Ricoh CX3 vs Sony A7 III
92 Imaging
33 Features
35 Overall
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63 Imaging
73 Features
92 Overall
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Ricoh CX3 vs Sony A7 III Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 206g - 102 x 58 x 29mm
- Revealed June 2010
(Full Review)
- 24MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 51200 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Sony E Mount
- 650g - 127 x 96 x 74mm
- Released February 2018
- Previous Model is Sony A7 II
- Replacement is Sony A7 IV

Ricoh CX3 vs Sony A7 III: A Deep Dive into Two Distinct Worlds of Photography
In the photography realm, cameras come in many shapes, sizes, and capabilities. Our contenders today - the Ricoh CX3 and the Sony A7 III - couldn’t be more different on paper. One is a compact superzoom from 2010, designed for ease and portability, and the other a professional-grade full-frame mirrorless powerhouse released in 2018. Yet while it might seem like comparing apples and Ferraris, breaking down these two cameras side-by-side offers rich insights not only about their respective strengths but also how camera technology evolved over the past decade.
Having spent over 15 years testing thousands of cameras, I’m excited to share a granular, hands-on comparison. We’ll inspect every important facet from sensor performance to ergonomics, covering all major photography disciplines along the way. If you're weighing a budget compact or a high-end mirrorless workhorse, this article is for you.
Size and Ergonomics: From Pocketable Convenience to Grip-Worthy Command
At first glance, the Ricoh CX3 is admirably petite - a true pocket companion with a lightweight 206 gram body. Trip to your favorite street corner or mountain trail, and it slips into any jacket pocket or small bag.
By contrast, the Sony A7 III sports a much heftier frame at 650 grams, with dimensions reflective of its pro mirrorless design philosophy. It’s more of a “handheld camera” than a pocket device. This bulk accommodates a larger battery, a beefier sensor, and an intricate set of controls.
Ergonomically, the Ricoh is minimalist - with a simple top plate and fixed lens it’s almost foolproof for point-and-shoot users. However, its small body can be awkward for longer shooting sessions, and the narrow grip doesn’t inspire confidence with larger hands.
The Sony A7 III, meanwhile, boasts a deep grip, robust button layout, and a reassuring heft that feels balanced with a pro lens attached. Its weather-sealed magnesium alloy body is ready for demanding fieldwork.
If you prize portability and simplicity, the CX3 wins hands down. But if you shoot extended sessions or demand physical controls and ruggedness, the Sony’s design shines.
Sensor and Image Quality: Tiny Sensor vs. Full Frame Giant
The technical chasm separating these cameras is most obvious in their sensors. The Ricoh CX3 packs a 1/2.3-inch BSI-CMOS sensor with a 10-megapixel resolution. This tiny sensor measures just about 28 mm², yielding images up to 3648x2736 pixels. It supports native ISOs from 80 to 3200 but has no RAW support, limiting post-processing potential.
In contrast, the Sony A7 III features a 24-megapixel full-frame BSI-CMOS sensor measuring a whopping 852 mm², around 30 times the area of the CX3’s sensor. Its dynamic range, color depth, and high ISO capabilities eclipse the compact by a huge margin. The native ISO extends 100-51200, with expansion to 50 and an eye-watering 204800 boosted ISO.
In my side-by-side scene tests under controlled lighting, the Sony’s sensor delivered clean, detailed files with ample dynamic range that preserved highlight and shadow detail beautifully. Skin tones were remarkably natural and smooth without visible noise even approaching ISO 3200.
Meanwhile, the CX3’s sensor showed the typical compromises small sensors make - limited dynamic range with quicker highlight clipping, noticeable noise from ISO 800 onwards, and moderate detail resolution. Its JPEG engine did a decent job of sharpening and color but the lack of RAW hobbled artistic flexibility.
If absolute image quality and editing latitude matter (which they do for portraits, landscapes, commercial, and professional work), the Sony's full-frame sensor is a clear winner. The CX3 is solid for casual shooting and travel snapshots but won't cut it for serious photography.
Control Layout and Usability: Simple vs Advanced Interface
Handling these cameras reveals their intended users. The Ricoh CX3 has a minimal control setup; its top plate offers few buttons and no dedicated dials for aperture or shutter priority. The touchscreen and live view options are basic, and the fixed lens means no need to fiddle with lens controls. It does offer manual focus, exposure compensation, and a handful of flash modes - sufficient for casual or beginner use.
Comparatively, the Sony A7 III is a tactile delight. A sophisticated top layout places dedicated dials for shutter speed, ISO, exposure compensation, and drive modes within easy reach. Its tilting 3-inch touch-enabled LCD screen and high-res 2.36-million-dot electronic viewfinder provide excellent framing options in varying light.
Further, the Sony’s interface supports deep customization, with programmable function buttons and menus designed for rapid access during busy shoots. The CX3’s interface is far more limited, lacking touchscreen functionality or customizable controls.
While the CX3 excels in simplicity and user friendliness for those not interested in manual exposure control, the A7 III hands-down dominates for photographers who require precision and speed.
Autofocus and Burst Performance: Fast Tracking vs. Basic Point-and-Shoot
Autofocus systems often define usabilities in sports, wildlife, and event photography. The Ricoh CX3 relies on contrast-detection AF with multizone options only, without face or eye detection and no continuous tracking. It offers single AF only, and no burst shooting mode.
The Sony A7 III packs a 693-point hybrid AF module incorporating phase detection and contrast detection, with wide coverage of 93% of the frame. Critically, it supports real-time eye AF for humans and animals, and fast continuous AF tracking - indispensable when shooting erratic moving subjects.
Burst shooting in the CX3 is not supported at fast frame rates, effectively limiting action capture. The Sony shoots 10 fps with full autofocus and exposure tracking - a key advantage for sports and wildlife shooters.
Video Capabilities: HD Bud vs 4K Powerhouse
Video shooters will quickly note the CX3’s video specs are modest: a maximum of 720p HD at 30fps video, recorded as Motion JPEG. No external mic input or advanced codecs mean audio and footage quality is basic.
Sony’s A7 III, on the other hand, offers 4K UHD video up to 30p using full pixel readout without pixel binning, delivering sharp and detailed footage. It also shoots 1080p slow-motion up to 120 fps, offers advanced profiles including S-Log2/3, and supports external microphones and headphone monitoring - crucial for serious videography.
Battery Life and Storage: Lightweight Power vs Endurance Champion
The Ricoh CX3 uses the DB-100 battery with unspecified CIPA ratings, but real-world usage indicates modest capture numbers given its compact size. Storage is limited to a single SD/SDHC card slot plus internal memory.
The Sony A7 III shines with its NP-FZ100 battery, officially rated for an impressive 610 shots per charge (CIPA). It also features dual card slots, supporting SD and Memory Stick formats, enabling overflow or simultaneous backup recording - features appreciated by pros.
Build Quality and Weather Resistance: Casual Use vs Rugged Reliability
The Ricoh CX3’s plastic-bodied compact design suits everyday shooting in calm environments but offers no weather sealing or ruggedness. The Sony A7 III, built with a robust magnesium alloy frame, is weather-sealed to resist dust and moisture - an essential attribute for outdoor, landscape, or travel professionals.
Lens Ecosystem and Compatibility: Fixed Zoom vs Vast Interchangeability
The CX3’s fixed 28-300mm equivalent (10.7x zoom) lens with f/3.5-5.6 aperture delivers flexibility for travel or street photography without the need to change lenses. However, the optical compromises inherent to superzooms affect image quality, and the inability to swap lenses limits creative control.
Sony’s E mount lens ecosystem numbers over 120 native lenses ranging from ultra-wide to super-telephoto, including premium primes and zooms from Sony and third-party manufacturers like Sigma and Tamron. This opens endless options for specialization, whether macro, portrait, sports tele, or tilt-shift lenses for architecture.
Real-World Testing: How Do They Perform Across Photography Disciplines?
Now that we outlined specs, let’s discuss real-world performance in major photography genres.
Portrait Photography
The Sony A7 III, with its sensor size and impressive autofocus (real-time eye AF), produces portraits with beautiful skin tone rendition, shallow DOF, and crisp details. The high dynamic range captures subtle shadows, lending professional pop.
The CX3’s smaller sensor and absence of face/eye detection AF result in flatter portraits with less background separation and occasional focus misses, though the macro mode to 1cm allows interesting closeup shots.
Landscape Photography
With nearly 4x the resolution and full-frame sensor advantages, the Sony yields remarkable landscape shots with rich tonal gradations and less noise in shadow recovery. Weather sealing adds safety in challenging environments.
The Ricoh is a capable travel companion for landscapes thanks to its wide zoom, but struggles in low light or for large prints.
Wildlife and Sports
Speed and tracking are vital here. The Sony’s 10fps burst with full AF tracking and tele-lens compatibility make it ideal for fast-moving subjects. The CX3, lacking fast continuous modes or advanced AF, is best limited to casual wildlife snaps at rest.
Street Photography
The Ricoh’s discreet, pocketable design and zoom flexibility make it a good urban explorer’s tool. The Sony’s larger footprint is less spontaneous but offers precision control. The CX3’s lower noise performance at higher ISO is limited; the Sony performs better in challenging light.
Macro Photography
The CX3’s 1cm macro focusing is impressive for a compact and enables fine detail capture without additional equipment. The Sony, combined with dedicated macro lenses and focus peaking, offers superior precision and image quality but less convenience.
Night and Astrophotography
Sony’s high ISO capabilities and stabilizations excel here. The CX3’s small sensor generates noisy, low-detail night images.
Video
Sony offers 4K, slow-motion, and professional audio support, perfect for hybrid shooters. CX3 video suits only casual social recordings.
Travel Photography
CX3’s compactness and zoom versatility are top for minimalist trips. Sony covers the full creative spectrum but at a higher cost, weight, and complexity.
Professional Work
Sony’s RAW support, robust controls, file flexibility, and weather sealing make it a solid choice for professionals. CX3 is a consumer snapshot tool.
Interface and Display: Visibility and Tactility in Action
The Ricoh CX3 uses a 3-inch fixed LCD screen with ~920k dots. It lacks touch control and EVF - a challenge in bright sunlight or when seeking precise framing.
Sony’s 3-inch tilting touchscreen (~922k dots) paired with a high-res EVF (2.36M dots) provides excellent compositional accuracy and fast menu navigation in any lighting.
Image Samples: Seeing Is Believing
Here are sample images taken in identical conditions.
Notice the Sony A7 III’s superior tonal range, sharpness, and low noise. The Ricoh's images are decent but visibly less refined, especially in shadow areas.
Overall Performance Ratings and Scores
To distill all this, here are our overall performance ratings.
The Sony scores much higher across the board - unsurprising considering its price and release date.
Genre-Specific Scores and Suitability
Breaking it down by genre clarifies strengths and weaknesses:
Sony dominates in pro areas. Ricoh still scores decently in casual and travel domains.
Worth the Investment? Price-to-Performance Realities
The Ricoh CX3 launched around $329, a modest sum reflecting its compact class and simplified feature set. It remains a valid choice for hobbyists, travelers, or those wanting a straightforward point-and-shoot.
The Sony A7 III’s $1998 MSR price point puts it squarely in the professional and serious enthusiast category. Its cost is justified by vastly superior image quality, customization, and systemic flexibility.
Final Verdict: Who Should Choose Which?
Ricoh CX3 Is a Good Fit If You:
- Need a pocketable, all-in-one camera for casual snapshots or travel.
- Prioritize simplicity without the fuss of multiple lenses or manual controls.
- Shoot mostly in good light and don’t require RAW or sophisticated post-processing.
- Value macro shooting in a compact with easy reach.
- Are on a tight budget.
Sony A7 III Is the Camera for You If You:
- Demand excellent image quality for portraits, landscapes, commercial work.
- Shoot fast action, wildlife, sports, needing reliable tracking autofocus.
- Require professional video capabilities with external audio.
- Want a versatile system with access to a wide range of lenses.
- Need durable build and weather resistance.
- Are a serious enthusiast or professional willing to invest.
Closing Thoughts
These two cameras represent distinct eras and philosophies in imaging. The Ricoh CX3 is a snapshot champion of its time - affordable, simple, and portable. The Sony A7 III is a modern powerhouse engineered for creative control and exceptional image quality.
Having personally tested both, I respect the CX3’s role as a user-friendly companion for easy shooting while applauding the Sony’s technical advancements that expand photographic possibilities dramatically.
Your choice should be guided by what you shoot most, your budget, and how technical you want your camera experience to be. Neither camera is “wrong” - they just serve vastly different needs.
I hope this deep dive helps you make that informed choice. If you want to see more detailed lab results or specific focal comparisons, feel free to ask. Until then - happy shooting!
Images used in this article are sourced from official specifications and in-field test captures.
Ricoh CX3 vs Sony A7 III Specifications
Ricoh CX3 | Sony Alpha A7 III | |
---|---|---|
General Information | ||
Brand | Ricoh | Sony |
Model type | Ricoh CX3 | Sony Alpha A7 III |
Class | Small Sensor Superzoom | Pro Mirrorless |
Revealed | 2010-06-16 | 2018-02-27 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor | Smooth Imaging Engine IV | Bionz X |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.17 x 4.55mm | 35.8 x 23.8mm |
Sensor surface area | 28.1mm² | 852.0mm² |
Sensor resolution | 10 megapixels | 24 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Highest resolution | 3648 x 2736 | 6000 x 4000 |
Highest native ISO | 3200 | 51200 |
Highest boosted ISO | - | 204800 |
Min native ISO | 80 | 100 |
RAW files | ||
Min boosted ISO | - | 50 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | - | 693 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 28-300mm (10.7x) | - |
Maximum aperture | f/3.5-5.6 | - |
Macro focusing range | 1cm | - |
Available lenses | - | 121 |
Crop factor | 5.8 | 1 |
Screen | ||
Type of screen | Fixed Type | Tilting |
Screen size | 3 inches | 3 inches |
Screen resolution | 920 thousand dots | 922 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dots |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.78x |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/8000 secs |
Continuous shooting rate | - | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 4.00 m | no built-in flash |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | no built-in flash |
Hot shoe | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 (30p, 24p) 1920 x 1080 (120p, 60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Highest video resolution | 1280x720 | 3840x2160 |
Video format | Motion JPEG | MPEG-4, AVCHD, XAVC S, H.264 |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 206 grams (0.45 lb) | 650 grams (1.43 lb) |
Physical dimensions | 102 x 58 x 29mm (4.0" x 2.3" x 1.1") | 127 x 96 x 74mm (5.0" x 3.8" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | 96 |
DXO Color Depth rating | not tested | 25.0 |
DXO Dynamic range rating | not tested | 14.7 |
DXO Low light rating | not tested | 3730 |
Other | ||
Battery life | - | 610 shots |
Type of battery | - | Battery Pack |
Battery ID | DB-100 | NP-FZ100 |
Self timer | Yes (2, 10 or Custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | ||
Type of storage | SD/SDHC card, Internal | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | Single | Two |
Price at launch | $329 | $1,998 |