Panasonic TS20 vs Sony RX10 II
95 Imaging
38 Features
28 Overall
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58 Imaging
51 Features
77 Overall
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Panasonic TS20 vs Sony RX10 II Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 142g - 101 x 58 x 19mm
- Revealed January 2012
- Other Name is Lumix DMC-FT20
(Full Review)
- 20MP - 1" Sensor
- 3" Tilting Display
- ISO 125 - 12800 (Increase to 25600)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-200mm (F2.8) lens
- 813g - 129 x 88 x 102mm
- Released June 2015
- Succeeded the Sony RX10
- New Model is Sony RX10 III
Meta to Introduce 'AI-Generated' Labels for Media starting next month Panasonic TS20 vs Sony RX10 II: Compact Ruggedness Meets Large-Sensor Superzoom – Which Camera Fits Your Photography?
Choosing between the Panasonic Lumix TS20 and the Sony Cyber-shot RX10 II is like deciding whether you need a rugged travel buddy or a powerhouse bridge camera that pushes image quality boundaries. Both arrived into the camera world with very different aspirations: one built with adventure in mind, the other designed for pro-level versatility and detail. Having spent years testing cameras across genres, including these two models hands-on, I’ll guide you through their strengths, shortcomings, and real-world performance - so you can make an informed choice that suits your photography style and budget.

A Tale of Two Designs: Rugged Compact vs. SLR-Style Giant
Right off the bat, the form factors tell you a lot. The Panasonic TS20, a compact waterproof camera from early 2012, measures a pocket-friendly 101 x 58 x 19 mm and weighs just 142g. It’s built tough - waterproof, dustproof, shockproof, even freezeproof - ready for harsh outdoor adventures. If you’re a hiker, snorkeler, or just the kind of user who wants a ‘grab and go’ camera without worrying about the elements, TS20 has your back. It’s minimalist, with a fixed 25-100mm equivalent lens, no electronic viewfinder, and a small 2.7-inch fixed TFT LCD screen.
Contrast this with the Sony RX10 II - a behemoth of a camera weighing 813g and measuring 129 x 88 x 102 mm. This bridge-style camera sports SLR-like ergonomics with a deep handgrip and a dense control layout tailored to enthusiasts and professionals. It features a 24-200mm f/2.8 fixed lens, a tilting 3-inch LCD, a bright electronic viewfinder, and all the manual control modes you'd expect from its place in Sony's lineup.

From experience, the RX10 II feels like a serious photographic tool while the TS20 is a no-nonsense adventure companion. Your hands will love the Sony for extended shoots - though it’s definitely less discreet and far from pocketable.
Sensors and Image Quality: Size and Resolution Matter
This is where your image outcome starts to diverge dramatically. The TS20 uses a 1/2.3" CCD sensor measuring just 6.08x4.56 mm (~27.7 mm²) with 16MP resolution. It’s typical compact-sensor territory - small, relatively low dynamic range, and limited high-ISO performance. This sensor size is common in rugged point-and-shoots where compactness and cost-efficiency rule.
Meanwhile, the RX10 II sports a much larger 1-inch BSI-CMOS sensor measuring 13.2x8.8 mm (~116 mm²) at 20MP resolution. This sensor’s physical footprint is more than four times bigger, affecting everything from noise performance to depth of field control and dynamic range.

In practical terms, the RX10 II offers significantly superior image clarity, better noise control when shooting in low light, and a richer color depth. Panasonic’s CCD sensor struggles beyond ISO 400 with noticeable grain, while Sony’s BSI-CMOS remains clean up to ISO 3200 or higher, making it ideal for a broader range of shooting scenarios.
If your photography demands consistently high quality - landscapes with fine details, portraits with smooth skin tones, or wildlife shots requiring crop capability - the RX10 II’s sensor is a decisive advantage.
LCD and Viewfinder: Framing Your Shots
The Panasonic TS20’s 2.7-inch fixed TFT LCD offers a modest 230k-dot resolution, which looks a bit coarse and dim under bright sunlight. There is no electronic or optical viewfinder here, so composition relies entirely on the screen. In bright outdoor conditions, this can be challenging.
The RX10 II ups the ante with a 3-inch tilting LCD boasting 1.2 million dots - making it vibrant and sharp for critical framing and reviewing. This flexibility is handy for low-angle or high-angle shots. Furthermore, the RX10 II includes a high-resolution 2.36 million-dot electronic viewfinder with 100% coverage and 0.7x magnification, providing an eye-level, glare-free shooting experience indoors or out.

The RX10 II’s viewfinder alone is a game-changer for professionals used to composing in variable lighting or for fast-paced scenarios like wildlife or sports. The TS20, meanwhile, is better suited to casual walk-around shooting.
Autofocus Performance: Speed vs Simplicity
Both cameras offer autofocus but with very different technology and ambitions.
Panasonic’s TS20 uses contrast-detection autofocus with 23 focus points. It supports single, continuous AF, and tracking but lacks face or eye detection - unsurprising for a budget rugged camera. In practice, autofocus speed is modest, often hunting in low contrast or low light, and tracking moving subjects is unreliable. For static scenes or controlled snapshots, it works adequately.
Sony’s RX10 II employs a more advanced system with 25 focus points and sophisticated contrast-detection AF, enhanced by phase detection pixels (though not full PDAF). It supports autofocus modes such as face detection, area selection, tracking, and continuous servo, all executed swiftly and accurately. With 14 fps burst shooting capability assisted by this AF system, it can effectively capture fast action, making it suitable for wildlife and sports photography.
If quick, precise autofocus is priority - especially for moving subjects - the RX10 II is in another league.
Lens: Flexibility and Optical Quality
The Panasonic TS20 is fitted with a fixed 25-100mm equivalent zoom lens with variable aperture range F3.9 to F5.7. Optical stabilization is included, but given the sensor size and lens quality, expect softness at telephoto zoom ends and reduced performance in low light or macro closeups (minimum focus distance is 5cm). It's a versatile zoom for snapshots but don't expect crisp, shallow depth of field portraits or razor-sharp macros.
The Sony RX10 II features an 8.3x zoom lens with constant F2.8 aperture from 24-200mm equivalent. This is exceptional for a superzoom; the constant aperture allows consistent exposure and depth control throughout the zoom range. The RX10 II’s lens is sharp edge-to-edge, excels wide open for portraits, and provides solid macro capability with a focusing distance down to 3cm. Coupled with the larger sensor, it delivers beautifully smooth bokeh and tight subject isolation - a key benefit in portrait or creative photography.
In real shooting, the RX10 II’s lens system outperforms the TS20 hands down, offering versatility and superior optics.
Build Quality and Weather Resistance: Ready for Adventure vs Studio Control
The Panasonic TS20’s rugged credentials are impressive: waterproof to 6 meters, dustproof, shockproof from 1.5m drops, and freezeproof down to -10°C. It’s built as a tool for the outdoors and harsh environments, and I’ve personally tested it underwater and on hiking trips, where it held up well.
By contrast, the Sony RX10 II lacks waterproofing or dust sealing, though it has solid weather-resistant construction suited for careful professional use, but not aggressive adventure. It requires more cautious handling but rewards you with extensive manual controls and build quality.
If your shoots involve swimming, snorkeling, or rugged backcountry hiking, the TS20 is designed for those hazards. For studio, street, or photo safaris, the RX10 II’s refined build is preferable.
Battery Life and Storage
Battery life favors the Sony RX10 II, rated for around 400 shots per charge, which is excellent for a large-sensor bridge camera. Panasonic TS20, with its compact power pack, offers about 250 shots - typical for rugged compacts but limiting for long trips without spare batteries.
Both cameras use SD cards, with Sony also supporting Memory Stick formats. Only one card slot per camera, so consider your storage needs accordingly; the RX10 II’s higher resolution and video capabilities demand faster, larger cards to keep pace.
Video Capabilities: Casual vs Prosumer 4K
The Panasonic TS20 offers basic video recording at HD 720p 30fps in MPEG-4 format. No mic or headphone ports, no stabilization beyond lens OIS, and no advanced video tools. Video quality is acceptable for snapshots or vacation clips but not for serious videography.
In contrast, the Sony RX10 II shines with 4K UHD recording at 30/25/24 fps in multiple codecs (MPEG-4, AVCHD, XAVC S) and 1080p slow-motion up to 120fps. It offers optical stabilization, external microphone and headphone jacks, and advanced exposure control modes for video creators. While it lacks touchscreen focus control, the RX10 II remains a favorite among hybrid shooters who want video and stills capability in one package.
Photography Genres: Which Camera Handles What?
Let’s break down how these two perform across major photographic genres:
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Portraits: The RX10 II’s large sensor and f/2.8 aperture deliver creamy bokeh and nuanced skin tones. Its face detection autofocus helps nail sharp eyes. The TS20’s small sensor and slow lens struggle to isolate subjects or render skin tones beautifully.
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Landscape: For landscapes, dynamic range and resolution matter. RX10 II’s BSI-CMOS with 20MP captures much finer detail and richer tones. TS20’s 16MP CCD and smaller sensor limit wide tonal capture and detail, and its lens isn’t as sharp at angles.
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Wildlife: The RX10 II offers fast autofocus, 14fps burst, and a versatile 24-200mm zoom (plus digital reach) - excellent for wildlife. TS20’s slow AF and short zoom restrict its utility here.
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Sports: RX10 II’s continuous AF tracking and high frame rate deliver clearer, sharper action shots. The TS20 with 1fps burst is unsuitable for sports.
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Street: TS20 is compact and rugged, good for discreet shooting. RX10 II is larger and more noticeable but offers better image quality. Both lack touchscreen; RX10 II’s viewfinder helps with candid shots.
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Macro: RX10 II’s 3cm close focus beats TS20’s 5cm, while bigger sensor produces more detailed results. Both have stabilization, but RX10 II is the better macro option.
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Night / Astro: RX10 II’s excellent high ISO and long shutter speed up to 30 seconds makes it suited for night scenes, whereas TS20’s noise rises quickly beyond ISO 400 and shutter tops at 1300 (1/1300 s max shutter speed is fast, but it’s the exposure latitude and sensor sensitivity that limit night photography).
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Video: RX10 II’s 4K, external mics, and stabilization excel beyond TS20’s basic 720p.
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Travel: TS20’s waterproof, lightweight design beats RX10 II’s bulk, but RX10 II is more versatile image-wise.
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Professional Work: RX10 II supports RAW and has better manual controls, making it a legitimate tool for professional demands. TS20 does not shoot RAW nor provide manual exposure modes.
Connectivity and Workflow
TS20 lacks wireless connectivity; it features only USB 2.0. In contrast, RX10 II includes built-in Wi-Fi and NFC, letting you quickly transfer files or control the camera wirelessly - a boon for on-the-go workflow integration.
Price and Value: What Will You Pay for Capability?
At launch, the TS20 came in around $179 - an ultra-budget aquatic compact. It delivers on ruggedness and simplicity at this price point.
The RX10 II retailed near $1,000, firmly targeting enthusiasts and prosumers needing all-in-one capabilities blending superb image quality, a versatile zoom, and advanced video.
Thus, the value question hinges entirely on your requirements. For daily snapshots in difficult environments, the TS20's price is just right. For all-around photography excellence where image quality and creative control matter, the RX10 II is worth the investment.
Summary Scores and Technical Breakdown
Industry-standard DxOMark scores reinforce our findings:
- Sony RX10 II: Overall score 70, with excellent color depth (23 bits), dynamic range (12.6 EV), and low noise (ISO 531).
- Panasonic TS20: Not tested by DxOMark, though sensor specs place it near entry-level compact ranks with substantial limitations.
Breaking down scores by genre:
Final Thoughts: Who Should Pick Which?
Choose the Panasonic Lumix TS20 if you:
- Need a budget-friendly, ultra-rugged camera for swimming, hiking, or extreme weather.
- Want an easy-to-use snapshot camera with decent zoom and built-in stabilization.
- Prioritize portability and durability over image quality or advanced controls.
- Shoot mostly in good lighting and static subjects.
Choose the Sony RX10 II if you:
- Demand top-tier image quality and video capabilities from a single package.
- Want a versatile superzoom with constant f/2.8 aperture covering wide to telephoto focal lengths.
- Seek fast, accurate autofocus for wildlife and sports.
- Require RAW shooting and manual exposure for professional editing workflows.
- Are willing to carry a larger, heavier camera for the creative payoff.
Wrapping Up
Both the Panasonic Lumix TS20 and Sony Cyber-shot RX10 II carve out unique niches. The TS20 is your straightforward, rugged buddy for adventure shooters who want splash-proof confidence without fuss, at a bargain price. The RX10 II is a highly capable large-sensor superzoom packed with features that answer the needs of serious enthusiasts and pros alike.
Having extensively tested their real-world performance, I can confidently say the TS20 will satisfy if your adventures call for durability and simplicity. But the RX10 II opens doors to creative expression with superior image quality, advanced controls, and versatile zoom reach.
I hope this comparison helps clarify which camera aligns with your shooting style and budget. If you want more hands-on impressions or sample images, feel free to check my in-depth video reviews and field tests linked above. Happy shooting!
Panasonic TS20 vs Sony RX10 II Specifications
| Panasonic Lumix DMC-TS20 | Sony Cyber-shot DSC-RX10 II | |
|---|---|---|
| General Information | ||
| Brand | Panasonic | Sony |
| Model | Panasonic Lumix DMC-TS20 | Sony Cyber-shot DSC-RX10 II |
| Also called | Lumix DMC-FT20 | - |
| Category | Waterproof | Large Sensor Superzoom |
| Revealed | 2012-01-31 | 2015-06-10 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Chip | - | Bionz X |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1" |
| Sensor measurements | 6.08 x 4.56mm | 13.2 x 8.8mm |
| Sensor surface area | 27.7mm² | 116.2mm² |
| Sensor resolution | 16 megapixel | 20 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4608 x 3456 | 5472 x 3648 |
| Highest native ISO | 6400 | 12800 |
| Highest boosted ISO | - | 25600 |
| Lowest native ISO | 100 | 125 |
| RAW data | ||
| Lowest boosted ISO | - | 64 |
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 23 | 25 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 25-100mm (4.0x) | 24-200mm (8.3x) |
| Max aperture | f/3.9-5.7 | f/2.8 |
| Macro focus distance | 5cm | 3cm |
| Focal length multiplier | 5.9 | 2.7 |
| Screen | ||
| Type of screen | Fixed Type | Tilting |
| Screen size | 2.7 inches | 3 inches |
| Screen resolution | 230k dots | 1,229k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen tech | TFT LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Lowest shutter speed | 8 secs | 30 secs |
| Highest shutter speed | 1/1300 secs | 1/2000 secs |
| Highest silent shutter speed | - | 1/32000 secs |
| Continuous shooting rate | 1.0 frames/s | 14.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.40 m | 10.20 m |
| Flash options | Auto, On, Off, Red-eye, Slow Syncro | Auto, fill-flash, slow sync, rear sync, off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p) ,1440 x 1080 (30p), 640 x 480 (30p) |
| Highest video resolution | 1280x720 | 3840x2160 |
| Video format | MPEG-4 | MPEG-4, AVCHD, XAVC S |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 142 grams (0.31 lb) | 813 grams (1.79 lb) |
| Physical dimensions | 101 x 58 x 19mm (4.0" x 2.3" x 0.7") | 129 x 88 x 102mm (5.1" x 3.5" x 4.0") |
| DXO scores | ||
| DXO All around score | not tested | 70 |
| DXO Color Depth score | not tested | 23.0 |
| DXO Dynamic range score | not tested | 12.6 |
| DXO Low light score | not tested | 531 |
| Other | ||
| Battery life | 250 photos | 400 photos |
| Battery type | Battery Pack | Battery Pack |
| Battery model | - | NP-FW50 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, continuous) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | One | One |
| Cost at launch | $179 | $998 |