Pentax KP vs Sony H55
61 Imaging
66 Features
76 Overall
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92 Imaging
36 Features
28 Overall
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Pentax KP vs Sony H55 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 819200
- Sensor based 5-axis Image Stabilization
- 1/6000s Maximum Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 703g - 132 x 101 x 76mm
- Announced January 2017
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.5-5.5) lens
- 200g - 103 x 58 x 29mm
- Revealed June 2010
Samsung Releases Faster Versions of EVO MicroSD Cards Pentax KP vs Sony Cyber-shot DSC-H55: Which Camera Fits Your Photography Life?
Choosing a camera can feel like walking through a gear bazaar where every shiny box promises miracles. But as a professional who’s tested thousands of cameras, I know it's the nuances beneath the sales bluster that matter - how a camera feels in your hands, performs in the field, and handles the messy realities of real-world photography. Today, we’re pitting two very different beasts against each other: the advanced DSLR Pentax KP and the compact Sony Cyber-shot DSC-H55. One is a rugged APS-C DSLR aimed at enthusiasts who want control and robustness, the other a modest compact camera designed for casual snaps with zoom versatility.
Through nearly 2500 words, I’ll dissect strengths, weaknesses, and real performance differences across photography disciplines - and ultimately help you decide which camera deserves a spot in your bag (and heart). Grab a coffee, settle in - the details here will save you weeks of trial and error.
First Impressions: Size, Handling, and Design
Let’s start where it really counts: the feel and physicality of these cameras.

The Pentax KP is a mid-size DSLR - solid but not massive. Its dimensions are 132 x 101 x 76 mm, weighing in at around 703 grams with battery. Compared to modern full-frame monsters, it’s almost petite, but you can feel its seriousness in the hand. On the flip side, the Sony H55 is delightfully pocketable, at 103 x 58 x 29 mm and just 200 grams. If portability is a priority, it leaves the KP in the dust.
Digging deeper, the KP’s body boasts full environmental sealing, weather resistance, and a tough chassis that encourages rolling in mud or enduring rainstorms. The H55? No special dustproofing or weatherproofing, so it prefers cozy conditions.
ergonomically, the KP offers better grip, button placement, and a comprehensive control layout - vital for quick adjustments on the fly - unlike the minimalist and button-sparse H55 designed for casual users.

The KP’s top plate hosts dedicated dials for ISO, exposure compensation, shutter speed, and a command dial - features that pros and enthusiasts cherish for faster operation without diving into menus. The Sony handles settings mostly through menus and fewer external controls, which can feel limiting in more demanding scenarios.
Sensor and Image Quality: The Heart of the Matter
If the camera is a body, the sensor is its soul. And here, the gulf is cavernous.

Pentax KP sports a 24 MP APS-C CMOS sensor (23.5 x 15.6 mm) with a PRIME IV image processor. This is a serious sensor, used in many enthusiast DSLRs, offering excellent resolution, wide dynamic range, and respectable high ISO performance. The maximum native ISO stretches up to 819,200 (yes, really), though practically, noise becomes intrusive much earlier. Still, it provides remarkable flexibility in low light, detail retention, and color fidelity.
Contrast that with the Sony H55’s small 1/2.3-inch CCD sensor (6.17 x 4.55 mm) at 14 MP resolution. This sensor is typical for compact “point and shoot” cameras and simply can't compete on dynamic range, noise control, or detail retrieval. The pixel pitch is significantly smaller, and despite optical image stabilization, this sensor struggles as ISO climbs. Max native ISO is 3200 - but expect heavy noise from ISO 800 up.
To put it bluntly: the KP will produce cleaner, sharper photos with richer colors across nearly every situation, particularly in challenging light.
LCD and Viewfinder: How You Frame the Shot
Many photographers underestimate the impact of a good viewfinder and screen until they’re in harsh sun or fast action.

The KP features a 3-inch tilting LCD screen at 921,000 dots, which delivers bright, crisp playback and framing flexibility - great for tall or low-angle shots. Its optical pentaprism viewfinder covers 100% of the frame and offers a clean, real-world look at the scene, enhancing manual focusing precision and compositional control.
The Sony’s screen, also 3 inches, clocks in at a much lower resolution of 230,000 dots and is fixed - not tilting - limiting framing freedom and clarity, especially outdoors. It lacks a viewfinder altogether, so you’re forced to shoot composing with the screen, which eats battery and struggles under bright sunlight.
For those who shoot mainly outdoors or prioritize manual focusing finesse, the KP’s combination offers a massive ergonomic and usability edge.
Autofocus and Performance: Following the Action
Speed and accuracy in focus can make or break photos of fast-moving subjects, from kids to wildlife.
The Pentax KP employs a 27-point autofocus system with 25 cross-type sensors and offers continuous AF, tracking, and face detection. While not quite matching the latest mirrorless autofocus beasties from Sony or Canon in raw speed, the KP's phase-detection-based AF system is precise and reliable, especially with Pentax lenses. It shines in tracking moderately fast subjects and excels in static or portrait shooting thanks to face detection support.
Sony H55’s autofocus is contrast-detection-based with just 9 focus points and no continuous or tracking AF modes. It works well enough for straightforward snaps but struggles blinking in more action-packed scenarios or less-than-ideal lighting. The lack of phase detection places it at a significant disadvantage for rapid focus shifts.
Plus, the KP supports AF bracketing to subtly vary focus points across shots - a boon for macro or focus stacking applications - something the Sony doesn’t offer at all.
Burst Shooting and Buffer Depth: How Many Frames Can You Chase?
Sports, wildlife, or street photographers often need the camera to shoot continuously to pin down that one moment.
Pentax KP manages 7 fps continuous shooting with an enduring buffer - about 30 RAW frames before slowdown - which is respectable for a DSLR of its class. While not breakneck compared to mirrorless competitors, it meets the needs of many action shooters.
Sony H55, somewhat surprisingly, offers a faster 10 fps shooting rate, but at lower resolution (14 MP) and with a shallower buffer, as it lacks RAW recording.
But remember, speed isn’t the whole story. The KP's more advanced AF during burst sequences and higher image quality often mean you’ll get better usable images than the Sony’s quantity-focused snaps.
Lens Ecosystem: Flexibility vs Convenience
A DSLR’s value is multiplied by the lenses it can support. Pentax KP uses the venerable Pentax KAF2 mount, compatible with a broad arsenal of 151 lenses across focal lengths and specialties - macro, tilt-shift, telephoto, and more. This legacy openness means you can customize your kit perfectly, choosing manual primes for portraits or rugged zooms for wildlife.
Sony H55’s lens is fixed: 25-250 mm (equivalent) with a modest max aperture of f/3.5-5.5. Convenient for casual strolls, but limits control over depth-of-field, low light, and artistic expression. No option to upgrade or swap lenses - period.
For photographers who relish creative lens choices and plan to grow their gear, the KP’s mount is an oasis; for grab-and-go simplicity, the Sony can suffice.
Video and Multimedia: Moving Pictures
Video is often the silent dealbreaker.
Pentax KP records Full HD 1080p video at 30p or 60i, with the ability to plug in an external microphone (essential for clean audio) but lacks headphone monitoring. It has no 4K video, which is a mild disappointment given the 2017 release date.
Sony H55’s video maxes out at 1280 x 720 (720p) at 30 fps - decidedly basic by modern standards. No external audio inputs or advanced video features.
Neither camera targets videographers, but the KP offers a more solid “video assistant” role with decent full HD output and mic input (though with no headphone jack, monitoring is limited). For casual video snippets or social media, Sony is fine but unimpressive.
Battery Life and Storage: How Long Can You Shoot?
Pentax KP is no slouch, rated for about 390 shots per battery cycle using the optical viewfinder - a respectable figure considering its class and robust build. Battery type is the proprietary D-LI109.
The Sony H55’s exact battery life isn’t specified but, given its compact form and older design, expect significantly fewer shots, especially when composing on its LCD. It uses the NP-BG1 battery.
Both cameras use single SD card slots (the Sony also supports the proprietary Memory Stick Duo system), with the KP supporting modern SDXC cards and UHS-I speeds - important for rapid photo transfers and buffer clearing.
Shooting Disciplines: Real World Strengths and Weaknesses
Now, how do these specs translate to actual photography genres? Here’s my off-the-cuff analysis, based on countless shoots with similar gear.
Portraiture
Pentax KP shines here, thanks to the large APS-C sensor, sharp optics, and excellent bokeh potential with fast Pentax prime lenses. Its face detection autofocus aids in nailing emphasis on eyes, important for professional headshots or family portraits.
The Sony H55 lacks eye or face detection AF, has a small sensor with limited depth of field control, and fixed slow aperture lenses that struggle to create creamy backgrounds. Its images tend to be flatter and less nuanced in skin tone rendering.
Landscape
Thanks to the 24 MP resolution and wide dynamic range, the KP produces landscape images with rich detail, deep tonal gradation, and plenty of room for cropping or post-processing. Weather sealing also allows shooting in tougher outdoor conditions.
Sony’s small sensor and lower resolution mean relatively noisier, less detailed images. No weather sealing reduces confidence for adventures in inclement conditions.
Wildlife
While the Sony H55 offers a 10x zoom lens handy for approaching wildlife, autofocus lag and sensor noise at higher ISOs limit its utility for fast-moving subjects. Image quality at long focal lengths softens considerably.
KP supports interchangeable super-telephoto lenses (like the FA* 500mm f/4), has faster continuous autofocus for tracking, and robust burst shooting. Its image stabilization and weather sealing also encourage outdoor wildlife shoots.
Sports
KP’s phase-detection AF, 7 fps burst, and robust build make it a reasonable choice for amateur sports and action photography, particularly outdoors.
Sony’s contrast-detect AF and absence of continuous AF tracking hinder its ability to cope with fast sports moments. Despite 10 fps burst, usable shots are fewer.
Street Photography
Here, size and discretion matter. Sony’s ultra-compact form factor makes it ideal for street shooters who prefer anonymity and lightweight gear.
KP, while not a brick, is significantly bulkier and may intimidate candid subjects. However, its superior low-light shooting and control make it viable for serious street photography, especially with fast primes.
Macro Photography
Pentax KP’s compatibility with specialized macro lenses and its AF bracketing feature provide precision and creative flexibility essential for macro shooting - the ability to vary focus points across shots helps generate focus-stacked images in post.
Sony’s fixed lens offers decent close focusing (5 cm) but lacks bracketing and stabilization prowess for sharp close-ups.
Night / Astro Photography
High ISO performance and long-exposure capabilities make the KP attractive for astrophotography, with shutter speeds up to 30 seconds and sensor-based 5-axis stabilization aiding handheld night shooting.
Sony’s small sensor and limited max shutter speed (1/1600 s as the fastest, min 30 s) restrict astro creativity. Noise quickly degrades image quality when pushing to higher ISOs.
Travel Photography
Here’s where the Sony H55’s portability, light weight, and extensive fixed zoom range shine. It’s easy to carry all day, and the 25-250 mm focal range covers wide-angle to telephoto without lenses changing.
Pentax KP, while compact for a DSLR, still weighs over three times as much, needs lenses, and takes up more space. But it offers advanced controls, superior image quality, and weather sealing, supporting versatile travel scenarios for enthusiasts who prioritize image fidelity.
Professional Work
Pentax KP, with full RAW support, durable build, customizable controls, and broad lens ecosystem, affords an affordable but serious tool for professionals and enthusiasts. It's often seen in reportage and outdoor photography circles.
Sony H55 lacks RAW, limited manual controls, and ruggedness, making it unsuitable for demanding professional workflows.
Connectivity: Sharing and Workflow Integration
Pentax’s KP offers built-in Wi-Fi, enabling easy image transfer to smartphones or tablets, remote control, and GPS tagging (with optional GPS module). USB 2.0 provides tethered shooting and file transfers.
Sony H55 has no wireless connectivity, relying solely on USB and memory card transfers - an inconvenience in today’s Wi-Fi-centric workflow.
Putting It All Together: Which Camera Should You Choose?
The overall performance difference between these two cameras can be summed up quickly: the Pentax KP is a serious mid-level DSLR, while the Sony H55 is an entry-level zoom compact.
The KP excels in image quality, control, durability, and versatility - with serious appeal for enthusiasts, budding professionals, and advanced amateurs. The Sony H55, though limited by sensor size and feature set, offers convenience and portability at a rock-bottom price.
Recommendations by Use Case and Budget
Budget-Conscious Beginners and Casual Shooters:
If all you want is a grab-and-go camera for family outings, vacations, and casual photography, and your priority is size and zoom flexibility, Sony H55 fits the bill nicely at a modest price (~$235). Just don’t expect professional-quality images or creative manual control.
Enthusiast Photographers Seeking Image Quality and Control Without Breaking the Bank:
Pentax KP (~$747) offers excellent value with DSLR image quality, ruggedness, and lens flexibility. Ideal for those exploring all genres - from landscape to portraits to wildlife - who want room to grow without jumping straight to expensive full-frame systems.
Outdoor, Wildlife, and Sports Photographers:
Pentax KP's robust AF, weather sealing, and lens compatibility make it the clear winner here.
Travelers Who Prioritize Portability Over Image Resolution:
Sony H55’s small size and zoom range are compelling, but be prepared to compromise image quality.
Video Hobbyists:
Pentax KP is the better pick for casual Full HD video use, especially with external mic support.
Final Thoughts: Personal Experience Notes
Over the years, I’ve found that quality optics and sensor size weigh far more than flashy specs when it comes to lasting image satisfaction. The Pentax KP’s APS-C sensor and traditional DSLR controls offer an experience and output that simply can’t be matched by the Sony H55’s tiny sensor and limited options.
That said, I won’t knock the convenience and unexpectedly good zoom versatility the Sony brings to casual photography. For real professionalism, or even serious hobby work, you want a camera that demands more from you - but rewards you with superior results - and that’s the Pentax KP without hesitation.
Whether you crave the tangible control and precision of the KP or the ease and pocketability of the H55, I hope this deep dive has given you a clearer roadmap. Photography is, after all, about making images that matter to you - choose the tool that inspires you to explore and create.
Happy shooting!
Pentax KP vs Sony H55 Specifications
| Pentax KP | Sony Cyber-shot DSC-H55 | |
|---|---|---|
| General Information | ||
| Manufacturer | Pentax | Sony |
| Model type | Pentax KP | Sony Cyber-shot DSC-H55 |
| Category | Advanced DSLR | Small Sensor Compact |
| Announced | 2017-01-26 | 2010-06-16 |
| Body design | Mid-size SLR | Compact |
| Sensor Information | ||
| Processor Chip | PRIME IV | Bionz |
| Sensor type | CMOS | CCD |
| Sensor size | APS-C | 1/2.3" |
| Sensor measurements | 23.5 x 15.6mm | 6.17 x 4.55mm |
| Sensor area | 366.6mm² | 28.1mm² |
| Sensor resolution | 24 megapixel | 14 megapixel |
| Anti alias filter | ||
| Aspect ratio | 3:2 | 4:3 and 16:9 |
| Peak resolution | 6016 x 4000 | 4320 x 3240 |
| Highest native ISO | 819200 | 3200 |
| Minimum native ISO | 100 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 27 | 9 |
| Cross type focus points | 25 | - |
| Lens | ||
| Lens mount type | Pentax KAF2 | fixed lens |
| Lens zoom range | - | 25-250mm (10.0x) |
| Max aperture | - | f/3.5-5.5 |
| Macro focusing range | - | 5cm |
| Total lenses | 151 | - |
| Focal length multiplier | 1.5 | 5.8 |
| Screen | ||
| Screen type | Tilting | Fixed Type |
| Screen diagonal | 3 inches | 3 inches |
| Resolution of screen | 921 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | Optical (pentaprism) | None |
| Viewfinder coverage | 100% | - |
| Viewfinder magnification | 0.63x | - |
| Features | ||
| Min shutter speed | 30 secs | 30 secs |
| Max shutter speed | 1/6000 secs | 1/1600 secs |
| Max silent shutter speed | 1/24000 secs | - |
| Continuous shutter speed | 7.0 frames per second | 10.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 6.00 m (at ISO 100) | 3.80 m |
| Flash modes | Auto, auto w/redeye reduction, flash on w/redeye reduction, slow sync, trailing curtain sync, manual, wireless | Auto, On, Slow Syncro, Off |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60i, 30p) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Highest video resolution | 1920x1080 | 1280x720 |
| Video data format | MPEG-4, H.264 | MPEG-4 |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 703g (1.55 pounds) | 200g (0.44 pounds) |
| Physical dimensions | 132 x 101 x 76mm (5.2" x 4.0" x 3.0") | 103 x 58 x 29mm (4.1" x 2.3" x 1.1") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 390 images | - |
| Battery form | Battery Pack | - |
| Battery ID | D-LI109 | NP-BG1 |
| Self timer | Yes (2 or 12 secs) | Yes (2 or 10 sec, portrait1/ portrait2) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC (UHS-I supported) | Memory Stick Duo / Pro Duo/ PRO HG-Duo, SD/SDHC, Internal |
| Storage slots | 1 | 1 |
| Launch price | $747 | $235 |