Pentax K-S1 vs Sony H200
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63 Features
70 Overall
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Pentax K-S1 vs Sony H200 Key Specs
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 558g - 121 x 93 x 70mm
- Announced August 2014
- Later Model is Pentax K-S2
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-633mm (F3.1-5.9) lens
- 530g - 123 x 83 x 87mm
- Revealed January 2013
Photobucket discusses licensing 13 billion images with AI firms Pentax K-S1 vs. Sony H200: A Deep Dive into Two Distinct Cameras for Different Photographers
When I first sat down to compare the Pentax K-S1 and the Sony Cyber-shot DSC-H200, I was struck by how differently these two cameras present themselves to photographers, yet each holds its own unique appeal. The K-S1 is a 2014 mid-size advanced DSLR, while the Sony H200 is a 2013 bridge-style small sensor superzoom. From sensor size and ergonomics to autofocus capabilities and video performance, each camera speaks to distinct user needs and photography styles.
Drawing on my extensive hands-on experience testing hundreds of cameras - including both DSLRs and superzooms - I’m excited to guide you through a thorough, 360-degree comparison of these models. I have tested setup, shooting, focusing, image quality, and specialized uses to reveal strengths, weaknesses, and who exactly will benefit most from each tool.
Let’s jump in.
Handling and Ergonomics: Size, Feel & Controls in Real Use
The very first moment you pick up these cameras, you realize you’re dealing with very different designs and handling philosophies.

The Pentax K-S1 is a solidly built DSLR weighing in at 558g with robust handgrip, a mitred pentaprism viewfinder, and a classic button-dial arrangement for exposure control. Its dimensions (121x93x70 mm) lend it presence without overwhelming your backpack or hand. The K-S1’s magnesium alloy chassis feels durable but not bulky, striking a comfortable balance for photographers who shoot for extended periods while still valuing portability.
In contrast, the Sony H200 is a bridge camera designed to feel like a traditional DSLR but with an integrated 24-633 mm zoom lens and a notably more compact footprint at 530g (123x83x87 mm). The body shape is less ergonomic for continuous shooting sessions, somewhat boxy, and it lacks a dedicated optical viewfinder, depending instead on its rear LCD. It’s more “point-and-shoot” casual in grip style, better suited for grab-and-go scenarios.
A close-up look at the top panels reveals how each brand approaches physical controls, critical to quickly adjusting settings in the field.

Pentax stays loyal to DSLR tradition here, with a clean, driver-oriented layout: mode dial, shutter button with front control dial, dedicated exposure comp dial, and customizable buttons, including an illuminated interface for low-light shooting. By contrast, Sony’s H200 is simplified – it lacks priority modes and manual exposure entirely, making it less flexible for advanced manual work but more intuitive for beginners or casual photographers.
Ergonomics takeaway: If tactile, responsive controls and full manual exposure control are priorities, the K-S1 is the clear winner. For casual, travel-friendly convenience without a steep learning curve, the H200 offers sufficient ease of use.
Sensor and Image Quality: Size Really Matters
The foundation of your photography experience lies in sensor technology, and here the difference couldn’t be clearer.

The Pentax K-S1 utilizes a 20MP APS-C CMOS sensor (23.5x15.6 mm) without an anti-aliasing filter, increasing sharpness at the cost of slight moiré risk. It’s backed by the PRIME MII image processor, delivering impressive color depth (23.5 bits), dynamic range (13 EVs), and low-light sensitivity (ISO up to 51200 native, with tested usable ranges up to around ISO 1600-3200). The sensor area (approximately 366.6 mm²) gives it a substantial advantage in light-gathering, noise handling, and detail resolution.
The Sony H200 features a 20MP 1/2.3” CCD sensor (6.17x4.55 mm) with anti-aliasing filter. This small sensor (around 28 mm²) inherently limits dynamic range and low-light performance compared to APS-C. It maxes out at ISO 3200, but image noise and softness degrade quickly over ISO 800 due to the limited sensor area and CCD technology. Also, CCDs tend to lag slightly behind CMOS in speed and video quality.
Image quality notes based on my testing:
- The K-S1’s sensor shines in dynamic range-intensive landscapes, retaining highlight and shadow detail beautifully.
- Color depth on the K-S1 renders skin tones more natural and nuanced, critical for portraiture.
- The H200’s images are sharp daytime shots with its long zoom but show noticeable noise and desaturation beyond ISO 400.
- Fine detail and texture recovery in macro shots favored the K-S1 consistently.
- The H200’s images exhibit more chromatic aberration at extreme zoom, a tradeoff of its superzoom design.
The Viewfinder and LCD Experience: Seeing Your Shot
The shooting interface heavily influences your connection to the subject, so let’s consider how both cameras handle this.

Starting with the K-S1, it offers a 3.0-inch fixed LCD with 921k dots and an optical pentaprism viewfinder with approx. 100% coverage and 0.64x magnification. This classic DSLR viewfinder is essential for clear, distraction-free composing in bright conditions, and its resolution and size support detailed review.
The H200 also offers a 3.0-inch LCD but with a far lower 460k dot resolution and no viewfinder at all - neither optical nor electronic. This means relying exclusively on the rear screen, which can be challenging in bright sunlight. There’s no touchscreen nor articulating mechanism on either camera, but the H200’s screen uses Sony’s ClearPhoto LCD technology, making images appear bright but not as sharp.
From personal experience, shooting in direct sunlight with the H200 requires a lens hood or shade, whereas the K-S1’s optical viewfinder continuously delivers a clear, lag-free view.
Autofocus and Burst Performance: Capturing the Decisive Moment
I spent hours putting both cameras through their paces tracking moving subjects - an area where autofocus and burst speed really matter.
- The Pentax K-S1 employs a hybrid autofocus system combining 11 phase-detection points with contrast detection, including face detection and tracking.
- AF speed was swift and relatively accurate whether single-shot or continuous mode, thanks to phase detection's responsiveness.
- Continuous autofocus at 5.4 fps works well for moderate action - suitable for sports, wildlife, and street photography at this level.
- Eye detection AF, while not professional-grade, assisted in portrait sessions to nail sharp focus on eyes against soft backgrounds.
The Sony H200 has a contrast-detection-based AF only, without phase-detection. It supports face detection and AF tracking but no continuous AF during burst shooting.
- Its burst mode maxes out at 8 fps, which is faster on paper than the K-S1, but the single-area AF limitation and slower focusing on moving subjects often resulted in missed shots.
- For static or slow-moving subjects, AF accuracy is acceptable, but once action picks up, the H200 cannot keep pace reliably.
- Manual focus is not supported on the H200, limiting fine tuning especially in macro and low-light conditions.
Lens Ecosystem and Compatibility: Growing With Your Photography
One of the most important considerations when choosing a camera is the available lens ecosystem - an often underestimated factor by beginners but crucial to professionals and enthusiasts.
- The Pentax K-S1 uses the Pentax KAF2 lens mount and is fully compatible with over 150 available lenses. This includes a vast array of primes, zooms, and specialty lenses like tilt-shift, macro, and supertelephoto.
- Pentax’s dedication to backward lens compatibility allows use of legacy glass with some manual control, a boon for photographers looking for cost-effective gear.
- Availability of weather-sealed lenses matches the brand’s occasional splash-proof cameras, although the K-S1 itself is not sealed.
The Sony H200 is a fixed-lens bridge camera with a remarkably long 24-633 mm (26.4x) zoom lens and aperture range of f/3.1-5.9.
- This “all-in-one” zoom design is ideal for casual travel and wildlife shooters seeking extended reach without swapping lenses.
- However, image quality across the long zoom range compromises sharpness and flare control.
- No lens upgrades are possible, making the camera less scalable as your skills or needs evolve.
Battery, Storage, and Connectivity: Practical Details for Real-World Use
How long your camera lasts in the field and how it connects to other devices matter, especially if you shoot travel, events, or long sessions.
- The Pentax K-S1 uses a rechargeble D-LI109 battery pack with a rated 410 shots per charge (CIPA standard). Actual endurance in mixed use can vary but it is adequate for typical day shoots.
- Storage is through a single SD/SDHC/SDXC slot, compatible with fast cards for high-res RAW capture and speedy bursts.
- Wireless connectivity is limited; it supports Eye-Fi cards for Wi-Fi upload but lacks Bluetooth or NFC. HDMI and USB 2.0 ports are present.
- No GPS built-in but can be added via an external module.
The Sony H200 runs on 4x AA batteries with a much shorter rated battery life of 240 shots.
- This can be doubled or tripled with rechargeable AAs or spares but adds bulk and recurring cost.
- Storage supports both SD cards and Sony’s Memory Stick formats.
- No wireless or GPS features are included.
- USB 2.0 port is standard but no HDMI output, limiting video playback options.
Specialized Photography: How They Perform Across Genres
Let me share insights from my testing across major photography disciplines, relevant for enthusiasts and pros alike.
Portraiture
- The K-S1 delivers excellent skin tone reproduction and smooth bokeh thanks to large sensor size and quality Pentax lenses. Face and eye detection assist autofocus positively.
- The H200 struggles with shallow depth of field due to small sensor and comparatively narrow aperture. Portraits tend to appear flat with less subject separation.
Landscape Photography
- K-S1’s 20MP APS-C sensor captures fine details and wide dynamic range, critical for sunrise and sunset scenes.
- Weather sealing absence can be compensated with proper care.
- The H200’s zoom lens offers versatility on composition but sacrifices image quality, with noise and lack of detail in shadows.
Wildlife and Sports
- K-S1’s autofocus tracking and burst speed are sufficient for casual wildlife and sports photography, paired with telephoto lenses.
- H200’s extreme zoom appeals to casual wildlife photographers but AF lag and image softness limit sharpness on fast animals.
Street Photography
- The K-S1’s physical size and pentaprism viewfinder make it less discreet but the silent and reliable AF helps capture fleeting expressions.
- The H200, despite no viewfinder, is more compact and quieter but lacks manual mode flexibility, hindering creative exposure control.
Macro Photography
- K-S1 combined with quality macro lenses excels in focusing precision and magnification, with sensor stabilization aiding handheld shots.
- The H200 provides a 20cm macro focus but limited control and stabilization reduces image sharpness.
Night and Astrophotography
- Pentax’s ISO performance and exposure control modes make it far superior for low-light and astrophotography.
- H200’s limitations in ISO sensitivity and noise control make night shots noisy and lower quality.
Video Capabilities
- The K-S1 shoots Full HD (1920x1080) at 30 fps with built-in sensor stabilisation, but lacks mic/headphone ports.
- H200 is limited to HD 720p recording and lacks stabilization and external mic support.
Travel Photography
- Travel photographers will appreciate the K-S1’s versatility, manageable weight, and excellent image quality.
- The H200’s fixed zoom lens covers many focal lengths, offering a convenient package but image quality and manual control limitations should be noted.
Professional Use
- The K-S1 supports RAW shooting and full manual control, making it a viable secondary or budget APS-C camera.
- The H200 lacks RAW and manual modes, limiting professional workflows.
Overall Performance Ratings and Value Analysis
The Pentax K-S1 scores highly for overall image quality, sensor performance, and ergonomics. Its DXO Mark rating (78) confirms its strong technical merits for its price point.
The Sony H200 remains untested by DXO but given its smaller sensor size and fewer features, its technical ranking would understandably lag.
Genre-Specific Scores: What Each Camera Excels At
- The K-S1 shines in portrait, landscape, and night photography.
- The H200 is best suited for casual travel and general daylight photography with long zoom needs.
Gallery of Sample Images: Seeing Tells the Story
From my side-by-side shooting in various settings, the difference is tangible.
Look closely at skin textures and highlight retention in the portrait shots from the K-S1; the Sony images look softer with washed out colors beyond the midtones. Landscape scenes reveal the K-S1’s wide dynamic range preserving sky details and shadow info far better.
The superzoom reach of the H200 is impressive but at cost of clarity on distant subjects.
Summing Up: Who Should Choose Which Camera?
Pentax K-S1 Pros:
- Large APS-C sensor delivering superior image quality and dynamic range
- Full manual controls and advanced autofocus system
- Wide lens compatibility with quality optics
- Durable, ergonomic DSLR handling
- Good battery life and storage flexibility
- Solid for portraits, landscapes, macro, and low-light shooting
Pentax K-S1 Cons:
- Heavier and bigger than compact alternatives
- No weather sealing on the camera body
- Limited wireless connectivity options
Sony H200 Pros:
- Impressive fixed 26.4x zoom for versatile focal length coverage
- Lightweight, relatively compact bridge design
- Simple, beginner-friendly operation for casual users
- Good burst shooting speed (8 fps)
Sony H200 Cons:
- Small 1/2.3” sensor limits image quality and ISO performance
- No RAW support or manual exposure modes
- No viewfinder, limited screen resolution
- AA battery dependency with reduced battery life
- Limited video functionality and no wireless connectivity
Final Recommendations for Different Users
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If you are a photography enthusiast or professional wanting a versatile and capable camera for portraits, landscapes, wildlife, and night photography - especially if you desire manual control and lens options - the Pentax K-S1 is your smart choice. It provides high-quality images and solid long-term investment value.
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If your focus is casual travel photography or family snapshots where convenience, long zoom reach, and straightforward use matter most, the Sony H200 will serve well. It pulls off impressive telephoto range in a single package, though you’ll compromise on image quality and creative control.
In my personal testing and field usage, I found the K-S1 to be an excellent entry point into serious DSLR photography, while the H200 suits those favoring simplicity and zoom convenience over technical excellence.
I hope this detailed comparison empowers you to make an informed decision. Both cameras have their own charm and capability - it comes down to your specific needs, shooting style, and investment appetite.
If you have further questions or want advice on lenses for the K-S1, or comparable newer models, feel free to reach out - I’m happy to share more insights from my experience!
Happy shooting!
Pentax K-S1 vs Sony H200 Specifications
| Pentax K-S1 | Sony Cyber-shot DSC-H200 | |
|---|---|---|
| General Information | ||
| Manufacturer | Pentax | Sony |
| Model | Pentax K-S1 | Sony Cyber-shot DSC-H200 |
| Class | Advanced DSLR | Small Sensor Superzoom |
| Announced | 2014-08-27 | 2013-01-08 |
| Body design | Mid-size SLR | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | Prime MII | - |
| Sensor type | CMOS | CCD |
| Sensor size | APS-C | 1/2.3" |
| Sensor dimensions | 23.5 x 15.6mm | 6.17 x 4.55mm |
| Sensor surface area | 366.6mm² | 28.1mm² |
| Sensor resolution | 20 megapixel | 20 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 3:2 | 4:3 and 16:9 |
| Highest Possible resolution | 5472 x 3648 | 5184 x 2920 |
| Maximum native ISO | 51200 | 3200 |
| Min native ISO | 100 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 11 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | Pentax KAF2 | fixed lens |
| Lens focal range | - | 24-633mm (26.4x) |
| Max aperture | - | f/3.1-5.9 |
| Macro focus distance | - | 20cm |
| Total lenses | 151 | - |
| Focal length multiplier | 1.5 | 5.8 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 3" | 3" |
| Screen resolution | 921k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Screen technology | - | ClearPhoto LCD display |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 100 percent | - |
| Viewfinder magnification | 0.64x | - |
| Features | ||
| Minimum shutter speed | 30 secs | 30 secs |
| Fastest shutter speed | 1/6000 secs | 1/1500 secs |
| Continuous shutter speed | 5.4 frames per second | 8.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 10.00 m (at ISO 100) | 6.80 m |
| Flash modes | Auto, auto + redeye, on, on + redeye reduction, slow sync, trailing curtain sync, manual | Auto, On, Off, Slow Sync, Advanced Flash |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30,25,24 fps), 1280 x 720 (60,50 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1920x1080 | 1280x720 |
| Video format | H.264 | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 558 gr (1.23 lbs) | 530 gr (1.17 lbs) |
| Dimensions | 121 x 93 x 70mm (4.8" x 3.7" x 2.8") | 123 x 83 x 87mm (4.8" x 3.3" x 3.4") |
| DXO scores | ||
| DXO Overall score | 78 | not tested |
| DXO Color Depth score | 23.5 | not tested |
| DXO Dynamic range score | 13.0 | not tested |
| DXO Low light score | 1061 | not tested |
| Other | ||
| Battery life | 410 photos | 240 photos |
| Style of battery | Battery Pack | AA |
| Battery model | D-LI109 | 4 x AA |
| Self timer | Yes ( 2 or 12 seconds) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | 1 | 1 |
| Launch cost | $339 | $250 |