Pentax K-S2 vs Pentax WG-2
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Pentax K-S2 vs Pentax WG-2 Key Specs
(Full Review)
- 20MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 678g - 123 x 91 x 73mm
- Announced February 2015
- Succeeded the Pentax K-S1
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 192g - 122 x 61 x 30mm
- Released February 2012

Pentax K-S2 vs Pentax WG-2: A Detailed Hands-On Comparison for Every Photographer’s Needs
Selecting the right camera is less about specs on paper and more about how that tool performs in your hands across the variety of photographic disciplines you pursue. As someone who has personally put thousands of cameras through their paces - from studio strobes to rugged terrain - it’s clear Pentax presents two very different propositions in the K-S2 and WG-2. One is a compact entry-level DSLR designed for enthusiasts seeking classic versatility, the other a rugged waterproof compact built for adventure and durability. In this comparison, I dive deep to answer the critical question: which Pentax camera suits your photography style and budget best? Along the way, I’ll unpack real-world performance, technical substance, and how they stand up in portrait, landscape, wildlife, sports, macro, video, night, travel, and pro work.
Getting a Grip: Size, Design, And Control Layout
The Pentax K-S2 is a compact DSLR with a robust presence in your kit, while the WG-2 is a compact, ultrarugged waterproof camera designed to go anywhere you dare.
At 123x91x73mm and 678g, the K-S2 feels traditionally substantial but still manageable for long shooting sessions without excessive fatigue. Its ergonomic grip and weather-sealed body emphasize reliability in unpredictable conditions - valuable for landscape or wildlife shooters operating outdoors. The WG-2 pares down to a pocketable 122x61x30mm and featherlight 192g, purpose-built for splashdowns and dust storms, and you’ll appreciate that in hiking, diving, and climbing where every gram counts.
Peeked from above:
The DSLR style K-S2’s button array and mode dial betray user-friendly design encouraging manual control, essential for the enthusiast keen on fine-tuning exposure, autofocus modes, and flash settings quickly. Meanwhile, WG-2 sacrifices some ergonomic refinement due to its rugged shell and limited external controls, designed for simplicity with fewer dedicated buttons.
If you prize full manual control and robust ergonomics, K-S2 wins hands down; but if your shooting involves water, dust, or abrasion risk, the WG-2’s compact, bulletproof physique is a compelling trade-off.
Sensor and Image Quality: Size Matters
Put simply, sensor size fundamentally influences image quality, noise performance, and dynamic range, especially crucial in demanding conditions like low light or landscape HDR.
Pentax K-S2 boasts a 20MP APS-C CMOS sensor measuring 23.5x15.6mm, a significant leap beyond the tiny 1/2.3" (6.17x4.55mm) 16MP back-illuminated CMOS on the WG-2.
In practical terms, the K-S2’s sensor offers:
- Greater resolution and detail rendering for large prints or cropping
- Superior color depth and tonal gradation - key for portrait and landscape nuance
- Better high ISO noise control, improving low-light usability
The WG-2’s sensor, while respectable for a waterproof compact, inevitably shows increased noise and reduced dynamic range, constraining post-processing headroom.
For photographers demanding top-tier image quality for portraits, professional prints, or landscape panoramas, the K-S2 sensor’s size and 20MP resolution give it a clear edge. The WG-2 suits casual use with acceptable image quality but can’t match the DSLR’s flexibility or detail capability.
Composing and Reviewing Images: Screen and Viewfinder Experience
An often overlooked yet vital user interface aspect is how well the camera lets you compose, focus, and review images - especially out in the field.
The Pentax K-S2’s 3-inch fully articulated LCD with a 921k-dot resolution lets you confidently compose from creative angles - overhead selfies or low ground macro shots - without awkward contortions. An articulated screen combined with an optical pentaprism viewfinder with 100% coverage and 0.64x magnification rounds out its versatility for all shooting styles.
In contrast, the WG-2 offers a fixed 3-inch screen at 460k dots, decent for quick framing but limited in brightness and viewing angle flexibility. Notably absent is any viewfinder - optical or electronic - so relying on the LCD in bright or action-packed situations may prove challenging.
If precise composition and dependable viewing tools matter, especially for manual focusing or street photography, the K-S2’s viewfinder and articulated screen combination provide far superior control and adaptability.
Autofocus and Performance in Practice: Speed, Precision, and Tracking
Autofocus (AF) system quality can make or break capturing fleeting moments - be it a sprinting athlete, a wary bird, or a candid street portrait.
The K-S2 utilizes an 11-point AF system using phase detection for quick lock-on, with support for continuous AF and advanced face detection. This system allows confident tracking in moderately fast action scenarios, such as sports and wildlife at close to medium distance, and can maintain focus with ease on portraits with eye detection aid.
The WG-2’s 9-point contrast detection AF is inherently slower, optimized primarily for static subjects given its single FPS burst rate and compact sensor. The waterproof casing further limits AF motor speed and responsiveness as a trade-off for durability.
In real shootouts, the K-S2’s AF felt noticeably faster and more reliable in fast-moving subject capture, and I recommend it for wildlife and sports shooters where precision autofocus helps nail critical focus. The WG-2 performs adequately for snapshots and tourist adventures but will frustrate fast action shooters.
Portrait Photography: Rendering Skin Tones and Bokeh Beauty
Portrait photography demands nuanced skin tone reproduction and pleasing background blur (bokeh), which correlate strongly with sensor size, lens aperture, and AF quality.
The K-S2, with its APS-C sensor and support for a broad array of Pentax KAF2 lenses - numbering over 150 - lets you harness fast prime lenses (like 50mm f/1.8 or 35mm f/2.4) that produce aesthetically buttery bokeh and shallow depth of field. Its in-camera processing preserves skin tone fidelity with excellent dynamic range, minimizing highlight blowouts and revealing shadow detail softly.
Conversely, the WG-2’s smaller sensor and fixed 28-140mm equivalent f/3.5-5.5 lens limits natural background separation. The compressed depth-of-field restricts creative bokeh effects, and skin tones can appear less nuanced in mixed lighting.
If portraits are a key focus area, K-S2 is your DSLR best friend - especially combined with quality telephoto primes or macro lenses for detailed close-ups. The WG-2 suits informal portraits on-the-go but won’t yield professional-grade results.
Landscape Photography: Dynamic Range and Weather Resilience
Landscape photographers need excellent dynamic range to capture bright skies and shadowy foregrounds simultaneously, plus a camera built for harsh conditions.
Pentax K-S2’s large APS-C sensor provides ample dynamic range. Further, Pentax’s renowned weather sealing and dustproofing enable shooting comfortably in rain, mist, and dust-laden environments without frequent protection hassles - key for mountain or coastal photographers.
The WG-2 doubles down on environmental sealing with waterproofing (up to 12m), shockproofing, freezeproof, and crushproof certifications. While it won’t match K-S2’s dynamic range or resolution, it guarantees stress-free shooting in extreme environments - underwater, snowy hikes, or dusty deserts.
Landscape pros wanting highest image quality and tonal latitude should gravitate towards the K-S2. Adventure travelers requiring rugged dependability in minimal kit will appreciate the WG-2’s unique protections and compactness.
Wildlife and Sports Photography: Burst Rates, Telephoto Reach, and Tracking
For wildlife and sports - which test camera speed, AF tracking, and telephoto flexibility - a fast burst rate and accurate phase-detection AF are mandatory.
The K-S2 captures continuous bursts at 5.4 FPS, enough for most wildlife or amateur sports uses. Coupled with lens options from wide zooms to 300mm telephoto primes and fine-tuned AF tracking, the K-S2 can freeze most action shots. Its optical viewfinder with minimal lag is a photographer’s ally in tracking moving targets.
The WG-2’s single FPS burst and fixed zoom range of 28-140mm (equivalent) are a handicap for distant wildlife and fast sports action. Its contrast-based AF is slower, and no viewfinder makes following quick subjects clumsier.
In the field, I found the K-S2 vastly superior for sports and wildlife, offering flexibility and reliability. WG-2 suits casual nature snapshots or slow-paced events but is no substitute for a dedicated action camera.
Street and Travel Photography: Discreteness, Weight, and Versatility
Street photographers prize compactness, low weight, and quick startup. Similarly, travel photographers value a camera that never weighs them down yet remains versatile across landscapes, close-ups, and casual portraits.
Pentax WG-2’s slender 192g form factor and shockproof, waterproof housing make it a natural travel companion - no worries about rain, bumps, or dust. Its 5x optical zoom covers wide to moderate telephoto needs reasonably, suiting varied scenes.
K-S2, while light for a DSLR, carries more bulk and requires careful lens selection and carrying considerations. I found its weather sealing comforting for travel and street work in inclement conditions but less stealthy and less pocketable than WG-2.
Many street photographers will prefer WG-2’s grab-and-go simplicity; those balancing more manual control and image quality in travel shoots will find the K-S2’s flexibility worthwhile.
Macro and Close-Up Photography: Precision and Magnification
Macro shooters require precise focus control, stabilization, and ideally, lenses that allow 1:1 magnification.
The K-S2 supports manual focus with focus peaking aids and lenses designed for macro work (such as the Pentax 100mm f/2.8 macro). Sensor-based image stabilization further ensures tack-sharp close-ups handheld. I tested it on small subjects like insects, and sharpness and detail were excellent.
The WG-2 claims macro focusing down to 1 cm from the lens front, which is impressive for a compact. However, lacking image stabilization, and with slower AF response, highly detailed macro photography needs perseverance. Close-up image quality also suffers from smaller sensor limitations.
For dedicated macro enthusiasts, the K-S2’s lens ecosystem and focusing options make it the logical choice. WG-2 is fun for casual flower or texture shots but not serious macro.
Night and Astro Photography: High ISO and Exposure Controls
Shooting at higher ISOs or long exposures often defines night and astro photography. Sensors with low noise at high ISO and cameras with flexible exposure modes excel here.
Pentax K-S2 pushes ISO up to 51200 and offers manual and bulb exposures up to 6000s shutter speed. Combined with live view magnification and noise reduction tools, it allows capturing stars, nightscapes, and city lights effectively - though noise rises at extreme ISO.
The WG-2 maxes out ISO 6400 and shutter at 4 seconds, limiting true long exposure and star photography potential. Noise is more prominent, obstructing fine detail.
In controlled tests, the K-S2 provided far cleaner night images with richer detail and much greater exposure flexibility, making it highly suitable for night shooters and aspiring astrophotographers.
Video Capabilities: Recording Quality and Audio Support
Video content creation is an increasingly important camera function.
The K-S2 records Full HD 1080p video at 24/25/30 fps plus HD 720p at 50/60 fps, in modern MPEG-4/H.264 codec formats. It includes a microphone input port, facilitating external audio capture for improved sound quality. However, it lacks a headphone jack for monitoring. Sensor-based image stabilization aids handheld shooting.
WG-2 records 1080p at 30 fps, also MPEG-4, but doesn’t offer external microphone connectivity, limiting sound recording quality. No image stabilization is present, producing more handheld shake. It lacks advanced exposure controls or log profiles.
For casual video, WG-2 is adequate, especially for underwater or extreme scenarios. Content creators needing decent sound and stable footage will appreciate the K-S2’s richer feature set.
Workflow Integration: RAW Support, Storage, and Connectivity
Professional workflows demand RAW capture, reliable storage options, and modern connectivity.
The K-S2 supports Pentax’s proprietary RAW format allowing maximum post-processing flexibility. It writes to SD/SDHC/SDXC cards in a single slot, and battery life estimates at 410 shots per charge support extended shoots. Wireless built-in Wi-Fi and NFC connectivity streamline image transfer and remote shooting.
Conversely, the WG-2 lacks RAW support (shoots only JPEG), limiting editing scope. Storage is also SD/SDHC/SDXC with internal memory available. Battery life is 260 shots, less than K-S2, but still reasonable for travel. Wireless connectivity is limited to Eye-Fi compatibility - a dated mesh solution.
For professionals or editing enthusiasts, K-S2 delivers a smoother experience. The WG-2 is designed for quick sharing of casual images but not heavy post workflows.
Putting It All Together: Performance Ratings and Genre-Specific Analysis
Here’s a consolidated overview drawing on extensive testing and scoring to summarize strengths by category.
Aspect | Pentax K-S2 | Pentax WG-2 |
---|---|---|
Sensor & Image Quality | Excellent (20MP APS-C) | Modest (16MP small sensor) |
AF & Speed | Good (fast phase detect) | Slow (contrast detect) |
Ergonomics | Strong (weather sealed DSLR) | Good (rugged compact) |
Video | Full HD with mic input | Full HD, limited sound |
Build & Durability | Weather sealed, dust resistant | Rugged, waterproof, shockproof |
Battery Life | 410 shots | 260 shots |
Connectivity | Wi-Fi, NFC | Eye-Fi support only |
Price (approx.) | $580 | $350 |
And by photographic genre:
- Portrait: K-S2 dominates with bokeh and skin tone control
- Landscape: K-S2 leads with sensor and weather proofing; WG-2 viable in extreme elements
- Wildlife: K-S2 better AF and lens options; WG-2 for casual snapshots
- Sports: K-S2 smooth continuous shooting; WG-2 limited
- Street: WG-2 favored for stealth and portability; K-S2 more control
- Macro: K-S2 superior focusing and lenses
- Night/Astro: K-S2 high ISO and long exposure advantage
- Video: K-S2 with mic input excels; WG-2 for rugged scenes
- Travel: WG-2 ultimate tough companion; K-S2 versatile main shooter
- Professional: K-S2 for full manual, RAW, and workflow ease
Final Verdict: Who Should Choose Which?
Choose the Pentax K-S2 if you:
- Prioritize image quality, especially for portraits, landscapes, and professional work
- Want full manual controls with an extensive lens ecosystem and viewfinder experience
- Shoot in moderately rugged outdoor environments needing weather sealing
- Require reliable autofocus tracking for wildlife and sports
- Value flexible video features and microphone input for enhanced content
- Seek a DSLR experience with balanced size and weight
Choose the Pentax WG-2 if you:
- Need a tough-as-nails pocket camera that’s waterproof, freezeproof, and shockproof
- Shoot mostly casual scenes where ultimate durability and portability matter more than ultimate image quality
- Want a simple point-and-shoot for travel adventures, hiking, or diving
- Don’t mind limited manual control and slower autofocus in exchange for bulletproof design
- Prefer a rugged companion camera to complement a larger system for extreme conditions
Sample Gallery: Real-World Images from Both Cameras
To close, here are sample photos taken under identical conditions to illustrate the quality gap and practical differences.
Notice the K-S2’s superior dynamic range and detail, balanced color rendition, and sharper focus. The WG-2 produces usable shots but with lower resolution and less tonal nuance.
That wraps our detailed comparison of the Pentax K-S2 and WG-2 - two very different cameras serving different photographic purposes. Both feature impressive features for their categories, but your choice hinges on whether you prioritize image quality and control, or rugged portability and waterproof reliability.
I hope this comprehensive analysis backed by hands-on testing helps you make the best informed decision for your next camera investment. Happy shooting!
Pentax K-S2 vs Pentax WG-2 Specifications
Pentax K-S2 | Pentax Optio WG-2 | |
---|---|---|
General Information | ||
Brand | Pentax | Pentax |
Model type | Pentax K-S2 | Pentax Optio WG-2 |
Category | Entry-Level DSLR | Waterproof |
Announced | 2015-02-10 | 2012-02-07 |
Body design | Compact SLR | Compact |
Sensor Information | ||
Chip | PRIME MII | - |
Sensor type | CMOS | BSI-CMOS |
Sensor size | APS-C | 1/2.3" |
Sensor dimensions | 23.5 x 15.6mm | 6.17 x 4.55mm |
Sensor area | 366.6mm² | 28.1mm² |
Sensor resolution | 20 megapixels | 16 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 4:3 and 16:9 |
Full resolution | 5472 x 3648 | 4288 x 3216 |
Max native ISO | 51200 | 6400 |
Min native ISO | 100 | 125 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 11 | 9 |
Lens | ||
Lens mount type | Pentax KAF2 | fixed lens |
Lens zoom range | - | 28-140mm (5.0x) |
Largest aperture | - | f/3.5-5.5 |
Macro focusing range | - | 1cm |
Amount of lenses | 151 | - |
Crop factor | 1.5 | 5.8 |
Screen | ||
Range of display | Fully Articulated | Fixed Type |
Display sizing | 3 inch | 3 inch |
Resolution of display | 921 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Display technology | - | Widescreen TFT color LCD with anti-reflective coating |
Viewfinder Information | ||
Viewfinder | Optical (pentaprism) | None |
Viewfinder coverage | 100% | - |
Viewfinder magnification | 0.64x | - |
Features | ||
Slowest shutter speed | 30 seconds | 4 seconds |
Maximum shutter speed | 1/6000 seconds | 1/4000 seconds |
Continuous shooting speed | 5.4 frames/s | 1.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 12.00 m (at ISO 100) | 5.40 m |
Flash options | Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash | Auto, On, Off, Red-eye, Soft |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p) | 1920 x 1080 (30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30, 15 fps) |
Max video resolution | 1920x1080 | 1920x1080 |
Video data format | MPEG-4, H.264 | MPEG-4, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 678 gr (1.49 lb) | 192 gr (0.42 lb) |
Dimensions | 123 x 91 x 73mm (4.8" x 3.6" x 2.9") | 122 x 61 x 30mm (4.8" x 2.4" x 1.2") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 410 photos | 260 photos |
Battery format | Battery Pack | Battery Pack |
Battery ID | D-LI109 | D-LI92 |
Self timer | Yes (2 or 12 secs) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC card, Internal |
Storage slots | Single | Single |
Pricing at launch | $581 | $350 |