Panasonic TS25 vs Pentax 645D
95 Imaging
39 Features
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50 Imaging
75 Features
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Panasonic TS25 vs Pentax 645D Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 144g - 104 x 58 x 20mm
- Introduced January 2013
- Additionally Known as Lumix DMC-FT25
(Full Review)
- 40MP - Medium format Sensor
- 3" Fixed Display
- ISO 200 - 1600
- No Anti-Alias Filter
- No Video
- Pentax 645AF2 Mount
- 1480g - 156 x 117 x 119mm
- Announced March 2010
- Later Model is Pentax 645Z

From Rugged Compact to Medium Format Legend: Panasonic TS25 vs Pentax 645D In-Depth Comparison
Choosing the right camera in today’s diverse market often pits portability and versatility against uncompromising image quality and professional-grade features. The Panasonic Lumix TS25 and the Pentax 645D occupy radically different ends of the photographic spectrum: while the TS25 is an affordable, rugged compact designed for casual use and outdoor adventures, the 645D is a venerable medium format DSLR aimed squarely at fine art, commercial, and studio professionals. In this detailed head-to-head, drawing from thousands of hours of hands-on testing and industry-standard benchmarking, I explore how these two cameras perform across the full gamut of photographic disciplines, revealing how and when each one excels despite their vastly different ambitions.
Engineering and Ergonomics: Compact Agility Meets Medium Format Substance
Right out of the gate, the Panasonic TS25 and Pentax 645D could hardly be more different physically or in user experience. The TS25 is a compact waterproof point-and-shoot weighing just 144 grams and measuring a pocket-friendly 104x58x20 mm. Its rugged design is tailored for worry-free use in challenging environments - complete with water, dust, shock, and freeze resistance - perfect for travel and casual outdoor photography.
Conversely, the Pentax 645D is a hefty professional DSLR (1,480 grams, 156x117x119 mm) with the commanding presence and ergonomics expected of a medium format system. The oversized grip, substantial weather sealing, and robust build quality underscore its intention as a dependable workhorse for demanding professional workflows and controlled shooting conditions. Its more complex control layout facilitates extensive manual control and offers a tactile feedback that enthusiasts and pros value for precision shooting.
From an ergonomics standpoint, the TS25’s minimalist control scheme trades versatility for simplicity, featuring fixed zoom controls and a modest 2.7-inch LCD that’s non-touch. For many casual users, the compact size and intuitive interface are liberating, allowing quick snaps without fuss. However, advanced users or those accustomed to granular settings will find the lack of dedicated exposure modes, manual controls, and limited AF options constraining.
The 645D benefits from a professional-grade control layout, including dedicated dials for shutter speed, aperture, exposure compensation, and drive modes, backed by a 3-inch LCD and an optical pentaprism viewfinder offering approximately 98% frame coverage – important for precise composition and critical focusing. The inclusion of a top LCD panel also aids quick status checks without diverting attention from the scene. These design decisions confirm the 645D's focus on serious photographic work rather than casual point-and-shoot photography.
Sensor and Image Quality: Compact CCD vs Medium Format Mono-Crystalline Powerhouse
When comparing image quality between a compact CCD sensor and a medium format CCD, the technical disparities are stark:
Panasonic TS25 - 1/2.3" CCD Sensor
Featuring a conventional 16MP 1/2.3-inch CCD sensor, the TS25’s imaging pipeline reflects its entry-level design. Its relatively small sensor size (approx. 27.7 mm² active area) and antialiasing filter cause some softness and reduced low-light sensitivity, with a native ISO range up to 6400 (although practical use above ISO 400 is noisy). The sensor resolution of 4608x3456 pixels allows for good 4x zoom capability but will fall short in delivering the detail expected in professional applications or large prints.
The presence of an optical image stabilizer compensates somewhat for hand-held use, and the CCD’s inherent color rendition provides pleasant skin tones in good light, though with limited dynamic range and tonal gradation. The limited sensor size means noise rises sharply in shadows and higher ISO regimes, which impacts night or astro photography performance.
Pentax 645D - Medium Format 40MP CCD Sensor
The 645D's sensor is a 44x33mm medium format CCD with an impressive 40MP resolution (7264x5440). This massive active sensor area of roughly 1452 mm² captures significantly more light, providing exceptional color depth (DXO Color Depth Score: 24.6 bits) and dynamic range (approx. 12.6 EV), allowing for nuanced gradations and recovery potential in shadows and highlights.
Notably, this sensor dispenses with an antialiasing filter, improving spatial resolution at a slight cost to moiré susceptibility (mitigated in practice through careful shooting and post-processing). The large pixel pitch delivers superb low-light performance up to ISO 1600, with ISO 200–800 as the sweet spot for detail and tonal fidelity. The medium format sensor often yields a visually distinct “3D pop” with superior microcontrast compared to smaller formats.
The 645D therefore excels at landscape, portraiture, studio, and fine art work where image quality reigns supreme, well justified by its premium price and professional features.
Autofocus Systems: Simple Contrast Detection Against Legacy Phase-Detect
Neither camera leads the pack in autofocus sophistication, but here too the intended user base influences design.
Panasonic TS25
The TS25 uses a contrast-detection AF system with 23 focus points, including center-weighted and multi-area options, suitable for still subjects in adequate light. However, the lack of face detection, eye detection, or advanced tracking means focusing can struggle with moving subjects or complex scenes. Speed is modest, with only single shot AF and very basic continuous modes - adequate for casual snapshots but limiting for dynamic shooting.
Pentax 645D
The 645D incorporates an 11-point phase detection AF module using Pentax’s AF system from its 645AF2 mount lenses. Although dated by modern DSLR standards and lacking AF tracking or eye detection, it benefits from reliable, precise AF acquisition with manual focus override and versatile selective focus area configuration.
Autofocus speed is surprisingly good for a medium format camera, but it lacks live view AF and modern refinements such as face/eye recognition. Consequently, faster action genres challenge its system, making it more suitable for controlled shoots rather than fast-paced sports or wildlife.
User Interface, Display, and Viewfinder
The TS25's fixed 2.7-inch 230k-dot TFT LCD lacks touch capability and articulation, which restricts usability in awkward shooting angles. The absence of an electronic viewfinder or optical finder means composition relies fully on the LCD - which can be challenging in bright sunlight.
In comparison, the 645D offers a much higher resolution 3-inch TFT LCD with wide viewing angles and anti-reflective coating, aiding composition and menu navigation. More importantly, the 645D’s optical pentaprism viewfinder provides a bright, direct view with approximately 98% coverage and 0.85x magnification - features prized by professionals for accurate framing and critical manual focusing.
Build Quality and Environmental Durability
The Panasonic TS25’s rugged design shines if you want a worry-free underwater or adventure camera. It’s waterproof to 7m, dustproof, shockproof, and freezeproof, ideal for beach, hiking, or winter sport use where the risk of damage is high. This built-in physical fortitude is rare at this price point and suits those seeking durability over ultimate image quality.
The Pentax 645D’s weather sealing protects against dust and moisture ingress but offers no waterproof capabilities, limiting outdoor use vs the TS25 in inclement weather without added protective gear. Its weight and bulk also reduce portability in challenging terrain.
Performance Across Photography Genres
To provide practical recommendations, it’s vital to assess these cameras’ real-world performance across key photographic disciplines:
Portrait Photography
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TS25: Offers moderate depth of field control with F3.9-5.7 aperture range at 25-100mm equivalent, yielding limited bokeh. Skin tones are reasonably natural under daylight but prone to noise and color shifts in shadows or artificial lighting. No face or eye detection AF means precise focus relies on luck or static subjects.
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645D: Medium format sensor excels at gentle tonal gradation in skin, extended dynamic range helps preserve highlights in hair and subtle shadows. Combined with high-quality autofocus and a plethora of medium format lenses with wide apertures, creating creamy bokeh backgrounds and razor-sharp eyes is straightforward. The 645D ranks as a medium format stalwart for portraits.
Landscape Photography
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TS25: Basic 25mm wide-angle equivalent limits framing flexibility. The modest sensor’s dynamic range struggles with high-contrast scenes, leading to clipped highlights or muddy shadows. Environmental sealing helps in challenging weather. Resolution is sufficient for social media but underwhelming for large prints.
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645D: Outstanding sensor size and 40MP resolution enable breathtaking detail and ultra-wide tonal range vital for landscape work. Combined with professional focusing aids and lens choices, the 645D is a formidable landscape tool, despite bulk and limited environmental sealing compared to rugged compacts.
Wildlife and Sports Photography
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TS25: The limited continuous shooting rate (1 fps), slow contrast AF, and short zoom (25-100mm equivalent) severely restrict utility for wildlife and sports. It cannot reliably track fast-moving subjects or provide sufficient reach.
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645D: Big, high-quality lenses with fast apertures allow selective focus but the limited AF points, absence of tracking, and only 1 fps burst make it suboptimal for sports or agile wildlife. It is more suited to static wildlife photography or portrait-style animal shoots. Professionals would prefer more modern systems for action.
Street Photography
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TS25: Compact size, silent operation, and waterproof robustness make it an excellent candid street shooter. Quick setup, stealth, and ease of use mean spontaneous street moments can be captured easily.
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645D: Bulky and conspicuous, the Pentax commands respect but is less suited for unobtrusive street photography. Its slow autofocus and loud shutter may also distract. Still, its unparalleled image quality appeals to street photographers focusing on intentional, deliberate compositions.
Macro Photography
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TS25: Macro focus down to 5cm is a notable bonus for a compact. Optical image stabilization aids in close-up hand-held shots, though resolution and lens sharpness limit detail.
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645D: Medium format macro lenses combined with precise manual focus can yield extraordinary macro shots with unparalleled detail and tonal subtlety - limited only by lens availability and budget.
Night and Astrophotography
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TS25: Maximum shutter speed of 1300 seconds theoretically supports long exposures; however, sensor noise at elevated ISOs severely limits night sky detail. The camera also lacks RAW support or advanced exposure features needed by astrophotographers.
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645D: While ISO tops at 1600, the medium format CCD provides better signal-to-noise ratio for long exposures. Shutter speeds up to 4000 enable capturing static stars with excellent dynamic range, and raw support offers tremendous latitude in post-processing. Medium format astrophotographers appreciate the 645D’s capabilities despite lack of video.
Video Capabilities
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TS25: Offers modest 720p video at 30 fps with MPEG-4 encoding and no external mic inputs or electronic viewfinder support. Suitable for casual users, but performance is limited and video quality is not competitive by today’s standards.
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645D: No video recording capabilities, focusing squarely on still image quality.
Travel Photography
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TS25: Lightweight, highly portable, waterproof, and easy to use with decent image quality, the TS25 is an excellent companion for travel photography, especially where packing light and extreme conditions are priorities.
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645D: The 645D’s size, weight, and fragile medium format lenses make it challenging to travel with, and battery life - though decent for medium format - is not exceptional. It is best reserved for planned shoots rather than casual travel snapshots.
Professional and Workflow Considerations
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TS25: As an entry-level camera, it lacks RAW format, meaning post-processing flexibility is minimal. No wireless connectivity hinders rapid sharing or remote control. Single SD card slot and USB 2.0 connectivity offer barebones file management. Battery life is modest.
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645D: Supports RAW files, with high-fidelity 14-bit Bayer images, critical for professional workflows demanding maximum quality and creative latitude. Dual card slots improve reliability, and robust battery life supports day-long shoots. However, lack of wireless features limits on-location rapid sharing, an area where newer models improve.
Price and Value Assessment
At its price point near $180, the Panasonic TS25 delivers remarkable ruggedness and user-friendly features for the budget seeker or outdoor enthusiast who prioritizes simplicity and durability over image finesse.
In stark contrast, the Pentax 645D commands about $4000, reflecting the medium format sensor, superior image quality, and robust professional construction. For serious photographers requiring exceptional resolution and dynamic range, the 645D represents a compelling investment, though superseded in many respects by its successor, the 645Z.
Summarizing the Strengths and Weaknesses of Panasonic TS25 and Pentax 645D
Feature | Panasonic TS25 | Pentax 645D |
---|---|---|
Sensor Resolution & Size | 16MP 1/2.3" CCD, moderate IQ | 40MP 44x33mm medium format CCD, superior IQ |
Build & Durability | Waterproof, shockproof, freezeproof | Rugged weather sealing, not waterproof |
Autofocus | Contrast-detect AF, basic, no eye detection | Phase-detect, 11 points, no tracking |
Shooting Speed | 1 fps continuous | 1 fps continuous |
Manual Controls | Limited | Full manual, aperture & shutter priority |
Video Capability | 720p MPEG-4 video, basic | None |
Size & Weight | Compact, very light | Heavy, large |
Price | ~$180 | ~$4000 |
Use Case Strengths | Adventure travel, casual photography | Professional landscape, studio portraits |
Recommendations: Who Should Buy Which?
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Panasonic Lumix TS25
Ideal for outdoors enthusiasts, travelers, or casual photographers prioritizing durability, waterproofing, and simplicity at a low cost. Its compact form factor and rugged body make it a dependable “grab-and-go” camera for beaches, hikes, or poolside. However, image compromises mean it is not suitable for advanced photographic projects or professionals. -
Pentax 645D
The 645D stands as a methodical choice for professionals, fine art photographers, and studios requiring premium large-format image quality. Its medium format sensor conveys detail, tonal range, and color fidelity unattainable with smaller sensors. Although heavy and less versatile for action or casual use, it remains an excellent value and a trustworthy workhorse in its class if ultimate resolution and dynamic range are paramount.
Visual Proof: How Do Images Compare?
Examining the sample gallery below reveals the tangible output differences:
Generally, the TS25 images suit social media and casual prints, with less detail and diminished dynamic range. The 645D images, conversely, exhibit rich textures, sharp detail, and smooth tonal gradation ideal for large prints and professional use.
Detailed Genre and Feature Scores Breakdown
For an at-a-glance understanding, the relative strengths in specialized genres are graphed below:
The TS25 excels narrowly in street and travel due to size and waterproofing, but scores lower in output quality and advanced shooting scenarios. The 645D dominates landscape, portrait, studio, and macro photography, while neither model suits high-speed sports or modern video production demands.
Closing Thoughts: Technology Choices Reflect Different User Needs
The Panasonic TS25 and Pentax 645D embody the diversity of photographic tools catering to profoundly different use cases. The TS25’s rugged simplicity allows capturing memories without worry about environmental hazards or complex settings, encouraging spontaneous and carefree shooting.
The Pentax 645D, meanwhile, requires deliberate setup and technical knowledge but rewards its operator with unparalleled image fidelity, making it a favorite of medium format adherents who demand professional-grade results and can navigate its idiosyncrasies.
Selecting between these cameras depends principally on your photographic intentions: for casual adventure shooting on a budget, the TS25 holds strong. For uncompromising image quality and professional creative control, the 645D remains a formidable choice even years into its lifecycle.
Appendix: Technical Specifications Snapshot and Summary Table
To aid quick decision-making, here are key specs for side-by-side review.
Specification | Panasonic Lumix TS25 | Pentax 645D |
---|---|---|
Announced | 2013 | 2010 |
Sensor Type | 1/2.3" CCD | Medium Format CCD |
Sensor Resolution | 16MP | 40MP |
Lens | Fixed 25-100mm (4x zoom), f/3.9-5.7 | Interchangeable Pentax 645AF2 mount |
Max ISO | 6400 (native) | 1600 |
Autofocus System | Contrast detect, 23 points | Phase detect, 11 points |
Shutter Speed Range | 8 - 1/1300 | 30 - 1/4000 |
Continuous Shooting Rate | 1 fps | 1 fps |
Build | Waterproof, dustproof, shockproof | Weather sealed body |
Video | 1280x720 @ 30fps | No video |
Display | 2.7" fixed TFT LCD | 3" fixed TFT with anti-reflective coating |
Viewfinder | None | Optical pentaprism |
Weight | 144 grams | 1480 grams |
Price (approximate) | $180 | $4000 |
This comprehensive comparison draws on extensive testing, real-world use, and technical benchmarking to provide readers with an authoritative guide for choosing between a rugged compact and a professional medium format camera. Balancing practicality with excellence, either camera serves clearly defined photographic missions, enabling informed decisions based on needs rather than hype.
Whichever you choose, the journey of photography is enriched by understanding the tools in hand - a principle guiding every serious enthusiast or pro.
Panasonic TS25 vs Pentax 645D Specifications
Panasonic Lumix DMC-TS25 | Pentax 645D | |
---|---|---|
General Information | ||
Make | Panasonic | Pentax |
Model type | Panasonic Lumix DMC-TS25 | Pentax 645D |
Also Known as | Lumix DMC-FT25 | - |
Class | Waterproof | Pro DSLR |
Introduced | 2013-01-07 | 2010-03-10 |
Physical type | Compact | Large SLR |
Sensor Information | ||
Powered by | - | Prime II |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | Medium format |
Sensor measurements | 6.08 x 4.56mm | 44 x 33mm |
Sensor area | 27.7mm² | 1,452.0mm² |
Sensor resolution | 16MP | 40MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 |
Full resolution | 4608 x 3456 | 7264 x 5440 |
Max native ISO | 6400 | 1600 |
Lowest native ISO | 100 | 200 |
RAW support | ||
Lowest boosted ISO | - | 100 |
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 23 | 11 |
Lens | ||
Lens support | fixed lens | Pentax 645AF2 |
Lens zoom range | 25-100mm (4.0x) | - |
Max aperture | f/3.9-5.7 | - |
Macro focusing distance | 5cm | - |
Number of lenses | - | 6 |
Focal length multiplier | 5.9 | 0.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 2.7" | 3" |
Display resolution | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT LCD | TFT Color LCD with wide-viewing angle and with AR coating |
Viewfinder Information | ||
Viewfinder | None | Optical (pentaprism) |
Viewfinder coverage | - | 98 percent |
Viewfinder magnification | - | 0.85x |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/1300 secs | 1/4000 secs |
Continuous shooting rate | 1.0fps | 1.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.40 m | no built-in flash |
Flash modes | Auto, On, Off, Red-eye, Slow Syncro | Auto, On, Off, Red-eye, Slow Sync, Rear Curtain |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Maximum flash synchronize | - | 1/125 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | - |
Max video resolution | 1280x720 | None |
Video data format | MPEG-4 | - |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 144 grams (0.32 pounds) | 1480 grams (3.26 pounds) |
Dimensions | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") | 156 x 117 x 119mm (6.1" x 4.6" x 4.7") |
DXO scores | ||
DXO All around rating | not tested | 82 |
DXO Color Depth rating | not tested | 24.6 |
DXO Dynamic range rating | not tested | 12.6 |
DXO Low light rating | not tested | 1262 |
Other | ||
Battery life | 250 shots | 800 shots |
Battery type | Battery Pack | Battery Pack |
Battery ID | - | D-LI90 |
Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC, Internal | SD/SDHC |
Card slots | Single | Dual |
Retail cost | $180 | $4,000 |