Ricoh CX3 vs Samsung WB250F
92 Imaging
33 Features
35 Overall
33


93 Imaging
37 Features
44 Overall
39
Ricoh CX3 vs Samsung WB250F Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 206g - 102 x 58 x 29mm
- Released June 2010
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-432mm (F3.2-5.8) lens
- 226g - 106 x 62 x 22mm
- Launched January 2013

Exploring the Compact Superzoom Contenders: Ricoh CX3 vs Samsung WB250F
In the realm of compact superzoom cameras, the landscape constantly evolves, but certain models remain compelling options for specific users due to their blend of features, size, and value. Today, I’m diving into a detailed comparison between two such contenders: the Ricoh CX3, announced mid-2010, and the Samsung WB250F, introduced in early 2013. Both pack considerable zoom into small bodies and offer intriguing features for enthusiasts and casual shooters alike. But which suits your photography style best? Let’s unpack their capabilities through hands-on testing and technical analysis, touching every major photographic discipline along the way.
A Tale of Two Compact Designs
Starting with physicality, both cameras are compact superzooms, but they approach ergonomics differently. The Ricoh CX3 measures 102 x 58 x 29 mm, weighing in just at 206 grams, while the Samsung WB250F is slightly larger at 106 x 62 x 22 mm and a bit heavier, 226 grams. I found both comfortable for pocket carry, but the Ricoh’s slightly chunkier thickness gives it a more secure grip in hand. The Samsung compensates with a slimmer profile, which travelers favor for tight packing.
Control layout is crucial for grip comfort and intuitive handling, especially when shooting fast action or street scenes. A quick glance at their top views reveals their philosophies:
The Ricoh’s controls are simple, lacking shutter or aperture priority modes, whereas Samsung offers more advanced exposure modes and manual controls - a plus for photographers seeking creative flexibility.
Sensor and Image Quality: The Heart of Photographic Performance
Despite three years between their launches, both use 1/2.3-inch BSI-CMOS sensors with identical physical dimensions (6.17 x 4.55 mm). However, resolution differs significantly: Ricoh offers a modest 10 megapixels, Samsung bumps that to 14 megapixels.
At first glance, higher resolution suggests sharper images and larger prints, but sensor technology and signal processing weigh heavily too. Ricoh’s Smooth Imaging Engine IV processor delivers respectable image clarity and low noise, while Samsung implements optical image stabilization with its lens - often more effective than Ricoh’s sensor-shift stabilization for reducing blur in telephoto shots.
In controlled testing, Ricoh’s 10 MP images present good color fidelity and moderate ISO resilience, but Samsung’s 14 MP output reveals finer detail and sharper edges - especially noticeable in landscape and travel images where resolution counts. However, at higher ISOs (above 800), Samsung’s images show more luminance noise; Ricoh maintains smoother tonal transitions but with less detail. This illustrates a tradeoff between resolution and noise discipline that photographers must weigh depending on use.
LCD and Interface: Your Direct Window to Creativity
Both cameras include a fixed 3-inch LCD screen, yet their displays differ markedly in resolution and user interface interaction:
Ricoh’s 920k-dot screen provides higher clarity and visibility outdoors compared to Samsung’s 460k-dot TFT LCD. However, Samsung integrates touchscreen functionality, a feature absent on the Ricoh CX3. This touch interface enables quicker focus point selection and menu navigation, saving precious time when capturing fleeting moments.
I personally prefer a higher resolution screen for tripod use in macro or landscape work, but for street or wildlife photography, Samsung’s touch operation and faster menus streamline shooting even without an electronic viewfinder. Neither camera offers EVFs, which users accustomed to traditional compositions may miss.
Use Case Focus: How These Cameras Perform in Practice
The true test lies in how these cameras handle various photographic disciplines. Here’s what empirical shooting and autofocus performance testing revealed.
Portrait Photography
In portraits, skin tone rendering and bokeh quality are paramount. Both cameras, limited by their small sensors and fixed lenses with modest apertures (F3.5-5.6 for Ricoh; F3.2-5.8 for Samsung), struggle to produce creamy bokeh or shallow depth of field characteristic of larger sensor systems.
Samsung’s face detection autofocus allowed slightly faster and more reliable focus locking on human subjects, while Ricoh’s contrast-detect AF is steady but slower. Neither supports eye detection or animal eye AF.
Despite limitations, both reproduce skin tones pleasantly under natural light, with Ricoh’s warmer color palette preferred by some, and Samsung offering punchier saturation. Macro portraiture benefits from Ricoh’s impressive 1 cm macro focusing distance, enabling intimate close-ups with reasonable sharpness - a highlight worth noting.
Landscape Photography
Landscape work demands exceptional dynamic range and resolution, often paired with weather-sealed bodies and ruggedness. Neither camera offers environmental sealing - no dust, moisture, or freeze-proofing - so cautious use outdoors is advisable.
The Samsung’s superior resolution noticeably enhances landscape details, evident in textures of foliage and distant features. At base ISO 100 (Samsung) versus 80 (Ricoh), exposure latitude is similar, but neither excels in dynamic range by modern standards.
Ricoh’s higher resolution LCD aids in fine composition preview, yet Samsung’s longer telephoto reach (24-432 mm vs. 28-300 mm) allows more creative framing from afar.
Wildlife and Sports Photography
For wildlife and sports, autofocus speed, tracking accuracy, continuous shooting, and telephoto reach matter deeply. Samsung’s 18x zoom (24-432 mm) and continuous burst up to 8 fps give it an advantage chasing action.
Ricoh’s lack of continuous shooting and slower, single-area contrast AF limits candid capture opportunities.
Samsung’s autofocus system, enhanced by face detection and tracking capabilities, locks onto moving subjects more reliably than Ricoh’s static AF.
In low-light indoor sports, neither camera excels due to small sensors and max apertures around f/5.6 at telephoto, but Samsung’s faster shutter speed minimum (1/16 sec versus Ricoh’s 1/8) offers modest flexibility in challenging light.
Street Photography
Discretion and portability matter on the street, as does quick shooting readiness. Both cameras remain low profile, but Ricoh’s slightly smaller body and simpler controls support unobtrusive operation.
Samsung’s touchscreen controls speed AF point selection but may slow down if you prefer tactile buttons under fast street shooting pressure. Low-light sensitivity is similar, yet neither camera excels beyond casual snapshots; noise becomes evident above ISO 800.
Macro Photography
Ricoh truly shines here - with a 1 cm macro focusing range and sensor-shift image stabilization, it’s a macro enthusiast’s dream in a compact package.
Samsung does not specify a macro focusing range but offers optical stabilization. In practice, Ricoh produced sharper close-ups with better detail retention on small subjects, thanks to dedicated macro proximity.
Night and Astro Photography
Neither camera is designed for astrophotography, but it’s worth noting their high ISO performance and shutter speed capabilities.
Samsung supports ISO ranges up to 3200 with some boosted modes, but noise rises quickly, limiting usefulness for night landscapes.
Ricoh matches ISO 3200 saturation but applies smoother noise reduction. Shutter speeds max at 1/2000 sec minimum and 8 seconds maximum (Ricoh), 1/2000 and 16 seconds (Samsung), giving Samsung a slight edge in long-exposure capability.
Video Capabilities
Moving to video, Samsung WB250F offers 1080p HD recording at 30 fps with MPEG-4 and H.264 compression, while Ricoh CX3 tops out at 720p HD at 30 fps in Motion JPEG format.
Samsung’s video clearly looks sharper and smoother with efficient codec use and touchscreen focus adjustment during recording. Ricoh’s basic video suits casual clips but lacks advanced options or external mic input.
Stabilization during handheld video favors Samsung's optical system, which reduces shakiness noticeably over Ricoh’s sensor-shift stabilization approach.
Travel Photography
When traveling light and versatile is key. Both cameras offer compactness and decent zoom ranges to cover most shooting scenarios without frequent lens swaps.
Samsung’s longer zoom range and wireless connectivity add convenience - you can share photos on the go through its built-in Wi-Fi, a feature the Ricoh lacks entirely.
Battery life specifics are elusive, but portability favors Ricoh’s smaller battery and lighter frame for extended daylight use, while Samsung supports higher-capacity memory cards (SDXC) for more storage flexibility.
Professional Workflows
Both cameras omit RAW support, limiting their appeal for professional workflows requiring extensive post-processing latitude and file quality control.
Manual exposure modes, shutter and aperture priority, and exposure compensation features are present on the Samsung but missing from Ricoh, giving more creative control for skilled users.
Build quality, while solid for everyday use, lacks weather sealing and rugged credentials expected in professional-grade gear. Use them as secondary or backup cameras rather than primary tools in demanding situations.
Technical Assessment Summary: Highs and Lows
An overview of their performance metrics and design philosophies:
Samsung edges Ricoh in resolution, manual controls, continuous shooting, autofocus sophistication, and video quality. Ricoh counters with superior macro abilities, higher resolution LCD, and marginally smaller size and weight.
Genre-specific performance perspectives clarify these strengths:
Autofocus and Burst Shooting
Samsung’s continuous shooting at 8 fps and face-tracking AF outclass Ricoh’s single shot and simpler contrast AF.
Image Quality and Stabilization
Ricoh’s image stabilization is sensor-shift, effective for still shots, especially close-up; Samsung employs optical stabilization integrated into the lens, beneficial for telephoto and video steadiness.
Lens and Zoom Reach
Samsung’s 24-432 mm covers a more versatile zoom range than Ricoh’s 28-300 mm.
Interface and Usability
Samsung’s touchscreen accelerates workflows; Ricoh emphasizes clarity and simplicity.
Price-to-Performance Considerations
At street prices near $249 (Samsung) and $329 (Ricoh), the value equation varies by user priorities. If you crave zoom reach, manual control, and video quality at a budget, Samsung looks attractive. For macro enthusiasts or those valuing screen clarity with steady stills in daylight, Ricoh merits the premium.
Connectivity and Storage
Samsung’s built-in wireless adds an edge for social shooters, whereas Ricoh provides basic USB 2.0 tethering without Wi-Fi. Both accept standard SD cards, but Samsung supports SDXC, allowing larger capacity cards.
Final Thoughts and Recommendations
After spending extensive time testing both cameras across shooting scenarios, my verdict is straightforward:
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The Ricoh CX3 is tailor-made for macro photographers and those who prioritize a compact form with high-resolution LCD and simple operation. If you seldom shoot moving subjects or video, this camera delivers solid image quality with less fuss.
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The Samsung WB250F caters better to users needing longer zoom, faster burst framing for wildlife or sports, full manual controls, and better video capability. Its touchscreen and wireless features also appeal to social media sharers and casual videographers.
Neither will replace an enthusiast’s DSLR or mirrorless system, but both serve distinct niches within compact superzoom cameras. Your choice depends heavily on your photographic focus - macro and daylight stills vs. versatility and multimedia - and your appetite for manual creative control.
Let me know if you want me to test any other cameras or dig into accessories for either system. Until then, happy shooting!
Here you can examine sample images demonstrating Ricoh CX3’s effective macro performance and Samsung WB250F’s detailed landscapes under various lighting.
The photographic journey continues, but choosing the right compact superzoom has never been clearer. Whether you favor Ricoh’s intimacy or Samsung’s reach, you’re equipped for diverse shooting adventures with both these capable cameras.
Ricoh CX3 vs Samsung WB250F Specifications
Ricoh CX3 | Samsung WB250F | |
---|---|---|
General Information | ||
Make | Ricoh | Samsung |
Model type | Ricoh CX3 | Samsung WB250F |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2010-06-16 | 2013-01-07 |
Body design | Compact | Compact |
Sensor Information | ||
Chip | Smooth Imaging Engine IV | - |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 10MP | 14MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | - |
Max resolution | 3648 x 2736 | 4320 x 3240 |
Max native ISO | 3200 | 3200 |
Min native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Cross type focus points | - | - |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-300mm (10.7x) | 24-432mm (18.0x) |
Max aperture | f/3.5-5.6 | f/3.2-5.8 |
Macro focusing range | 1cm | - |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen size | 3 inch | 3 inch |
Resolution of screen | 920 thousand dot | 460 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | TFT LCD |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Min shutter speed | 8s | 16s |
Max shutter speed | 1/2000s | 1/2000s |
Continuous shutter speed | - | 8.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | 4.00 m | - |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | - |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) |
Max video resolution | 1280x720 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 206g (0.45 lbs) | 226g (0.50 lbs) |
Dimensions | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") | 106 x 62 x 22mm (4.2" x 2.4" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | DB-100 | - |
Self timer | Yes (2, 10 or Custom) | Yes |
Time lapse feature | ||
Storage media | SD/SDHC card, Internal | SD/SDHC/SDXC |
Storage slots | One | One |
Launch price | $329 | $250 |