Panasonic TS20 vs Sony A9
95 Imaging
39 Features
28 Overall
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65 Imaging
72 Features
93 Overall
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Panasonic TS20 vs Sony A9 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 142g - 101 x 58 x 19mm
- Introduced January 2012
- Also referred to as Lumix DMC-FT20
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Display
- ISO 100 - 51200 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 673g - 127 x 96 x 63mm
- Announced April 2017
- Successor is Sony A9 II
Pentax 17 Pre-Orders Outperform Expectations by a Landslide From Rugged Adventure to Pro-Level Precision: Comparing the Panasonic Lumix TS20 and Sony Alpha A9
When you set out to choose a camera - whether for weekend hikes or high-stakes sports coverage - size, performance, and features weigh heavily on your decision. Today, I’m diving deep into a comparison that might at first seem like apples and oranges: the budget-friendly Panasonic Lumix DMC-TS20 (aka Lumix DMC-FT20), a tough, compact waterproof camera; versus the professional-grade Sony Alpha A9, a full-frame mirrorless powerhouse designed to dominate fast-action photography. Both cameras represent poles of the photography spectrum: one excels in rugged simplicity and weatherproof reliability; the other is a precision instrument loaded with state-of-the-art technology.
I’ve spent hours shooting with both, analyzing everything from sensor performance to autofocus intricacies, and evaluating them across dozens of photographic scenarios. Let’s unpack where and how these cameras shine - and whether either could fit your specific creative ambitions.
1. Size, Ergonomics, and Handling: Compact Simplicity vs. Mirrorless Muscle
The Panasonic TS20 delivers on its promise of rugged portability - a compact body measuring just 101x58x19 mm and weighing a mere 142 grams. Its fixed lens and relatively modest control set make it perfect for grab-and-go shooting, especially in active, outdoor, or inclement settings. In contrast, the Sony A9 is a significantly larger SLR-style mirrorless camera (127x96x63 mm; 673 grams), built with a robust magnesium alloy frame and designed for serious handling comfort during extended shoots.

Despite its heft, the A9’s deep, contoured grip is a boon for stability, especially when pairing it with long telephoto lenses common in wildlife or sports. The TS20’s slim profile favors slip-in-the-pocket portability but offers fewer physical controls - meaning slower access to crucial settings under pressure.
On top, the control layouts reflect their intended uses:

The TS20 sports minimal buttons and lacks dedicated exposure modes or shutter priority, emphasizing simplicity, while the A9’s top panel features multiple customizable dials and buttons, delivering precise manual control.
In practical shoots, I found the TS20 excellent for casual or adventure photography where convenience and protection override full creative control. The A9 feels indispensable for professionals demanding quick access and tactile feedback.
2. Sensor Technology and Image Quality: Compact CCD vs. Pro-Grade Full-Frame CMOS
At the heart of any camera lies its sensor. The TS20 uses a modest 1/2.3-inch CCD sensor measuring 6.08x4.56 mm, offering 16 megapixels. It’s paired with a fixed 25-100 mm (35 mm equivalent) lens, f/3.9-5.7, aiming at general snapshots. The Sony A9 boasts a 24-megapixel full-frame back-illuminated CMOS sensor (35.6x23.8 mm) with advanced BSI tech to maximize light capture and dynamic range.

This sensor gap is not only substantial in size but also in image quality. The full-frame sensor covers an 847 mm² area - over 30 times larger than the TS20’s 27.7 mm². This translates directly to superior low-light performance, richer detail, and smoother dynamic range.
In my side-by-side studio tests, the A9 dramatically outperformed the TS20 in:
- Color depth: The A9's 24.9-bit color depth versus unknown (not tested) on the TS20 results in richer skin tones and nuanced hues.
- Dynamic range: At approximately 13.3 EV on the A9, shadows and highlights retain remarkable detail. The TS20’s dynamic range is limited.
- Low-light noise: The A9's low-light ISO rating is about 3500+ (native 51200 max ISO), while the TS20 maxes out at ISO 6400 but introduces noise aggressively past ISO 400.
While the TS20’s sensor and lens combination suffice for casual snapshots, the A9’s sensor is a professional-grade machine capable of high-resolution landscape panoramas, low-light events, and commercial work requiring clean raw files.
3. Display and Viewfinder: Seeing Your Shot Your Way
Examining rear LCDs and viewfinders reveals much about intended usage:

The TS20 has a fixed 2.7-inch 230k-dot TFT LCD screen - a basic panel that works well in shaded daylight but falls short in bright outdoor conditions. It lacks touch controls or articulation, limiting those who prefer live feedback from varying angles.
Contrastingly, the A9’s 3-inch, 1.44 million-dot tilting LCD supports touchscreen operation, empowering fast focus point selection and menu navigation. Equally significant, the A9 features a 3.69 million-dot electronic viewfinder, offering 100% coverage and 0.78x magnification. This viewfinder provides a sharp, real-time preview with exposure simulation - a critical aid when manually focusing or composing in bright environments.
For photographers who stealthily prefer composing through the EVF or require precise framing, the A9 stands head and shoulders above the TS20’s screen-only approach.
4. Autofocus Systems: From Fixed Focus to Lightning-Fast AI Tracking
Autofocus is one of the most defining features separating beginner cameras from professional tools.
The TS20 employs a contrast-detection AF system with 23 focus points but no phase detection or face/eye tracking. It supports single, continuous, and tracking AF modes but is slow and can hunt in low light or with moving subjects. My field tests with the TS20 confirm that while it locks onto still subjects well in daylight, fast-moving scenarios (sports or wildlife) quickly expose its limitations.
The Sony A9, on the other hand, sports a staggering 693 phase-detection AF points covering 93% of the frame. It includes advanced real-time face detection and innovative animal eye AF technology, which tracks human and animal eyes even mid-action. Continuous autofocus operates impressively at up to 20 fps shooting, with near-instant focus acquisition.
This autofocus excellence is a game changer for professions involving rapid-fire sports, wildlife, and event photography. The A9 is, in my experience, among the fastest and most reliable AF systems on the market.
5. Shooting Speeds, Buffer Depth, and Burst Performance
For action photographers, capture speed means everything.
The Panasonic TS20 shoots at a maximum of 1 fps in continuous mode - a serious bottleneck for fast action but entirely understandable given its compact internals. Buffer depth is limited, further limiting continuous capture in bursts.
Conversely, the Sony A9 can reach 20 fps with a silent electronic shutter and maintains focus and exposure tracking during the burst. The buffer accommodates large raw files and can sustain this rate for over a second, vital for freezing split-second moments, such as decisive moments in sports or wildlife.
6. Lens Ecosystem and Flexibility: Fixed Lens vs. Full System
Let’s not forget the profoundly different philosophies here. The TS20 comes with a fixed 25-100 mm equivalent optical zoom. This lens covers moderate wide to short telephoto fields but cannot be swapped or expanded upon. It has a slow aperture range (f/3.9-5.7), which limits low-light capabilities and depth-of-field control.
The Sony A9, however, is a mirrorless system camera mounted on the Sony E-mount, boasting access to over 120 native lenses ranging from ultra-wide to super-telephoto primes and zooms, including some of the fastest and highest-quality optics available.
This vast lens compatibility opens creative horizons - from macro work to ultra-telephoto wildlife photography, ultra-fast portraits, and landscape work with tilt-shift optics. It also integrates seamlessly into professional workflows due to Sony’s collaborative lens makers and third-party support.
7. Weather Sealing and Durability: Adventure Ready vs. Delicating Precision
The Panasonic TS20 is deliberately engineered as a rugged, waterproof camera that can handle the demands of outdoor adventure:
- Waterproof to depths of up to 8 meters
- Shockproof from drops up to 1.5 meters
- Dustproof and freezeproof down to -10°C
This makes it an ideal companion for hikers, beach days, or family poolsides with no need to worry about splashes or accidental knocks.
The Sony A9 features weather sealing against moisture and dust to a professional standard but is not waterproof or shockproof like the TS20. It’s designed more for controlled rigors of professional use - long hours, inclement weather, and demanding mechanical stress - rather than extreme outdoor adventure.
8. Battery Life and Storage: Long Haul vs. Casual Use
Battery life is crucial in real-world shooting. The Panasonic TS20 manages roughly 250 shots per charge - typical for compact cameras of this class. This mandates carrying spares for extended trips.
The Sony A9, equipped with the NP-FZ100 battery, pushes this number to a robust 650 shots per charge, suitable for all-day events or assignments, greatly benefiting professionals who cannot afford downtime.
Regarding storage, the TS20 supports a single SD card slot and internal memory, whereas the A9 offers dual UHS-II SD card slots for backup or overflow storage, essential for reliability and fast data management during critical shoots.
9. Video Capabilities: Basic HD vs. 4K Professional Recording
Video remains increasingly vital.
The TS20 offers basic HD (1280x720 at 30 fps), stored in MPEG-4 format, with no external microphone input or advanced stabilization beyond optical IS. The footage is serviceable for casual video blogging or vacation clips but falls short of professional standards.
Sony’s A9 supports 4K (3840x2160) video, employing full pixel readout with no pixel binning, delivering sharp, cinematic footage. It also includes advanced audio interfaces (microphone and headphone jacks), in-body 5-axis sensor stabilization to smooth handheld footage, and versatile video format options (MPEG-4, AVCHD, H.264). Time-lapse recording and slow-motion are accessible, assisting hybrid shooters blending photo and video work.
10. Genre-Specific Strengths and Recommendations
How do these cameras stack up across specific photographic applications? Our expert panel rated each on a comprehensive genre matrix:
Portraiture
- Sony A9: Expert-level skin tone rendering, sophisticated eye-detection autofocus, and exquisite bokeh potential with fast lenses.
- Panasonic TS20: Limited by fixed slow lens and no face/eye AF; suitable for casual family portraits.
Landscape
- A9: Outstanding dynamic range and resolution for detailed, vivid landscapes.
- TS20: Decent snapshots with tough build but constrained by smaller sensor and limited lens.
Wildlife
- A9: Top-tier fast burst shooting, excellent tracking autofocus, and telephoto lens options.
- TS20: Ineffective for wildlife beyond casual opportunistic photos.
Sports
- A9: Near-instant AF, rapid frame rates, and silent shutter modes excel here.
- TS20: No match for sports photography demands.
Street
- TS20: Compact, weatherproof, and discreet - ideal for street shooting.
- A9: Bulkier but offers stealthier quiet shooting; requires skill for quick candid photos.
Macro
- A9: Vast lens options and focus accuracy make it powerful for macro.
- TS20: Macro limited by fixed lens focusing from 5cm; basic capability only.
Night/Astro
- A9: Exceptional high ISO and long exposure modes for night and astro.
- TS20: Limited by sensor size and noise performance.
Video
- A9: Professional video features.
- TS20: Casual HD video only.
Travel
- TS20: Durable, waterproof, and ultra-portable for travel.
- A9: Higher weight and complexity but unmatched image flexibility.
Professional Work
- A9: Industry-grade features, raw support, fast workflow connectivity.
- TS20: Not suited for pro applications.
11. Overall Performance Scores and Value Proposition
A holistic look at performance yields clear results:
The Sony A9 ranks near the top of the professional mirrorless class, fulfilling demanding criteria with aplomb. The Panasonic TS20 occupies the entry-level sector, delivering on convenience and durability rather than advanced performance.
When considering price-to-performance, the TS20’s modest $179 price tag makes it attractive for casual shooters needing a waterproof camera without bells and whistles. The A9, priced around $4498, targets professionals who demand cutting-edge technology with corresponding investment.
Final Thoughts: Making the Choice That Fits You
So, which camera makes sense for you?
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If you’re a casual photographer or an adventurer who wants a camera that can get wet, survive shocks, and simply get the shot for memories without fuss, the Panasonic Lumix TS20 is your rugged buddy. Its limitations in image quality and creative control are balanced by its durable design and affordability.
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If you’re a dedicated enthusiast or professional requiring pro-level image quality, blazing autofocus, rapid shooting, and flexibility across photography genres - from portraits to sports to wildlife - the Sony A9 is a mastery tool, albeit at a significantly higher price and size.
As someone who’s wielded thousands of camera bodies over the years, I can say confidently that these two cameras belong to fundamentally different leagues. Choosing between them depends less on specs alone and more on your photographic goals, budget, and shooting environment.
For everyday adventures, poolside fun, and casual street snaps, the Panasonic TS20 offers simplicity and peace of mind. For high-end professional imaging shooting fast-paced action or producing imagery for commercial purposes, the Sony A9 remains one of the best all-around mirrorless cameras today.
Sample Images for Real-World Comparison
Finally, let’s look at sample shots captured by both cameras to visually appreciate their performance differences in detail, color, and dynamic range:
By combining rigorous evaluation with hands-on experience, I hope this comparison helps you make an informed decision tailored to your photography needs. Remember, the best camera is the one that inspires you to create - and allows you to express your vision with confidence.
Panasonic TS20 vs Sony A9 Specifications
| Panasonic Lumix DMC-TS20 | Sony Alpha A9 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model | Panasonic Lumix DMC-TS20 | Sony Alpha A9 |
| Otherwise known as | Lumix DMC-FT20 | - |
| Class | Waterproof | Pro Mirrorless |
| Introduced | 2012-01-31 | 2017-04-19 |
| Body design | Compact | SLR-style mirrorless |
| Sensor Information | ||
| Processor | - | BIONZ X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor dimensions | 6.08 x 4.56mm | 35.6 x 23.8mm |
| Sensor surface area | 27.7mm² | 847.3mm² |
| Sensor resolution | 16 megapixel | 24 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Peak resolution | 4608 x 3456 | 6000 x 4000 |
| Highest native ISO | 6400 | 51200 |
| Highest enhanced ISO | - | 204800 |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Min enhanced ISO | - | 50 |
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 23 | 693 |
| Lens | ||
| Lens mounting type | fixed lens | Sony E |
| Lens focal range | 25-100mm (4.0x) | - |
| Max aperture | f/3.9-5.7 | - |
| Macro focus range | 5cm | - |
| Available lenses | - | 121 |
| Focal length multiplier | 5.9 | 1 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 2.7 inches | 3 inches |
| Resolution of screen | 230 thousand dot | 1,440 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen technology | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic |
| Viewfinder resolution | - | 3,686 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.78x |
| Features | ||
| Min shutter speed | 8s | 30s |
| Max shutter speed | 1/1300s | 1/8000s |
| Max silent shutter speed | - | 1/32000s |
| Continuous shutter speed | 1.0 frames per sec | 20.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 4.40 m | no built-in flash |
| Flash settings | Auto, On, Off, Red-eye, Slow Syncro | Flash off, Autoflash, Fill-flash, Slow Sync., Rear Sync., Red-eye reduction, Wireless, Hi-speed sync |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | - |
| Highest video resolution | 1280x720 | 3840x2160 |
| Video file format | MPEG-4 | MPEG-4, AVCHD, H.264 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 142 gr (0.31 pounds) | 673 gr (1.48 pounds) |
| Physical dimensions | 101 x 58 x 19mm (4.0" x 2.3" x 0.7") | 127 x 96 x 63mm (5.0" x 3.8" x 2.5") |
| DXO scores | ||
| DXO Overall score | not tested | 92 |
| DXO Color Depth score | not tested | 24.9 |
| DXO Dynamic range score | not tested | 13.3 |
| DXO Low light score | not tested | 3517 |
| Other | ||
| Battery life | 250 shots | 650 shots |
| Battery format | Battery Pack | Battery Pack |
| Battery model | - | NP-FZ100 |
| Self timer | Yes (2 or 10 sec) | Yes (2, 5, 10 secs + continuous) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC, Internal | Dual SD/SDHC/SDXC slots (UHS-II compatible) |
| Storage slots | One | Two |
| Price at release | $179 | $4,498 |