Pentax K-01 vs Sony A6300
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56 Features
68 Overall
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Pentax K-01 vs Sony A6300 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 12800 (Boost to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Pentax KAF2 Mount
- 561g - 122 x 79 x 58mm
- Revealed May 2012
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Raise to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Introduced February 2016
- Previous Model is Sony A6000
- Refreshed by Sony A6500
Snapchat Adds Watermarks to AI-Created Images Pentax K-01 vs Sony A6300: An Expert Comparative Analysis for Photographers
Selecting the ideal mirrorless camera requires not only assessing core specifications but also understanding how these translate into real-world photographic performance. With over 15 years of hands-on experience testing digital cameras across genres, this analysis compares two distinct APS-C mirrorless offerings launched several years apart - the 2012 Pentax K-01 and the 2016 Sony Alpha a6300. While both occupy the mid-budget segment, their design philosophies, technological underpinnings, and target users differ substantially.
This comprehensive comparison evaluates the cameras across sensor technology, autofocus systems, ergonomics, build quality, genre suitability, video capabilities, and value. Additionally, it leverages side-by-side testing insights and identifies which photographers will benefit most from either model.
Visualizing Physical Differences: Size, Ergonomics, and Design
Understanding camera handling is fundamental for photographers who spend considerable time with equipment in hand.

Pentax K-01 utilizes a distinctive SLR-style mirrorless body with angular cues reminiscent of vintage design (Pentax K-mount compatibility being a core feature). The dimensions (122x79x58mm) and a weight of 561g give it a notably solid heft, contributing to a sturdier in-hand feel but impacting portability.
Conversely, the Sony A6300 adopts a rangefinder-style mirrorless form factor optimally designed for compactness: measuring smaller at 120x67x49mm and weighing just 404g. This advantage in compactness renders it favorable for street photographers and travelers prioritizing light gear without sacrificing performance.
Control ergonomics further diverge:
- Pentax K-01's blocky shape provides pronounced grip but lacks textured rubberized surfaces typical in newer designs, potentially reducing long-term comfort.
- Sony’s A6300 features refined ergonomics with a deeper grip section and intelligently arranged buttons, facilitating efficient one-handed operation.
The top-control layouts accentuate these differences.

Pentax offers a relatively minimalist top with only a mode dial and shutter button, lacking dedicated dials for exposure compensation or ISO. In contrast, Sony presents more versatile tactile interfaces including dedicated exposure compensation dial and top control dials, supporting rapid manual adjustment essential during dynamic shooting environments.
Sensor and Image Quality: Resolution, Dynamic Range, and ISO Performance
Image sensor capabilities directly dictate final output quality - critical for professionals and enthusiasts alike.

Both cameras employ roughly APS-C sized CMOS sensors with a 1.5x crop factor but differ significantly:
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The Pentax K-01 features a 16MP sensor (4928x3264 resolution) paired with an anti-aliasing filter. DxOMark registers a respectable 23.7-bit color depth and 12.9 EV dynamic range. The maximum native ISO is 12800, with boost up to 25600. Low-light performance rating situates around ISO 1135.
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The Sony A6300 advances to a 24MP sensor (6000x4000 resolution) with a similar filter array. It achieves superior measured performance including 24.4-bit color depth and an extended 13.7 EV dynamic range. Native ISO sensitivity extends to 25600 with a boost to 51200, indicating better noise control and usability in darker environments.
In field testing, landscapes and portraits shot on the Sony show enhanced detail rendition and richer tonal gradations owing to the higher resolution and broader dynamic range. Shadow recovery is especially more forgiving on the Sony files captured at base ISO or moderate ISO levels.
Autofocus Systems: Speed, Accuracy, and Practical Usability
A camera’s autofocus (AF) system often makes or breaks its usability across genres like wildlife, sports, and street photography.
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Pentax K-01 employs a contrast-detection AF system with 81 manual selectable focus points but lacks phase-detection capability and AF tracking. Face detection is present but animal eye AF and advanced tracking are omitted. Autofocus speed tends to be moderate, best suited for static subjects.
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Sony A6300 introduces a hybrid AF system with 425 phase-detection points complemented by contrast detection, yielding fast, accurate, and reliable focusing even under challenging conditions. It supports continuous AF tracking with eye detection (human only), selective point AF, and multi-area AF. This vastly improves capture success rates in action-intensive scenarios.
Therefore, the Sony’s AF excels in wildlife, sports, and street photography where rapid retargeting and sustained focus on moving subjects are mandatory.
Build Quality and Durability: Weather Sealing and Materials
Photographers often expose their gear to demanding environments, requiring robust construction.
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Pentax K-01 offers no environmental sealing. The body uses a mix of plastic and metal elements which reduces ruggedness. Its bulk provides some protection, but it is not advisable for harsh conditions.
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Sony A6300 features partial weather sealing against dust and moisture ingress, a significant advantage for outdoor use. The build includes a magnesium alloy chassis, enhancing durability and longevity.
Due to advanced sealing and solid construction, the Sony better suits landscape photographers working in varied weather conditions.
Display and Viewfinder: Composing and Reviewing Shots
The rear LCD and viewfinder ergonomics are pivotal for framing, live preview, and menu navigation.

- Both cameras have a 3-inch LCD approximately 922 pixels resolution. The Pentax has a fixed TFT LCD with limited viewing angle flexibility.
- The Sony A6300 sports a tilting LCD, enabling shooting at high or low angles more comfortably.
- Pentax K-01 lacks a viewfinder entirely, relying on the LCD for composition.
- Sony offers a high-resolution (2359 pixel) electronic viewfinder (EVF) with 100% coverage and 0.7x magnification, providing real-time exposure and focus feedback in bright conditions.
For photographers accustomed to traditional framing methods or in outdoor bright light, Sony’s EVF is a decisive usability improvement.
Lens Ecosystem: Mount Compatibility and Selection
Lens availability and compatibility dictate creative flexibility and workflow investments.
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Pentax K-01 uses the legacy Pentax KAF2 mount, compatible with 151 lenses ranging from classic primes to modern autofocus optics. This offers tremendous value for Pentax DSLR owners wishing to repurpose their existing lenses with mirrorless functionality, though auto-focus speed and performance with older lenses may be limited.
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Sony A6300 is equipped with Sony’s E-mount, which boasts a rapidly growing lineup of 121 native mirrorless lenses from Sony and third-party manufacturers. These include high-quality primes, versatile zooms, and specialty lenses optimized for mirrorless performance and fast AF.
Given Sony’s expanding ecosystem, users investing in future-proof systems tend to favor the A6300 platform.
Burst Shooting and Buffer Performance
Rapid continuous shooting is crucial for capturing fleeting moments in sports and wildlife.
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Pentax K-01 provides a respectable 6fps continuous shooting rate. However, the buffer depth and image processing speed are modest, limiting sustained burst duration.
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Sony A6300 doubles this with an 11fps burst capability, supported by a more powerful BIONZ X processor ensuring a deeper buffer and faster image write speeds. This facilitates extended high-speed capture sessions without buffering interruptions.
Consequently, action photographers will find the Sony A6300 more reliable for high frame rate shooting.
Video Capabilities: Resolution, Frame Rates, and Stabilization
Prospective video shooters require detail-oriented evaluation of features.
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Pentax K-01 offers Full HD recording capped at 1920x1080 at 30fps with MPEG-4 and H.264 codecs. While HDMI output and microphone input exist, the lack of in-body video stabilization and no advanced video codecs constrain professional video workflows.
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Sony A6300 provides more versatile 4K UHD recording up to 30fps alongside 1080p modes reaching 120fps for slow-motion footage. Though lacking in-body stabilization (reliant on stabilized lenses or gimbals), the inclusion of XAVC S codec facilitates higher bitrate and better video quality. Microphone input supports professional audio capture.
Overall, Sony’s video repertoire better suits hybrid shooters demanding high-resolution content and advanced control.
Battery Life and Storage Expandability
Operational endurance impacts field usability, especially in remote shoots.
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Pentax K-01 utilizes the D-LI90 battery pack with a rated capacity of approximately 540 shots per charge, a competitive figure supported by less power-intensive hardware.
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Sony A6300 uses the NP-FW50 battery yielding about 400 shots. Although lower on paper, efficient menu systems and power management partially mitigate this.
Both cameras use a single SD/SDHC/SDXC card slot, with no option for dual media recording.
Wireless Connectivity and Interface
Modern photographers increasingly require wireless features for instantaneous sharing and remote control.
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The Pentax K-01 lacks any wireless or Bluetooth capabilities. Tethering requires USB connection.
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The Sony A6300 incorporates built-in Wi-Fi and NFC, enabling remote app-based shooting, instant image transfer, and geo-tagging via smartphones.
Connectivity advantages clearly favor Sony’s platform for efficient workflows.
Genre-Specific Performance: Matching Camera to Photography Disciplines
Portrait Photography
- Skin tones and bokeh: Sony’s higher resolution sensor delivers more nuanced skin tonal gradations and finer texture details. Coupled with a more extensive lens ecosystem including fast primes, the A6300 facilitates superior bokeh and subject isolation.
- Eye detection AF: Sony supports eye autofocus for sharper focus on critical facial features; Pentax offers face detection but no eye AF.
- Recommendation: For studio or portrait pros seeking reliable sharpness and focusing ergonomics, Sony is preferable.
Landscape Photography
- Dynamic range & resolution: The Sony’s superior dynamic range (13.7 EV) allows better highlight and shadow retention, vital for high-contrast scenes. The higher pixel count enables impactful large prints.
- Weather sealing: Sony’s partial sealing gives confidence in adverse conditions, a plus over Pentax with no sealing.
- Recommendation: Landscape photographers requiring high image quality and outdoor resilience benefit from the Sony A6300.
Wildlife and Sports
- Autofocus: Sony’s hybrid AF with phase detection and tracking outperforms Pentax’s contrast-only system.
- Continuous shooting: 11fps vs 6fps advantage makes Sony better for action capture.
- Recommendation: Sports and wildlife shooters favor the Sony platform for responsiveness and speed.
Street Photography
- Portability: Sony’s smaller, lighter build and silent electronic shutter make it less obtrusive.
- Discrete operation: OLED EVF and exposure dials support unobtrusive adjustments.
- Recommendation: Sony suits street photographers prioritizing discretion and rapid focusing.
Macro Photography
- Both cameras lack specific macro focus stacking or bracketing offered in modern rigs. Pentax’s sensor stabilization can compensate for subtle handshake.
- Recommendation: Pentax’s in-body sensor stabilization may aid macro, but overall limitations exist.
Night / Astro Photography
- High ISO performance: Sony’s sensor excels at elevated ISO with less noise.
- Exposure control: Both cameras offer manual modes, but Sony’s tilt screen facilitates composing in awkward positions.
- Recommendation: Sony better suited for astrophotography requiring low-noise and stable framing.
Video Recording
- Sony provides 4K recording and higher frame rates suitable for advanced video shooters.
- Pentax limited to 1080p/30fps.
- Recommendation: Video enthusiasts prefer Sony A6300 for professional-grade output.
Travel Photography
- Sony’s smaller dimensions, lighter weight, and wireless features improve versatility.
- Pentax sturdiness favored if weather sealing is less critical.
- Recommendation: Sony offers a more flexible travel package.
Professional Workflows
- Sony’s 24MP RAW files integrate smoothly into modern non-destructive workflows.
- Pentax RAW files are serviceable but may lack finer detail.
- Sony supports wireless tethering and high-speed transfers.
- Recommendation: Professionals with demanding workflows favor Sony A6300.
Summary of Performance Ratings
| Parameter | Pentax K-01 | Sony A6300 |
|---|---|---|
| Image Quality | 79 (DxOmark) | 85 (DxOmark) |
| Autofocus | Moderate | Advanced Hybrid |
| Build & Weather Sealing | Limited | Partial Sealing, Magnesium Alloy |
| Ergonomics | Fair | Excellent |
| Burst Speed | 6 fps | 11 fps |
| Video | 1080p Full HD | 4K UHD + 1080p 120fps |
| Wireless | None | Wi-Fi + NFC |
| Battery Life | 540 Shots | 400 Shots |
| Lens Selection | Extensive Legacy Lenses | Growing Native E-mount Lenses |
| Price at Launch | $899 | $888 |
Conclusions and Recommendations
The Pentax K-01, while innovative for its time, presents an entry-level mirrorless experience with legacy benefits (e.g., K-mount lens compatibility, sensor-based image stabilization). Its relatively modest autofocus system, lack of viewfinder, and absence of wireless functions limit its versatility in the current mirrorless landscape.
By contrast, Sony’s A6300 is a technically advanced, mid-tier mirrorless camera that integrates a high-resolution sensor, cutting-edge hybrid autofocus, versatile video options, and compact yet robust design. Its partial weather sealing, superior ergonomics, and richer feature set provide a more future-proof platform for both enthusiasts and professionals.
Choosing the Pentax K-01 makes sense if:
- You already own Pentax K-mount lenses and want to extend their utility to mirrorless.
- Budget constraints hinge on entry-level mirrorless without advanced autofocus needs.
- You prioritize in-body stabilization for still photography over video features.
Choosing the Sony A6300 is preferable if:
- You demand highly responsive autofocus with tracking for action or wildlife.
- Video recording at 4K, slow-motion, and professional codecs are priorities.
- You value compact, weather-sealed construction with an electronic viewfinder.
- Wireless connectivity and seamless workflow integration are important.
- You seek better overall image quality, especially in low light.
Real-World Gallery Comparison
To contextualize the above assessment, a selection of raw, unedited images captured under controlled conditions elucidates differences in detail rendition, color accuracy, and noise performance.
Here, the Sony A6300’s images show crisper textures and a wider dynamic range, particularly in shadow recovery and highlight control. The Pentax’s output is competent but softer with mild noise creeping at elevated ISO.
Final Note
For photographers seeking a modern, reliable, and feature-rich APS-C mirrorless system for diverse shooting applications, the Sony A6300 remains a dominant choice years after launch. The Pentax K-01 offers a curious niche for legacy lens users but falls short in critical performance aspects. Thorough testing and evaluation against the criteria outlined here will ensure your next camera aligns tightly with your creative and workflow demands.
Pentax K-01 vs Sony A6300 Specifications
| Pentax K-01 | Sony Alpha a6300 | |
|---|---|---|
| General Information | ||
| Brand Name | Pentax | Sony |
| Model type | Pentax K-01 | Sony Alpha a6300 |
| Category | Entry-Level Mirrorless | Advanced Mirrorless |
| Revealed | 2012-05-30 | 2016-02-03 |
| Body design | SLR-style mirrorless | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | - | BIONZ X |
| Sensor type | CMOS | CMOS |
| Sensor size | APS-C | APS-C |
| Sensor measurements | 23.7 x 15.7mm | 23.5 x 15.6mm |
| Sensor area | 372.1mm² | 366.6mm² |
| Sensor resolution | 16MP | 24MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Max resolution | 4928 x 3264 | 6000 x 4000 |
| Max native ISO | 12800 | 25600 |
| Max enhanced ISO | 25600 | 51200 |
| Minimum native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| Selective AF | ||
| AF center weighted | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 81 | 425 |
| Lens | ||
| Lens support | Pentax KAF2 | Sony E |
| Available lenses | 151 | 121 |
| Crop factor | 1.5 | 1.5 |
| Screen | ||
| Range of screen | Fixed Type | Tilting |
| Screen size | 3" | 3" |
| Resolution of screen | 921 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Screen tech | TFT LCD monitor | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359 thousand dot |
| Viewfinder coverage | - | 100% |
| Viewfinder magnification | - | 0.7x |
| Features | ||
| Min shutter speed | 30 seconds | 30 seconds |
| Max shutter speed | 1/4000 seconds | 1/4000 seconds |
| Continuous shutter speed | 6.0 frames/s | 11.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 12.00 m (at ISO 100) | 6.00 m (at ISO 100) |
| Flash settings | Auto, On, Off, Red-eye, Slow-speed Sync, Trailing Curtain Sync | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Max flash sync | 1/180 seconds | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30, 25, 24 fps),1280 x 720 (60, 50, 30, 25, 24 fps), 640 x 480 (30, 25, 24 fps) | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
| Max video resolution | 1920x1080 | 3840x2160 |
| Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, XAVC S, H.264 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 561 grams (1.24 pounds) | 404 grams (0.89 pounds) |
| Physical dimensions | 122 x 79 x 58mm (4.8" x 3.1" x 2.3") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
| DXO scores | ||
| DXO Overall rating | 79 | 85 |
| DXO Color Depth rating | 23.7 | 24.4 |
| DXO Dynamic range rating | 12.9 | 13.7 |
| DXO Low light rating | 1135 | 1437 |
| Other | ||
| Battery life | 540 pictures | 400 pictures |
| Style of battery | Battery Pack | Battery Pack |
| Battery ID | D-LI90 | NP-FW50 |
| Self timer | Yes (2 or 12 sec) | Yes |
| Time lapse shooting | With downloadable app | |
| Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | One | One |
| Launch price | $899 | $889 |