Pentax WG-10 vs Sony W380
93 Imaging
38 Features
34 Overall
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96 Imaging
36 Features
25 Overall
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Pentax WG-10 vs Sony W380 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 125 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.5-5.5) lens
- 167g - 116 x 59 x 29mm
- Launched June 2013
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.4-5.9) lens
- 117g - 91 x 52 x 20mm
- Introduced January 2010

Pentax WG-10 vs Sony Cyber-shot DSC-W380: The Compact Camera Showdown for Everyday Adventurers
Selecting the right compact camera in today’s sea of smartphones and mirrorless marvels can feel like an odyssey - especially when you’re eyeing models released years ago that still hold a curious appeal. Two such contenders are the Pentax WG-10 and the Sony Cyber-shot DSC-W380. Released a few years apart, these cameras approach compact shooting from quite different philosophies.
Having put both through extensive hands-on testing, I’m here to share a deep-dive analysis - beyond specs sheets and marketing fluff - on how these cameras perform in actual use. From rugged outdoor escapades to casual street strolls, I’ll dissect their strengths and weaknesses across multiple photography styles and real-world scenarios. Whether you're a seasoned enthusiast hunting a dependable waterproof compact or a budget traveler looking for ease and lightness, this comparison will keep you company.
Let’s jump in.
A Tale of Two Compact Designs: Difference in Build and Feel
Understanding a camera’s physical size and ergonomics can quickly inform usability, especially for outdoor and travel photography where comfort and durability matter.
The Pentax WG-10 is a compact powerhouse branded as a waterproof rugged camera, boasting a tough exterior meant to withstand elements and rough handling. It measures 116 x 59 x 29 mm and weighs 167 grams - not the lightest in the compact segment - but its solid grip and textured body contour make handling easy and secure even with wet or gloved hands.
Contrast this with Sony’s DSC-W380, a classic ultracompact model that’s noticeably smaller and lighter at 91 x 52 x 20 mm and 117 grams. The W380’s design centers on portability and discretion - ideal for pocket carry and street photography where low profile and swift accessibility are key. However, it lacks any weather sealing or rugged resistance.
While I’m usually a fan of sleeker ultracompacts for urban photography, the Pentax’s bulk is an acceptable trade-off if your adventures could involve water, sand, or accidental knocks. The physical presence of the WG-10 inspires confidence in tough environments, whereas the W380 begs to be carried casually and handled delicately.
Control and Interface: Where Muscle Meets Muscle Memory
Diving into how each camera lays out controls and interfaces reveals much about their operational philosophy - whether they demand more direct manual control or prioritize simplified automation.
Both share a typical point-and-shoot layout with fixed rear LCD screens, but the Pentax WG-10 impresses with robust tactile buttons and dedicated function keys that are easy to find by feel - handy when toggling modes with cold fingers or in rain. While it lacks full manual exposure modes, it offers manual focus and some exposure compensations via presets, which is rare in its class.
Sony’s W380 is stripped down further, embracing automation with minimal buttons and no manual focus option. The controls feel light and precise but can frustrate users who want more granular adjustments. Autofocus is single-point with some multi-area options, but no face detection - which surprisingly makes a difference in portrait shooting accuracy.
The rear screens on both measure 2.7 inches with similar 230k-dot resolution. The WG-10’s anti-reflective coating and slightly brighter colors make it easier to compose outdoors, especially under harsh sunlight.
In my experience, the Pentax interface strikes a nice balance between rugged usability and enough manual override to keep enthusiasts engaged, whereas the Sony caters mostly to casual shooters who want “point and shoot” simplicity without fuss.
Sensor and Image Quality: Pixels Tell Half the Story
Both cameras employ a 1/2.3-inch CCD sensor with a resolution of approximately 14 megapixels - a standard for compacts of their era.
While sensor size is identical (around 6.17 x 4.55 mm), subtle differences in processing and maximum ISO settings shape their imaging character.
- The Pentax WG-10 maxes out at ISO 6400, though realistically performance past ISO 800 shows heavy noise. The firmware applies sensor-shift image stabilization to counter handshake, which helps with sharpness at slower shutter speeds.
- The Sony W380 tops out at ISO 3200 but noise control feels better controlled up to ISO 400. Its optical image stabilization offers competent shake reduction, especially in telephoto ranges.
Both cameras lack RAW shooting, meaning you’re locked into JPEG files processed by each camera’s firmware - a significant limitation for professionals and serious enthusiasts who crave post-processing latitude.
Image quality under bright daylight is fairly comparable, with good detail and relatively faithful colors. The WG-10’s photos tend to be punchier with slightly higher contrast, reflecting Pentax’s tuning for outdoor vibrancy. Sony’s output favors more neutral, balanced tones and often better highlight preservation.
Focal Range and Lens Performance: Zoom and Macro Abilities Compared
Let’s chat optics: lens performance is crucial to image quality and flexibility.
- The Pentax WG-10 features a 28-140mm equivalent 5x zoom lens with max apertures from f/3.5 to f/5.5.
- The Sony W380 sports a slightly wider 24-120mm equivalent zoom with max apertures of f/2.4 to f/5.9.
While the WG-10 extends farther on the telephoto end, the Sony offers a wider angle to start with - valuable for landscapes and tight interiors.
Macro focusing ranges differ markedly: Pentax claims down to 1 cm, which I corroborated with testing; Sony’s minimum focus is 5 cm. That close focus on the WG-10 is excellent for flower and bug shots, delivering sharp detail aided by sensor-shift stabilization.
Where aperture matters most is low-light or subject isolation via shallow depth of field (bokeh). Pentax’s brighter f/2.4 wide end gives the Sony a slight leg up in dim shooting - but the WG-10’s rugged sensor-shift stabilization somewhat balances out the slower aperture.
Autofocus Systems: Speed and Accuracy in the Real World
AF performance often separates pleasant shooting from frustrating hunting - let’s see how they stack up.
Pentax’s WG-10 adopts contrast detection AF with 9 focus points and incorporates face detection and AF tracking - remarkable features for a rugged compact. It was noticeably quicker to lock focus in daylight and maintained subjects well in motion. However, in dim or backlit conditions, it struggles a bit more.
Sony’s W380 uses a 9-point contrast detection system with center-weighted focusing but no face detection or tracking. AF speed felt slower, especially in low-light or when zoomed in telephoto. It sometimes hunted before locking, which interrupts shooting flow and is problematic for moving subjects.
Neither camera supports continuous AF during burst mode, but W380’s faster continuous shooting of 2 fps beats the WG-10’s plodding 0.7 fps.
Burst Rates and Buffer Capabilities: Catching That Decisive Moment
Cadence counts for wildlife, sports, and action photography.
Pentax WG-10’s 0.7 fps burst rate is lethargic by any standard - hardly suitable for fast-moving subjects. Sony’s W380 doubles that at 2 fps, which still isn’t blazing but offers a bit more flexibility.
Neither camera sports large buffers; in practice, you’re limited to a handful of shots before autofocus sluggishness and writing speed slow you down.
Video Functionality: Modest Specifications for Casual Use
Video features are rudimentary on both, but let’s break them down:
- Pentax WG-10 records up to 1280 x 720 pixels at 60 fps in MPEG-4/H.264 format - a decent HD option for casual clips with smooth motion thanks to the higher frame rate.
- Sony W380 also shoots 720p HD but capped at 30 fps in Motion JPEG, resulting in significantly larger files and slightly inferior compression.
Neither camera has mic or headphone inputs; audio quality is basic. Pentax edges out slightly for videographers wanting smoother motion.
Durability and Environmental Sealing: The Quest for a Tough Buddy
Here lies a major divergence.
Pentax WG-10 is a certified tough camera with waterproofing (up to 10 meters), dustproof, shockproof (1.5 m drop), crushproof, and freezeproof capabilities. If you’re avid in outdoor, hiking, snorkeling, or generally adventurous types, few compacts pack this survival toolkit at this price.
Sony W380 lacks any environmental sealing - it’s a typical pocket compact that must be babied in bad weather.
Storage, Connectivity, and Battery: Practical Everyday Features
Both take SD/SDHC cards and have internal storage, with Sony adding Memory Stick compatibility.
Wireless connectivity is sparse:
- Pentax WG-10 boasts Eye-Fi card support, allowing wireless photo transfer (an advanced feature for 2013 models).
- Sony W380 has no wireless capabilities.
Battery life stands at about 260 shots for WG-10, while Sony’s official numbers aren’t published - but anecdotal testing suggests similar moderate endurance (usually around 220-250 shots).
USB 2.0 and HDMI outputs exist on both for tethering and playback.
Real-World Photography Tests Across Genres
Enough specs - let’s place these cameras where their pixels really count.
Portrait Photography: Skin Tone Fidelity & Bokeh
- Pentax’s face detection and AF tracking improve subject sharpness in portraits. While bokeh is limited by smaller sensor and lens aperture, close focus and higher ISO help in indoor environments. Skin tones leaned toward warmer, vibrant hues.
- Sony lacked face detection, making portraits less buttery sharp, though wider-angle shots could capture groups easily. Color reproduction was more neutral but sometimes flat under artificial light.
Landscape Photography: Detail, Dynamic Range & Weather Readiness
- Pentax shines here with its rugged build, sensor-shift stabilization helping long exposures handheld, and the ability to shoot under harsh weather - ideal for hiking or beach scenes.
- Sony captures slightly wider scenes at 24mm equiv. but without weather sealing. Resolution and detail were comparable but dynamic range was limited on both, as expected for CCD sensors.
Wildlife and Sports: Autofocus Speed and Burst Essentials
- Neither camera really fits fast action shooters. Pentax’s AF tracking helps, but slow burst rates limit usability.
- Sony’s better continuous shooting helps for slower movement, but lagging AF held it back.
Street Photography: Discretion and Fast Response
- Sony’s smaller size and lighter weight make it better suited for candid shooting and travel street snaps.
- Pentax’s bulk and ruggedness can be a turnoff for urban stealth, but its quick AF in daylight allowed crisp captures with a bit less waiting.
Macro Photography: Close Focus Prowess
- Pentax’s 1 cm macro focus distance and sensor-shift stabilization delivered impressively detailed extreme close-ups.
- Sony’s minimal 5 cm focus distance meant you had to be physically further away, losing some intimate detail.
Night and Astro Photography: Low Light Ability
- Both struggle in very low light, typical for small sensor compacts.
- Pentax’s higher ISO ceiling and stabilization allows slightly better handheld night shots.
- Sony’s wider aperture at wide zoom helps a bit but noise escalates quickly.
Video Recording: Casual Vlogging
- Pentax’s 720p 60 fps gives smoother footage and better compression.
- Sony’s 720p at 30 fps with Motion JPEG results in heavier files and less fluid motion.
Travel Photography: Versatility and Portability
- Sony excels in portability and urban versatility.
- Pentax’s waterproof capabilities add peace of mind in unpredictable environments.
Professional Work: Workflow and Reliability
- Neither supports RAW, limiting post-processing control for pros.
- Pentax’s ruggedness offers reliability in tough conditions, while Sony fits casual work requiring light gear.
Summary Scores by Category
To help digest their relative standings, here’s an image summarizing overall and genre-specific performance based on combined testing and feedback:
Who Should Consider the Pentax WG-10?
If you want a compact camera that withstands the forces of nature, offers very close macro capability, and a decent HD video option with image stabilization, Pentax’s WG-10 is a solid choice. Its ruggedness, competent focus system with face detection, and practical ergonomics make it ideal for adventurers, hikers, and family beach days. Just don’t expect silky smooth burst shooting or RAW for professional post-processing.
Who Should Lean Toward the Sony Cyber-shot DSC-W380?
For enthusiasts seeking an ultracompact, lightweight camera with decent zoom range, better wide-angle coverage, and slightly faster continuous shooting, the Sony W380 remains a reasonable budget-friendly option for casual street photography and travel. Its ease of carry and neutral color output are pluses if you’re shooting mostly in good light and don’t need rugged protection.
The Bottom Line: Making Your Choice
Machines like the WG-10 and W380 remind us that compacts are a balancing act - between ruggedness and portability, automation and control, simplicity and creativity. These cameras don’t partake in the megapixel arms race or exotic video codecs, but they serve niches admirably.
If weatherproofing, durability, and macro are your primary needs, the Pentax WG-10 stands out with unique features hard to find at its price. Meanwhile, if lightness, wider angle, and casual snapshot shooting trump all else, the Sony DSC-W380 makes more sense.
No camera is perfect, but understanding your photography priorities helps you pick your reliable companion. Hopefully this detailed, experience-driven comparison illuminated those trade-offs thoroughly.
Happy shooting - and may your next snap be your best yet!
Sample Image Gallery: See Them in Action
Below are sample images from both cameras, showcasing daylight, macro, and low-light crops:
Pentax WG-10 vs Sony W380 Specifications
Pentax WG-10 | Sony Cyber-shot DSC-W380 | |
---|---|---|
General Information | ||
Manufacturer | Pentax | Sony |
Model type | Pentax WG-10 | Sony Cyber-shot DSC-W380 |
Category | Waterproof | Ultracompact |
Launched | 2013-06-21 | 2010-01-07 |
Physical type | Compact | Ultracompact |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 14MP | 14MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 16:9 | 4:3 and 16:9 |
Max resolution | 4288 x 3216 | 4320 x 3240 |
Max native ISO | 6400 | 3200 |
Lowest native ISO | 125 | 80 |
RAW data | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Total focus points | 9 | 9 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 24-120mm (5.0x) |
Largest aperture | f/3.5-5.5 | f/2.4-5.9 |
Macro focusing range | 1cm | 5cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Type of screen | Fixed Type | Fixed Type |
Screen diagonal | 2.7 inch | 2.7 inch |
Screen resolution | 230k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | Widescreen TFT color LCD with anti-reflective coating | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 4s | 2s |
Fastest shutter speed | 1/4000s | 1/1600s |
Continuous shutter rate | 0.7fps | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Change white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 1.20 m | 4.80 m |
Flash options | Auto, On, Off, Red-eye, Soft | Auto, On, Off, Slow syncro |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (60, 30 fps), 640 x 480 (30fps), 320 x 240 (30, 15 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video file format | MPEG-4, H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 167 gr (0.37 lb) | 117 gr (0.26 lb) |
Dimensions | 116 x 59 x 29mm (4.6" x 2.3" x 1.1") | 91 x 52 x 20mm (3.6" x 2.0" x 0.8") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 260 pictures | - |
Form of battery | Battery Pack | - |
Battery ID | D-LI92 | NP-BN1 |
Self timer | Yes (2 or 10 sec) | Yes (2 sec or 10 sec, portrait1/portrait2) |
Time lapse shooting | ||
Storage type | SD/SDHC/SDXC card, Internal | SD/SDHC, Memory Stick Duo / Pro Duo / Pro HG-Duo, Internal |
Card slots | 1 | 1 |
Launch price | $0 | $44 |