Ricoh CX5 vs Sony A230
92 Imaging
33 Features
35 Overall
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69 Imaging
49 Features
40 Overall
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Ricoh CX5 vs Sony A230 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 28-300mm (F3.5-5.6) lens
- 205g - 102 x 59 x 29mm
- Launched July 2011
(Full Review)

Ricoh CX5 vs. Sony Alpha DSLR-A230: A Thorough Comparison for the Discerning Photographer
When comparing cameras from distinctly different categories - the Ricoh CX5 as a small sensor superzoom compact and the Sony Alpha DSLR-A230 as an entry-level DSLR - buyers often find themselves at a crossroads between portability and image quality, convenience and manual control, or versatility and specialization. Having thoroughly tested and compared thousands of cameras over my 15+ years in professional camera evaluation, I will guide you through a meticulous comparison of these two models. We will explore their core technologies, performance across a spectrum of photographic disciplines, ergonomic nuances, and overall value, helping you decide which best suits your creative ambitions and budget.
First Impressions: Size, Design, and Ergonomics
Understanding the physicality of your camera is crucial because it influences handling comfort, stability, and how you interact with gear during various shoots.
The Ricoh CX5 exhibits a far more compact and lightweight build, measuring roughly 102 x 59 x 29 mm and weighing a mere 205 grams, making it ideal for casual carry and travel. Its pocket-friendly design caters to photographers who prioritize discreetness and quick grab-and-go use. Conversely, the Sony A230 is a traditional DSLR with a bulkier 128 x 97 x 68 mm chassis and weighs 490 grams - not excessively heavy for an entry-level DSLR but decidedly less portable.
Ergonomically, compact cameras like the CX5 rely on simplified controls and smaller grips, which can affect prolonged shooting comfort and precise manual handling. By contrast, the Sony A230’s DSLR form offers a more substantial grip, dedicated dials, and buttons enabling refined manual adjustment - a key advantage for photographers seeking immersive control.
Control Layout and Interface: Where Tactile Meets Digital
A camera’s control layout directly impacts speed and intuitiveness of operation. Examining the top views of both cameras reveals distinct philosophies.
The CX5’s minimalist interface features limited dedicated buttons, with manual focus and exposure compensation controllable but absent are specialized modes such as shutter or aperture priority. This indicates Ricoh’s intent to cater towards users content with automatic or scene presets and minimal manual intervention.
In contrast, the Sony A230 brings a more traditional DSLR experience, including shutter priority, aperture priority, and full manual exposure modes. The inclusion of an optical pentamirror viewfinder and a more extensive menu system, while perhaps overwhelming at first, offers photography enthusiasts the capacity for granular settings adjustments that many advanced users demand.
Sensor Technology and Imaging Potential
The sensor is the heart of any camera, dictating image fidelity, low-light prowess, dynamic range, and color depth.
The Ricoh CX5 sports a 1/2.3-inch CMOS sensor measuring 6.17 x 4.55 mm with 10 megapixels, typical of compact superzoom cameras. The formula here favors a lightweight, highly zoom-capable body with acceptable image quality for casual use. However, the limited sensor area (approx. 28.07 mm²) restricts dynamic range, noise performance at elevated ISOs, and fine detail resolution.
By comparison, the Sony A230 is equipped with a larger APS-C sized CCD sensor (23.5 x 15.7 mm) also delivering 10 megapixels but benefitting from a sensor area over 13 times larger than the CX5’s. DxOMark scores assigned to the A230 support this advantage, evidencing superior color depth (22.3 bits), dynamic range (11.4 EV), and low-light performance (ISO 531 equivalent). This sensor size advantage translates to richer tones, cleaner shadows, more latitude in post-processing, and generally higher-quality output images that satisfy demanding photographers.
Live View and LCD Evaluation
Evaluating the rear screen experience affects how photographers frame, review images, and change settings on the fly.
Ricoh’s CX5 includes a 3-inch fixed LCD with a resolution of 920k dots, providing clear, sharp live view for composing shots. However, the lack of touchscreen capability limits interactive menu navigation.
The Sony A230’s 2.7-inch 230k dot LCD, while smaller and less sharp, is supplemented by an optical viewfinder - preferred by many professionals, especially in bright outdoor conditions. For those accustomed to compositional precision via an eye-level view, this is a distinct edge.
Sony’s omission of live view mode means users rely on the DSLR’s viewfinder and autofocus mechanisms rather than the LCD for real-time preview, a limitation for video or creative framing but common among DSLRs of this era.
Autofocus Systems: Precision and Speed Under Pressure
Autofocus capability greatly influences capture success, especially when tracking moving subjects, shooting in changing light, or working at shallow depth of field.
Ricoh’s CX5 utilizes a contrast-detection AF system with single-shot autofocus; continuous AF and sophisticated subject tracking are unavailable. This system is adequate for static or moderately active subjects but can struggle with fast action or low contrast conditions.
Sony’s A230, on the other hand, features a hybrid AF system that adds phase-detection on a 9-point array, delivering more reliable focus acquisition and continuous AF tracking in live shooting. Although not an advanced tracking system, this setup allows better performance with moving subjects - a boon for wildlife or sports photography enthusiasts.
Evaluating Image Quality Across Photography Genres
Let's examine how these cameras fare in specific photography scenarios essential to a wide spectrum of users.
Portrait Photography: Rendering Skin and Bokeh
Portraiture demands natural skin tone reproduction, phase control for professional look, and pleasing background separation.
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CX5: The CX5’s 28-300mm equivalent lens (F3.5-5.6 max aperture) offers a competent telephoto reach, though limited maximum aperture restricts depth-of-field control and low light performance, making it challenging to isolate subjects with creamy bokeh. Its CMOS sensor’s noise levels tend to increase at ISO above 800, potentially impacting portrait clarity. Absence of face or eye detection autofocus reduces automation ease.
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A230: With extensible lens compatibility (Sony/Minolta Alpha mount) and access to fast primes like an 85mm f/1.8, the A230 can produce shallow depth of field and attractively smooth bokeh, key for professional portrait work. Its APS-C CCD sensor supports natural skin tones with excellent dynamic range, preserving highlight detail in faces. Face detection and eye tracking are omitted, but manual focus assistance and focus confirmation mitigate this limitation.
Landscape Photography: Resolution, Dynamic Range, and Weather Sealing
Landscape photographers desire high resolution, wide dynamic range, and durable build for outdoor conditions.
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CX5: The fixed lens’s wide end at 28mm (equiv.) captures broad vistas but limited resolution at 10MP restricts large print sizes or aggressive cropping. Additionally, the CX5 lacks environmental sealing, rendering it less suitable for rugged weather exposure.
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A230: Access to ultra-wide and telephoto lenses allows tailored framing. The significant sensor size advantage delivers notably better dynamic range, crucial to preserving shadows and highlights in complex scenes. Despite this, the A230 does not provide weather sealing, so proper care is advised during inclement conditions.
Wildlife and Sports Photography: Speed, Tracking, and Zoom Capability
Catering to action and wildlife demands responsiveness, tracking capability, and lens reach.
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CX5: Boasting a 10.7x zoom (28-300mm equiv.), it offers impressive telephoto flexibility out of the box, though F5.6 at 300mm limits performance in dim conditions. Continuous shooting is 5 fps (frames per second), respectable for its class, but autofocus tracking limitations constrain subject acquisition.
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A230: Burst rate is 3 fps, slower than CX5, yet better focus accuracy during continuous AF compensates. With a vast range of telephoto lenses available (including high-performance supertelephotos), the DSLR platform considerably extends reach and optical quality, crucial for wildlife photography.
Street and Travel Photography: Portability and Discretion
Quick, low-profile operation is key for travelers and street photographers embedding in their surroundings.
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CX5: The significantly smaller size and light weight work in its favor for unobtrusive shooting. In addition, the camera’s straightforward layout facilitates rapid operation.
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A230: DSLR shape alerts subjects and adds bulk, potentially hindering candid shots. The more complex controls help in controlled environments but detract from spontaneous street photography. Battery life (approx. 230 shots per charge) could require spares for long travel days.
Macro Photography: Close Focusing and Stabilization
Macro requires precise focus at close distances and ideally image stabilization.
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CX5: With a macro focusing range as close as 1 cm, the CX5 excels in close-up photography, aided by sensor-shift image stabilization to minimize blur at slow speeds.
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A230: Macro capability depends on lens choice, with dedicated macro lenses providing superior magnification and focal precision. However, sensor-based stabilization is absent in this model; rather, stabilization must come from optical lens technology.
Night and Astrophotography: ISO Performance and Noise Control
Low-light performance is tightly coupled to sensor technology and high ISO noise behavior.
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CX5: The small sensor and CMOS design introduce significant noise beyond ISO 800, limiting astrophotography potential and night shooting capabilities.
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A230: The APS-C CCD sensor performs better at high ISO settings up to 3200 (native), with cleaner shadows and preserved detail, backing more ambitious low-light usage.
Video Capabilities: Recording Quality and Stabilization
The presence and quality of video features have become pivotal in many photographers’ buying decisions.
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CX5: Captures video at 1280 x 720p at 30 fps with sensor-shift image stabilization, a useful feature for smoother handheld footage. Video is recorded in Motion JPEG format, which lacks compression efficiency but is widely compatible.
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A230: Completely lacks video recording functionality, focusing solely on stills. This omission may be a dealbreaker for multimedia content producers.
Professional Application and Workflow Integration
Professional users consider reliability, file formats, and integration with existing equipment crucial.
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CX5: The camera saves images only in JPEG format, with no RAW support, constraining post-processing latitude. The absence of advanced bracketing and limited manual controls make it less suitable for professional workflows.
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A230: Supports RAW files, facilitating advanced editing and color grading workflows. Exposure modes (shutter priority, aperture priority, manual) further support professional experimentation and precision.
Build Quality, Durability, and Battery Life
Neither camera features weather sealing or rugged construction tailored to harsh environments. The CX5’s lightweight body suits gentle use but may feel less durable over time. The A230’s DSLR chassis offers sturdier ergonomics but is nonetheless vulnerable to dust and moisture.
Battery life is a limiting factor for the A230 at roughly 230 shots per charge, adequate for basic shoots but requiring spares for intensive outings. The CX5’s battery specifications are not clearly stated, but compact cameras typically offer decent endurance for casual usage.
Lens Ecosystem and Compatibility
Possibly the most defining advantage of the Sony A230 is access to a mature, varied lens lineup including primes, zooms, macro, and specialty optics - enhancing versatility exponentially.
Ricoh’s CX5 features a fixed lens with no option for interchangeability, trading flexibility for convenience.
Connectivity and Storage Options
Both cameras restrict wireless connectivity, lacking Wi-Fi, Bluetooth, or NFC, reflecting their technological era.
Storage-wise, both utilize SD/SDHC cards, with the A230 additionally supporting Memory Stick Pro Duo cards - a legacy format increasingly rare but supported depending on user equipment.
Sony’s inclusion of an HDMI port in the A230 allows tethered playback on larger screens, whereas Ricoh’s CX5 omits this functionality.
Pricing and Value Analysis
At approximate retail prices of $399 (CX5) and $569 (A230), the Ricoh CX5 offers more accessible entry cost with all-included superzoom convenience and video functionality. The Sony A230 demands a higher initial investment plus lenses but rewards with superior image quality, extensive manual control, and professional workflow adaptability.
Side-by-Side Performance Ratings
This chart synthesizes overall performance, with the A230 leading in imaging and control options, while the CX5 excels in portability and video.
Here, we note the A230's strength in portraits, landscapes, and professional use, whereas CX5 shines in travel convenience and casual video capture.
Sample Images Gallery
Side-by-side comparison of RAW/JPEG outputs (A230) and JPEGs (CX5) under varied lighting scenarios confirms expectations: the Sony offers richer color fidelity and sharper details, while the Ricoh performs adequately under well-lit conditions but shows noise and softness in shadows and telephoto reaches.
Final Recommendations: Who Should Choose Which?
Choose Ricoh CX5 if you:
- Prioritize compactness and easy travel photography with an all-in-one superzoom.
- Wish to record 720p stabilized video without needing lenses or complex setups.
- Are acceptable with JPEGs, minimal manual exposure controls, and simpler autofocus.
- Need an affordable secondary camera for casual shooting or as a lightweight backup.
Choose Sony Alpha DSLR-A230 if you:
- Demand higher image quality supported by a larger APS-C sensor and RAW support.
- Seek manual exposure flexibility, better autofocus capabilities, and extensive lens options.
- Are a photography enthusiast or professional requiring superior dynamic range and control.
- Can accommodate the bulk and relative weight of a DSLR for enhanced ergonomics.
- Do not require video but need strong still photography functionality with upgrade path.
Closing Thoughts
In summary, the Ricoh CX5 and Sony Alpha DSLR-A230 cater to fundamentally different users and shooting philosophies. The CX5’s compact, fixed superzoom design democratizes focal length versatility with stabilized video at an accessible price. The A230, though older, represents a more traditional photographer’s platform with superior sensor technology, expansive lens choices, and stronger manual-control architecture.
Your decision hinges on weighing portability versus imaging potential, simplicity versus expandability, and video versus stills priorities. Armed with these insights and objective analysis born from extensive hands-on evaluation, you can confidently select the camera that aligns with your unique photographic aspirations.
If you have questions about specific use cases or want recommendations on lenses compatible with the Sony A230, feel free to reach out for tailored advice. Choosing the right tool is the first step to unleashing your creative vision.
Ricoh CX5 vs Sony A230 Specifications
Ricoh CX5 | Sony Alpha DSLR-A230 | |
---|---|---|
General Information | ||
Make | Ricoh | Sony |
Model | Ricoh CX5 | Sony Alpha DSLR-A230 |
Class | Small Sensor Superzoom | Entry-Level DSLR |
Launched | 2011-07-19 | 2009-05-18 |
Body design | Compact | Compact SLR |
Sensor Information | ||
Powered by | Smooth Imaging Engine IV | Bionz |
Sensor type | CMOS | CCD |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.7mm |
Sensor surface area | 28.1mm² | 369.0mm² |
Sensor resolution | 10 megapixel | 10 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 3872 x 2592 |
Max native ISO | 3200 | 3200 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-300mm (10.7x) | - |
Highest aperture | f/3.5-5.6 | - |
Macro focus distance | 1cm | - |
Number of lenses | - | 143 |
Crop factor | 5.8 | 1.5 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 2.7 inches |
Display resolution | 920k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder type | None | Optical (pentamirror) |
Viewfinder coverage | - | 95 percent |
Viewfinder magnification | - | 0.55x |
Features | ||
Slowest shutter speed | 8 secs | 30 secs |
Maximum shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting speed | 5.0 frames/s | 3.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 4.00 m | 10.00 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Wireless |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Maximum flash sync | - | 1/160 secs |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30 fps), 640 x 480 (30fps), 320 x 240 (30 fps) | - |
Max video resolution | 1280x720 | None |
Video file format | Motion JPEG | - |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 205 grams (0.45 lb) | 490 grams (1.08 lb) |
Dimensions | 102 x 59 x 29mm (4.0" x 2.3" x 1.1") | 128 x 97 x 68mm (5.0" x 3.8" x 2.7") |
DXO scores | ||
DXO All around score | not tested | 63 |
DXO Color Depth score | not tested | 22.3 |
DXO Dynamic range score | not tested | 11.4 |
DXO Low light score | not tested | 531 |
Other | ||
Battery life | - | 230 photos |
Battery form | - | Battery Pack |
Battery model | DB-100 | NP-FH50 |
Self timer | Yes (2, 10 or Custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC card, Internal | SD/ SDHC, Memory Stick Pro Duo |
Storage slots | One | One |
Pricing at launch | $399 | $569 |