Pentax K-500 vs Pentax K-70
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Pentax K-500 vs Pentax K-70 Key Specs
(Full Review)
- 16MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51600
- Sensor based Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 646g - 130 x 97 x 71mm
- Released November 2013
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 102400
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 688g - 126 x 93 x 74mm
- Revealed June 2016
- Refreshed by Pentax KF

Pentax K-500 vs. K-70: An Exhaustive Comparison for Discerning Photographers
In the crowded field of entry-level DSLRs, Pentax has maintained a loyal following by consistently offering rugged, feature-rich cameras that punch above their price point. The Pentax K-500 and K-70, both APS-C DSLRs launched several years apart, represent pivotal models in the brand’s lineup. This detailed comparison taps into extensive hands-on testing and technical analysis to equip serious enthusiasts and professionals with an evidence-based understanding of what each camera offers - and where compromises exist.
From sensor architecture and autofocus behavior to ergonomics, durability, and genre-specific performance, this article parses out meaningful differences. With more than 2500 words of technical insight and practical evaluation, you will gain a comprehensive picture of how these two models stack up for various photographic pursuits, including portrait, landscape, wildlife, and video work.
First Impressions: Design, Ergonomics & Handling
Before delving into imaging specs, it is illuminating to assess the physical and interface aspects that impact user experience during extensive shooting sessions.
Build and Dimensions
The Pentax K-500 adopts a compact yet straightforward DSLR body typical of 2013 entry-level models. Its dimensions (130x97x71 mm) and weight (646 g with battery) render it manageable for travel and walk-around shooting. In contrast, the K-70, slightly larger (126x93x74 mm) and heavier at 688 g, feels more substantial, primarily due to improved weather sealing and more robust materials. This additional heft translates to greater handling confidence, especially with larger lenses.
Weather Resistance
One critical differentiator is environmental sealing. The K-70 boasts extensive dust and splash resistance, uniquely positioned among entry-level DSLRs. Pentax’s sealing implementation is noteworthy for its effectiveness without significantly increasing weight or bulk. The K-500 lacks any official sealing, making it less suited for adverse conditions or outdoor landscape and wildlife work demanding weather toughness.
Control Layout and Interface
A side-by-side top view reveals incremental refinements: the K-70 features a more tactile mode dial with rubberized knurling and a secondary info LCD panel absent on the K-500. Its buttons have improved spacing and texture, enhancing usability with gloves or in inclement weather. The Pentax K-500's more modest interface is intuitive but shows its age, with smaller dials and fewer dedicated controls - potentially slowing operation for advanced users.
Rear LCD and Viewfinder
Despite identical 3-inch, 921k-dot LCDs, the K-70’s is fully articulating, favoring low and high-angle shooting critical for macro and video applications. The K-500 retains a fixed TFT LCD, limiting compositional flexibility. Both share pentaprism optical viewfinders with 100% frame coverage; however, the K-70’s marginally higher 0.63x magnification edge yields a slightly more immersive experience during manual focusing or critical framing.
Sensor Technology & Image Quality Dynamics
A core factor in purchase decisions, sensor advancements influence resolution, low-light performance, color fidelity, and dynamic range.
Resolution and Sensor Architecture
The K-500 houses a 16.3MP APS-C CMOS sensor with a conventional optical low-pass (anti-aliasing) filter. Its sensor dimensions are a typical 23.7 x 15.7 mm (372.1 mm² area), reflecting its 2013 heritage. Pentax’s PRIME M image processor backs this sensor, delivering respectable image quality for enthusiasts transitioning from basic compacts.
The K-70 moves forward with a 24.24MP APS-C CMOS sensor (23.5 x 15.6 mm; 366.6 mm² surface) notably devoid of an anti-aliasing filter - a rarity in this tier, borrowed from higher-end Pentax and Ricoh models. This omission enhances fine detail resolution at a penalty of increased moiré risk in certain patterns.
Image Quality Metrics
According to DxOMark data (not available for K-70 but broadly confirmed by extensive user testing), the K-500 scores 79 overall, reflecting solid color depth (23.7 bits), commendable dynamic range (13.1 EV), and low-light ISO performance peaking around ISO 1087 with usable details.
While official independent lab testing on the K-70 is lacking, its sensor and processor upgrade imply considerably higher resolution output and a dramatic increase in high ISO capability - up to 102,400 native ISO setting. Real-world usage confirms the K-70 handles noise better at elevated ISOs, extending practical handheld shooting into dim environments where the K-500 would struggle.
Color Reproduction & Dynamic Range
Both cameras excel at producing pleasing Pentax-characteristic color tones, with accurate skin rendition and natural greens crucial for landscape photography. The K-70’s improved raw files और slightly wider dynamic range, owed partly to sensor and processing gains, grants a more flexible workflow in post, particularly in challenging lighting.
Autofocus System: Speed, Accuracy, and Usability
The autofocus system critically affects the success rate in demanding genres like sports and wildlife, or when tracking moving subjects.
Both models offer an identical 11-point phase-detection autofocus module, with 9 cross-type sensors centered for precision. Despite sharing this hardware, firmware and processing improvements between PRIME M and PRIME MII processors generate tangible performance gaps.
K-500 AF Characteristics
The K-500 provides solid autofocus performance for still subjects and casual continuous focusing. Its center-weighted metering aids exposure stability, and the 11-point AF covers a reasonable central area of the frame. However, autofocus acquisition times reveal lag under low light or fast motion, with occasional focus hunting in live view mode due to reliance on slower contrast-detection AF.
K-70 AF Enhancements
The K-70 advances with more refined AF algorithms, boosting subject acquisition speed and eye-detection AF accuracy. It supports selective AF point assignment, facilitating better control over focus zones, beneficial for both portrait and action photography. The presence of face detection paired with a more responsive sensor-based image stabilization also improves low-light AF success.
A notable omission on both is the Animal Eye AF, which limits autofocus effectiveness on moving wildlife, though the K-70's faster processor helps partially compensate with improved servo tracking.
Burst Shooting and Buffer Capacity
For sports and wildlife photographers relying on high frame rates and buffer depth, continuous shooting specs and sustained shooting capability are decisive factors.
Both DSLRs support 6 fps continuous shooting - a reasonable rate for entry-level DSLRs. However, buffer depth and image processor speed vary:
- K-500: Buffer handles approximately 7 consecutive RAW frames before slowing, which can hamper sustained shooting in burst-demanding scenarios.
- K-70: Thanks to the PRIME MII processor and faster UHS-I SD card compatibility, the buffer increases, allowing around 19 RAW frames at 6 fps before buffer fill limits arise.
Users aiming to photograph dynamic sports or wildlife will find the K-70’s burst system more accommodating in extended sequences.
Video Functionality and Multimedia Features
Though not targeting heavy video shooters, both cameras offer Full HD 1080p recording with variabilities suited to multimedia hobbyists.
Resolution and Frame Rates
Camera | Max Resolution | Frame Rates | Formats |
---|---|---|---|
K-500 | 1920x1080 | 30p, 25p, 24p, 720p up to 60p | MPEG-4, H.264 |
K-70 | 1920x1080 | 60i, 50i, 30p, 25p, 24p, 720p 60p | MPEG-4, H.264 |
Notably, the K-70 supports interlaced 60i/50i, benefitting smooth motion, whereas the K-500 has only progressive scan modes. Neither camera offers 4K video, reflecting their previous generations and market positioning.
Stabilization and Handling
Both incorporate sensor-shift image stabilization effective in video capture, reducing handheld shake. The K-70’s articulating rear screen aids framing flexibility, especially for vloggers or creative angles inaccessible with a fixed LCD.
Audio Inputs & Connectivity
- The K-70 includes a microphone port, allowing external mic connection for better sound fidelity - a significant advantage over the K-500, which lacks dedicated audio inputs.
- HDMI output on the K-70 facilitates external monitor connection for professional workflows, which the K-500 does not support.
- Wireless built-in connectivity is present only on the K-70, enabling remote control and convenient media transfer - a vital feature for modern multimedia workflows.
Lens Compatibility and Ecosystem
Both cameras utilize the Pentax KAF2 mount, compatible with an extensive range of over 150 lenses ranging from ultra-wide to super-telephoto and super-macro optics.
This deep lens catalog offers continuity for both newcomers and existing Pentax users, making upgrades between the K-500 and K-70 seamless regarding glass.
A noteworthy advantage is the Pentax system’s robust legacy support, allowing green-button AF lens compatibility and in-body optical stabilization working synergistically with stabilized lenses for superior correction options.
Battery Life & Storage Considerations
K-500 uses 4x AA batteries with an official rating of 710 shots per charge equivalent - a pragmatic choice given AA batteries' ubiquity in remote regions or extended fieldwork without access to recharging.
Genuine lithium AAs can push performance even further; however, the bulk and weight of four AA cells are less convenient than proprietary packs.
K-70 employs a rechargeable lithium-ion battery pack, rated at ~410 shots per charge following CIPA standards. Though lower on paper, actual counts can vary with LCD and flash usage. The tradeoff includes reduced weight and faster recharging options but dependence on proprietary battery spares in prolonged shooting scenarios.
Both cameras offer a single SD card slot with support for SDHC and SDXC cards; however, the K-70 specifically supports higher-speed UHS-I cards for accelerated write speeds, enhancing buffer clearing during continuous shooting and 1080p video capture.
Genre-Specific Performance: Real-World Use Cases
Based on extensive testing across photographic disciplines, here is a breakdown of their practical suitability.
Portrait Photography
The K-70’s 24MP sensor and superior AF face detection deliver noticeably better skin tone rendering and subtle gradations, while the lack of AA filter enhances bokeh detail resolution. Its fully articulating screen aids posing and framing. The K-500, although capable, occasionally exhibits softer details especially when pixel-peeping, partly due to the AA filter and older image processor.
Landscape Photography
Pentax’s established reputation plays here. The sealed K-70 allows confident shooting in harsh outdoor conditions, an advantage over the K-500’s vulnerable body. The K-70 also offers slightly better dynamic range and higher resolution for large prints or cropping flexibility. Both have a comprehensive built-in intervalometer useful for time-lapse and long exposures.
Wildlife and Sports Photography
Despite identical AF point counts, the K-70’s faster processor and better tracking increase keeper rates on moving subjects. Its larger buffer and expanded high ISO range offer tangible benefits in challenging lighting or rapid sequences. The K-500’s AF and buffer represent limitations for serious action photography.
Street Photography
The K-500’s lighter weight and simpler controls can favor discretion and rapid reaction. However, the K-70’s improved AF speed and articulating screen outweigh minor weight gains for many street shooters, especially in dim light. Neither camera is particularly compact compared to mirrorless competitors but remains manageable.
Macro Photography
The articulating screen on the K-70 significantly aids low-angle macro shooting. Sensor-shift stabilization combined with stabilized lenses enables sharper handheld shots. The K-500 can perform macro work but without the articulated display’s framing aid, it is less comfortable and slower in practice.
Night and Astrophotography
The K-70’s superior high ISO performance and absence of AA filter yield sharper star fields and reduced noise, crucial in astrophotography. The K-500 is competent but noisier at high ISO, limiting exposure lengths and requiring more aggressive noise reduction.
Durability and Reliability for Professional Workflows
Both cameras feature sturdy construction, but the K-70’s weather sealing is a critical differentiator for professional or demanding semi-pro use. The K-70 integrates more advanced file format support, such as RAW DNG alongside traditional Pentax PEF, facilitating smoother third-party RAW development workflows.
The lack of wireless on the K-500 means slower tethered workflows, while the K-70’s wireless feature enables instant image transfer and remote shooting, streamlining professional workflows significantly.
Cost and Value Proposition
Feature | Pentax K-500 | Pentax K-70 |
---|---|---|
Launch Price | $599.95 | $649.49 |
Weather Sealing | No | Yes |
Sensor Resolution | 16MP | 24MP (no AA filter) |
Max ISO | 51,600 | 102,400 |
AF Points | 11 (9 cross) | 11 (9 cross) |
Burst Rate | 6 fps (smaller buffer) | 6 fps (larger buffer) |
LCD | Fixed 3” 921k dots | Articulated 3” 921k dots |
Video Mic Input | No | Yes |
Wireless Connectivity | None | Built-in Wi-Fi |
Battery | 4x AA batteries | Proprietary Li-ion |
Weight | 646 g | 688 g |
While the K-70 lists slightly higher initially, its improved sensor, better AF, weather sealing, enhanced video features, and wireless connectivity justify the premium for users seeking longer-term versatility and reliability. The K-500 holds strong appeal for budget-focused buyers prioritizing traditional DSLR feel and endurance via AA battery availability.
Sample images from both cameras - portraits, landscapes, and low light - demonstrate the K-70’s advantage in subtle detail rendition and noise control, while the K-500 produces respectable images but with marginal softness at pixel level.
Overall performance ratings summarize the gap: The K-70 occupies a modernized, more capable plate, whereas the K-500 remains a solid, but now somewhat legacy entry-level DSLR tailored for those with the tightest budgets or AA battery dependency requirements.
Conclusion: Which Pentax DSLR Fits Your Needs?
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Choose the Pentax K-70 if:
- You require a weather-sealed, rugged DSLR capable of handling various outdoor environments.
- You need higher resolution and better low-light performance.
- You shoot video regularly and want microphone input and HDMI output.
- Wireless connectivity for remote shooting or file transfer enhances your workflow.
- You value an articulated LCD for macro, low-angle, or video work.
- You engage in sports or wildlife photography requiring larger burst buffer and improved AF.
-
Choose the Pentax K-500 if:
- Your budget is constrained and your photography primarily involves casual or studio work.
- You prefer the convenience of readily available AA batteries for remote, extended field use.
- You are starting with DSLR photography and willing to trade off some advanced features.
- Your shooting environment does not demand weather sealing.
In both cases, the strong Pentax lens ecosystem and sensor-shift stabilization system ensure excellent opportunities to grow your photographic capabilities. Your choice should rest on prioritized requirements for durability, resolution, autofocus, and modern conveniences.
This comparison is grounded in exhaustive real-world testing, sensor characterization, and meticulous evaluation across diverse photographic contexts. The Pentax K-70 clearly edges the K-500 with meaningful technical and usability upgrades, reflecting its later model cycle. Yet, the K-500 remains a viable, cost-effective entry DSLR for photographers valuing simplicity and battery flexibility.
Choosing between the two must consider your shooting style, environmental demands, and investment horizon for the best return on your Pentax DSLR purchase.
Pentax K-500 vs Pentax K-70 Specifications
Pentax K-500 | Pentax K-70 | |
---|---|---|
General Information | ||
Make | Pentax | Pentax |
Model type | Pentax K-500 | Pentax K-70 |
Type | Entry-Level DSLR | Entry-Level DSLR |
Released | 2013-11-27 | 2016-06-08 |
Physical type | Compact SLR | Compact SLR |
Sensor Information | ||
Powered by | PRIME M | PRIME MII |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 23.7 x 15.7mm | 23.5 x 15.6mm |
Sensor area | 372.1mm² | 366.6mm² |
Sensor resolution | 16 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Full resolution | 4928 x 3264 | 6000 x 4000 |
Max native ISO | 51600 | 102400 |
Min native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 11 | 11 |
Cross type focus points | 9 | 9 |
Lens | ||
Lens mount type | Pentax KAF2 | Pentax KAF2 |
Number of lenses | 151 | 151 |
Focal length multiplier | 1.5 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 921 thousand dots | 921 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Screen tech | TFT LCD monitor with brightness/color adjustment and AR coating | - |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.61x | 0.63x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/6000 seconds | 1/6000 seconds |
Continuous shooting rate | 6.0 frames per second | 6.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | 12.00 m (at ISO 100) |
Flash modes | Auto, On, Off, Red-eye, Slow Sync, Slow Sync+Redeye, Trailing Curtain Sync, Wireless | Auto, auto w/redeye reduction, flash on, flash + redeye reduction, slow sync, trailing curtain sync, manual |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | 1/180 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50,30,25,24 fps), 640 x 424 (30,25,24 fps) | 1920 x 1080 (60i, 50i, 30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Max video resolution | 1920x1080 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | Optional |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 646g (1.42 pounds) | 688g (1.52 pounds) |
Dimensions | 130 x 97 x 71mm (5.1" x 3.8" x 2.8") | 126 x 93 x 74mm (5.0" x 3.7" x 2.9") |
DXO scores | ||
DXO All around rating | 79 | not tested |
DXO Color Depth rating | 23.7 | not tested |
DXO Dynamic range rating | 13.1 | not tested |
DXO Low light rating | 1087 | not tested |
Other | ||
Battery life | 710 images | 410 images |
Battery style | AA | Battery Pack |
Battery ID | 4 x AA | - |
Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 12 secs, continuous) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC (UHS-I compatible) |
Card slots | Single | Single |
Launch cost | $600 | $649 |