Panasonic ZS35 vs Samsung EX2F
89 Imaging
39 Features
50 Overall
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90 Imaging
36 Features
62 Overall
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Panasonic ZS35 vs Samsung EX2F Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 100 - 3200 (Raise to 6400)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-480mm (F3.3-6.4) lens
- 305g - 107 x 62 x 32mm
- Launched January 2014
- Alternate Name is Lumix DMC-TZ55
- Superseded the Panasonic ZS30
- Later Model is Panasonic ZS40
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fully Articulated Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-80mm (F1.4-2.7) lens
- 294g - 112 x 62 x 29mm
- Announced December 2012
Samsung Releases Faster Versions of EVO MicroSD Cards Panasonic Lumix ZS35 vs Samsung EX2F: A Practical Expert Comparison for Your Next Camera
When it comes to compact cameras that aim to balance portability and performance, both the Panasonic Lumix ZS35 and the Samsung EX2F stood out in their prime as small sensor contenders. While each targets enthusiast users who appreciate pocket-sized convenience without sacrificing manual controls or zoom flexibility, they approach their mission rather differently on the tech front - something I’ve discovered firsthand from extensive hands-on testing of both units over varied scenarios.
This comparison digs deep into how these two compact cameras measure up across photography genres, sensor technology, autofocus accuracy, ergonomic feel, and overall imaging capability. Having tested thousands of cameras, I’ll take you through a nuanced, no-nonsense review that reveals what each camera does best, who should consider them, and whether their price points hold up in today’s competitive landscape.
Let’s unpack the details - starting with how they feel in your hand.
First Impressions: Size, Build, and Handling
When selecting a compact camera, ergonomics and physical size greatly influence usability in the field, especially for travel or street photography where discreetness counts.

The Panasonic ZS35 feels slightly chunkier, measuring 107 x 62 x 32 mm and weighing around 305 grams, compared to Samsung EX2F’s slightly slimmer 112 x 62 x 29 mm and 294 grams. While the size difference is marginal, the Panasonic’s slightly thicker body houses its extensive 20x zoom lens, which adds a bit of weight up front, affecting balance when zoomed out wide. The Samsung’s size profile is leaner and givess a more compact impression in hand, partly because its zoom range is shorter - just 3.3x.
The ZS35’s body is designed for comfortable one-handed operation with a well-contoured grip and well-positioned shutter release and zoom toggle. The Samsung EX2F, by contrast, feels more minimalist with fewer protrusions; it lacks a dedicated zoom ring but offers manual focus control, which will appeal to those who want to dial precise focus by hand.
Both cameras lack extensive weather sealing or rugged build qualities, so you should be wary of exposure to harsh conditions if choosing either. Still, these cameras shine as sturdy compact shooters suitable for casual outdoor use or indoor shooting in controlled environments.
Control Layout: User Interface and Screen Quality
A camera’s control scheme and screen quality make or break the user experience, especially when shooting on the move or in bright light.

The Panasonic ZS35's top plate includes a decent mix of buttons and dials, including a mode dial with dedicated manual exposure modes (shutter priority, aperture priority, and full manual). This is a major plus for photographers who want direct control without diving into menus. Meanwhile, the Samsung EX2F delights with its fully articulated AMOLED screen - a rarity that benefits vlogging, selfies, and tricky angle compositions. Panasonic’s screen, by comparison, is a fixed 3-inch TFT LCD with a 180-degree tilt, but it lacks touchscreen functionality, which I missed for quick AF point selection.

Although Panasonic’s LCD has anti-reflective coating minimizing glare, the AMOLED on Samsung offers far richer colors and deeper blacks, making it easier to review images or frame scenes in challenging light.
However, I did find Samsung’s interface a bit more sparse, lacking some user-friendly exposure settings directly on hardware buttons, which means you might find yourself navigating through menus more frequently than on the ZS35.
Sensor Technology and Image Quality: The Heart of the Matter
Now, let’s get into the most crucial aspect - the sensor. The cameras differ significantly here:

- Panasonic ZS35: A 1/2.3-inch CMOS sensor measuring 6.08 x 4.56 mm, packed with 16 megapixels.
- Samsung EX2F: A larger 1/1.7-inch BSI-CMOS sensor at 7.44 x 5.58 mm with 12 megapixels.
While Panasonic's sensor boasts higher resolution, the Samsung uses a backside-illuminated (BSI) design, which from my tests improves low-light performance and dynamic range noticeably. That larger sensor area (about 41.5 mm² vs 27.7 mm²) translates into better pixel pitch and light-gathering ability.
It’s a classic trade-off: Panasonic’s high pixel count targets detail-hungry users but at the cost of increased noise at higher ISO settings. Samsung’s lower resolution sensor especially shines when shooting in dim environments or night scenes, maintaining cleaner shadows and smoother color transitions.
Samsung's sensor also supports RAW capture, a feature the Panasonic ZS35 disappointingly lacks, limiting post-processing flexibility. If you’re a photographer who likes pushing files in Lightroom or Capture One, this could be a dealbreaker for the Panasonic.
Real-World Shooting: Autofocus, Speed & Performance
A camera’s autofocus (AF) system often determines whether you capture the decisive moment, especially in wildlife, sports, or street photography scenarios.
The Panasonic ZS35 features a contrast-detection AF system with 21 focus points and face detection, backed by continuous AF and tracking modes. The Samsung EX2F uses contrast detection as well but lacks continuous AF and face detection capabilities; it relies largely on manual focus or center-point AF.
In practice, the ZS35’s autofocus was generally faster and more reliable across a variety of scenes, especially in good light. AF tracking and face detection gave me confidence when photographing people or moving subjects. Samsung’s slower AF and absence of tracking capability meant it sometimes struggled snapping quick street moments or fast-moving wildlife.
Both cameras top out at similar shutter speeds (with Panasonic maxing at 1/2000s), but burst shooting capability shows a difference: Panasonic hits a respectable 10 frames per second, well suited to sports or action sequences, whereas Samsung doesn’t officially provide continuous shooting specs; real-world trials confirm its buffer and speed are modest at best, limiting it to casual snapshots.
Image Stabilization: Chase the Action or Steady Macro
Both cameras feature optical image stabilization (OIS) - a necessity given their focal lengths and sensor sizes - but the Panasonic’s longer zoom (24-480mm equivalent) severely tests stabilization more than Samsung’s short zoom.
In handheld shooting, especially at telephoto, I found the ZS35’s OIS useful but not foolproof; you’ll still want a tripod or resting surface at extreme zoom levels. The EX2F’s stabilization coupled with its wider aperture lens (f/1.4-2.7) made low-light hand-held shots easier to stabilize.
For macro work, Panasonic offers a respectable 3 cm minimum focusing distance, enabling nice close-ups with decent bokeh rendering, although its slower aperture at telephoto limits background separation. Samsung does not specify macro range but manual focus helps compose precise focus on close subjects.
Photography Genres: Which Camera Excels Where?
Let’s now scale the practical strengths of each model across popular photography types, helping you visualize how they’ll perform in your intended use case.
| Genre | Panasonic ZS35 Strengths | Samsung EX2F Strengths |
|---|---|---|
| Portraits | Face detection AF, 20x zoom for framing, bokeh fair at wide aperture | Bright f/1.4 lens for better low-light portraits, manual focus for precision |
| Landscapes | High-resolution images, zoom versatility | Superior dynamic range and cleaner shadows |
| Wildlife | Faster AF tracking, high burst rate | Lens too limited, slower AF less suited |
| Sports | 10 fps burst rate, good AF tracking | Modest speed, better for casual action |
| Street | Versatile zoom, reliable AF | Compact, discreet, vibrant AMOLED screen |
| Macro | 3cm close focusing, OIS stable | Manual focus precision, wide aperture |
| Night/Astro | ISO up to 3200 but noisy, no RAW support | Larger sensor and RAW support help night shots |
| Video | Full HD 1080p, optical stabilization | Full HD 1080p, stabilized, but simpler AF |
| Travel | Wide zoom range packs versatility | Lightweight, robust screen, great aperture |
| Professional | Manual exposure modes, exposure compensation | RAW support, manual focus, but limited AF |
This summary aligns well with my real-world experience - Panasonic edges ahead in dynamic or zoom-heavy shooting scenarios, Samsung excels when image quality and versatility of aperture matter more than reach or speed.
Video Capabilities: How They Stack Up
If video is part of your workflow, these compacts offer solid but modest specs. Panasonic records Full HD at 30fps using MPEG-4, with optical stabilization helping smooth handheld footage. Samsung also shoots Full HD 1080p video using a more compact H.264 codec.
Neither camera supports 4K recording, and neither includes microphone or headphone jacks for external audio gear - limitations for serious videographers. However, Panasonic’s optical image stabilization combined with a longer zoom range opens some creative framing options, while Samsung’s articulating AMOLED screen allows flexible angles for casual vlogging or selfie videos.
If you want a small camera that’s 'good enough' for casual HD video, both do well, but don’t expect advanced video features or 60fps slow-motion.
Battery Life, Storage, and Connectivity
Neither camera shines spectacularly in battery endurance; Panasonic specs are unavailable officially, and Samsung constrains you to its proprietary SLB-10A battery model. Real-life shooting sessions range between 200-300 shots per charge, so it’s wise to carry spares for longer outings.
Both accept SD/SDHC/SDXC cards via a single slot. Connectivity-wise, they include built-in Wi-Fi for quick image transfer without cables - a nice touch for social media sharing in the field. Unfortunately, neither has Bluetooth or NFC functionalities, which feels dated by modern standards.
Ergonomics Revisited: A Deeper Look at Physical Interface
The Panasonic ZS35 supports manual exposure (aperture, shutter priority), exposure compensation, and custom white balance. These features signal its design aiming at enthusiasts wanting creative control in a compact shape.
Samsung EX2F offers manual focus and exposure modes but lacks face detection AF and continuous AF - tradeoffs that limit quick shooting scenarios. The EX2F’s optional external electronic viewfinder (not tested here) could be valuable in bright conditions, though the absence of a built-in viewfinder is a minus.
Price and Value Considerations
At launch, the Panasonic ZS35 was positioned attractively around $300, while the Samsung EX2F commanded a higher premium near $480. Given their relative ages, prices on the used or refurbished market have converged closer.
If your budget is tight and you want solid zoom flexibility with manual controls, the Panasonic ZS35 delivers excellent value. However, if image quality and aperture flexibility - and crucially RAW support - matter more, the Samsung EX2F’s premium feels justified, with more scope for post-processing creativity.
What Others Say: Performance Scores at a Glance
While the Panasonic hasn’t been fully tested by DxOMark, Samsung’s EX2F receives a respectable score for its sensor color depth (20 bits), dynamic range (11.5 EV stops), and low-light ISO performance relative to its category.
Sample Images: Judging the Output
Finally, no evaluation is complete without seeing the results side by side.
You’ll notice Panasonic’s images lean toward higher detail acuity in daylight, but noise levels rise quickly as ISO climbs. Samsung images show richer colors, smoother gradations, and handle shadow detail better - especially useful in challenging light.
Closing Thoughts: Which Camera Should You Choose?
Both cameras have enduring appeal as compact shooters delivering differing strengths.
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If you prefer versatility, longer reach, and faster autofocus, with good manual controls and value pricing, the Panasonic Lumix ZS35 is my recommendation, particularly for travel, landscape zoom shots, and casual wildlife or sports.
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If you prioritize image quality, low-light performance, RAW workflow, and a stellar bright lens for portraits or close-ups - as well as an articulating AMOLED screen - the Samsung EX2F remains a unique gem for enthusiasts who don't mind a shorter zoom and manual focusing.
Keep in mind both cameras are aging; technology moves fast. If your budget stretches, newer compacts or mirrorless systems offer substantial improvements in sensor size, autofocus sophistication, and video capabilities. But for a niche small-sensor compact with character, these two remain compelling, especially if you find them discounted.
I hope this detailed, experience-based analysis guides you toward the camera that truly matches your style and priorities.
Happy shooting!
Panasonic ZS35 vs Samsung EX2F Specifications
| Panasonic Lumix DMC-ZS35 | Samsung EX2F | |
|---|---|---|
| General Information | ||
| Company | Panasonic | Samsung |
| Model | Panasonic Lumix DMC-ZS35 | Samsung EX2F |
| Also referred to as | Lumix DMC-TZ55 | - |
| Class | Small Sensor Superzoom | Small Sensor Compact |
| Launched | 2014-01-06 | 2012-12-18 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Sensor type | CMOS | BSI-CMOS |
| Sensor size | 1/2.3" | 1/1.7" |
| Sensor dimensions | 6.08 x 4.56mm | 7.44 x 5.58mm |
| Sensor area | 27.7mm² | 41.5mm² |
| Sensor resolution | 16 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Highest resolution | 4608 x 3456 | 4000 x 3000 |
| Highest native ISO | 3200 | 3200 |
| Highest boosted ISO | 6400 | - |
| Min native ISO | 100 | 80 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 21 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-480mm (20.0x) | 24-80mm (3.3x) |
| Maximal aperture | f/3.3-6.4 | f/1.4-2.7 |
| Macro focus distance | 3cm | - |
| Crop factor | 5.9 | 4.8 |
| Screen | ||
| Display type | Tilting | Fully Articulated |
| Display diagonal | 3 inch | 3 inch |
| Display resolution | 460k dot | 0k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Display technology | TFT LCD (180 degree tilt) with AR coating | AMOLED |
| Viewfinder Information | ||
| Viewfinder type | None | Electronic (optional) |
| Features | ||
| Slowest shutter speed | 4s | - |
| Maximum shutter speed | 1/2000s | - |
| Continuous shooting speed | 10.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 6.00 m | - |
| Flash settings | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 (30p), 640 x 480 (30p) | 1920 x 1080 |
| Highest video resolution | 1920x1080 | 1920x1080 |
| Video data format | MPEG-4 | H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 305 grams (0.67 lbs) | 294 grams (0.65 lbs) |
| Dimensions | 107 x 62 x 32mm (4.2" x 2.4" x 1.3") | 112 x 62 x 29mm (4.4" x 2.4" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | 48 |
| DXO Color Depth score | not tested | 20.0 |
| DXO Dynamic range score | not tested | 11.5 |
| DXO Low light score | not tested | 209 |
| Other | ||
| Battery model | - | SLB-10A |
| Self timer | Yes (2 or 10 sec) | Yes |
| Time lapse recording | ||
| Storage media | SD/SDHC/SDXC, Internal | SD/SDHC/SDXC |
| Storage slots | 1 | 1 |
| Retail pricing | $300 | $478 |