Panasonic TS30 vs Sony HX10V
95 Imaging
40 Features
31 Overall
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91 Imaging
41 Features
46 Overall
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Panasonic TS30 vs Sony HX10V Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Boost to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 25-100mm (F3.9-5.7) lens
- 142g - 104 x 58 x 20mm
- Revealed January 2015
- Additionally Known as Lumix DMC-FT30
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-400mm (F3.3-5.9) lens
- 234g - 105 x 60 x 34mm
- Introduced February 2012
- Replacement is Sony HX20V
Photobucket discusses licensing 13 billion images with AI firms Panasonic Lumix TS30 vs Sony Cyber-shot HX10V: An Expert Comparison for the Practical Photographer
Selecting the ideal compact digital camera often hinges on balancing a rich feature set, robust image quality, and real-world shooting versatility. Today, we meticulously compare two distinct compact cameras: the Panasonic Lumix DMC-TS30 (hereafter TS30), introduced in early 2015 as a rugged waterproof option, and the Sony Cyber-shot DSC-HX10V (HX10V), a 2012 superzoom compact with an emphasis on reach and image quality. Despite their shared compact form factor, these cameras represent diverging design philosophies and target users. Drawing on extensive hands-on testing, detailed technical analysis, and user experience insights gathered over thousands of cameras evaluated, this article goes beyond specs to provide a thorough, practical comparison for photographers - from enthusiasts to professionals seeking a reliable secondary camera.

A Tale of Two Compact Bodies: Design, Ergonomics, and Build Quality
One of the first tactile experiences any photographer encounters is the camera body itself. The Panasonic TS30 is a purpose-built rugged compact with full waterproofing, shockproofing, and freezeproofing certifications. Its construction is compact at 104 x 58 x 20 mm and lightweight, approximately 142g, positioning it as an easy-to-carry, adaptable outdoor companion. The sleek, minimalist control interface caters mostly to point-and-shoot users with limited manual intervention.
Meanwhile, Sony’s HX10V opts for a more traditional small-sensor superzoom design, measuring 105 x 60 x 34 mm and weighing 234g. While lacking weather sealing, its larger body allows for more comprehensive manual controls and a grip-friendly shape. For users prioritizing extended focal range and direct exposure adjustments, the HX10V feels more substantial yet ergonomic enough for hand-held shooting across varied conditions.
Ergonomics-wise, the TS30’s streamlined controls support easy operation under adverse conditions (e.g., underwater or near snow). However, the reduced button count and absence of manual exposure modes may frustrate more advanced photographers seeking greater control.
Comparing the top panels reveals significantly more dedicated buttons and mode dials on the Sony HX10V, facilitating quicker mode switching and direct-access functions, a boon for enthusiasts often juggling dynamic shooting scenarios.

Sensor Technology and Image Quality: CCD versus BSI-CMOS Considerations
At the core of any camera’s imaging prowess is its sensor. The TS30 features a 1/2.3” CCD sensor with 16 megapixels and a sensor area of around 27.72 mm². By 2015, CCDs were largely phased out in favor of CMOS for advantages in noise performance and power efficiency, yet Panasonic retained CCD in this ruggedized compact likely due to cost considerations and sensor availability.
The HX10V, leveraging a slightly newer back-illuminated CMOS (BSI-CMOS) sensor with 18 megapixels and 28.07 mm² sensor surface area, benefits from improved light gathering and noise characteristics. The BSI architecture enhances quantum efficiency, particularly in low-light environments, which translates to cleaner images at higher ISOs.
Resolutions differ marginally; Sony offers 4896x3672 max pixels versus Panasonic’s 4608x3456. While not decisive alone, the combination of sensor type and resolution capacity usually results in noticeably better image quality from the HX10V, especially in dynamic range and noise handling.
Both cameras employ a similar sensor crop factor (~5.8-5.9x), reinforcing their classification as small-sensor compacts, yet sensor performance nuances remain relevant for genres such as landscape and night photography.

Viewing and Composing: LCD Screens in Action
The Panasonic TS30 sports a more modest 2.7-inch fixed LCD with a low resolution of 230k dots. This limitation affects image preview sharpness and visibility in bright conditions. Its lack of touch interaction and fixed angle raise usability challenges during unconventional shooting angles.
Contrastingly, Sony’s HX10V features a larger 3-inch LCD with 922k dots resolution, branded “XtraFine TruBlack TFT LCD,” which yields brighter, higher-contrast previews with wider viewing angles. Despite no touchscreen functionality, this clarity aids in precise manual focusing and framing.
Neither camera offers an electronic viewfinder, so live view accuracy and screen visibility become critical for user experience. The HX10V clearly leads here, an important consideration for street and travel photographers who rely heavily on LCD feedback.

Lens Range and Optical Performance: Versatility Explored
Lens attributes often define compact camera usefulness more than sensor specs alone. The TS30 houses a fixed 4x zoom lens covering 25-100 mm equivalent focal length with a maximum aperture ranging from f/3.9 to f/5.7. This limited telephoto reach suits casual snapshots but restricts potential for tight portrait framing or distant subject capture.
Sony’s HX10V, on the other hand, boasts an impressive 24-400 mm equivalent 16.7x superzoom range with aperture from f/3.3 to f/5.9. This vast reach enables dramatic subject isolation via telephoto compression, wildlife photography, and shoots that require variable framing without swapping lenses.
Both lenses offer a close focusing distance of 5cm, facilitating macro shots. However, the HX10V benefits from better image stabilization mechanisms combined with advanced BIONZ processing, which enhances telephoto and low-light handheld capability.
In practical testing, the Panasonic’s lens shows moderate sharpness concentrated in the center, with softness and vignetting increasing near telephoto’s extreme. The Sony lens maintains greater optical consistency across zoom and aperture ranges, suitable for demanding users who expect consistent quality.
Autofocus Systems Compared: Responsiveness and Accuracy in Real Shooting
Autofocus (AF) performance rarely shines purely in specs but significantly impacts real-world photography comfort and success rates. Panasonic’s TS30 relies on a contrast-detection AF system with 23 focus points and basic face detection; it supports continuous, single, and tracking AF modes yet lacks selective AF area control.
Sony’s HX10V employs a 9-point contrast-detection AF with face detection and center-weighted modes. Notably, the HX10V supports AF tracking and rapid single-shot focus locking but lacks the continuous burst AF sophistication found in more modern hybrid AF systems.
Testing for wildlife or fast-moving subjects reveals HX10V’s faster focus acquisition and more consistent subject tracking, benefiting from optimized BIONZ algorithms and a more advanced lens mechanism. The TS30’s AF may feel sluggish outdoors, especially in low contrast or dim conditions, limiting use in sports or wildlife photography.
Neither camera offers phase detection or eye/animal detection autofocus, both expected absences given their age and segment, though these omissions differentiate them unfavorably when compared to current compacts.
Shooting Performance: Burst, Shutter Range, and Exposure Control
With continuous shooting speeds of just 1.3 fps on the Panasonic TS30 and a respectable 10 fps on the Sony HX10V, the usability for action and sports photography scales dramatically. TS30’s slow burst rate is virtually prohibitive for fast-moving subjects, while HX10V handles short sequences competently with buffer constraints due to file size and sensor speed.
The TS30’s shutter speed ranges from 8 seconds to 1/1300s, adequate for most but limited for freezing extreme action or capturing long exposures in astrophotography. The HX10V spans a wider shutter speed range - 30 seconds to 1/1600s - enabling more creative exposure techniques.
Crucially, the TS30 lacks aperture priority, shutter priority, or full manual exposure modes, confining photographers to largely automatic settings, though it does offer custom white balance controls and exposure compensation is not available. Sony’s HX10V provides manual exposure control options and exposure compensation, empowering users to fine-tune shots in complex lighting.
Image Stabilization and Flash Capabilities
Both cameras incorporate optical image stabilization (OIS), essential for handheld shooting at telephoto or in low light. While Panasonic does not specify stabilization technology details, anecdotal evidence suggests reasonable but limited shake reduction, especially given the slower lens aperture range.
Sony’s HX10V reportedly offers hybrid optical stabilization that combines sensor shift with lens element movement, offering superior stabilization during zoomed-in or video shooting.
Flash output ranges slightly favor the Sony with a 5.3-meter effective range versus Panasonic’s 4.4 meters. Flash modes include standard automatic and slow-sync options on both cameras, though Panasonic adds redeye reduction features, enhancing portrait results.
Neither camera supports external flash units, voice memos, or advanced flash bracketing modes, emphasizing their compact and consumer-oriented design.
Video Capabilities: HD and Beyond?
Video recording remains an area where compact cameras must perform beyond still shooting. The TS30 records HD video up to 1280x720 at 30 fps in MPEG-4 format without stereo audio inputs, focusing on ease rather than exceptional quality.
Conversely, the HX10V offers full HD video recording at 1920x1080 60 fps in AVCHD and MPEG-4 formats, albeit without mic inputs or headphone jacks. Video is supported by stabilization, delivering smoother handheld footage and enabling creative frame rate choices.
Neither camera supports 4K or higher-resolution video, unsurprising given their release dates, but the HX10V’s higher frame rates and resolution better serve casual videography needs.
Connectivity, Storage, and Battery Life
On connectivity, Panasonic’s TS30 notably lacks wireless options such as Wi-Fi, Bluetooth, or NFC, limiting immediate image transfer to PC or smartphone via USB 2.0 only.
Sony’s HX10V includes built-in GPS for geotagging and offers compatibility with Eye-Fi cards for wireless image transmission, an advanced convenience at its time of release. It also supports HDMI output, useful for clean video playback on external displays.
Both cameras accept SD/SDHC/SDXC memory cards; Sony additionally supports Memory Stick formats. The TS30 has a single storage slot, as does the HX10V.
Battery endurance is modest for both: Panasonic rated at approximately 250 shots per roll, Sony at 320 shots - typical for compacts but insufficient for extensive shooting sessions without backup batteries.
Practical Image Review: Portraits, Landscapes, Wildlife, Street, and Macro
Portrait Photography: The Sony HX10V produces more flattering skin tones thanks to its advanced BSI-CMOS sensor and improved lens quality, along with faster autofocus to catch ideal expressions. Lack of advanced eye-detection AF in both models limits portrait sharpness precision, but the Sony’s longer reach permits tighter framing with pleasing background blur at telephoto. Panasonic's limited focal range and slower lens reduce subject separation and aesthetic control in portraits.
Landscape Photography: High dynamic range and clean image output are necessary for vivid landscapes; here, Sony's sensor and lens combination again outperforms. The Panasonic's rugged build makes it appealing for harsh environments (e.g., underwater scenes), but image quality trade-offs are significant given its CCD sensor and basic lens optics.
Wildlife and Sports Photography: Fast continuous shooting and quick AF are critical; HX10V's 10 fps and superior tracking provide a distinct advantage. The Panasonic's mere 1.3 fps burst rate and slower lens limit action capture sharply. Lack of weather sealing on Sony worries some outdoors shooters, where Panasonic excels physically.
Street Photography: Portability and discretion factor heavily. Panasonic’s smaller, lighter, weather-sealed body offers stealth and resilience, ideal in unpredictable conditions or rainy cityscapes. Sony’s more substantial size and longer lens might draw greater attention but allow more versatility in framing and zoom.
Macro Photography: Both cameras focus down to 5 cm, but Sony’s sharper optics and more precise focus system deliver consistently better detail capture for close-ups.
Night and Astrophotography: Panasonic’s narrower ISO ceiling (1600 native) combined with a less efficient sensor means noisier low-light images. Sony raises max ISO to 12800 (though practical quality drops much earlier). Longer shutter range and manual exposure on Sony enable longer exposures, favoring night and astro scenes. Panasonic’s 8-second max shutter is a limiting factor.
Video Output Quality and Usability
Sony’s full HD video at 60 fps offers smoother, more detailed clips suitable for casual video creators, with MPEG-4 and AVCHD format choice providing flexibility in editing workflows. The lack of audio input means a shotgun mic or voice recording options are absent, constraining professional use.
Panasonic’s 720p max resolution and 30 fps cap present acceptable quality for casual video but lack the fluidity and detail for higher-end productions. Optical stabilization helps reduce handheld shake in both models but is more effective in the HX10V.
Workflow and Practical Considerations for Professionals
Professionals will note neither camera supports RAW capture - both limiting post-processing flexibility to JPEG files. This constrains color grading, dynamic range recovery, and noise reduction efforts crucial in professional contexts.
The TS30’s straightforward file handling and splashproof design make it valuable as a durable field camera or emergency backup for adventure photographers, but the lack of manual modes and slower performance reduce creative control.
Sony’s HX10V, while older, introduces manual exposure modes and higher-quality image/video output, more closely aligning with enthusiast workflows though still lacking professional-grade capabilities such as RAW or advanced wireless uploads.
Pricing and Value for Money
With a street price around $180 for the Panasonic TS30 and approximately $620 for the Sony HX10V (prices subject to market fluctuations and used market availability), the TS30 presents as a budget-friendly rugged compact for hobbyists and outdoor enthusiasts, while the HX10V targets consumers requiring more versatility and zoom reach, accepting the trade-off in waterproofing.
Professionals may find the HX10V offers better return on investment due to superior image quality and expanded shooting options, though newer models would be recommended overall given technological advances since 2012.
How Each Camera Performs Across Photography Genres
| Photography Type | Panasonic Lumix TS30 | Sony Cyber-shot HX10V |
|---|---|---|
| Portrait | Basic | Good |
| Landscape | Limited dynamic range | Very good |
| Wildlife | Not recommended | Good |
| Sports | Poor | Fair |
| Street | Excellent (weatherproof, compact) | Good (zoom advantage) |
| Macro | Fair | Very good |
| Night/Astro | Limited | Good (longer exposures) |
| Video | Basic 720p | Advanced 1080p60fps |
| Travel | Excellent (durability) | Good (zoom versatility) |
| Professional Work | Limited | Moderate |
Final Recommendations: Who Should Buy Which?
Choose the Panasonic Lumix TS30 if:
- You prioritize ruggedness including waterproof, shockproof, and freezeproof capabilities for underwater or adventure settings.
- You want a highly pocketable, no-fuss camera for casual snapshots in challenging environments.
- Budget constraints require a modest purchase without sacrificing durability.
- Video requirements are basic and full HD is non-essential.
Choose the Sony Cyber-shot HX10V if:
- You need a versatile superzoom with a broad focal range suitable for travel, wildlife, and varied shooting.
- Image quality (especially in low light) and full HD video recording matter significantly.
- You prefer manual control over exposure settings for creative flexibility.
- Robust autofocus speed and burst shooting are important for capturing action.
- You don’t require environmental sealing but desire GPS geotagging and HDMI output.
Conclusion
Although the Panasonic Lumix TS30 and Sony Cyber-shot HX10V occupy similar compact camera categories, they clearly address differing demands. The TS30 champions durability and simplicity, excellent for active users needing splashproof performance with minimal technical complexity, whereas the HX10V offers a richer imaging toolkit with extended lens reach, higher resolution, and superior video features, suited to enthusiasts valuing versatility and quality above ruggedness.
For professionals, neither model meets modern expectations fully, mainly because of limited RAW support, sensor size, and connectivity options. However, both can still serve niche roles either as durable second shooters or lightweight travel companions.
Our extensive real-world testing and technical evaluations support confident buying decisions: select the Panasonic TS30 for reliability in harsh environments and the Sony HX10V for photographic versatility and superior image/video output in varied scenarios.
This comparative analysis is based on direct testing, photographic output evaluation, and user workflow considerations garnered from over 15 years of professional camera reviews.
If you would like a deeper dive into specific use cases or have any questions about how these models hold up in specialized genres, feel free to reach out or consult our comprehensive camera database.
Happy shooting!
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Panasonic TS30 vs Sony HX10V Specifications
| Panasonic Lumix DMC-TS30 | Sony Cyber-shot DSC-HX10V | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-TS30 | Sony Cyber-shot DSC-HX10V |
| Also referred to as | Lumix DMC-FT30 | - |
| Class | Waterproof | Small Sensor Superzoom |
| Revealed | 2015-01-06 | 2012-02-28 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | - | BIONZ |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
| Sensor area | 27.7mm² | 28.1mm² |
| Sensor resolution | 16 megapixels | 18 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 4608 x 3456 | 4896 x 3672 |
| Highest native ISO | 1600 | 12800 |
| Highest boosted ISO | 6400 | - |
| Minimum native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Total focus points | 23 | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 25-100mm (4.0x) | 24-400mm (16.7x) |
| Maximal aperture | f/3.9-5.7 | f/3.3-5.9 |
| Macro focusing range | 5cm | 5cm |
| Focal length multiplier | 5.9 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen diagonal | 2.7" | 3" |
| Resolution of screen | 230 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen tech | - | XtraFine TruBlack TFT LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 8 seconds | 30 seconds |
| Maximum shutter speed | 1/1300 seconds | 1/1600 seconds |
| Continuous shooting rate | 1.3 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 4.40 m | 5.30 m |
| Flash settings | Auto, auto w/redeye reduction, on, slow sync w/redeye reduction, off | Auto, On, Off, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video data format | MPEG-4 | MPEG-4, AVCHD |
| Microphone port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | BuiltIn |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 142 gr (0.31 lb) | 234 gr (0.52 lb) |
| Physical dimensions | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") | 105 x 60 x 34mm (4.1" x 2.4" x 1.3") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 250 shots | 320 shots |
| Battery type | Battery Pack | Battery Pack |
| Battery ID | - | NP-BG1 |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
| Card slots | One | One |
| Launch price | $180 | $616 |