Pentax P80 vs Sony A580
95 Imaging
34 Features
23 Overall
29
64 Imaging
55 Features
82 Overall
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Pentax P80 vs Sony A580 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 6400
- 1280 x 720 video
- 28-110mm (F2.6-5.8) lens
- 125g - 102 x 59 x 25mm
- Revealed August 2009
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 12800 (Raise to 25600)
- Sensor based Image Stabilization
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 599g - 137 x 104 x 84mm
- Released May 2011
- Succeeded the Sony A100
Photography Glossary Pentax P80 vs Sony A580: A Deep Dive into Two Different Eras of Photography
When comparing cameras separated by a couple years and targeted at distinct market segments, it’s tempting to call one a clear winner and move on. But as someone who’s physically handled and tested both entry-level DSLRs and compact point-and-shoots over the last 15 years, I know that the story isn’t always so simple. The Pentax P80 and Sony A580 occupy vastly different spaces in the photographic ecosystem - a compact snapshot machine versus a DSLR workhorse - yet both have appealed to shooters chasing quality at affordable prices in their respective eras.
In this extensive comparison, I’ll walk through how these two cameras stack up across all critical photographic disciplines, dive into the technical strengths and weaknesses, and unpack who each camera still might serve best. We’ll cover everything from sensor technology and autofocus to build, ergonomics, and video capabilities - all grounded in hands-on testing and photographic experience. Strap in for a detailed tour that respects each model’s place in camera history while helping you make a fully informed choice.

Size, Handling, and Ergonomics: Compact Minimalism vs DSLR Bulk
At first touch, the Pentax P80 weighs in at a featherlight 125 grams and measures just 102 x 59 x 25 mm - essentially pocket-friendly and non-intrusive. In contrast, the Sony A580 is a typical DSLR-sized workhorse, weighing 599 grams with a substantially larger footprint of 137 x 104 x 84 mm. This physical disparity explains a lot about who each camera is designed for.
The P80’s small fixed lens and minimal controls reflect a philosophy of quick grab-and-shoot simplicity. With its fixed 28-110mm (35mm equivalent) zoom and modest aperture range (f/2.6-5.8), it’s ideal for casual shooters or travelers who prioritize convenience. There’s no optical viewfinder, no built-in image stabilization, and a fixed 2.7-inch LCD - modest specs that nonetheless make for an accessible interface.
By contrast, the A580 embraces a traditional DSLR layout with a substantial grip and button array designed for professional workflow. It features a tilting 3-inch LCD with 922k dots resolution, delivering a crisp live view. The pentamirror optical viewfinder provides 95% coverage and 0.53x magnification, essential for precise framing in bright light. Controls include dedicated dials to toggle shutter, aperture priority, and manual exposure modes, plus full exposure compensation and bracketing options - all lacking on the P80.
Handling these two is like comparing a nimble scooter to a full-size motorcycle. The Pentax excels in pocketability and ease; the Sony dominates in manual control and ergonomics aimed toward serious shooters.

Sensor Technology and Image Quality: CCD vs CMOS and Resolution Matters
One of the greatest divides between these two is their sensor design and resultant image quality. The Pentax P80 sports a tiny 1/2.3-inch CCD sensor, measuring 6.17 x 4.55 mm, delivering 12 megapixels at a maximum native ISO of 6400. The Sony A580 boasts a much larger APS-C CMOS sensor of 23.5 x 15.6 mm with 16 megapixels and a base ISO of 100 expandable up to 25,600.
The sensor size difference alone (28 mm² on the P80 versus 366.6 mm² on the A580) means vastly different capabilities, especially in dynamic range, noise handling, and depth of field control. Larger sensors generally capture cleaner, richer color with better tonal gradation - vital for portraits and landscapes alike.
In real-world testing, the Pentax’s tiny sensor delivers respectable daylight results for snapshots and travel images but quickly shows its limits in low light or high-contrast scenes. Noise becomes obtrusive past ISO 400, and shadow detail suffers. The anti-aliasing filter softens images to mitigate moiré but costs some fine detail.
The Sony APS-C CMOS sensor reveals a league above in dynamic range (rated 13.3 EV by DxO) and color depth (23.8 bits). Images retain crispness at high ISO 1600 and beyond, with usable shots even at 3200. The Bionz processor in the A580 also contributes to aggressive noise reduction without smearing fine detail.

Autofocus and Shooting Performance: Speed, Precision, and Tracking
Autofocus defines usability for sports, wildlife, and fast-paced photography. The Pentax P80 uses a contrast-detection AF system with 9 focus points and no face-detection capabilities. It supports only single autofocus mode and offers no continuous AF tracking. In practice, this results in relatively sluggish focus, especially in low contrast or dim conditions. The absence of advanced tracking or face detection limits its utility for capturing moving subjects reliably.
On the other hand, the Sony A580 features a hybrid AF system combining phase detection with contrast detection - a hallmark of DSLRs of the era. This system employs 15 focus points, including 3 cross-type sensors for enhanced accuracy. It supports continuous autofocus with subject tracking and face detection, critical tools for action, wildlife, and portrait photography.
Shooting speed also highlights this divide: 3 FPS burst in the P80 versus a speedy 7 FPS in the A580, supporting sports and wildlife shooting better. Moreover, the Sony’s shutter speed range (30s to 1/4000s) vastly outstrips the Pentax’s (4s to 1/1000s), adding flexibility for fast shutter-actuated creative decisions.
In my time testing both cameras extensively, the A580’s AF system never felt lethargic and kept pace with moderate subject movement, thanks to phase detection's speed advantage, while the P80 felt sluggish, limiting its success in capturing fleeting moments.
Build Quality and Weather Resistance: Everyday Convenience vs Professional Endurance
Neither camera is marketed as a weather-sealed or rugged pro body. Both lack dustproofing, waterproofing, or freezing resistance.
The Pentax’s plastic compact body emphasizes lightness and portability, which sacrifices durability and environmental resistance. For casual urban, travel, or family use under normal weather, this works fine. However, it’s clearly unsuitable for harsh fieldwork or professional environments where robustness matters.
The Sony DSLR is built with more substantial materials, a reinforced grip, and a sturdy chassis designed to withstand the demands of regular photographic assignments. While it doesn’t offer advanced environmental sealing, it can better handle bumps, daily abuse, and semi-challenging conditions without immediate worry.
User Interface and Screen: Fixed Simplicity vs Tilting Flexibility
The P80’s 2.7-inch fixed LCD screen with only 230k dots delivers minimal live-view utility and limited framing flexibility. Its non-touch, non-articulating nature confines you to waist-level shooting or awkward angling in some shots.
The A580’s 3-inch tilting LCD with 922k dots offers excellent resolution and framing versatility. Tilting is a crucial convenience for compositions from high or low angles, critically improving handheld shooting ergonomics.
Neither has touchscreen control (still uncommon in these generations), but the A580’s richer display and menu layout support more efficient navigation through settings, especially with dedicated physical buttons and dials.

Lens Ecosystems: Fixed Zoom vs Extensive Interchangeability
Here is a massive gulf between the two.
The Pentax P80 is a fixed-lens compact with a 28-110mm equivalent zoom, making it simple but severely limiting. There’s no lens interchangeability, so you’re stuck with a moderate zoom aperture range (f/2.6-f/5.8) and optical design set. This restricts creative options, depth of field control, and image specialty like macro, ultra-wide, or telephoto reach beyond the preset range.
The Sony A580 accepts a wide range of Sony/Minolta Alpha mount lenses - currently one of the most diverse lens ecosystems. With 143 native lens options according to specs, you can equip everything from ultra-fast primes for portraits, macro lenses, specialty tilt-shifts, to super-telephoto wildlife lenses. This versatility massively broadens the camera’s usefulness across genres and skill levels.
Additionally, the A580’s sensor-based image stabilization benefits any mounted lens - especially older or manual focus options - whereas the P80 has no stabilization hardware, limiting handheld usability in low light.
Battery Life and Storage: Endurance for Extended Shoots
The Pentax’s small battery model (D-LI68) is compact but not rated with a precise CIPA count in specs - typical for early compact cameras. In practical use, expect modest lifespan for casual weekend shooting.
The Sony A580’s battery pack (NP-FM500H) boasts an impressive 1,050 shots per charge, consistent with DSLRs designed for professional workflows. The larger battery and more efficient system deliver full-day usability ideal for travel, event, or sports photography.
Storage-wise, the P80 supports a single SD or SDHC card and internal memory for backups, whereas the A580 adds dual card slots (SD/SDHC/SDXC and Memory Stick Pro Duo/Pro-HG Duo) enabling extended capacity and backup options vital for professional data security.
Video Capabilities: Modest HD vs Full HD with Audio Input
Surprisingly, both cameras support live view for video recording, but their capabilities diverge sharply.
Pentax P80 shoots HD video at 1280x720p at 30 fps in Motion JPEG format - a large, inefficient codec now considered outdated. It lacks microphone input, advanced video controls, or image stabilization, limiting creative and professional utility. Video quality is serviceable for casual snapshots but will not satisfy videographers.
Sony A580 impresses for its era by offering Full HD 1920 x 1080 video at up to 60 fps in MPEG-4, AVCHD, and H.264 formats. It also features a microphone input, enabling improved audio capture for serious projects. While no in-body video stabilization exists, the availability of optical steady lenses and superior manual controls on the A580 give it strong multimedia flexibility.
Addressing Major Photography Disciplines with Each Camera
It’s one thing to analyze specs, but how do these perform across typical photography fields?
| Photography Discipline | Pentax P80 | Sony A580 |
|---|---|---|
| Portrait | Limited due to small sensor; soft bokeh; no eye detection | Excellent color depth, dynamic range, and face detection AF; can use shallow DOF lenses |
| Landscape | Moderate resolution but limited DR; basic JPEG output | High resolution, wide DR for shadow/highlight; interchangeable wide lenses |
| Wildlife | Challenging AF, slow response, no tracking | Fast AF with tracking, high burst rate, supports super-telephoto lenses |
| Sports | Slow burst, limited AF modes | 7 FPS continuous, advanced AF tracking, sharp detail retention |
| Street | Compact size a big plus for discretion | Larger size limits candid shooting; fast AF and low noise help low light |
| Macro | Macro mode focuses from 10 cm; modest quality | Supports specialized macro lenses; superior AF accuracy and resolution |
| Night/Astro | High ISO noisy; limited exposure flexibility | Extendable ISO range; up to 30s shutter; better noise control |
| Video | 720p MJPEG, no mic input | Full HD 1080p; mic input; better codec support |
| Travel | Lightweight, easy carry, limited features | Versatile system; heavier but adaptable to diverse shooting |
| Professional Use | Not suited for pro workflows or RAW | RAW capture, dual cards, robust controls, excellent workflow integration |
Connectivity and Wireless Features
Connectivity is limited on both models relative to modern standards.
The Pentax P80 offers USB 2.0 and HDMI outputs but no wireless features - no WiFi, Bluetooth, or GPS.
The Sony A580, while predating built-in WiFi by a few years, supports Eye-Fi card compatibility for wireless image transfer - a useful workaround. It also includes USB 2.0 and HDMI ports. GPS is absent in both.
While lacking today’s wireless bells and whistles, the A580’s Eye-Fi support provides a practical tetherless workflow advantage over the P80.
Price-to-Performance Evaluation: What Do You Get for Your Buck?
At launch and even now, the Pentax P80 sits at an entry-level price around $200, targeting casual shooters desiring a simple, compact point-and-shoot with decent image quality for snapshots.
The Sony A580, priced around $850, enters the DSLR arena aiming at beginners to enthusiasts demanding greater control, superior image quality, and long-term system growth.
If budget is tight and portability paramount, the P80 may suffice for family photos and travel snapshots. However, as an investment in photographic growth, lens ecosystem, and technical capability, the Sony A580 stands leagues ahead - a camera that rewards skill development and allows shooting in demanding scenarios.
Final Recommendations: Who Should Buy Which?
Choose the Pentax P80 if:
- You want a highly compact, lightweight camera for casual use or as a secondary trip camera.
- Simplicity and pocketability outweigh advanced features or image quality.
- Your primary output is social media or small prints, not demanding professional work.
- Budget constraints prevent investing in an interchangeable lens system.
Choose the Sony A580 if:
- You intend to grow your photographic skills and require more manual control.
- You shoot portraits, landscapes, sports, or wildlife and need fast, accurate AF.
- You want better image quality with RAW support and more creative flexibility.
- You plan on building a system with diverse lenses over time.
- You value video quality and audio input for multimedia projects.
- You need longer battery life and more durable build.
Closing Thoughts: Lessons from Hands-On Testing
Comparing the Pentax P80 and Sony A580 is, in a way, a comparison between the dog-eared pocket snapshots of yesterday and the DSLR workflow workhorses that helped launch many into professional photography. The P80 is the quintessential basic camera for casual shooters, modestly capable but fundamentally limited by its sensor and AF technology. The A580, despite its age, remains a potent entry-level DSLR, offering features and quality that endure in the used market today.
From sensor tech to autofocus, from ergonomics to system expandability, this comparison underscores the vast gulf between fixed-lens compacts and DSLRs while recognizing each’s distinct role in photography’s diverse landscape. Choose wisely based on your photographic ambitions and needs; both cameras tell a story worth understanding.
Happy shooting!
Pentax P80 vs Sony A580 Specifications
| Pentax Optio P80 | Sony Alpha DSLR-A580 | |
|---|---|---|
| General Information | ||
| Brand | Pentax | Sony |
| Model type | Pentax Optio P80 | Sony Alpha DSLR-A580 |
| Category | Small Sensor Compact | Entry-Level DSLR |
| Revealed | 2009-08-05 | 2011-05-26 |
| Physical type | Compact | Compact SLR |
| Sensor Information | ||
| Processor | Prime | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor surface area | 28.1mm² | 366.6mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
| Full resolution | 4000 x 3000 | 4912 x 3264 |
| Max native ISO | 6400 | 12800 |
| Max boosted ISO | - | 25600 |
| Lowest native ISO | 64 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 9 | 15 |
| Cross type focus points | - | 3 |
| Lens | ||
| Lens mount type | fixed lens | Sony/Minolta Alpha |
| Lens zoom range | 28-110mm (3.9x) | - |
| Max aperture | f/2.6-5.8 | - |
| Macro focusing range | 10cm | - |
| Available lenses | - | 143 |
| Focal length multiplier | 5.8 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Tilting |
| Display diagonal | 2.7" | 3" |
| Display resolution | 230 thousand dots | 922 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | None | Optical (pentamirror) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.53x |
| Features | ||
| Lowest shutter speed | 4s | 30s |
| Highest shutter speed | 1/1000s | 1/4000s |
| Continuous shooting rate | 3.0 frames/s | 7.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 4.60 m | 12.00 m |
| Flash modes | - | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Highest flash synchronize | - | 1/160s |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 29.97 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4, AVCHD, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 125 grams (0.28 lbs) | 599 grams (1.32 lbs) |
| Dimensions | 102 x 59 x 25mm (4.0" x 2.3" x 1.0") | 137 x 104 x 84mm (5.4" x 4.1" x 3.3") |
| DXO scores | ||
| DXO All around rating | not tested | 80 |
| DXO Color Depth rating | not tested | 23.8 |
| DXO Dynamic range rating | not tested | 13.3 |
| DXO Low light rating | not tested | 1121 |
| Other | ||
| Battery life | - | 1050 photographs |
| Type of battery | - | Battery Pack |
| Battery ID | D-LI68 | NP-FM500H |
| Self timer | Yes (2 or 10 sec) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC, Internal | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
| Card slots | 1 | Dual |
| Cost at launch | $200 | $848 |