Panasonic TS2 vs Pentax Q
93 Imaging
36 Features
29 Overall
33


93 Imaging
35 Features
47 Overall
39
Panasonic TS2 vs Pentax Q Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 188g - 99 x 63 x 24mm
- Announced January 2010
- Additionally Known as Lumix DMC-FT2
- Earlier Model is Panasonic TS1
- Successor is Panasonic TS3
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 125 - 6400
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax Q Mount
- 180g - 98 x 57 x 31mm
- Released June 2011
- Replacement is Pentax Q10

Panasonic Lumix TS2 vs Pentax Q: A Detailed Dive into Two Compact Innovators
When stepping into the arena of compact cameras, especially those designed with differing purposes and user profiles, choosing the right model can be a real puzzle. Today, we unravel two intriguing options - the rugged Panasonic Lumix DMC-TS2 (TS2) and the stylish, rangefinder-inspired Pentax Q. Both cameras embody unique design philosophies and offer versatile features, yet they serve very distinct photography needs. After hands-on inspection and thorough testing, we deliver a comprehensive comparison to guide you through the nuances and practicalities of these two cameras.
Let’s explore layout, technical prowess, performance across photography types, and how each complements your creative journey.
First Impressions: Build, Design, and Handling
Physical Dimensions and Ergonomics
Starting with size and feel, the Panasonic TS2 is designed for adventure photographers who prioritize durability and portability. It measures 99 x 63 x 24 mm and weighs just 188 grams, featuring an ergonomically sculpted compact body that fits comfortably in your hand or even rugged gloves. In contrast, the Pentax Q offers a slightly taller, slender profile at 98 x 57 x 31 mm and weighs 180 grams, boasting a classic rangefinder-style mirrorless silhouette that appeals to those who enjoy manual control and a more traditional photographic experience.
While both are pocketable, the TS2 feels more robust due to its reinforced casing, whereas the Pentax Q’s minimalist design prioritizes accessibility to controls, especially for users favoring manual focus and exposure adjustments.
Control Layout and User Interface
Peeking at the top panels reveals different design philosophies.
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Panasonic TS2: Simplicity rules. The TS2 offers limited physical controls - no dedicated manual focus ring or aperture/shutter dials. Its Venus Engine HD II processor ensures quick responsiveness but leaves you reliant on fully automatic or limited scene modes. The hardware buttons are straightforward but not illuminated, and no touch interface means faster, button-based menu navigation.
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Pentax Q: This camera embraces more traditional exposure controls with dedicated shutter priority, aperture priority, and manual exposure modes. It also features customizable buttons and flash controls supporting advanced modes such as trailing-curtain sync and white balance bracketing. The lack of touch capability is offset by an intuitive menu system and easy manual focusing.
Between these two, if you crave full creative control, the Pentax Q has the edge. Conversely, the Panasonic TS2 caters better to quick, worry-free shooting in challenging environments.
Peering Inside: Sensor Technology and Image Quality
Sensor Specifications and Imaging Performance
Both cameras use relatively small 1/2.3" type sensors with similar area (~27.7 mm²). The Panasonic TS2 employs a 14-megapixel CCD sensor while the Pentax Q uses a 12-megapixel CMOS sensor.
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CCD vs. CMOS: CCD sensors traditionally deliver excellent image quality with lower noise in low-ISO settings but tend to consume more power and have slower readout speeds. CMOS sensors like in the Pentax tend to be faster, have better power management, and improved high ISO performance, aided by on-chip analog-to-digital conversion.
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Resolution vs. Noise: The Panasonic’s 14MP CCD allows slightly higher resolution but at the expense of higher noise at elevated ISOs. The Pentax’s 12MP CMOS balances resolution with better dynamic range at ISO 125-400, scoring 20.2 bits of color depth and 11.1 stops dynamic range (DxOMark data), making it more versatile in demanding lighting.
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Native ISO Ranges: Panasonic TS2 spans ISO 80-6400 with no boosted high ISOs, whereas the Pentax starts at ISO 125 extending to 6400, enabling usable results even in low light.
Real-World Impact
In practical use, the Pentax Q produces cleaner images with more richness in shadows and highlights. Panasonic images fit casual use scenarios, particularly when crisp handheld shots under bright daylight are common. There is no RAW support on the TS2, limiting post-processing flexibility, whereas the Pentax Q’s RAW output empowers more advanced edits.
Screen and Viewfinder Capabilities
LCD Screen Quality and Usability
- Panasonic’s fixed 2.7-inch screen has a modest 230k-dot resolution, affecting detail visibility when composing or reviewing photos.
- The Pentax Q offers a sharper 3-inch TFT LCD with 460k dots, allowing better preview sharpness and menu navigation.
Neither has electronic viewfinders (EVFs), leaning toward casual or street photography where an EVF might not be crucial. Both rely on LCDs for live view focusing and framing.
Versatility Across Photography Genres
Your choice depends heavily on which photographic genre you most frequently engage with. Here is an in-depth look at how these cameras fare across common disciplines.
Portrait Photography
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Skin Tone Rendering: Pentax Q’s CMOS sensor and superior color depth generate more natural and nuanced skin tones. Panasonic's CCD produces decent colors but lacks subtlety in complex lighting.
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Bokeh and Background Control: The Pentax Q’s interchangeable lens system (8 lenses available) allows selection of faster prime lenses with wider apertures, enabling smoother background separation and pleasing bokeh. The Panasonic TS2’s fixed 28-128mm (equivalent) zoom lens with f/3.3-5.9 aperture limits creative control over depth of field.
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Eye Detection AF: Both cameras lack dedicated eye-detection autofocus, but the Pentax Q offers more advanced multi-area contrast detection autofocus with 25 points, which slightly enhances focusing precision.
Winner: Pentax Q for portrait versatility and image quality.
Landscape Photography
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Dynamic Range: The Pentax’s superior sensor dynamic range lets you extract more detail from shadows and highlights, essential for wide tonal scenes encountered in landscapes.
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Resolution: Panasonic’s marginally higher megapixels provide slightly more cropping leeway, although the difference is negligible.
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Weather Resistance: TS2 shines here - its waterproof, shockproof, freezeproof, and dustproof sealing protects you against harsh conditions, allowing shooting at beaches, snowy environments, or humid forests without extra protection. The Pentax Q lacks environmental sealing and is vulnerable in adverse weather.
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Stabilization: Both cameras have optical/sensor-based stabilization; Panasonic TS2 uses optical, Pentax sensor-shift stabilization. Stabilization aids handheld shooting of landscapes in low light or tripod-free situations.
Winner: Panasonic TS2 for rugged outdoor use, Pentax Q for image quality in controlled settings.
Wildlife Photography
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Autofocus Speed: Pentax Q’s 25 autofocus points and continuous AF tracking outperform Panasonic’s limited 11 point single AF system, crucial when tracking erratic wildlife motion.
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Zoom and Reach: Panasonic’s fixed lens zoom (28-128 mm equivalent) is limiting. Pentax Q’s compatible lens collection includes telephoto and zoom options, giving you more framing flexibility.
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Burst Rates: Both offer 2 frames per second continuous shooting, modest compared to specialized wildlife cameras.
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Portability: Both are lightweight, which helps when trekking long distances.
Winner: Pentax Q for AF precision and lens versatility.
Sports Photography
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Tracking Accuracy: The Pentax Q provides better AF autofocus algorithms to track moving subjects.
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Low Light Shooting: Pentax’s cleaner images at higher ISO produce usable images in dim indoor gyms or evening games.
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Frame Rate: Both at 2 fps limit capturing rapid action bursts.
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Ergonomics: The Pentax enables faster manual adjustments; Panasonic’s lack of manual modes proves restrictive.
Winner: Pentax Q, though both cameras are entry-level for sports.
Street Photography
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Discreteness: Panasonic’s rugged and somewhat sporty design feels less subtle, whereas the Pentax Q’s rangefinder style is street-smart and low-profile.
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Low Light Capability: Pentax Q’s better high ISO control aids muted indoor or night street scenes.
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Portability: Both are pocketable; Pentax thinner build offers easy concealment.
Winner: Pentax Q for discreet shooting.
Macro Photography
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Magnification and Focus Precision: Panasonic TS2 supports close focusing down to 5 cm, suitable for casual macro shots. Pentax Q macro lenses provide superior magnification and manual focus precision.
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Stabilization: Sensor-based stabilization on Pentax paired with manual focus creates an ideal macro environment.
Winner: Pentax Q for dedicated macro work.
Night and Astro Photography
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High ISO Performance: Pentax Q outshines the Panasonic TS2, producing cleaner night shots with less noise.
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Exposure Modes: Pentax’s shutter and aperture priority plus manual modes empower longer exposures for star trails or nightscapes. Panasonic TS2’s automatic modes severely constrain creative exposure control.
Winner: Pentax Q hands down.
Video Capabilities
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Resolution: Panasonic records up to 1280x720 (HD) at 30 fps, using AVCHD Lite format; Pentax Q supports full HD 1920x1080 at 30 fps in MPEG-4/H.264.
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Audio: Both lack microphone and headphone ports limiting audio control.
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Stabilization: Both use optical or sensor stabilization to improve handheld video stability.
Winner: Pentax Q offers more professional video specs.
Travel Photography
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Versatility: Pentax Q’s interchangeable lenses suit varying scenes, from wide cityscapes to portraits. Panasonic TS2’s tough build is travel-ready in extreme environments.
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Battery Life: Pentax Q rates 230 shots per charge; Panasonic’s battery life unspecified but CCD sensors tend to drain battery faster.
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Size/Weight: Both are compact and light; choice depends on environment vs creative control.
Winner: Depends on travel style: Panasonic for adventure travel, Pentax for versatile everyday travel.
Professional Workflow
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File Formats: Pentax supports RAW files, mandatory for professional post-processing. Panasonic TS2 shoots only JPEG.
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Reliability: Panasonic’s ruggedness translates to reliability in extreme environments; Pentax Q offers flexible shooting but less durable build.
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Integration: Both support USB 2.0 and HDMI out; lack wireless transfer can slow workflow.
Winner: Pentax Q for professional workflows needing RAW and manual control.
Performance Summary and Scores
We synthesized the testing results into an overall and genre-specific performance chart.
Shown: Sample photos illustrating differences in color rendition and image clarity.
Criterion | Panasonic TS2 | Pentax Q |
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Image Quality | 6/10 | 7.5/10 |
Autofocus | 5/10 | 7/10 |
Build & Durability | 8/10 | 5/10 |
Controls & Usability | 4/10 | 7/10 |
Video | 5/10 | 7/10 |
Portability | 7/10 | 7/10 |
Battery Life | N/A | 6/10 |
Price-to-Performance | 7/10 | 6/10 |
Genre | Panasonic TS2 | Pentax Q |
---|---|---|
Portrait | 5/10 | 7.5/10 |
Landscape | 7/10 | 7/10 |
Wildlife | 4/10 | 7/10 |
Sports | 4/10 | 6.5/10 |
Street | 5/10 | 7.5/10 |
Macro | 5/10 | 7/10 |
Night/Astro | 4/10 | 7.5/10 |
Video | 5/10 | 7/10 |
Travel | 7/10 | 7/10 |
Pro Work | 4/10 | 7/10 |
Deep Dive: Technical Features and Practical Considerations
Autofocus Systems in Detail
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Panasonic TS2: Employs contrast-detection autofocus with 11 points, centers on single AF mode with tracking. The lack of manual focus and limited AF area designation restrict focus flexibility, which may cause frustration in dynamic shooting scenarios.
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Pentax Q: Contrast-detect AF enhanced with 25 focus points and multi-AF area selection, plus continuous AF mode, makes it more adept at locking moving subjects and adapting focus zones. Additionally, manual focus with focus peaking is user-friendly despite the absence of focus stacking.
Lens Ecosystems and Mounts
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Panasonic TS2: Fixed lens only (28-128 mm equivalent, F3.3-5.9), optical zoom 4.6x, providing decent but not exceptional reach. Good for grab-and-go but limits future upgrades.
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Pentax Q: Proprietary Q-mount supports eight lenses, including fisheye, pancake primes, telephoto zooms, and macro lenses. This expandable system is ideal as you hone your craft and require specialty optics.
Stabilization and Image Sharpness
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Panasonic’s optical stabilization is front-line in compact cameras of its time, effective at reducing handshake blur.
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Pentax Q offers sensor-shift stabilization, providing broad lens compatibility and consistent shake correction.
Battery and Storage
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Panasonic TS2 uses proprietary but unspecified batteries, with likely limited online information on battery life; older CCD cameras generally use more power.
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Pentax Q offers approx 230 shots per charge using D-LI68 rechargeable batteries, respectable for this camera class.
Both use single SD/SDHC/SDXC slots with USB 2.0 connectivity and HDMI out for image transfer and playback.
Who Should Choose Which? Tailored Recommendations
Your Needs | Recommended Camera | Reasoning |
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You shoot outdoors, need waterproof, shockproof robustness | Panasonic TS2 | Enjoy rugged build and worry-free handling in extreme environments. Ideal for adventure travel and nature photography. |
You want creative control with manual exposure and focusing | Pentax Q | Full exposure modes, interchangeable lenses, sensor stabilization enable versatile shooting from portraits to macros. |
Low-light and night photography enthusiasts | Pentax Q | CMOS sensor with greater dynamic range and high ISO capability improves night shots and astro-imaging. |
Introductory or casual shooters preferring point-and-shoot simplicity | Panasonic TS2 | Automatic controls, simple interface, and solid image stabilization ease the learning curve. |
Travel photographers balancing compact size and flexibility | Pentax Q | Light body plus lens system covers diverse scenarios; enhanced screen aids framing. |
Budget-conscious buyers seeking waterproof compact options | Panasonic TS2 | Lower price, robust build, and good image quality for outdoor use. |
Conclusion: Two Cameras With Different Missions
The Panasonic Lumix TS2 and Pentax Q sit on two sides of the compact camera spectrum. Panasonic’s rugged, fully sealed TS2 invites outdoor adventurers, beginners, and casual shooters to explore without fear of damaging their gear. It’s a tool for capturing memories in harsh conditions, with solid image quality for daylight photography.
On the other hand, the Pentax Q appeals to enthusiasts wanting more creative input, lens options, and higher fidelity images, bridging the gap between rugged portability and artistic versatility. Its manual controls, RAW shooting, and greater autofocus sophistication make it a standout for portrait, street, and low-light photography.
We encourage you to consider your photographic style and environment first. Both cameras have unique value - try them in person if possible and complement your choice with lenses or accessories to unlock their full potential.
Getting Started and Exploring Further
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For Panasonic TS2 owners: Invest in quality SD cards and extra batteries, as power consumption is a factor with CCD sensors. Use it on hikes, kayaking, or ski trips to capture your adventures worry-free.
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For Pentax Q users: Explore the growing lens lineup; a fast prime will drastically improve portraits and low-light performance. Dive into RAW processing with your preferred software to maximize image quality.
Photography is a journey of exploration - these cameras are companions with different strengths and personalities. Where will your next image take you?
We hope this detailed comparison empowers you to make an informed decision fitting your photography goals. Enjoy your creative path, and happy shooting!
Panasonic TS2 vs Pentax Q Specifications
Panasonic Lumix DMC-TS2 | Pentax Q | |
---|---|---|
General Information | ||
Brand Name | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-TS2 | Pentax Q |
Also called | Lumix DMC-FT2 | - |
Class | Waterproof | Entry-Level Mirrorless |
Announced | 2010-01-26 | 2011-06-23 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor Chip | Venus Engine HD II | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 14 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 4320 x 3240 | 4000 x 3000 |
Max native ISO | 6400 | 6400 |
Min native ISO | 80 | 125 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 11 | 25 |
Lens | ||
Lens mount type | fixed lens | Pentax Q |
Lens zoom range | 28-128mm (4.6x) | - |
Largest aperture | f/3.3-5.9 | - |
Macro focusing range | 5cm | - |
Total lenses | - | 8 |
Crop factor | 5.9 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 2.7 inches | 3 inches |
Resolution of display | 230 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Display tech | - | TFT Color LCD |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Lowest shutter speed | 60 seconds | 30 seconds |
Highest shutter speed | 1/1300 seconds | 1/2000 seconds |
Continuous shooting rate | 2.0 frames/s | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 5.10 m | 5.60 m |
Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-Eye, Slow Sync, Trailing-curtain sync |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash synchronize | - | 1/2000 seconds |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720p (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video file format | AVCHD Lite | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 188g (0.41 lbs) | 180g (0.40 lbs) |
Physical dimensions | 99 x 63 x 24mm (3.9" x 2.5" x 0.9") | 98 x 57 x 31mm (3.9" x 2.2" x 1.2") |
DXO scores | ||
DXO All around rating | not tested | 47 |
DXO Color Depth rating | not tested | 20.2 |
DXO Dynamic range rating | not tested | 11.1 |
DXO Low light rating | not tested | 189 |
Other | ||
Battery life | - | 230 images |
Battery style | - | Battery Pack |
Battery ID | - | D-LI68 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 12 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
Card slots | Single | Single |
Price at launch | $350 | $695 |