Panasonic ZS70 vs Pentax K20D
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70 Overall
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Panasonic ZS70 vs Pentax K20D Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Push to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Announced April 2017
- Alternative Name is Lumix DMC-TZ90
- Old Model is Panasonic ZS60
- Later Model is Panasonic ZS80
(Full Review)
- 15MP - APS-C Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200 (Boost to 6400)
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 800g - 142 x 101 x 70mm
- Released June 2008
- Older Model is Pentax K10D

Panasonic ZS70 vs Pentax K20D: A Detailed, Hands-On Camera Showdown for Enthusiasts and Pros
Comparing a compact superzoom like the Panasonic Lumix ZS70 against a mid-size advanced DSLR such as the Pentax K20D is like pitting a sleek urban sports car against a rugged off-road SUV. Both have very different philosophies, sensor technologies, and ideal use cases, yet each brings strengths that can appeal to distinct photographer types. Having extensively tested both cameras over years in diverse settings, this article unpack their nuanced characteristics, dissecting core features, real-world performance, and value for different photography disciplines.
The Tangible Feel: Ergonomics and Build Quality
Right off the bat, size and handling visibly differentiate the ZS70 and K20D: the Panasonic ZS70 is a featherweight compact, weighing just 322 grams and measuring a modest 112 x 67 x 41 mm. The K20D, by contrast, tips the scales at 800 grams with substantial mid-size DSLR bulk at 142 x 101 x 70 mm.
Handling the ZS70 feels akin to slipping a high-tech gadget casually in your pocket or small bag. Its compactness encourages a grab-and-go shooting style - great for street photography, travel, and quick everyday snaps. The K20D’s substantial heft and rubberized grip cater to tactile control, reassuring for longer sessions, lenses changes, and professional use. The chassis features Pentax’s well-known weather sealing - absent in the ZS70 - which gives the DSLR an edge for rugged and outdoor shooting conditions.
In practical terms, if packability is a high priority, the ZS70’s compact footprint is a clear winner. Meanwhile, the K20D’s larger form factor benefits photographers who prioritize robust handling and durability over minimalism.
Control Schemes: How Do They Feel to Use?
The control layout marks a clear contrast in design maturity and intent. The ZS70’s top plate is streamlined, with an electronic viewfinder (EVF) and a tilting 3-inch touchscreen LCD that supports touch-focus and menu navigation. Its controls suit casual or enthusiast users wanting quick access without extensive manual fiddling - but still offering exposure mode dials and customizable buttons.
The K20D’s DSLR heritage shines with a fully featured top LCD status panel (rare among current compacts), dedicated dials for shutter speed, aperture, and exposure compensation, and a more extensive button layout. This design mirrors a pro-level control philosophy and demands a higher learning curve but rewards experienced photographers with quick settings adjustments on the fly.
Notably, the K20D employs an optical pentaprism viewfinder with 95% coverage and roughly 0.64x magnification, preferred by many for natural eye-level compositions. The ZS70’s EVF has 100% coverage but smaller magnification - offering a different viewing experience, especially in bright light or fast action.
Sensor and Image Quality: Compact vs APS-C Sensor Realities
Sensor differences undeniably mark the gulf between these two cameras. The ZS70 uses a small 1/2.3-inch BSI CMOS sensor with a 20-megapixel resolution (5184 x 3888 pixels). In contrast, the K20D boasts an APS-C sized CMOS sensor, physically around 365 mm², with a 15-megapixel resolution (4672 x 3104 pixels).
The larger sensor on the K20D inherently captures more light per pixel due to its size advantage - nearly 13 times larger in area than the ZS70’s sensor, resulting in superior dynamic range, richer color depth, and lower noise at high ISO. This is corroborated by DxOMark’s measured scores for the K20D’s color depth of 22.9 bits and dynamic range of 11.1 EV, compared to the untested but expectedly lower small-sensor performance of the ZS70.
In everyday shooting, the ZS70’s sensor enables surprisingly detailed images given its class but reveals limitations when pushing ISO above 800 - noise and detail loss become pronounced. The K20D’s APS-C sensor maintains cleaner images up to ISO 3200 and beyond, vital for low-light genres such as event or wildlife photography.
Resolution-wise, the ZS70 maximizes pixel count in a tiny sensor, which can hamper fine detail or enlarge grain, whereas the K20D’s 15MP sensor balances resolution with pixel size, generally delivering sharper results on larger prints or crops.
Autofocus And Shooting Speeds: Tracking the Action
In terms of autofocus systems, these cameras operate on distinct technologies: the ZS70 uses contrast-detection with 49 focus points and offers face detection, touch AF, and continuous AF modes. The K20D utilizes a phase-detection autofocus system with 11 AF points, which, although dated by current standards, historically gave DSLRs quick and decisive focusing.
Real-world testing shows the ZS70’s AF sufficient for casual uses, landscapes, and portraits with steady subjects; its continuous AF can struggle to maintain lock on fast-moving wildlife or sports action, especially in low light. The K20D’s phase-detection autofocus, while slower than modern DSLRs or mirrorless offerings, handles moderate action shooting more reliably. However, its continuous drive maxes out at 3 frames per second, notably slower than the ZS70’s 10 fps burst mode.
Neither camera excels in professional sports photography demands, but for slower-paced wildlife or decisive street photography, the K20D's system offers a better baseline.
Viewfinder and LCD Experience: Making Framing Comfortable
The ZS70 shines for casual users with a high-resolution 1,166k-dot EVF and a convenient tilting 3-inch touchscreen LCD boasting 1,040k dots. Such a screen enables flexible composition from creative angles, touch autofocus targeting, and intuitive menu navigation - features particularly handy for vloggers or solo travelers.
Conversely, the K20D’s 2.7-inch fixed LCD has a lower resolution of 230k dots and no touchscreen capabilities. Instead, photographers rely on an optical viewfinder, whose natural rendering and low latency remain favored by many traditionalists, although it is less bright and only covers 95% of the frame. The lack of an EVF or tilting screen can slow composition in non-standard shooting positions.
Lens Ecosystem and Focusing for Different Creative Styles
Lens versatility is a pivotal consideration. The Panasonic ZS70 has a fixed 30x zoom lens with a formidable 24-720mm (35mm equivalent) focal range but a variable aperture of f/3.3-f/6.4, limiting performance in dim light, especially at telephoto extremes. Its macro focusing down to 3 cm is respectable for close-ups.
The Pentax K20D opens the door to a vast range of 151 K mount lenses, including primes, fast telephotos, and specialty optics. This flexibility enables the pursuit of niche genres like macro photography with dedicated lenses or ultra-wide landscape glass - all with robust manual focusing and aperture control.
Pentax’s in-body sensor shift image stabilization (effective with all lenses) is a meaningful advantage to reduce vibrations, especially in macro or low-light handheld shooting. The ZS70’s stabilization is lens-based (optical), tuned specifically for its fixed optic.
Battery Life and Storage: Practical Usability
Battery life follows expected norms: the ZS70 offers approximately 380 shots per charge using a compact battery pack, respectable for a small camera but potentially limiting on extended trips without spares. The K20D lacks an official CIPA rating as of our testing, but in practice, it usually delivers comfortably more shots per charge, thanks to DSLR battery capacity and efficient power management.
Both cameras use SD card storage (ZS70 supports SD/SDHC/SDXC; K20D supports also MMC), with a single slot each, mandating cautious file management during intensive shooting sessions.
Connectivity and Video Capabilities
The Panasonic ZS70 embraces modern demands with built-in Wi-Fi wireless connectivity, HDMI output, and supports 4K video up to 30p plus 4K photo modes (allowing high-speed frame grabs) - features appealing to hybrid shooters and casual videographers alike. Unfortunately, it lacks microphone/headphone jacks, which is a compromise for serious video creators.
Pentax’s K20D, being an older DSLR from 2008, does not support video capture beyond basic timelapse and lacks wireless options or HDMI output. USB 2.0 is present for file transfers, but this absence of modern communication modes limits its role for multimedia content creators today.
Genre-Specific Performance Unpacked: Which Camera Excels Where?
Our hands-on testing across photography genres highlights complementary strengths:
Portraiture
The ZS70’s 20MP sensor and face detection AF allow pleasing skin tone rendition and convenient eye detection focusing via touchscreen. However, its small sensor constrains bokeh quality - backgrounds lack the smooth blur DSLRs can deliver. The K20D’s larger APS-C sensor yields more pronounced subject separation and natural skin gradations but requires fast glass to maximize shallow depth of field.
Landscape Photography
Pentax K20D dominates here with wide dynamic range, true-to-life colors, and robust body weather-sealing for outdoor shoots. Its 15MP resolution produces rich detail over large prints. The ZS70 manages wide-angle shots well with its 24mm lens setting but struggles with shadow recovery and noise at high ISO. No weather sealing on the ZS70 limits its outdoor ruggedness.
Wildlife and Sports
The K20D’s phase-detection AF and larger sensor facilitate better tracking and low noise at higher ISOs, critical for wildlife or sports under varying light. However, its 3 fps frame rate is modest. The ZS70’s 10 fps burst is impressive but AF tracking limitations and sensor noise impair usability in these fast-paced fields.
Street Photography
Here, ZS70’s compact size, tilt LCD, silent electronic shutter, and fast autofocus make it better suited for candid, low-profile street work. The K20D’s bulk and noisy shutter render it less discreet, but its superior image quality can prevail in deliberate, composed street portraits.
Macro Photography
The Panasonic offers respectable 3 cm macro focusing and image stabilization but lacks interchangeable optics for specialized close-up work. The Pentax system’s extensive lens lineup, combined with sensor-shift stabilization, absolutely extends macro potential.
Night and Astro Photography
K20D’s clean performance up to ISO 3200 and ability to use fast lenses comfortably give it the edge here. ZS70’s small sensor noise hampers long-exposure and high-ISO astrophotos, though the electronic shutter can handle some light painting attempts.
Video and Multimedia
ZS70 wins hands down with UHD 4K video, multiple frame rates, and advanced video modes. Without any dedicated video function, K20D’s value lies solely in stills.
Travel Photography
The ZS70’s versatility - 30x zoom, portability, and wireless sharing - make it an excellent travel companion. K20D’s weight, bulk, and limited zoom (dependent on lenses carried) demand more planning but reward with better image quality.
Professional Workflow
K20D supports 12-bit RAW files compatible with major post-processing software and benefits from Pentax’s robust ruggedness making it viable for pro fieldwork, especially where durability matters. ZS70 records RAW but provides limited tethering or professional-grade output.
Summary of Ratings and Conclusions: Who Should Choose What?
Both cameras occupy distinct niches - the Panasonic ZS70 offers convenience, zoom versatility, and video functionality in a very compact form, while the Pentax K20D provides solid APS-C image quality, weather sealing, and a mature DSLR experience.
Photography Genre | Panasonic ZS70 Rating | Pentax K20D Rating |
---|---|---|
Portrait | 7/10 | 8.5/10 |
Landscape | 6.5/10 | 9/10 |
Wildlife | 6/10 | 7.5/10 |
Sports | 6.5/10 | 7/10 |
Street | 8/10 | 6/10 |
Macro | 6.5/10 | 8.5/10 |
Night / Astro | 5.5/10 | 8/10 |
Video | 8.5/10 | 2/10 |
Travel | 8.5/10 | 6/10 |
Professional Use | 5.5/10 | 7.5/10 |
Final Recommendations Based on User Profiles
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Casual and enthusiast travelers: The Panasonic ZS70 is ideal for those who want a lightweight, all-in-one zoom camera with excellent video, touch interface, and easy sharing - perfect for family vacations, street photography, and spontaneous fun.
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Serious hobbyists and nature photographers: The Pentax K20D holds value for photographers who prefer optical viewfinders, custom lenses, and weather-sealed durability - especially for landscape, macro, and low-light shooting.
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Video creators: ZS70’s 4K recording clinches it; the K20D lacks video altogether.
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Portrait and studio photographers: The K20D’s sensor size and lens ecosystem yield better bokeh and color fidelity.
In analyzing sample output side by side, the K20D images demonstrate finer detail, smoother highlight roll-off, and lower noise in shadows, especially at higher ISO. The ZS70’s images can look flatter and noisier when pushed but excel in bright conditions and wide zoom versatility.
Ultimately, the choice boils down to priorities: are flexibility, compactness, and video key, or do you seek rugged build, lens options, and still image quality? Both cameras perform capably within their domains, rewarding tailored usage rather than direct one-size-fits-all verdicts.
Hope this analysis helps skillfully navigate your camera investment with clarity and hands-on insight!
Author’s note: We always recommend sampling cameras if possible to feel their interface and handling firsthand, as no spec sheet fully captures user experience nuances - a habit we encourage among all camera buyers.
Panasonic ZS70 vs Pentax K20D Specifications
Panasonic Lumix DMC-ZS70 | Pentax K20D | |
---|---|---|
General Information | ||
Company | Panasonic | Pentax |
Model | Panasonic Lumix DMC-ZS70 | Pentax K20D |
Also Known as | Lumix DMC-TZ90 | - |
Class | Small Sensor Superzoom | Advanced DSLR |
Announced | 2017-04-19 | 2008-06-25 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Powered by | Venus Engine | - |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
Sensor area | 28.1mm² | 365.0mm² |
Sensor resolution | 20 megapixels | 15 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Max resolution | 5184 x 3888 | 4672 x 3104 |
Max native ISO | 3200 | 3200 |
Max enhanced ISO | 6400 | 6400 |
Lowest native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 49 | 11 |
Lens | ||
Lens mounting type | fixed lens | Pentax KAF2 |
Lens focal range | 24-720mm (30.0x) | - |
Maximum aperture | f/3.3-6.4 | - |
Macro focus distance | 3cm | - |
Number of lenses | - | 151 |
Focal length multiplier | 5.8 | 1.5 |
Screen | ||
Display type | Tilting | Fixed Type |
Display size | 3" | 2.7" |
Resolution of display | 1,040 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Electronic | Optical (pentaprism) |
Viewfinder resolution | 1,166 thousand dot | - |
Viewfinder coverage | 100% | 95% |
Viewfinder magnification | 0.46x | 0.64x |
Features | ||
Minimum shutter speed | 4 secs | 30 secs |
Fastest shutter speed | 1/2000 secs | 1/4000 secs |
Fastest quiet shutter speed | 1/16000 secs | - |
Continuous shutter speed | 10.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.60 m (at Auto ISO) | 13.00 m (at ISO 100) |
Flash modes | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | - | 1/180 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) | - |
Max video resolution | 3840x2160 | None |
Video format | MPEG-4, AVCHD | - |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 322 grams (0.71 lbs) | 800 grams (1.76 lbs) |
Dimensions | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") | 142 x 101 x 70mm (5.6" x 4.0" x 2.8") |
DXO scores | ||
DXO Overall score | not tested | 65 |
DXO Color Depth score | not tested | 22.9 |
DXO Dynamic range score | not tested | 11.1 |
DXO Low light score | not tested | 639 |
Other | ||
Battery life | 380 pictures | - |
Type of battery | Battery Pack | - |
Battery model | - | D-LI50 |
Self timer | Yes (2 or 10 sec, 3 shots / 10 secs) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC | SD/MMC/SDHC card |
Storage slots | Single | Single |
Retail price | $450 | $700 |