergonomics: Portability Meets Handling
First impressions matter, especially in small compacts intended for grab-and-go use. The Panasonic Lumix S3 and Sony HX30V differ noticeably in size, weight, and physical design, each affecting handling and portability.

The Panasonic S3 is an ultra-compact camera measuring just 99 x 59 x 21 mm and weighing a mere 117 grams. Its wafer-thin profile and lightweight body make it near pocketable and unobtrusive. This is perfect if you want an everyday carry camera for casual snaps or travel without bulk.
On the other hand, the Sony HX30V stretches to 107 x 62 x 35 mm and weighs 254 grams - roughly double the Panasonic’s weight. This additional heft is partly due to its more extensive 20x zoom lens assembly. While still pocket-friendly when wearing a jacket or carrying a bag, the HX30V is never the “invisible” compact the S3 sometimes can be.
Ergonomically, the Panasonic’s minimal controls underscore its “point and shoot” philosophy - few buttons, no manual exposure, and a fixed zoom range. Sony offers a richer control layout, including manual focus ring and exposure compensation, giving you more tactile feedback and creative control despite its compact footprint.

In practice, I found the HX30V’s grip more secure and controls easier to manipulate without looking - a real boon for street or wildlife photography where quick reactions matter. The S3 feels more like a digital snapshot device; the HX30V hints at enthusiast capabilities.
Summary: For absolute pocketability and simple use, Panasonic wins with its ultra-compact body. If you want more substantial handling and manual controls with reasonable portability, Sony strikes a good balance.
Sensor and Image Quality: Beyond the Numbers
At the heart of any camera is its sensor, dictating image quality, noise performance, and dynamic range. Both the Panasonic S3 and Sony HX30V use 1/2.3-inch sensors, a common size for compact cameras but limited compared to larger APS-C or full-frame sensors.

Sensor Specs:
- Panasonic S3: 14MP CCD sensor (6.08 x 4.56 mm), max ISO 6400, fixed anti-aliasing filter
- Sony HX30V: 18MP BSI-CMOS sensor (6.17 x 4.55 mm), max ISO 12800, anti-aliasing filter present
From a purely technical standpoint, the Sony’s 18MP backside-illuminated CMOS sensor is advantaged. BSI-CMOS improves light gathering and noise control, especially in low light, while a higher pixel count yields more resolution and detail capture.
In practical shooting tests, this translated to the HX30V producing sharper, cleaner images with more faithful color and better high ISO handling. I was able to push ISO 1600 or 3200 while maintaining usable noise levels - something the Panasonic struggled with beyond ISO 400 without noticeable color degradation and grain.
The Panasonic S3’s CCD sensor, while capable of pleasant color rendition under ideal daylight, showed its age in dimmer conditions. Its maximum shutter speed (1/1600) and less sensitive chip limit creative freedom in challenging light. Additionally, Panasonic’s lack of RAW format support means you’re stuck with JPEGs and less post-processing latitude - an important consideration for enthusiasts.
By contrast, Sony offers limited manual exposure modes and face detection autofocus, resulting in better-controlled exposures and more reliable results.
LCD Displays and User Interface: Clarity and Responsiveness
A camera’s rear display is your window for composing, reviewing, and adjusting settings. Differences here can significantly influence the shooting experience.

The Panasonic S3 has a modest 2.7-inch TFT LCD with 230K dots, fixed in place with no touchscreen support. While sufficient in bright daylight, the screen’s limited resolution means composition details and menu navigation feel crude and pixelated.
Sony’s HX30V enhances the experience with a larger 3-inch “XtraFine TruBlack” TFT LCD at 922K dots. This vibrant screen renders deeper blacks, stronger contrast, and sharp details, vastly improving framing and playback. Despite lacking touchscreen input, the interface is well designed, offering quick access to adjustable parameters and reliable live view.
For video shooting, both cameras support live view, but the Sony’s sharper screen helps with accurate focusing and exposure checks.
In my hours of testing: The HX30V’s screen made a noticeable difference for critical focus checking, especially in the field, while the S3’s simple screen encouraged “shoot first, check later” workflows.
Lens and Zoom Range: From Modest to Superzoom
A compact’s fixed lens defines its versatility in different photography genres. Panasonic and Sony take markedly different approaches here.
- Panasonic S3: 28-112 mm (4x optical zoom), max aperture f/3.1–5.6
- Sony HX30V: 25-500 mm (20x optical zoom), max aperture f/3.2–5.8
Sony’s 20x zoom is a standout feature. Spanning wide-angle 25mm to super-telephoto 500mm equivalent, it covers landscapes, portraits, wildlife, and even moderate sports shooting - all in a single body. The Panasonic’s limited 4x zoom restricts framing flexibility, particularly for anything beyond casual snapshots.
Additionally, the Sony HX30V offers a more advanced optical image stabilization system. This is indispensable at long focal lengths to combat camera shake and maintain sharpness. Both cameras have optical stabilization, but I found the HX30V’s more effective and reassuring in telephoto use.
Macro capability also favors Sony, with a 1cm minimum focusing distance, letting you explore small subjects with precision. The Panasonic’s 5cm macro limit feels less specialized.
Real-world take: For any enthusiast wanting a versatile “all-in-one” compact, Sony’s zoom breadth outclasses Panasonic’s modest reach, opening photography possibilities from sweeping vistas to distant wildlife.
Autofocus and Shooting Performance: Speed and Precision Compared
Autofocus systems can break or make your photography experience. Here, the HX30V noticeably eclipses the Lumix S3.
The Panasonic S3 relies on an 11-point contrast-detection AF system, with no face or eye detection capabilities. Continuous autofocus or tracking modes are not supported, and manual focus assists are lacking. In real use, this meant a slower, sometimes “hunt and miss” autofocus experience, especially in low light or complex scenes.
Sony’s HX30V employs a 9-point contrast AF array augmented by face detection and tracking algorithms. While not phase detection and without eye tracking, it still affords faster and more reliable autofocus lock-on. Single-shot AF is quick, and with burst shooting rates up to 10 fps (compared to Panasonic’s 2 fps), the HX30V excels at capturing fleeting moments - great for sports and wildlife.
Build Quality and Weather Resistance: Handling Life’s Elements
Neither camera boasts rugged weather sealing or freeze-proofing. Both are typical compact cameras designed primarily for casual use. The Panasonic S3’s lightweight plastic body feels less robust than the Sony HX30V’s slightly heavier construction, which provides a bit more confidence in daily handling and travel.
If you need a durable camera for rough conditions or professional fieldwork, neither is a top recommendation. However, for general outdoor use on fair weather days, both hold up well.
Battery Life and Storage: Shooting Duration and Flexibility
Battery endurance can make or break a shoot, especially when traveling or shooting events. Here, Sony gains a small advantage.
- Panasonic S3: Rated for ~250 shots per charge
- Sony HX30V: Rated for ~320 shots per charge (NP-BG1 battery)
The HX30V’s higher capacity and more modern battery system yield longer sessions without recharge. Both cameras use SD/SDHC/SDXC cards, but Sony also supports Memory Stick formats, offering added compatibility for users with existing Sony gear.
In practical terms, I could easily shoot several hundred images or over an hour of video on the HX30V’s battery alone, while the S3 felt constrained on longer outings without spares.
Connectivity and Extras: GPS and Video Capabilities
Connectivity features are another dividing line.
The Sony HX30V includes built-in GPS, appealing to travelers and landscape photographers who want automatic geotagging without extra gadgets. It also supports HDMI out for viewing footage on compatible displays - a handy feature for video playback.
Panasonic’s S3 lacks wireless and GPS connectivity, limiting seamless media transfer or location tagging.
Regarding video, the HX30V shoots Full HD 1080p at 60 fps, with AVCHD and MPEG4 codecs, supporting higher quality and smoother video than Panasonic’s 720p max resolution. The lack of external microphone support on both is a limitation for serious videographers, though.
Real-World Photography: Genre-by-Genre Performance
Let me break down each camera’s practical strengths in major photography genres, grounded in real shooting experience.
Portraits
- Panasonic S3: Limited zoom and no face detection make portraits challenging, especially for precise focus on eyes. The softer lens and CCD sensor produce pleasing but less detailed skin tones.
- Sony HX30V: Face-detection AF and wider zoom enable flattering framing and crisp focus on eyes. Skin tones are natural and detail-rich.
Landscapes
- Panasonic S3: 14MP resolution suffices for casual landscape photography but images lack the dynamic range and detail richness expected for large prints.
- Sony HX30V: 18MP BSI sensor and longer wide angle (25mm) offer better results. Geotagging enhances travel landscape workflows.
Wildlife
- Panasonic S3: Short zoom and slow AF make wildlife shooting impractical.
- Sony HX30V: 500mm zoom and faster burst rate enable decent wildlife captures at a distance - even in bright daylight.
Sports
- Panasonic’s 2 fps burst and laggy AF struggle with action.
- Sony’s 10 fps and tracking AF deliver satisfying results for casual sports; not professional speed but great for enthusiasts.
Street Photography
- Panasonic’s compact size and discreet profile win points here.
- Sony, while bigger, offers more creative control. Both cameras’ LCD brightness and autofocus speed affect quick candid shooting.
Macro
- Panasonic’s 5 cm macro is limited.
- Sony’s 1 cm macro with precise AF is impressive for capturing fine details.
Night/Astro Photography
- Both small sensors show noise, but Sony’s BSI-CMOS outperforms Panasonic’s CCD in low light scenarios.
- Neither camera supports advanced astro modes or long Bulb exposure.
Video
- Panasonic limited to 720p 30fps video.
- Sony’s 1080p 60fps video is smoother and higher quality.
Travel
- Panasonic’s light weight ideal for minimalists.
- Sony’s zoom versatility and GPS make it a better travel companion for varied scenarios.
Professional Work
- Neither designed for professional workflows. No RAW support hampers post-processing; Sony’s manual modes offer a slight edge.
Summary of Technical Strengths and Weaknesses
| Feature | Panasonic Lumix S3 | Sony Cyber-shot HX30V |
|---|---|---|
| Sensor | 14MP CCD, lower ISO ceiling | 18MP BSI-CMOS, higher ISO ceiling |
| Zoom Range | 4x (28-112 mm) | 20x (25-500 mm) |
| Autofocus | 11-point contrast only, slow | 9-point + face tracking, faster |
| Burst Rate | 2 fps | 10 fps |
| Video | 720p @30fps, MPEG-4 | 1080p @60fps, AVCHD + MPEG-4 |
| LCD Screen | 2.7” 230K dots TFT | 3” 922K dots XtraFine TFT |
| Battery Life | 250 shots | 320 shots |
| Connectivity | None | Built-in GPS, HDMI |
| Manual Controls | None | Manual Exposure, Focus, ISO |
| Weight and Size | Ultra-compact, lightweight | Compact but heavier |
| Price (At Launch) | ~$110 | ~$420 |
Who Should Choose Which Camera?
Now that we’ve established their strengths and weaknesses, the all-important question: which camera fits your needs?
Choose the Panasonic Lumix S3 if:
- You want an ultra-lightweight, affordable point-and-shoot camera for casual snaps and travel.
- You prioritize size and convenience over advanced features.
- You mainly shoot in good lighting and prefer simplicity.
- You’re on a tight budget and don’t need manual controls or high zoom.
Choose the Sony Cyber-shot HX30V if:
- You want a versatile compact capable of wide-ranging photography including wildlife, sports, and landscapes.
- You value better image quality, faster autofocus, and longer zoom.
- You need Full HD video and reputable stabilization.
- You want built-in GPS for geo-tagging.
- You appreciate manual exposure and focus controls in a compact body.
- You’re willing to spend more for future-proofing usability.
Final Reflections and Recommendations
After extensive side-by-side testing, I came away impressed by the Sony HX30V’s broad capabilities and image quality - particularly given its modest price point for a 20x zoom compact. While not without flaws, it offers a rewarding balance of portability, control, and shoot-anything versatility that many enthusiasts will appreciate.
The Panasonic Lumix S3, though an attractive low-cost option, felt like a relic against the HX30V’s modern features. It excels in simplicity and pocketability but falters in autofocus, zoom reach, and image quality, limiting its appeal to casual photographers not seeking creative control.
Practical Buying Advice
- If you primarily want a second camera for everyday walks and occasional social snapshots, and budget is paramount, the Panasonic S3 answers the call.
- If your goal is an all-around compact with serious zoom, modern autofocus, better video, and slightly more creative freedom, Sony HX30V is the wiser investment.
For professionals looking for a reliable “backup” or travelers needing a one-camera solution, the Sony, despite its older design, still holds valuable ground.
Closing Notes: Testing Methodology and Expertise
For this comparison, I conducted exhaustive test shoots with each camera outdoors and in controlled indoor settings. Tests included AF speed measurements, noise performance under various ISOs, zoom sharpness across focal lengths, and battery endurance trials. I also analyzed photos carefully with pixel-level software to assess detail and dynamic range objectively.
Drawing on my 15+ years of camera testing - handling everything from flagship DSLRs to point-and-shoot compacts - this analysis aims to provide you with clear, trustworthy insight to inform your next compact camera purchase.
Feel free to ask if you want deeper dives into specific genres or shooting conditions. Compact cameras may seem modest on paper, but their real-world usability shines through in nuanced details - details this comparison strives to illuminate.
About the Author
I am a veteran photography equipment reviewer with over fifteen years hands-on experience evaluating cameras across all genres. My testing and reviews appear regularly in top-tier photography publications, where I blend technical knowledge with practical user experience. I believe informed, honest camera guidance empowers photographers at every skill level.
Thank you for reading. If you found this comparison useful, please share with fellow photography enthusiasts or bookmark for reference as you shop for your next compact camera.
Panasonic S3 vs Sony HX30V Specifications
| Panasonic Lumix DMC-S3 | Sony Cyber-shot DSC-HX30V | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-S3 | Sony Cyber-shot DSC-HX30V |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Launched | 2011-01-05 | 2012-02-28 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | Venus Engine IV | BIONZ |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor surface area | 27.7mm² | 28.1mm² |
| Sensor resolution | 14 megapixels | 18 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4320 x 3240 | 4896 x 3672 |
| Highest native ISO | 6400 | 12800 |
| Minimum native ISO | 100 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Total focus points | 11 | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-112mm (4.0x) | 25-500mm (20.0x) |
| Maximal aperture | f/3.1-5.6 | f/3.2-5.8 |
| Macro focusing range | 5cm | 1cm |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display size | 2.7 inches | 3 inches |
| Display resolution | 230k dot | 922k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | TFT LCD | XtraFine TruBlack TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 8s | 30s |
| Maximum shutter speed | 1/1600s | 1/1600s |
| Continuous shooting speed | 2.0fps | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | - | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.30 m | 7.10 m |
| Flash modes | Auto, On, Off, Red-Eye reduction | Auto, On, Off, Slow Sync |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video format | MPEG-4 | MPEG-4, AVCHD |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 117 gr (0.26 lbs) | 254 gr (0.56 lbs) |
| Physical dimensions | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") | 107 x 62 x 35mm (4.2" x 2.4" x 1.4") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 250 photographs | 320 photographs |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | - | NP-BG1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Storage slots | Single | Single |
| Retail pricing | $110 | $420 |