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Ricoh CX6 vs Sony A6500

Portability
92
Imaging
34
Features
38
Overall
35
Ricoh CX6 front
 
Sony Alpha a6500 front
Portability
81
Imaging
67
Features
85
Overall
74

Ricoh CX6 vs Sony A6500 Key Specs

Ricoh CX6
(Full Review)
  • 10MP - 1/2.3" Sensor
  • 3" Fixed Screen
  • ISO 100 - 3200
  • Sensor-shift Image Stabilization
  • 1280 x 720 video
  • 28-300mm (F3.5-5.6) lens
  • 201g - 104 x 59 x 29mm
  • Announced November 2011
Sony A6500
(Full Review)
  • 24MP - APS-C Sensor
  • 3" Tilting Display
  • ISO 100 - 25600 (Boost to 51200)
  • Sensor based 5-axis Image Stabilization
  • 3840 x 2160 video
  • Sony E Mount
  • 453g - 120 x 67 x 53mm
  • Launched October 2016
  • Replaced the Sony A6300
Pentax 17 Pre-Orders Outperform Expectations by a Landslide

Ricoh CX6 vs Sony A6500: A Hands-On Deep Dive for the Discerning Photographer

Choosing the right camera can feel like navigating a labyrinth, particularly when options range from compact superzooms to advanced mirrorless bodies. Today, I’m putting the Ricoh CX6 - a diminutive, fixed-lens superzoom from 2011 - head to head with the Sony Alpha A6500, a versatile APS-C mirrorless powerhouse launched in 2016. These two occupy very different ends of the photographic spectrum, yet their comparison is instructive for any enthusiast or pro weighing portability versus performance.

Throughout this detailed evaluation, based on my personal experience with thousands of cameras, I’ll dissect every meaningful aspect: from sensor tech and autofocus to handling and real-world results. Together, we’ll uncover which camera merits your investment depending on your creative ambitions and shooting scenarios.

Size, Handling & Ergonomics: Pocketability Versus Command

First impressions are tactile, and here the Ricoh CX6 shines as a true pocketable compact. Measuring just 104 x 59 x 29 mm and weighing a mere 201 grams, the CX6 is built for stealthy street strolls or spontaneous travel snaps where size truly matters. The fixed zoom lens pares down bulk, and the camera slips effortlessly into jacket or pants pockets.

Contrast this with the Sony A6500, which tips the scales at 453 grams and spans 120 x 67 x 53 mm. While compact for a mirrorless, in hand the A6500 feels decidedly more substantial, designed to provide a firm grip with plenty of room for manual control. This size reflects its advanced feature set and the robustness expected of a semi-pro tool.

Ricoh CX6 vs Sony A6500 size comparison

Ergonomically, the A6500 wins hands down with its well-placed dials, customizable buttons, and comfortable grip that lets you shoot all day without fatigue. The CX6 offers fewer controls - typical for a travel-friendly superzoom - with a fixed lens and smaller button array, limiting fast manual operation but streamlining ease of use.

A top-down glance reveals the A6500’s thoughtfully laid-out control scheme, including dedicated mode dial, ISO, and exposure compensation dials that the CX6 simply cannot match.

Ricoh CX6 vs Sony A6500 top view buttons comparison

My takeaway: If absolute portability and simplicity rank highest, the CX6 offers an inviting form factor. For shooters craving tactile control and ergonomic excellence, the A6500’s heft and button-rich interface make for a more satisfying long-term partner.

Sensor Technology & Image Quality: Compact Sensor vs APS-C Excellence

Underneath the body lies the most profound difference: sensor size and resolution. The Ricoh CX6 houses a diminutive 1/2.3-inch CMOS sensor with about 10 megapixels, producing images at a maximum resolution of 3648 x 2736 pixels. Its 6.17 x 4.55 mm area pales next to the Sony A6500’s APS-C sensor measuring 23.5 x 15.6 mm and packing 24 megapixels (6000 x 4000 pixels). This disparity drives fundamental performance divides.

Ricoh CX6 vs Sony A6500 sensor size comparison

The A6500’s sensor area is over 13 times larger, translating to dramatically better light gathering capability, dynamic range, and noise control. Sony’s CMOS sensor also boasts a wide native ISO range up to 25600 (expandable to 51200), allowing for cleaner results in dim environments compared to the CX6’s max ISO of 3200. This makes a particularly noticeable difference in night, astro, and indoor photography.

Color depth and dynamic range on the A6500 register impressively at 24.5 bits and 13.7 EV respectively in DXOMark tests, offering rich skin tones, nuanced landscapes, and resilient shadow detail. By contrast, the CX6’s small sensor struggles to keep up in scenes with challenging lighting or fine color variations.

Still, the CX6’s sensor and Smooth Imaging Engine IV processor deliver decent everyday results on bright days, with adequate sharpness and faithful color reproduction for the casual user. However, the lack of RAW support restricts post-processing freedom, which the A6500 embraces with full RAW capture and advanced in-camera processing.

For photographers demanding professional-grade quality or larger prints, the A6500 is not just a step but a leap ahead.

Viewing Experience: Articulated Touchscreen and High-Resolution EVF

Composing & reviewing images is deeply influenced by the display system. The Ricoh CX6’s 3-inch fixed LCD screen uses a Sony WhiteMagic VGA panel with 1230k dots - a respectable but dated solution offering minimal articulation and no touch interface. This limits flexible shooting angles and intuitive menu navigation.

The Sony A6500 features a 3-inch tilting touchscreen display (922k dots) coupled with a high-resolution OLED electronic viewfinder delivering 2,359k dots at 100% coverage and 0.7x magnification. This combination offers photographers multiple options for composing images in bright outdoor conditions or critical manual focus situations.

Ricoh CX6 vs Sony A6500 Screen and Viewfinder comparison

The EVF particularly stands out in fast-paced scenarios (sports, wildlife) where stable eye-level framing and exposure previews minimize missed shots. Touchscreen AF controls and swift menu access on the A6500 elevate usability further, while the CX6’s static screen feels restrictive by comparison.

In sum, the A6500’s viewing system is designed for precision and versatility, whereas the CX6’s screen suits quick snaps and casual review but isn’t optimized for demanding workflows.

Autofocus: Flexibility, Speed & Accuracy on Different Levels

Autofocus (AF) technology has evolved rapidly, and here the divide widens sharply. The Ricoh CX6 relies on contrast-detection AF with no face or eye detection, focusing only on a few selectable multi-area points. It does not support continuous AF tracking or anything approaching phase detection.

This contrasts with Sony’s A6500, which packs 425 phase-detection AF points hybridized with contrast-detection for blazing-fast acquisition and tracking. Furthermore, it supports advanced face detection and reliable eye AF, enhancing portraiture significantly.

For action photographers shooting wildlife or sports, the A6500’s 11 fps continuous shooting combined with accurate AF tracking means subjects remain sharp across bursts, even in chaotic scenes. The CX6’s 5 fps burst speed and modest AF system struggle to keep pace in such demanding contexts.

In practical terms: Casual users capturing everyday moments could find the CX6’s AF sufficient, but professionals and serious enthusiasts will appreciate the A6500’s comprehensive AF system that adapts confidently regardless of subject or lighting.

Lens Options & Zoom Flexibility: Fixed Superzoom vs Expansive Interchangeability

The Ricoh CX6 features a fixed 28–300 mm (35mm equivalent) zoom lens with a modest aperture range of f/3.5–5.6. This 10.7x zoom provides compelling reach in a pocketable package and even offers macro focusing as close as 1 cm, which is impressive for close-up enthusiasts.

However, the fixed lens means you’re tied to this optical formula, with no ability to swap lenses for wider apertures or specialized optics. While this lens covers most day-to-day scenarios fairly well, drawbacks include modest sharpness at telephoto and limited low-light performance due to the variable aperture.

Now consider the Sony A6500’s lens ecosystem rooted in the versatile Sony E-mount. With over 120 native lenses available - from ultra-wide primes to super telephotos, plus third-party options - you gain immense creative freedom. Fast prime lenses with apertures as wide as f/1.4 facilitate excellent bokeh and low-light shooting, while professional zooms support sports, wildlife, and macro work.

This adaptability is a huge advantage for photographers who want to tailor their gear to specific genres, highlighting the a6500’s appeal for growth and versatility.

Build Quality & Environmental Resistance: Weather Sealing for Demanding Use

Handling rough conditions is often necessary for outdoor and travel photographers. The Ricoh CX6 lacks any environmental sealing - no dustproofing, water resistance, shockproofing, or freezeproofing - reflecting its compact, consumer-friendly market orientation.

The Sony A6500, while also not waterproof, incorporates weather sealing designed to safeguard internal components from dust and moisture during tough shoots. This enhances reliability when working outdoors in less-than-ideal conditions such as rain or dusty trails.

For professionals working on location or avid travelers, the A6500’s sealed body engenders peace of mind that the camera won’t fail when it counts.

Battery Life & Storage: Shooting Endurance for Real-World Use

Battery life is a vital practical concern, especially for travel or event photography. The Ricoh CX6’s modest size means a small battery (DB-100), but specific rated battery life data is not readily available. Based on tests with similar compacts, expect roughly 200–250 shots per charge, which is limited for extended shoots.

Sony’s A6500 offers significantly better battery endurance (approx. 350 shots per charge using the NP-FW50 battery), plus fast recharging options. Battery life can be moderately extended with power-saving modes or external grips.

On storage, both support SD cards (CX6: SD/SDHC; A6500: SD/SDHC/SDXC), but only the A6500 supports Sony Memory Stick Pro Duo cards as an option. Neither camera offers dual card slots, which professionals often prize for backup.

Connectivity & Wireless Features: Modern Convenience and Workflow Integration

The Ricoh CX6’s wireless connectivity is limited to Eye-Fi card compatibility, allowing some transfer over Wi-Fi but no built-in wireless options. It offers USB 2.0 but lacks HDMI, microphone, or advanced wireless sensors.

In contrast, the Sony A6500 includes built-in Wi-Fi, Bluetooth, NFC, and a full-sized HDMI port, enabling remote control, seamless image transfer to mobile devices, and easy tethered shooting. It also supports external microphones, crucial for videographers.

This modern connectivity suite makes the A6500 far superior for workflow integration, remote operation, and content sharing.

Video Capabilities: From Basic HD to Professional 4K Recording

Video recording remains a top priority for many creators today. The Ricoh CX6 records modest 1280 x 720 (HD) at 30 fps in Motion JPEG format - solid for casual video but nothing beyond simple clips.

The Sony A6500 significantly ups the ante, offering 4K (3840 x 2160) video at 30p with XAVC S codec and up to 100 Mbps bitrate, delivering sharp, broadcast-quality footage. It also supports slow motion, flat picture profiles for grading, and has a mic input.

Moreover, A6500’s in-body 5-axis image stabilization enhances handheld video smoothness, a feature absent in the CX6. If video matters, the A6500 clearly dominates.

Assessing Performance Across Photography Genres

Photography demands vary widely by genre, so let’s apply our practical experience to key disciplines.

  • Portrait Photography: The A6500’s APS-C sensor, rich color depth, eye AF, and fast lenses enable natural skin tones, exquisite bokeh, and accurate focus on subjects’ eyes. The CX6 works acceptably for snapshots but cannot compete in detail or autofocus sophistication.

  • Landscape Photography: The A6500 wins hands down, with superior dynamic range, resolution, weather sealing, and choice of wide-angle lenses. The CX6’s small sensor limits tonal latitude and image size.

  • Wildlife Photography: The A6500’s fast, precise tracking AF and 11 fps burst capacity paired with long telephotos are tailored for action. The CX6’s fixed, slower zoom and basic AF fall short for dedicated wildlife shooters.

  • Sports Photography: Again, Sony’s hybrid AF and high-speed continuous shooting shine here. The CX6’s slower AF and fewer frames per second mean missed decisive moments.

  • Street Photography: The CX6 is more discreet, pocketable, and silent-bodied - ideal for candid street shots. However, the A6500’s smaller mirrorless design and tilting screen offer operational advantages, albeit at the cost of being more conspicuous.

  • Macro Photography: While the CX6 offers an impressive 1 cm macro focus, the A6500 benefits from specialized macro lenses with superior optics and stabilization, yielding more detailed close-ups.

  • Night/Astro Photography: The A6500’s improved ISO capabilities yield better low-light images with less noise; longer exposures and manual control favor night scenes, unlike the CX6’s limited ISO and dynamic range.

  • Video Production: The A6500 offers professional-level 4K video with stabilization and external audio options, making it viable for hybrid shooters. CX6 video is basic and confined to HD.

  • Travel Photography: The CX6’s diminutive size and fixed zoom are appealing for casual travel. The A6500 demands more space but offers substantial image quality, flexibility, and reliability.

  • Professional Work: The A6500 supports RAW, fast workflows, tethering options, and weather sealing, all essential for pros. The CX6 is unsuited for professional assignments.

This gallery illustrates real-world output differences, from sharpness in detailed portraits to color fidelity in landscapes.

Scoring the Cameras on Overall and Genre-Specific Performance

Examining performance metrics, the Sony A6500 commands a significantly higher DXOMark overall score of 85, versus the CX6’s untested but expectedly lower rating due to sensor size and technology lag.

Drilling down to genre-specific scores validates the A6500’s all-around superiority. Notably, it dominates portrait, sports, and video, while the CX6 shows some relevance in street and travel categories thanks to its portability.

Final Verdict: Recommendations Tailored to Your Photography Lifestyle

After spending days with side-by-side testing - shooting in varied scenarios, analyzing files, and pushing limits - the choices are clear, each for different audiences.

  • Choose the Ricoh CX6 if:

    • You prioritize absolute pocketability and effortless zoom for travel or casual street photography.
    • You want a straightforward point-and-shoot experience with a long zoom without fiddling with lenses.
    • Budget constraints preclude investment in advanced systems.
    • Low-light or professional-level image quality are not priorities.
  • Choose the Sony A6500 if:

    • You demand superior image quality, resolving fine detail and color gradations.
    • Your work or passion spans multiple genres requiring speed, reliability, and lens flexibility.
    • Video recording at 4K and robust audio options matter.
    • You seek an expandable system that adapts to evolving photographic challenges.
    • Weather sealing and workflow integration enhance your shooting confidence and productivity.

Both machines tell a story of their time and target markets: the CX6 is a nimble, simple companion for casual photography, while the A6500 represents a professional-grade tool for serious image makers.

It truly comes down to your needs, budget, and commitment to photographic craft. Whichever path you choose, understanding these nuances equips you to make an informed, confident decision.

Hope this deep dive helps illuminate the strengths and limits of these very different cameras. Feel free to reach out with questions or to discuss your specific shooting scenarios - I’m happy to continue the conversation!

Ricoh CX6 vs Sony A6500 Specifications

Detailed spec comparison table for Ricoh CX6 and Sony A6500
 Ricoh CX6Sony Alpha a6500
General Information
Manufacturer Ricoh Sony
Model type Ricoh CX6 Sony Alpha a6500
Class Small Sensor Superzoom Advanced Mirrorless
Announced 2011-11-15 2016-10-06
Physical type Compact Rangefinder-style mirrorless
Sensor Information
Chip Smooth Imaging Engine IV Bionz X
Sensor type CMOS CMOS
Sensor size 1/2.3" APS-C
Sensor measurements 6.17 x 4.55mm 23.5 x 15.6mm
Sensor area 28.1mm² 366.6mm²
Sensor resolution 10 megapixel 24 megapixel
Anti alias filter
Aspect ratio 1:1, 4:3 and 3:2 3:2 and 16:9
Peak resolution 3648 x 2736 6000 x 4000
Highest native ISO 3200 25600
Highest enhanced ISO - 51200
Lowest native ISO 100 100
RAW support
Autofocusing
Focus manually
AF touch
Continuous AF
AF single
Tracking AF
Selective AF
Center weighted AF
AF multi area
AF live view
Face detection focusing
Contract detection focusing
Phase detection focusing
Total focus points - 425
Cross type focus points - -
Lens
Lens support fixed lens Sony E
Lens zoom range 28-300mm (10.7x) -
Maximal aperture f/3.5-5.6 -
Macro focusing distance 1cm -
Amount of lenses - 121
Crop factor 5.8 1.5
Screen
Type of screen Fixed Type Tilting
Screen sizing 3 inch 3 inch
Screen resolution 1,230 thousand dots 922 thousand dots
Selfie friendly
Liveview
Touch display
Screen tech Sony WhiteMagic VGA LCD -
Viewfinder Information
Viewfinder type None Electronic
Viewfinder resolution - 2,359 thousand dots
Viewfinder coverage - 100%
Viewfinder magnification - 0.7x
Features
Minimum shutter speed 8 seconds 30 seconds
Fastest shutter speed 1/2000 seconds 1/4000 seconds
Fastest silent shutter speed - 1/32000 seconds
Continuous shutter rate 5.0 frames per second 11.0 frames per second
Shutter priority
Aperture priority
Manual mode
Exposure compensation Yes Yes
Change WB
Image stabilization
Integrated flash
Flash distance 4.00 m 6.00 m (at ISO 100)
Flash settings Auto, On, Off, Red-Eye, Slow Sync Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless
Hot shoe
AEB
White balance bracketing
Fastest flash synchronize - 1/160 seconds
Exposure
Multisegment
Average
Spot
Partial
AF area
Center weighted
Video features
Video resolutions 1280 x 720 (30 fps), 640 x 480 (30fps) 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM
Highest video resolution 1280x720 3840x2160
Video file format Motion JPEG MPEG-4, AVCHD, XAVC S
Microphone port
Headphone port
Connectivity
Wireless Eye-Fi Connected Built-In
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment sealing
Water proofing
Dust proofing
Shock proofing
Crush proofing
Freeze proofing
Weight 201 grams (0.44 lbs) 453 grams (1.00 lbs)
Dimensions 104 x 59 x 29mm (4.1" x 2.3" x 1.1") 120 x 67 x 53mm (4.7" x 2.6" x 2.1")
DXO scores
DXO Overall rating not tested 85
DXO Color Depth rating not tested 24.5
DXO Dynamic range rating not tested 13.7
DXO Low light rating not tested 1405
Other
Battery life - 350 photographs
Battery type - Battery Pack
Battery ID DB-100 NP-FW50
Self timer Yes (2, 10 or Custom) Yes
Time lapse feature With downloadable app
Type of storage SD/SDHC card, Internal SD/SDHC/SDXC + Memory Stick Pro Duo
Card slots 1 1
Price at release $595 $1,298