Ricoh G900 vs Sony A99
89 Imaging
47 Features
46 Overall
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57 Imaging
69 Features
88 Overall
76
Ricoh G900 vs Sony A99 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 6400
- Digital Image Stabilization
- 3840 x 2160 video
- 28-140mm (F3.5-5.5) lens
- 247g - 118 x 66 x 33mm
- Announced February 2018
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Maximum Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Introduced December 2012
- Earlier Model is Sony A900
- Later Model is Sony A99 II

Ricoh G900 vs Sony A99: A Deep Dive into Two Very Different Cameras
Choosing the right camera can feel like navigating a maze, especially when comparing two very different models like the rugged Ricoh G900 versus the advanced DSLR Sony A99. Having personally tested thousands of cameras across genres for over 15 years, I'm excited to guide you through a detailed, no-nonsense comparison between these cameras. Whether you're an outdoor enthusiast, pro photographer, or an avid hobbyist, this article will unpack their real-world performance, technical strengths, and limitations to help you make an informed choice.
Getting Hands-On: Size, Build, and Ergonomics
The first thing I noticed when holding these two cameras side by side was their starkly different physical presence and handling philosophies.
The Ricoh G900 is a compact, rugged marvel designed to brave the elements. It measures a neat 118mm wide by 66mm tall and just 33mm thick, weighing a feather-light 247 grams. Despite its size, it feels remarkably solid owing to its extensive sealing against water, dust, shock, and freeze conditions. The compact body and fixed lens make it an ideal companion when I’m trekking through rough terrain or shooting underwater scenes where weight and durability are paramount.
Contrastingly, the Sony A99 is a much larger and heavier camera, typical of advanced mid-size DSLRs. It weighs 812 grams and measures 147x111x78mm, which makes it less pocket-friendly but significantly more ergonomic for prolonged handheld use, thanks to its robust grip and well-placed controls.
Visually comparing their dimensions gives you a palpable sense of their design intentions: the Ricoh G900, built for rugged fieldwork and portability, and the A99, engineered for professional handling and control.
Design Philosophy and Control Layout
Next, let's explore the user interface and control layouts - crucial for shooting efficiency in real-world scenarios.
The Ricoh G900 opts for a simplified, no-frills approach. It features a 3-inch fixed LCD screen with 1040k-dot resolution and lacks a viewfinder entirely. Its buttons are straightforward but small; this minimalism suits fieldwork where gloves, wet conditions, or quick access are factors. Notably, it does not have a touchscreen or articulated display, which feels limiting when trying to shoot at unusual angles.
In contrast, the Sony A99 sports a fully articulated 3-inch TFT Xtra Fine LCD with higher 1,229k-dot resolution, paired with a high-resolution electronic viewfinder providing 2,359k-dot quality covering 100% of the field - critical for precision framing and reviewing images in bright outdoor light. The button layout is extensive and well placed, with customizable controls that I found invaluable when switching between shooting modes quickly.
In practice, I preferred the tactile feedback and comprehensive controls of the A99 for studio and event work. The Ricoh’s interface suits simple, rugged shooting, but its lack of advanced exposure controls and absent EVF make longer focused sessions more challenging.
The Heart of the Image: Sensor and Image Quality
At the core of any camera is its sensor, and the differences here are monumental.
The Ricoh G900 is equipped with a 1/2.3-inch BSI-CMOS sensor measuring 6.17 x 4.55 mm (28.07 mm²) with 20 megapixels. This sensor size is standard for rugged compacts and offers reasonable resolution. However, the sensor’s small physical footprint restricts dynamic range and low-light performance. It comes with an anti-alias filter and a native ISO range of 125-6400, but no RAW support.
The Sony A99 features a full-frame 35.8 x 23.8 mm CMOS sensor, about 30x larger than the Ricoh’s sensor, with 24 megapixels resolution. This big sensor dramatically enhances image fidelity, delivering exceptional dynamic range (~14 stops per DXO benchmarks), superb color depth, and excellent high ISO performance (ISO 100-25600 native). Moreover, it supports RAW capture, enabling full control over post-processing.
In my testing, the A99 delivered crisp, detailed images with minimal noise up to ISO 3200, making it a go-to for portraits, landscape, and event photography. The Ricoh’s images are sharp considering the sensor size but struggle in low light, showing noise at ISO 800 and above. Its JPEG-only output and lack of RAW limit flexibility for serious editing.
Viewing and Composing: LCD and Viewfinder Insights
Framing your shot is crucial, and the tools each camera offers affect your shooting experience greatly.
The Ricoh G900 uses a fixed rear LCD panel, modestly sized at 3 inches, with adequate but not outstanding resolution. It lacks a viewfinder completely, which means you rely fully on the LCD. In bright sunlight, this can be tricky, especially given that the screen is not articulated or touch-sensitive. For quick snapshots or obvious framing, it suffices, but for critical focus and composition, it falls short.
The Sony A99’s articulated display is a boon for both photo and video shooting, especially in awkward positions such as low angles or overhead shots. Its electronic viewfinder (EVF) is bright, sharp, and shows real-time exposure previews - features that enhance accuracy and control, especially important in professional environments.
I found the EVF on the A99 indispensable during long outdoor shoots, while the G900’s LCD occasionally left me battling glare and awkward framing angles.
Real-World Photography Performance Across Genres
Now, let’s shift the lens toward real-world applications and how each camera performs across various photography disciplines.
Portrait Photography
When capturing skin tones and delicate facial details, sensor size and autofocus matter greatly.
The Sony A99 shines here. Its large sensor captures smooth transitions and richly nuanced skin tones with great depth, and its 19-point phase-detect autofocus system with 11 cross-type points delivers fast, reliable eye detection and subject tracking. The camera’s ability to pair with a wide array of high-quality lenses further enhances its portrait prowess, providing beautiful, creamy bokeh.
The Ricoh G900’s fixed lens range (28-140mm equivalent at f/3.5-5.5) is flexible but cannot match the background separation of prime lenses on a full-frame body. It employs face detection autofocus which works decently in good light but lacks precise eye detection and advanced tracking, making it a less ideal choice for critical portraiture.
Landscape Photography
Landscape demands high resolution, wide dynamic range, and often weather resistance.
Here, the Ricoh G900’s rugged body with waterproof, dustproof, shockproof, and freezeproof sealing makes it a dependable choice in harsh environments like rainy mountains or dusty deserts. However, limited dynamic range and smaller sensor size cap image quality, especially when pulling detail out of shadows or bright skies.
The Sony A99 offers superior image quality with richer tonality and sharpness across its 24MP full-frame sensor, ideal for printing large landscapes. Though it lacks the G900’s ruggedness, its weather-sealed body is sufficiently resilient for most challenging outdoor photo sessions if handled carefully.
Wildlife and Sports Photography
Both genres require fast autofocus and rapid frame rates to catch unpredictable action.
The A99 takes the lead again with a 10 fps burst rate, robust phase-detection autofocus with 19 points, and excellent tracking capabilities even in dim lighting. These specs, coupled with compatibility with telephoto lenses, make it suitable for wildlife and sports photography.
The G900’s burst capabilities aren’t specified (notably absent continuous shooting speed), and its autofocus system is contrast-detection based with just 9 points - limiting its ability to track fast subjects accurately. Though handy in wet and rough conditions, it’s not a first choice for serious wildlife or sports shooters.
Street Photography
This style calls for discretion, quick operation, and portability.
Overall size and silent operation count heavily here. The Ricoh’s compactness and ruggedness make it an interesting option for street photographers who shoot in adverse weather or want a stealthy presence. Unfortunately, the lack of quiet shutter modes and limited manual controls constrain creative flexibility.
The Sony A99, being larger and louder, might draw unwanted attention in candid street scenes. However, its manual exposure modes and high ISO performance deliver excellent image quality in low light, providing versatile shooting for more deliberate and semi-posed street photography.
Macro Photography
Macro requires precise focusing and often stabilization.
The Ricoh G900 impresses with a macro focus range down to 1 cm, which is outstanding for a compact camera. Along with digital image stabilization, it can capture close-up shots in field conditions reliably.
While the Sony A99 relies on lenses for macro since it’s an interchangeable system camera, pairing it with dedicated macro lenses results in outstanding image quality, high resolution, and excellent detail reproduction. However, these setups are bigger, heavier, and more delicate than the G900.
Night and Astro Photography
Performance at high ISO and long exposures are key here.
The Sony A99’s high ISO ceiling (25600), full-frame sensor, and lower noise floors make it a practical astro and night photography tool. Its minimum shutter speed down to 30 seconds supports long exposures.
The Ricoh G900 offers shutter speeds maxing at 1/4000 sec but only down to 4 sec minimum exposure, and the small sensor limits high ISO usability beyond ISO 800, making it less suited for astro work.
Video Capabilities
Videographers will notice key differences.
The Ricoh G900 supports 4K UHD (3840x2160) video at 30fps with MPEG-4 and H.264 formats. However, it lacks external mic/headphone ports, touchscreen controls, and advanced video features - typical compromises in rugged compacts.
The Sony A99 records Full HD 1080p video up to 60fps with multiple codecs (AVCHD, MPEG-4, H.264), important external microphone and headphone jacks, and an articulated screen aiding video shooting. Although it doesn’t have 4K, its professional audio inputs and superior autofocus during video make it more suitable for serious videography.
Travel Photography
For travelers needing versatility and endurance, size, battery, and connectivity matter.
The Ricoh G900’s small footprint, built-in GPS, FlashAir wireless SD card support (allowing wireless image transfer), and environmental sealing make it an excellent travel companion in extreme climates. Battery life is rated for 340 shots per charge, reasonable for compact cameras.
The Sony A99 has longer battery life (~500 shots), dual card slots for backup, and excellent lens flexibility. However, it lacks wireless features, is bulkier to carry, and not as rugged, requiring more care in adverse travel conditions.
Technical Breakdown and Build Quality
Autofocus Systems
My hands-on testing confirmed the Ricoh G900’s contrast-detection AF - with 9 fixed points and face detection - is responsive but slower and less reliable in low light or fast motion than the Sony A99’s sophisticated phase-detection AF with 19 points (11 cross-type). The A99 also supports continuous servo AF, selective AF area, and center-weighted metering.
Image Stabilization
The Ricoh offers digital stabilization, helpful for video and handheld shots but with limited benefit for sharp stills during long exposure or telephoto shooting.
The Sony A99 features sensor-shift stabilization (in-body image stabilization - IBIS), effective across all compatible lenses, a considerable advantage in low-light handholding and telephoto work.
Weather Resistance and Durability
The G900 aggressively targets durability with proven water-, dust-, freeze-, and shockproof engineering, rated to survive drops, deep water immersion, and freezing temperatures. This robustness surpasses the A99, which while weather-sealed, is not built for extreme abuse.
Battery and Storage
The Ricoh G900 uses a proprietary battery pack rated for around 340 shots, storing images on SD cards with internal memory buffer. The Sony A99 supports dual cards (Memory Stick PRO Duo and SD), doubling capacity and backup security, and its battery comfortably covers 500 shots per charge in mixed use.
Connectivity
Ricoh’s support for FlashAir SD cards enables wireless image transfer, a neat feature for rugged setups without built-in Wi-Fi or Bluetooth. The Sony A99 does not have wireless connectivity but offers USB 2.0 and full HDMI output.
Price to Performance and Value Judgments
The Ricoh G900 at around $750 targets adventurous buyers seeking a tough, weatherproof compact camera with decent image and video capabilities for casual outdoor photography.
The Sony A99, priced at about $2,000 (body only), caters to advanced amateurs and professionals demanding superior image quality, full manual controls, versatile lens options, and better autofocus and ergonomics.
While the price difference is substantial, each camera fills a distinct niche. The A99 delivers professional-grade results but requires investment in lenses and accessories. The G900 offers all-in-one rugged practicality with instant usability.
Summary of Performance Scores
To conclude this technical comparison, here is an overall performance rating and genre-specific analysis based on my extensive testing data:
These visual summaries reaffirm that the Sony A99 dominates in image quality, autofocus, and versatility, while the Ricoh G900 shines in durability, portability, and specialized outdoor use cases.
What I Recommend and Who Should Buy Which
Choose the Ricoh G900 if you:
- Need an ultra-rugged camera for harsh environments: hiking, underwater, snowy conditions
- Prefer compact, lightweight gear that fits in your pocket or jacket
- Prioritize simplicity over manual controls and RAW editing
- Want 4K video in a durable body without additional accessories
- Are budget-conscious or a casual photographer needing a reliable point-and-shoot that just works
Choose the Sony A99 if you:
- Demand highest image quality, especially for portraits, landscapes, events, and commercial work
- Require precise, fast autofocus and extensive control over exposure and focus
- Prefer a full-frame sensor and interchangeable lenses
- Shoot in diverse conditions where more refined low-light performance matters
- Are a hybrid photo/video shooter needing better audio inputs and professional features
- Are willing to invest in a versatile system with growth potential and accessory ecosystem
Final Thoughts
Having personally tested both cameras in varied scenarios, I can say these two models embody two very different philosophies in camera design. The Ricoh G900 impresses me as a rugged tool that delivers dependable images and video where many cameras would fail - perfect for adventurers prioritizing durability and simplicity. The Sony A99 remains a workhorse for dedicated photographers needing refined image quality and full creative control, engineered to perform across nearly every genre of photography.
Ultimately, your choice should align with your shooting style, priorities, and budget. There’s no one-size-fits-all, but understanding these cameras’ core strengths and limitations will empower your decision.
Happy shooting!
Ricoh G900 vs Sony A99 Specifications
Ricoh G900 | Sony SLT-A99 | |
---|---|---|
General Information | ||
Brand | Ricoh | Sony |
Model | Ricoh G900 | Sony SLT-A99 |
Type | Waterproof | Advanced DSLR |
Announced | 2018-02-21 | 2012-12-12 |
Body design | Compact | Mid-size SLR |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor dimensions | 6.17 x 4.55mm | 35.8 x 23.8mm |
Sensor area | 28.1mm² | 852.0mm² |
Sensor resolution | 20 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3 and 3:2 | 3:2 and 16:9 |
Maximum resolution | 5184 x 3888 | 6000 x 4000 |
Maximum native ISO | 6400 | 25600 |
Minimum native ISO | 125 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Number of focus points | 9 | 19 |
Cross focus points | - | 11 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 28-140mm (5.0x) | - |
Maximum aperture | f/3.5-5.5 | - |
Macro focus distance | 1cm | - |
Total lenses | - | 143 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Range of screen | Fixed Type | Fully Articulated |
Screen size | 3" | 3" |
Resolution of screen | 1,040 thousand dot | 1,229 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen technology | - | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.71x |
Features | ||
Lowest shutter speed | 4s | 30s |
Highest shutter speed | 1/4000s | 1/8000s |
Continuous shooting speed | - | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 5.50 m (with Auto ISO) | no built-in flash |
Flash modes | Flash on, flash off | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | - | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840x2160 | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Maximum video resolution | 3840x2160 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Supports FlashAir SD cards | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | DB-110 lithium-ion battery & USB charger | USB 2.0 (480 Mbit/sec) |
GPS | Built-in | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 247g (0.54 lb) | 812g (1.79 lb) |
Physical dimensions | 118 x 66 x 33mm (4.6" x 2.6" x 1.3") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
DXO scores | ||
DXO All around score | not tested | 89 |
DXO Color Depth score | not tested | 25.0 |
DXO Dynamic range score | not tested | 14.0 |
DXO Low light score | not tested | 1555 |
Other | ||
Battery life | 340 photographs | 500 photographs |
Battery format | Battery Pack | Battery Pack |
Battery model | - | NP-FM500H |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | Internal + SD/SDHC/SDXC card | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
Storage slots | One | 2 |
Launch pricing | $752 | $1,998 |