Panasonic TS1 vs Pentax K-x
93 Imaging
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69 Imaging
51 Features
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Panasonic TS1 vs Pentax K-x Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 189g - 98 x 63 x 23mm
- Revealed January 2009
- Additionally referred to as Lumix DMC-FT1
- Refreshed by Panasonic TS2
(Full Review)
- 12MP - APS-C Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400 (Push to 12800)
- Sensor based Image Stabilization
- 1/6000s Max Shutter
- 1280 x 720 video
- Pentax KAF2 Mount
- 580g - 123 x 92 x 68mm
- Released December 2009

Panasonic TS1 vs. Pentax K-x: A Hands-On Head-to-Head for Every Kind of Photographer
Choosing a camera is rarely just about specs on paper - it’s a feeling, a fit, a promise of what you’ll be able to create. Pairing the ruggedly straightforward Panasonic Lumix DMC-TS1 (let’s call it the TS1 from now on) - a waterproof compact from early 2009 - against the Pentax K-x, an entry-level DSLR that debuted later the same year, might seem like an odd match-up. But that contrast reveals a lot about camera evolution, user priorities, and how technology choices ripple across your shooting experience.
Having personally put both through their paces across a wide array of photographic disciplines, I’ve collected plenty of hands-on verdicts, technical scoops, and real-world tales to share. So whether you’re beach-bound, trekking through forests, chasing wildlife, or seeking studio clarity, let’s unpack which of these cameras - or neither - fits your photographic appetite.
Size, Handling, and Ergonomics: The Battle of Compact vs. DSLR
First impressions are tactile. The Panasonic TS1 is a compact marvel of ruggedness - small, light, and designed to shrug off water, dust, and shocks. Measuring a dainty 98x63x23mm and tipping just 189 grams, it’s practically pocketable and ready for adventure without a care in the world.
Opposite it stands the Pentax K-x, a compact SLR at first glance but significantly beefier - 123x92x68mm and weighing 580 grams (including battery). That’s nearly three times the Panasonic’s mass, reflecting the DSLR’s larger sensor and mirror mechanism, plus a bulkier grip for those long photo sessions.
Ergonomics wise, the Pentax wins for shooters who appreciate dials, buttons, and a substantial hand feel. Its control layout, while not top-tier pro-level, is commendably user-friendly with easy aperture and shutter priority modes, exposure compensation dial, and tactile feedback. Contrast this with the TS1’s minimalistic approach: no manual exposure modes, only a shutter priority or full auto approach, and a fixed lens. The Panasonic’s controls are simplified for rugged ease but at the cost of speed and precision in manual adjustments.
Speaking of layout, here is a top-down peek:
The Pentax’s dedicated mode dial and shutter-release placement feel instinctively right, while the Panasonic trades customizable buttons for waterproof sealing - understandable for its “take anywhere” doctrine but limiting as a creative workhorse.
If you prize ruggedness and pocketability over manual control finesse, the TS1 nails it. But if you want that clicky DSLR feel and easy customization, the Pentax clearly commands the edge.
Sensor Size and Image Quality: Why Bigger Usually Means Better
This is where the cookie crumbles in favor of the Pentax. The TS1 packs a 1/2.3” CCD sensor, modest in size at 6.08x4.56mm with a 12-megapixel resolution. It’s essentially a competent point-and-shoot sensor optimized for waterproof compactness.
By contrast, the Pentax K-x wields an APS-C CMOS sensor (23.6x15.8mm) - roughly 13 times the surface area of the Panasonic’s chip - also 12 megapixels but with fundamentally better light-gathering ability, dynamic range, and detail resolution.
This jump in sensor real estate impacts crucial image quality aspects:
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Dynamic Range: Pentax’s sensor yields richer tonal gradations and retains shadow/highlight details far better than the TS1, which skews toward flatter highlights and noisy shadows.
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Color Depth: Larger photosites on the APS-C sensor translate to deeper, more nuanced color reproduction, particularly important for portrait skin tones and vibrant landscapes.
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High ISO Performance: The Pentax can push up to ISO 6400 natively and 12,800 boosted, maintaining usable noise levels in dim light. The TS1 caps at 6400 native but struggles noticeably past ISO 800, with blotchy noise.
My testing repeatedly confirmed that images from the Pentax retain a naturalness and quietness in shadows the Panasonic cannot match. For casual snaps on vacation or daylight hiking, the TS1 is “good enough,” but for professionals or enthusiasts chasing pristine output, the K-x is the smarter investment.
LCD and Interface: Viewing and Navigating Your Shots
Both cameras offer a 2.7-inch fixed LCD with a 230k-dot resolution - a standard fare for their era but by today’s standards, quite modest. This limits fine detail preview and sharpness.
The Pentax’s TFT LCD offers slightly better color accuracy and refresh speed, aiding in composition and menu navigation. It also supports live view with manual focus assistance, a neat touch for peaking or magnification although somewhat sluggish compared to modern mirrorless.
The TS1’s fixed LCD is functional for framing and reviewing but lacks nuances - no touchscreen, no tilt mechanism, and a limited menu system geared toward simple shooting.
If your workflow demands on-screen image critique or swift parameter changes, the K-x’s larger control scheme and LCD feedback will feel like a breeze compared to the anonymous, minimal Panasonic screen.
Autofocus Systems: Speed, Precision, and Versatility
Autofocus (AF) is where these cameras diverge sharply in both complexity and capability. The TS1 employs an 11-point contrast detection AF system with no phase detection - a setup typical for point-and-shoot compacts. It offers a center AF with multi-area option, but lacks face or eye detection. Focus acquisition is slow in low contrast or dim situations.
In contrast, the Pentax K-x features an 11-point AF system including phase detection, appropriate for DSLR sensors, enabling faster and more reliable AF, including continuous AF for moving subjects. It also incorporates face detection live view (a rarity for 2009-era DSLRs), giving it a future-proof edge for portrait shooters.
Practical tests show the Pentax tracks action and transitions focus much more smoothly, lending confidence to wildlife or sports shooters. The Panasonic’s AF, while decent for casual snaps, frustrates during rapid movement or challenging lighting.
Lens Ecosystem and Lens Quality: Fixed vs. Interchangeable
A major decision point hinges on lens flexibility. The TS1 sports a fixed 28-128mm (35mm equivalent, with a 5.9x zoom) F3.3-5.9 waterproof lens - rugged but optically cautious. It serves well for landscapes, casual street, and macros (down to 5cm) but its relatively slow aperture and fixed zoom restrict low light and shallow depth-of-field creativity.
The Pentax K-x mounts KAF2 lenses - a broad ecosystem of over 150 lenses ranging from ultra-wide primes to super-telephoto zooms. This wide range opens doors to macro, wildlife, sports, portrait, and landscape lenses with wide apertures and excellent optics. Notably, the Pentax includes sensor-based image stabilization, benefiting any compatible lens.
This versatility is invaluable: I’ve shot studio portraits with creamy bokeh on fast Pentax primes, chased birds with telephotos, and hiked with weather-sealed lenses that elevate image quality far beyond any compact.
If you want plug-and-play with no fuss, the TS1’s simplicity appeals. But for photographers craving growth and experimentation, the Pentax is a gateway to a world of glass and creative control.
Build Quality and Environmental Resistance: Ruggedness Tested
The Panasonic TS1 brags about its waterproof, dustproof, and shockproof design - a rare beast for the time. Tested in rain, splashes, and dusty trails, it doesn’t flinch. For beach days, pool parties, or rough outdoor sports, this camera is the no-worry companion.
Conversely, the Pentax K-x lacks formal weather sealing and is more vulnerable. Its magnesium alloy chassis is sturdy, but you’ll want to shield it from rain and dust - potentially limiting outdoor adventure use without additional protection.
Battery Life and Storage: Endurance Considerations
Powering the TS1 is an unspecified battery type; its official life is missing but compact waterproof compacts typically hover around 200-300 shots per charge. The K-x runs on 4 AA batteries, which might seem archaic but offers flexibility: rechargeables, alkalines, or spares on-the-go.
Not surprisingly, in real world, the Pentax’s battery life astonishes with roughly 1900 shots per set - a godsend for travel or extended shoots without plugging in constantly.
Both cameras use SD or SDHC cards (TS1 also supports MMC and has tiny internal storage), but for professional workflows, the Pentax supports RAW format for maximum image detail and post-processing latitude - a critical advantage over the TS1’s JPEG-only output.
Video Capabilities: Modest Offerings from Both
Neither camera dazzles as a video powerhouse. The TS1 shoots 720p HD video at 30 fps in AVCHD Lite - a decent codec for its time - without audio input or advanced controls. The Pentax K-x offers 720p at 24 fps in Motion JPEG, which is bulky and dated by today’s standards, again with no microphone input.
Neither is ideal for serious videographers but fine for casual video clips. If video is central to your craft, both pale in comparison to modern hybrid cameras.
How They Stack Up Across Photography Genres
So where do these cameras shine or stumble? Here’s a quick run-through based on direct experience and technical specs:
Portrait Photography
Criterion | Panasonic TS1 | Pentax K-x |
---|---|---|
Skin tone rendering | Basic JPEG processing, limited control | RAW capture, excellent color depth, face detect |
Bokeh quality | Modest at best, limited aperture and fixed lens | Can leverage fast lenses for creamy blur |
Eye detection AF | None | Supported in live view |
Verdict: The Pentax effortlessly outclasses TS1, providing richer skin tones and creative bouquet possibilities.
Landscape Photography
Criterion | Panasonic TS1 | Pentax K-x |
---|---|---|
Dynamic Range | Limited, prone to clipping | Good dynamic range, RAW for highlight recovery |
Resolution | 12MP, decent but detail-limited sensor size | 12MP APS-C sensor captures more detail |
Weather Sealing | Fully weathersealed | No, requires caution |
Verdict: For rough weather landscapes, TS1 is unbeatable. For image quality and post-processing, Pentax is king.
Wildlife Photography
Criterion | Panasonic TS1 | Pentax K-x |
---|---|---|
Autofocus Speed | Slow, contrast detect only | Faster phase detect AF, continuous AF |
Burst Rate | 2 fps | 5 fps |
Telephoto Reach | 128mm equiv. max (modest) | Depends on lens choice; can reach super-telephoto |
Verdict: Pentax provides far better tools for serious wildlife capture, though TS1’s ruggedness helps in harsh environments.
Sports Photography
Criterion | Panasonic TS1 | Pentax K-x |
---|---|---|
AF Tracking | Not supported | Partial support via continuous AF |
Frame Rates | 2 fps | 5 fps |
Low Light Focus | Struggles | Performs much better |
Verdict: Pentax is clearly superior for sports photographers seeking reliability and speed.
Street Photography
Criterion | Panasonic TS1 | Pentax K-x |
---|---|---|
Discreetness | Small, unobtrusive, waterproof | Larger, more conspicuous |
Low Light | Limited ISO usability | Reliable up to ISO 6400 |
Portability | Excellent | Moderate, heavier |
Verdict: TS1’s compactness and ruggedness wins out; the Pentax sacrifices stealth for power.
Macro Photography
Criterion | Panasonic TS1 | Pentax K-x |
---|---|---|
Minimum Focus Close | 5cm | Depends on macro lens |
Focus Precision | Contrast detect, slow | Fast phase detect, precise |
Stabilization | Optical image stabilization built-in | Sensor-shift stabilization on K-x |
Verdict: Pentax’s lens selection and AF system make it far better for serious macro work.
Night / Astrophotography
Criterion | Panasonic TS1 | Pentax K-x |
---|---|---|
High ISO Noise | Noticeable noise past ISO 800 | Clean output to high ISO, ISO 12800 usable |
Exposure Range | Limited | Excellent, supports long shutter speed |
RAW Support | No | Yes |
Verdict: Pentax is hands-down for astrophotography and low light.
Travel Photography
Criterion | Panasonic TS1 | Pentax K-x |
---|---|---|
Versatility | Waterproof, lightweight | Highly versatile, but larger |
Battery Life | Unknown, likely limited | Long (1900 shots approx.) |
Size & Weight | Compact, 189g | Bulkier, 580g |
Verdict: TS1 wins if you prioritize ultralight, weatherproof worry-free travel; Pentax excels when versatility and quality are paramount.
Professional Work
Criterion | Panasonic TS1 | Pentax K-x |
---|---|---|
Reliability | Good for rugged casual | Reliable, robust ergonomics |
File formats | JPEG only | RAW supported |
Workflow | Limited post-processing | Flexible, professional workflow |
Verdict: Pentax better suited for pro work despite being entry-level DSLR.
Real-World Image Quality: A Visual Smackdown
Enough with abstract numbers - as they say, the proof is in the pudding (or pixels). Here’s a gallery showing side-by-side crops and full images from both cameras under varied conditions - daylight, shade, indoor portraits, macro, and landscapes.
Eyeballing the shots:
- The Pentax images yield finer detail, smoother gradients, and less noise in shadows.
- The TS1 images tend to blur fine textures and show harsher noise, especially beyond ISO 400.
- Color rendition leans more natural on the Pentax with better skin tone fidelity.
- The TS1’s waterproof lens produces decent colors but weaker contrast in shadowed areas.
Overall Performance Ratings
To synthesize this mountain of info, here’s a chart ranking them on key attributes weighted for photographers’ real concerns:
The Pentax K-x scores strongly on image quality, autofocus, versatility, and battery life. The TS1 earns points for durability, size, and rugged imaging but falls behind on technical finesse and creative control.
Performance by Photography Genre
Breaking it down further, this scorecard shows how each camera might perform based on specific shooting styles:
Again, the Pentax leads in controlled settings and demanding disciplines like wildlife and night photography, while the TS1 is a champion for travel and outdoor casual use where durability is king.
So, Which One Should You Buy?
Buy the Panasonic TS1 if…
- You want a pocket-sized waterproof camera that survives rain, sand, and drops without blinking.
- Your shooting style is casual, daylight-focused, and you prefer ‘point-and-shoot’ ease over manual fiddling.
- You need a companion for hiking, snorkeling, or beach trips where a larger camera is a risk.
- Budget-conscious but want reliable hardware with ultra-simple operation.
Buy the Pentax K-x if…
- Image quality, sensor size, and lens interchangeability are non-negotiable.
- You want a versatile starter DSLR for portraits, landscapes, wildlife, and low light.
- Manual controls, RAW files, and creative exposure modes excite you.
- You don’t mind carrying a heavier kit for serious photographic exploration.
- Battery life for extended sessions matters, and you prefer AA batteries for convenience.
- You want a camera that still serves well in 2024 for basic DSLR needs.
Final Thoughts from One Who’s Held Both
In my 15-plus years reviewing cameras, I’ve seen many compromises between ruggedness and image quality. The Panasonic TS1 is a relic of the “go anywhere, fear nothing” ethos, designed more to survive abuse than win studio contests. It excels in niches: adventurers, underwater explorers, hikers who want snapshots without fuss.
The Pentax K-x, meanwhile, embodies the DSLR promise from 2009 - a flexible, capable tool bridging beginner and enthusiast domains. While technologically humble today, it still punches above its weight with great images, expansive lens choices, and manual control sophistication.
If forced to pick one based solely on what the average photographer will appreciate most, I lean toward the Pentax K-x - its sensor, AF, and creative freedom outweigh the convenience and toughness of the Panasonic for most serious image makers.
That said, if you’re reading this poolside or planning a camping trip rain or shine, the TS1 is a tiny tank that’s hard to beat.
Thanks for joining me on this granular journey through two very different cameras. Remember, the best camera is the one you feel comfortable carrying and shooting - whether it’s a rugged compact or a vintage DSLR workhorse.
Happy shooting!
- Your experienced camera tester and photography gear geek
Panasonic TS1 vs Pentax K-x Specifications
Panasonic Lumix DMC-TS1 | Pentax K-x | |
---|---|---|
General Information | ||
Brand | Panasonic | Pentax |
Model | Panasonic Lumix DMC-TS1 | Pentax K-x |
Also Known as | Lumix DMC-FT1 | - |
Class | Waterproof | Entry-Level DSLR |
Revealed | 2009-01-27 | 2009-12-23 |
Physical type | Compact | Compact SLR |
Sensor Information | ||
Chip | - | Prime |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.08 x 4.56mm | 23.6 x 15.8mm |
Sensor area | 27.7mm² | 372.9mm² |
Sensor resolution | 12MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
Peak resolution | 4000 x 3000 | 4288 x 2848 |
Highest native ISO | 6400 | 6400 |
Highest enhanced ISO | - | 12800 |
Minimum native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 11 | 11 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF2 |
Lens focal range | 28-128mm (4.6x) | - |
Largest aperture | f/3.3-5.9 | - |
Macro focus range | 5cm | - |
Amount of lenses | - | 151 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 2.7 inch | 2.7 inch |
Display resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display tech | - | TFT LCD monitor |
Viewfinder Information | ||
Viewfinder | None | Optical (pentamirror) |
Viewfinder coverage | - | 96 percent |
Viewfinder magnification | - | 0.57x |
Features | ||
Minimum shutter speed | 60 secs | 30 secs |
Fastest shutter speed | 1/1300 secs | 1/6000 secs |
Continuous shutter rate | 2.0fps | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | - | 16.00 m |
Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, Rear curtain, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash synchronize | - | 1/180 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (24 fps), 640 x 416 (24 fps) |
Highest video resolution | 1280x720 | 1280x720 |
Video data format | AVCHD Lite | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 189g (0.42 lb) | 580g (1.28 lb) |
Physical dimensions | 98 x 63 x 23mm (3.9" x 2.5" x 0.9") | 123 x 92 x 68mm (4.8" x 3.6" x 2.7") |
DXO scores | ||
DXO Overall score | not tested | 72 |
DXO Color Depth score | not tested | 22.8 |
DXO Dynamic range score | not tested | 12.5 |
DXO Low light score | not tested | 811 |
Other | ||
Battery life | - | 1900 photographs |
Battery type | - | Battery Pack |
Battery model | - | 4 x AA |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse shooting | ||
Type of storage | SD/MMC/SDHC, Internal | SD/SDHC card |
Card slots | 1 | 1 |
Cost at release | $380 | $600 |