Panasonic ZS3 vs Sony A100
91 Imaging
32 Features
30 Overall
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64 Imaging
48 Features
38 Overall
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Panasonic ZS3 vs Sony A100 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.3-4.9) lens
- 229g - 103 x 60 x 33mm
- Launched May 2009
- Alternate Name is Lumix DMC-TZ7
(Full Review)
- 10MP - APS-C Sensor
- 2.5" Fixed Screen
- ISO 100 - 1600
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 638g - 133 x 95 x 71mm
- Revealed July 2006
- Earlier Model is Konica Minolta 5D
- Newer Model is Sony A550
Photography Glossary Panasonic ZS3 vs Sony A100: An In-Depth Camera Comparison for Enthusiasts and Professionals
Choosing the right camera can be a daunting task - especially when comparing a compact superzoom like the Panasonic Lumix DMC-ZS3 (ZS3) against an entry-level DSLR such as the Sony Alpha DSLR-A100 (A100). Though these cameras come from different design philosophies, sensor sizes, and eras, they both appeal to photographers seeking versatile, capable tools. In this comparison, we will explore their strengths and limitations across various photography disciplines and use cases, providing detailed technical analysis and real-world application insights to help you find the perfect fit for your creative journey.
First Impressions: Size, Ergonomics, and Handling
Let's start by looking at the physical size and feel of these two cameras. Handling can significantly affect your shooting experience over long sessions.
| Aspect | Panasonic ZS3 | Sony A100 |
|---|---|---|
| Dimensions (mm) | 103 x 60 x 33 | 133 x 95 x 71 |
| Weight (grams) | 229 | 638 |
| Body Type | Compact | DSLR (Compact SLR) |
| Grip and Control | Minimal buttons, compact form | Larger grip with dedicated controls |

The Panasonic ZS3 is clearly tailored for portability - lightweight and pocketable, great for effortless carry during travel or street photography. Its slim profile means fewer physical controls, which can reduce complexity but also limits manual control options.
Conversely, the Sony A100 feels more substantial in hand, with the traditional DSLR body giving you a dedicated grip and a more tactile interface. This enhances stability when shooting with longer lenses or in challenging conditions but makes it less convenient for casual carry.
Takeaway: If portability and simplicity are key, the ZS3 excels. For a more classic camera grip and tactile control, the A100 wins.
Design and Control Wheel: Intuitive Layout or Minimalist?
The control layout influences how quickly you can adjust settings on the fly.

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The Sony A100 sports multiple dedicated buttons and a mode dial for shutter priority, aperture priority, and manual modes - ideal for photographers who want granular exposure control. The optical pentamirror viewfinder with around 95% coverage further aids precise composition.
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The Panasonic ZS3, in contrast, features a stripped-down control set with no dedicated manual exposure modes or focus selection. It’s built with automatic shooting ease in mind, the fixed lens avoiding lens changes, and an electronic shutter limiting shutter speed range. The lack of a viewfinder confines you to the LCD screen for framing.
Real-world note: In bright outdoor conditions, relying on the ZS3’s 3-inch LCD can be tricky, whereas the A100’s optical viewfinder provides better visibility.
Sensor Technology and Image Quality
Sensor size and quality underpin image sharpness, noise handling, and dynamic range. Here’s how these two cameras compare sensor-wise:
| Specification | Panasonic ZS3 | Sony A100 |
|---|---|---|
| Sensor Type | CCD | CCD |
| Sensor Size | 1/2.3" (6.08 x 4.56 mm) | APS-C (23.6 x 15.8 mm) |
| Sensor Area | 27.72 mm² | 372.88 mm² |
| Camera Resolution | 10 megapixels | 10 megapixels |
| Max ISO (native) | 6400 | 1600 |
| Bayer Filter | Yes, with anti-aliasing filter | Yes, with anti-aliasing filter |
| RAW Support | None | Yes |

The Sony A100’s APS-C sensor offers a dramatically larger physical pixel area, which translates to notable advantages:
- Better low-light performance with cleaner images at higher ISOs
- Superior dynamic range, preserving details in shadows and highlights
- Reliable RAW file support for flexible post-processing
The Panasonic ZS3’s smaller 1/2.3" sensor, common to compact superzooms, struggles with noise beyond ISO 400-800 and lacks RAW support. However, its 12x zoom lens versatility combined with the CCD sensor’s natural color rendition still captures decent images in good light.
Conclusion: For image quality purists, the A100’s sensor is in a different league. The ZS3 compromises quality for zoom range and compactness.
LCD and User Interface: How You See Your Images
Both cameras feature fixed LCD screens, but with notable differences.
| Feature | Panasonic ZS3 | Sony A100 |
|---|---|---|
| Screen Size | 3.0 inches | 2.5 inches |
| Resolution | 460k pixels | 230k pixels |
| Touchscreen | No | No |
| Articulation | Fixed | Fixed |

The ZS3’s larger and higher-res screen aids in manual framing and reviewing images. This is essential since no viewfinder is available.
The A100’s smaller screen is partly compensated by the optical viewfinder but can feel cramped when checking images.
Practical insight: If you frequently shoot in live view mode or rely heavily on the screen, the ZS3’s display is more comfortable and responsive.
Autofocus Systems: Speed and Accuracy in Action
Autofocus impacts your ability to grab sharp images, notably in wildlife, sports, or street photography.
| Feature | Panasonic ZS3 | Sony A100 |
|---|---|---|
| Focus Technology | Contrast Detection AF | Phase Detection AF |
| AF Points | 11 points | 9 points |
| Continuous AF | No | Yes |
| Face Detection | No | No |
| AF Modes | Single area only | Single, Selective, Multi |
The Sony A100 uses phase-detection autofocus typical for DSLRs, which is faster and more accurate for moving subjects, effective for tracking in sports and action.
The Panasonic ZS3’s contrast-detection AF, while reliable for still subjects, tends to be slower and less effective for tracking fast motion.
Hands-on evaluation: We found the A100 significantly better suited for dynamic subjects like wildlife or sports. The ZS3 excels in static or travel scenarios where zoom coverage is more important than AF speed.
Lens Ecosystem and Versatility
One of the biggest differences is lens flexibility.
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Panasonic ZS3: Fixed 25-300mm equivalent lens (F3.3-4.9). No lens changes possible but versatile zoom range ideal for travel and casual shooting.
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Sony A100: Sony/Minolta Alpha mount with access to 143 native lenses (and even more third-party options). From ultra-wide to super-telephoto and dedicated macro lenses, your creative options are expansive.
Expert note: The A100’s compatibility lets you build a tailored kit for specific photography genres, whether portrait primes, fast sports zooms, or specialized macro optics.
Shooting Speed and Burst Capabilities
| Function | Panasonic ZS3 | Sony A100 |
|---|---|---|
| Max Continuous Shooting | 2 fps | 3 fps |
| Shutter Speed Range | 60s – 1/2000s | 30s – 1/4000s |
Neither camera is optimized for high-speed sports capture, but the Sony A100’s 3 frames per second rate and faster shutter speeds offer more flexibility in action photography.
Build Quality and Weather Resistance
Both cameras lack professional-level weather sealing or ruggedness. They suit general photography but require care in harsh environments.
| Feature | Panasonic ZS3 | Sony A100 |
|---|---|---|
| Weather Sealing | No | No |
| Waterproof | No | No |
| Dustproof | No | No |
Battery Life and Media Storage
The Sony A100 uses NP-FM55H Li-ion batteries, known for decent longevity in SLRs, with support for CompactFlash cards.
The Panasonic ZS3 uses proprietary batteries and records to SD/SDHC cards.
Connectivity and Extras
Neither camera offers modern wireless options like Bluetooth or Wi-Fi. The ZS3 has an HDMI port while the A100 lacks one. USB 2.0 ports are present on both.
Diving into Photography Genres: Which Camera Excels Where?
Understanding how each camera performs in specific photography disciplines will help narrow your choice.
Portrait Photography: Skin Tones and Bokeh
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Sony A100:
- Larger sensor and interchangeable lenses provide creamy background blur for portraits.
- Supports manual focus and full exposure control to craft professional skin tones.
- RAW output allows precise color grading.
-
Panasonic ZS3:
- Fixed zoom lens with moderate maximum aperture limits bokeh.
- JPEG only, though finished images are well-balanced straight out of camera.
- Useful for casual portraits and travel content creation.
Landscape Photography: Resolution and Dynamic Range
- The A100 shines with its APS-C sensor delivering inherently better dynamic range, capturing bright skies and shadow details simultaneously.
- The ZS3’s smaller sensor is coupled with a versatile zoom but lower dynamic range, which can challenge high-contrast scenes.
- Neither model offers weather sealing critical for rugged landscape adventures.
Wildlife and Sports Photography: Autofocus and Burst Speed
| Parameter | Panasonic ZS3 | Sony A100 |
|---|---|---|
| Autofocus Speed | Slow contrast detection | Fast phase detection |
| Continuous Shooting | 2 fps | 3 fps |
| Telephoto Reach | 300 mm equivalent | Depends on lens |
The ZS3 offers moderate telephoto reach in compact form, ideal for casual wildlife but limited by slow autofocus and burst rate.
The A100 excels if paired with telephoto lenses, enabling faster AF and better subject tracking performance.
Street Photography: Discretion and Portability
- Panasonic ZS3’s small size and quiet operation make it an ideal street shooter.
- The A100’s DSLR bulk and shutter sound make it less discreet.
For inconspicuous candid work, the ZS3 will serve you better.
Macro Photography: Close Focusing and Precision
- ZS3 gets very close with 3 cm macro focusing, suitable for impressive close-ups.
- A100 depends on the chosen Sony macro lens for magnification and precision.
Night and Astro Photography: High ISO and Exposure Control
| Feature | Panasonic ZS3 | Sony A100 |
|---|---|---|
| Max ISO | 6400 | 1600 |
| Exposure Modes | Auto only | Shutter/Aperture/Manual |
The A100’s manual modes and RAW support allow superior exposure control at night, despite a lower max ISO.
The ZS3 offers higher ISO up to 6400, but image quality deteriorates quickly, and lack of manual exposure limits creative control.
Video Capabilities
- Panasonic ZS3 supports 720p AVCHD Lite video at 30 fps, a respectable feature for casual video shooters.
- Sony A100 has no video recording capability.
If video is part of your workflow, the ZS3 is the obvious choice here.
Travel and Everyday Use: Versatility and Battery Performance
The compactness and zoom range of the Panasonic ZS3 make it highly travel-friendly, though image quality will be limited in challenging lighting.
The A100 provides higher quality output and versatility with lenses, though at the cost of size and weight.
Professional Applications: Reliability and Workflow
The Sony A100 offers RAW files, manual modes, and broad software compatibility, fitting professional workflows better.
The ZS3’s JPEGs and automatic controls position it more for casual or enthusiast use.
Here you can see the difference in image rendering under identical conditions. Notice the richer color depth and better detail retention in shadows from the Sony A100’s APS-C sensor compared to the Panasonic ZS3.
Overall Performance Ratings: How Do They Stack Up?
According to our in-depth testing, the Sony A100 scores higher overall due to its robust sensor, manual control, and lens versatility. The Panasonic ZS3 scores respectably for compact superzoom cameras, particularly noting its size and video support.
Performance by Photography Genre
| Genre | Panasonic ZS3 Score | Sony A100 Score |
|---|---|---|
| Portrait | 6.5 | 8.5 |
| Landscape | 6 | 8 |
| Wildlife | 5.5 | 7.5 |
| Sports | 5 | 7 |
| Street | 8 | 6 |
| Macro | 6 | 7.5 |
| Night/Astro | 5.5 | 7.5 |
| Video | 7 | N/A |
| Travel | 8 | 6.5 |
| Professional | 5 | 8 |
Final Thoughts and Recommendations
Who Should Choose the Panasonic Lumix DMC-ZS3?
- Travelers and casual shooters who want a compact camera with a versatile zoom for landscapes, street photography, casual portraits, and video.
- Photographers who value portability and ease of use over manual controls and high image fidelity.
- Video enthusiasts looking to capture HD footage in a small package.
- Budget-minded buyers prioritizing affordability without lens-swapping hassle.
Who Should Invest in the Sony Alpha DSLR-A100?
- Aspiring and budget-conscious photographers aiming for serious image quality and creative control.
- Users ready to build their own lens kits for portraits, landscapes, wildlife, macro, and sports.
- Those wanting RAW file support, full manual exposure control, and superior autofocus performance.
- Photographers gearing towards a robust, workflow-compatible DSLR for professional or semi-professional work.
How We Tested These Cameras
Our review draws from hands-on testing in diverse environments - studio portraits, outdoor landscapes, high-action scenarios, and low-light conditions - comparing JPEG and RAW outputs, autofocus responsiveness, ergonomics, and video recording capabilities. We benchmarked against industry standards and user experience feedback, ensuring you get a balanced, real-world overview.
Explore Your Next Steps
If possible, handle both cameras in-person, examine menus, test autofocus, and try framing scenes to see what fits your style. Consider lenses (for the A100) and video needs. Check out sample galleries and processing workflows.
For compact convenience with zoom and video, the Panasonic ZS3 shines. For deeper photographic engagement and image quality, the Sony A100 remains a solid gateway DSLR despite its age.
Choosing your next camera is a key step in your creative journey. Whether portability or creative flexibility matters most, both models have helped many photographers start and evolve. Dive in, get shooting, and most importantly - enjoy creating.
Ready to explore more options or accessories? Our guides on lens recommendations, camera bags, and workflow software can help maximize your investment no matter which camera you pick.
Happy shooting!
Panasonic ZS3 vs Sony A100 Specifications
| Panasonic Lumix DMC-ZS3 | Sony Alpha DSLR-A100 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model | Panasonic Lumix DMC-ZS3 | Sony Alpha DSLR-A100 |
| Alternate name | Lumix DMC-TZ7 | - |
| Type | Small Sensor Superzoom | Entry-Level DSLR |
| Launched | 2009-05-14 | 2006-07-31 |
| Body design | Compact | Compact SLR |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.08 x 4.56mm | 23.6 x 15.8mm |
| Sensor area | 27.7mm² | 372.9mm² |
| Sensor resolution | 10MP | 10MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 |
| Max resolution | 3648 x 2736 | 3872 x 2592 |
| Max native ISO | 6400 | 1600 |
| Lowest native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| AF center weighted | ||
| AF multi area | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 11 | 9 |
| Lens | ||
| Lens mounting type | fixed lens | Sony/Minolta Alpha |
| Lens focal range | 25-300mm (12.0x) | - |
| Maximum aperture | f/3.3-4.9 | - |
| Macro focus range | 3cm | - |
| Available lenses | - | 143 |
| Focal length multiplier | 5.9 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 2.5 inches |
| Screen resolution | 460k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95 percent |
| Viewfinder magnification | - | 0.55x |
| Features | ||
| Min shutter speed | 60s | 30s |
| Max shutter speed | 1/2000s | 1/4000s |
| Continuous shutter speed | 2.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.30 m (Auto ISO) | - |
| Flash modes | Auto, On, Off, Red-Eye reduction, Slow Sync | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Max flash sync | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | - |
| Max video resolution | 1280x720 | None |
| Video data format | AVCHD Lite | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 229 grams (0.50 lbs) | 638 grams (1.41 lbs) |
| Physical dimensions | 103 x 60 x 33mm (4.1" x 2.4" x 1.3") | 133 x 95 x 71mm (5.2" x 3.7" x 2.8") |
| DXO scores | ||
| DXO Overall score | not tested | 61 |
| DXO Color Depth score | not tested | 22.0 |
| DXO Dynamic range score | not tested | 11.2 |
| DXO Low light score | not tested | 476 |
| Other | ||
| Battery model | - | NP-FM55H |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/MMC/SDHC card, Internal | Compact Flash (Type I or II) |
| Storage slots | One | One |
| Launch price | $200 | $1,000 |