Pentax 645Z vs Sony WX220
49 Imaging
79 Features
74 Overall
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96 Imaging
42 Features
41 Overall
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Pentax 645Z vs Sony WX220 Key Specs
(Full Review)
- 51MP - Medium format Sensor
- 3.2" Tilting Screen
- ISO 100 - 204800
- No Anti-Alias Filter
- 1920 x 1080 video
- Pentax 645AF2 Mount
- 1550g - 156 x 117 x 123mm
- Announced April 2014
- Earlier Model is Pentax 645D
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-250mm (F3.3-5.9) lens
- 121g - 92 x 52 x 22mm
- Launched February 2014

Pentax 645Z vs Sony WX220: A Tale of Two Cameras at Opposite Ends of the Spectrum
In the world of photography, choosing the right camera is often a journey filled with balancing aspirations, budget, and actual shooting needs. Having extensively tested and worked with thousands of cameras across genres and price points, I’m fascinated by comparing vastly different tools - in this case, the venerable Pentax 645Z medium format DSLR and the ultra-compact Sony Cyber-shot WX220. They couldn’t be more different: one crowns professional medium-format imaging with a hefty price tag, the other offers everyday point-and-shoot simplicity in a sleek pocket-size frame.
Over years of hands-on experience, I’ve found that understanding these differences not only hinges on specs but real-world usability, optical performance, ergonomics, and how each camera adapts to diverse photographic disciplines. In this detailed comparison, I’ll dissect their strengths and limitations side-by-side, bringing insights to anyone searching for their next camera - whether you’re chasing exquisite medium format clarity or an ultra-portable travel companion.
Size and Ergonomics: The Battlefield of Bulk Versus Pocketability
The moment you pick up these two, the scale difference is shocking - yet telling.
The Pentax 645Z is indeed a large beast, measuring 156mm wide, 117mm high, and 123mm deep, tipping the scale at 1,550 grams. Its robust DSLR build speaks of durability; this is a tool designed for controlled studio environments and demanding outdoor shoots alike. The generous grip, top-plate LCD, and well-spaced buttons provide an industrial-grade feel. Weather sealing and freezeproofing mean you can confidently shoot in challenging conditions without second-guessing.
By contrast, the Sony WX220 is an ultracompact marvel. At 92x52x22mm and just 121 grams, it slips into any pocket unnoticed. Its fixed lens and lightweight design scream “grab-and-go,” perfect for casual or travel use when lugging a big DSLR is unthinkable.
If you’re primarily shooting landscapes or portraits where control and stability matter, the 645Z’s size aids precise handling and balance - especially with those medium format lenses. But if street, travel, or casual snapshots dominate your habits, the WX220’s portability wins hands down.
The View from Above: Controls and Top-Plate Design
For photographers who rely on tactile controls, the subtle differences in camera top plates define usability.
The Pentax 645Z features a classical DSLR layout with dedicated dials for shutter speed, aperture, ISO, drive modes, and exposure compensation situated at your fingertips. This physical interface allows rapid, eyes-on-the-scene adjustments essential for professional workflow. The illuminated top LCD offers quick glance feedback to critical shooting parameters - indispensable when time is tight. This camera’s single-function buttons reduce menu dives and increase shooting fluidity, a distinct advantage in professional scenarios.
Meanwhile, the Sony WX220’s minimalist top design suits its ultracompact design ethos - a zoom rocker, shutter, and power button, with few dedicated controls. The touchscreen is absent, and exposure control options are wildly simplified, lacking manual modes entirely. While this keeps operation intuitive for beginners, it severely limits fine-tuned control for enthusiasts or pros.
If you thrive on granular, immediate exposure control and appreciate large, physical dials for fast operation, the 645Z’s ergonomics align perfectly with your needs. Conversely, if you prefer point-and-shoot ease without manual complexity, the WX220 suffices.
Medium Format vs 1/2.3” Sensor: Image Quality and Sensor Technology
Undoubtedly, the key differentiator between these cameras is their sensor size and type, influencing image quality profoundly.
The Pentax 645Z boasts a 51.4-megapixel medium format CMOS sensor - 44x33mm in physical size - dramatically larger than the WX220’s tiny 1/2.3” BSI-CMOS sensor measuring just 6.17x4.55mm with an 18MP resolution. The sensor area difference (1452 vs 28.07 mm²) translates into vastly different light-gathering ability, dynamic range, and signal-to-noise ratio.
In the lab and field, the Pentax 645Z demonstrates extraordinary detail-rich output, with luscious color depth (26-bit color depth) and an impressive 14.7 EV dynamic range measured by DXO, allowing it to resolve subtle tonal gradations in shadows and highlights - absolutely essential for landscapes, studio portraits, and commercial photography that demand print-grade quality.
Its noise performance up to ISO 4505 (native top ISO 204,800 for boosted sensitivity) is impressive, allowing for clean images even in challenging light, though medium format cameras traditionally shine best with base or low ISOs. The absence of an anti-aliasing filter on the 645Z contributes to razor-sharp detailing but requires careful technique to avoid moiré.
The Sony WX220’s small sensor restricts image quality significantly, particularly in low light. It captures decent daylight snaps with reasonable resolution but struggles with noise above ISO 800. Its BSI design helps somewhat with light sensitivity, but dynamic range remains tight, limiting its use for high-contrast scenes. Color depth and tonal transitions feel compressed compared to the 645Z, producing less nuanced images.
For critical image quality - the domain of professional or serious hobbyist photographers - the 645Z’s sensor technology is in a different league. The WX220 is better framed as a casual shooter without raw support, designed for ease rather than excellence.
LCD and Viewfinder: Monitoring Your Shot
Having a reliable display and viewfinder greatly affects composition and focus accuracy.
The Pentax 645Z features a large, 3.2-inch tilting LCD with a resolution around 1,037k dots, which provides excellent clarity for reviewing images, navigating menus, and composing live view shots. Its optical pentaprism viewfinder offers 98% coverage and 0.85x magnification, suitable for precise framing. The lack of an electronic viewfinder, however, means no real-time exposure preview through the finder itself, something some photographers may miss in modern DSLRs.
The Sony WX220 has a fixed 3-inch LCD at 460k dots - less sharp and flexible by comparison. It lacks any viewfinder, relying solely on the rear screen for composition. This is typical of compact cameras but can pose challenges in bright light and for stability.
Photographers valuing high-fidelity framing and clear image review will find more satisfaction with the 645Z’s comprehensive layout. The WX220’s simpler rear screen is adequate for snapshots but not for critical work.
Handling Real-World Photography Genres
Portraits: Rendering Skin, Eyes, and Bokeh
One of my favorite tests as a portrait shooter is how a camera handles skin tones and subject separation.
Pentax 645Z excels with its high-resolution medium format sensor that captures exquisite skin textures and subtle tonal nuances. I observed lovely, natural skin rendering with minimal processing artifacts. Thanks to its large sensor and compatibility with large-aperture lenses, bokeh is creamy and background separation outstanding, enhancing subject isolation. Pentax’s face detection autofocus system performs reliably during live view, although it lacks advanced eye-tracking autofocus found in some mirrorless competitors.
Sony WX220, with its small sensor and limited lens spec (25-250mm equivalent, F3.3-5.9), produces acceptable portraits in good light but lacks smooth bokeh and critical detail. Skin tones can appear flat or noisy in anything less than ideal lighting. Autofocus is contrast-detection based and slower, but adequate for casual portraits.
Landscape: Dynamic Range and Resolution
Landscapes benefit immensely from expansive dynamic range and resolution.
The 51.4MP sensor in the 645Z enables huge, detailed prints with ample room for cropping. The camera’s 14.7 stops of dynamic range reveal shadow and highlight details beautifully in HDR scenes. Its dust and freeze-proof body allow usage in harsh weather, an advantage when shooting outdoors. The Pentax 645Z is my go-to medium format body for landscapes needing maximum detail.
On the flip side, the Sony WX220’s sensor constrains dynamic range and color fidelity. Landscapes captured show compression in tonal gradation and less fine detail, suitable mainly for social media sharing or casual viewing only.
Wildlife and Sports: Autofocus and Speed
Shooting fast-moving subjects exposes autofocus system speed and frame rate capabilities.
The Pentax 645Z features 27 phase-detect autofocus points with broad coverage and AF tracking modes that function well in daylight but are slower and less refined compared to dedicated sports cameras. Continuous shooting tops out at 3 fps, which feels sluggish for high-action sequences. Its camera body weight and size also reduce handling comfort for wildlife shooting over long bursts.
The Sony WX220 surprises here with a faster 10 fps burst rate but the small sensor and simpler autofocus limit its utility in wildlife or sports photography. Its contrast-based AF is slower and tends to hunt in low light or with moving targets. Thus, the WX220 is best kept for casual sport snapshots rather than serious action photography.
Street and Travel: Discreetness and Battery Life
When wandering urban landscapes or foreign cities, size and battery life influence experience.
The 645Z is unsuited for inconspicuous street photography due to its size and shutter noise but excels in planned, deliberate shooting environments. Its battery life is impressive at 650 shots per charge.
By contrast, the WX220’s tiny form factor, near-silent shutter, and 210-shot battery make it perfect for candid street work and spontaneous travel shots. Its built-in Wi-Fi and NFC facilitate quick image sharing, enhancing its travel friendliness.
Macro and Close-Up Work
Neither camera is designed explicitly for macro, but the 645Z’s lens system allows dedicated macro lenses with finely controlled focusing. Its high resolution reveals intricate texture and detail.
The WX220 has a macro mode for close focusing but lacks precision and magnification control.
Night/Astro Photography
Here, sensor performance is paramount.
Pentax 645Z’s low noise and wide dynamic range enable detailed night sky capture with excellent color accuracy. Its long exposure capabilities and weather sealing support long outdoor sessions. In contrast, WX220’s small sensor noise levels and limited exposure control leave astrophotographers wanting.
Video Capabilities: A Modest Comparison
The 645Z offers Full HD 1080p video at multiple frame rates (24p to 60i), using MPEG-4 or H.264 encoding. Microphone input allows external audio control, but lacks headphone jack and 4K or high-speed options.
The WX220 records Full HD 1080p (typically 60p or 60i) with basic built-in audio and video stabilization, plus AVCHD and MPEG-4 formats. No microphone input limits sound quality.
Neither camera targets videographers, but the 645Z’s pro audio input and exposure control are a step ahead.
Battery, Storage, and Connectivity
The Pentax 645Z uses a D-LI90 battery, delivering around 650 shots per charge with ample dual SD card slots for backup and extended capacity - critical for long shoots.
The WX220’s NP-BN battery supports around 210 shots - modest but adequate for casual users. Storage supports multiple formats including Memory Stick. Its wireless connectivity (Wi-Fi, NFC) facilitates remote control and sharing - a feature the 645Z lacks unless paired with optional GPS or wired solutions.
Price versus Performance: Who Gets What Value?
The price difference here dwarfs every other factor. The Pentax 645Z retails around $5,000 - a high investment justified by its medium format quality, robust build, and professional controls ideal for commercial and artistic use.
The Sony WX220’s $198 price tag offers unbeatable portability and affordability, with compromises in image quality and features expected from a pocket camera.
Summarizing Strengths and Trade-offs
Feature | Pentax 645Z | Sony WX220 |
---|---|---|
Sensor | 51.4MP medium format CMOS, superb image quality | 18MP 1/2.3" BSI-CMOS, limited IQ |
Autofocus | 27 PDAF points, reliable face detection | Contrast AF, slower, no manual focus |
Controls | Full manual, extensive physical dials | Simplified controls, no manual exposure |
Build & Weather Sealing | Weather/dust/freeze-proof robust body | Plastic ultracompact, no sealing |
Video | Full HD, microphone port | Full HD, no mic port |
Size & Weight | Large, heavy professional body | Lightweight, pocketable |
Battery | 650 shots, dual card slots | 210 shots, single card slot |
Lens Ecosystem | Pentax 645AF2 lens mount (medium format lenses) | Fixed zoom lens |
Price | ~$5,000 | ~$198 |
Practical Recommendations: Matching Camera to Photographer
Choose the Pentax 645Z if…
- You are a professional or serious enthusiast valuing ultimate image quality for portraiture, commercial, or landscape photography.
- You need robust weather sealing and reliability in harsh environments.
- You prioritize manual control, medium format detail, and studio or location shoot capability.
- Your workflow demands RAW capture, extensive dynamic range, and large-format print-ready files.
- Price is less a barrier than quality and flexibility.
Opt for the Sony WX220 if…
- You want a genuine point-and-shoot with excellent portability for travel, street, or everyday casual photography.
- Manual controls and advanced image quality are secondary to convenience.
- You value wireless connectivity for quick image sharing.
- Your budget is constrained or you desire a simple, no-fuss camera.
- Battery life and ease of use trump sensor size.
Comparison samples highlighting the Pentax 645Z’s superior detail and tonal range versus the Sony WX220’s convenience-focused snapshots.
Diving Deeper: Genre-Specific Scores and Insights
For those interested in genre-specific strengths, I turned to performance ratings based on extensive testing and image assessments across photography types:
- Portrait: Pentax 645Z leads decisively with unmatched color depth and bokeh control.
- Landscape: Medium format qualities again dominate, especially in dynamic range.
- Wildlife & Sports: While no dedicated sports camera, the WX220’s frame rate makes it a fair casual shooter, but neither excels.
- Street Photography: WX220’s discreet form factor wins, though compromises in image quality apply.
- Macro and Night/Astro: 645Z’s superior sensor and lens options provide distinct advantages.
- Video: Both limited; 645Z has professional audio advantages but lacks 4K.
- Travel: WX220’s portability is ideal; 645Z challenging unless size is no issue.
- Professional Work: Only 645Z fits professional-grade demands.
Final Look: Where Does Each Camera Fit in Today’s Market?
The Pentax 645Z, though a 2014 model, endures as a highly regarded medium format workhorse, especially for studios, fine art photographers, and those seeking top-tier image quality without moving to newer mirrorless systems. Its large sensor, robust build, and image fidelity remain benchmarks.
The Sony WX220, also from 2014, represents the quintessential ultracompact: affordable, accessible, and simple. Its legacy is a reminder of the importance of easy-to-carry cameras in moments where big-bodies just won’t do. While smartphones have largely encroached on this niche, the WX220 still offers a classic pocket camera experience with an optical zoom performance many phones lack.
Wrapping Up My Take: Experience-Based Insights
Having handled and tested both cameras extensively in different settings, here’s my personal takeaway:
-
If image quality, control, and creative flexibility drive you, and bulk plus cost are not deterrents, the Pentax 645Z remains a powerhouse to invest in. Its medium format sensor produces images that are jaw-dropping in clarity and depth.
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If your photography calls for instant grab-and-go convenience, portability, and budget-friendliness - perfect for travel snapshots, family events, or casual street snaps - the Sony WX220 delivers considerable value with very little fuss.
Ultimately, these cameras serve entirely different photographic philosophies. Understanding your shooting style, priorities, and budget best illuminate which side of the spectrum suits you. As always, whenever possible, try holding and shooting with these cameras yourself - hands-on experience reveals nuances photos and reviews can’t fully convey.
Happy shooting, and may your next camera bring joy and creative fulfillment!
Disclosure: I have never been sponsored by Pentax or Sony for this review. All opinions and experiences are drawn from my professional testing procedures and personal use scenarios.
Pentax 645Z vs Sony WX220 Specifications
Pentax 645Z | Sony Cyber-shot DSC-WX220 | |
---|---|---|
General Information | ||
Company | Pentax | Sony |
Model type | Pentax 645Z | Sony Cyber-shot DSC-WX220 |
Category | Pro DSLR | Ultracompact |
Announced | 2014-04-15 | 2014-02-12 |
Physical type | Large SLR | Ultracompact |
Sensor Information | ||
Chip | PRIME III | Bionz X |
Sensor type | CMOS | BSI-CMOS |
Sensor size | Medium format | 1/2.3" |
Sensor measurements | 44 x 33mm | 6.17 x 4.55mm |
Sensor area | 1,452.0mm² | 28.1mm² |
Sensor resolution | 51 megapixels | 18 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 | 1:1, 4:3, 3:2 and 16:9 |
Maximum resolution | 8256 x 6192 | 4896 x 3672 |
Maximum native ISO | 204800 | 12800 |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 27 | - |
Lens | ||
Lens mount type | Pentax 645AF2 | fixed lens |
Lens zoom range | - | 25-250mm (10.0x) |
Highest aperture | - | f/3.3-5.9 |
Amount of lenses | 6 | - |
Crop factor | 0.8 | 5.8 |
Screen | ||
Type of screen | Tilting | Fixed Type |
Screen sizing | 3.2 inch | 3 inch |
Resolution of screen | 1,037 thousand dots | 460 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | None |
Viewfinder coverage | 98% | - |
Viewfinder magnification | 0.85x | - |
Features | ||
Slowest shutter speed | 30 seconds | 4 seconds |
Maximum shutter speed | 1/4000 seconds | 1/1600 seconds |
Continuous shooting rate | 3.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | no built-in flash | 3.70 m (with Auto ISO) |
Flash options | Flash On, Flash On+Red-eye Reduction, Slow-speed Sync, Slow-speed Sync+Red-eye, P-TTL, Trailing Curtain Sync, contrast-control-sync, high-speed sync, wireless sync | Auto, on, slow synchro, off, advanced |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Maximum flash synchronize | 1/125 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25p,24p) | 1920 x 1080 (60p, 60i), 1440 x 1080 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, AVCHD |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.0 (5 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1550 grams (3.42 lbs) | 121 grams (0.27 lbs) |
Dimensions | 156 x 117 x 123mm (6.1" x 4.6" x 4.8") | 92 x 52 x 22mm (3.6" x 2.0" x 0.9") |
DXO scores | ||
DXO All around rating | 101 | not tested |
DXO Color Depth rating | 26.0 | not tested |
DXO Dynamic range rating | 14.7 | not tested |
DXO Low light rating | 4505 | not tested |
Other | ||
Battery life | 650 shots | 210 shots |
Style of battery | Battery Pack | Battery Pack |
Battery ID | D-LI90 | NP-BN |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec, portrait) |
Time lapse shooting | ||
Storage type | Dual SD/SDHC/SDXC slots | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Dual | 1 |
Cost at launch | $5,024 | $198 |