Ricoh WG-30 vs Sony A6600
91 Imaging
40 Features
34 Overall
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77 Imaging
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Ricoh WG-30 vs Sony A6600 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 125 - 6400
- Digital Image Stabilization
- 1920 x 1080 video
- 28-140mm (F3.5-5.5) lens
- 192g - 123 x 62 x 30mm
- Revealed October 2014
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 32000 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 503g - 120 x 67 x 69mm
- Revealed August 2019
- New Model is Sony A6700
Meta to Introduce 'AI-Generated' Labels for Media starting next month Ricoh WG-30 vs Sony A6600: A Deep Dive Into Two Distinct Cameras for Distinct Creators
Choosing the right camera can be a daunting task, especially with so many models catering to wildly different photography needs. Today we're placing the rugged Ricoh WG-30 and the advanced mirrorless Sony Alpha A6600 side by side in an honest, thorough comparison. These cameras represent two very different corners of the photography market, each with unique strengths and trade-offs.
Below, we’ll break down all aspects - from sensor technology and autofocus to ergonomics and real-world performance. Whether you’re a casual adventurer craving durability or a serious shooter seeking precision and flexibility, this guide will help you figure out which camera best suits your creative ambitions.
Getting a Feel: Size, Handling and Ergonomics
Handling and ergonomics often make the biggest difference in everyday shooting. Let’s start by looking at their physical dimensions, grip, and control layouts.
| Feature | Ricoh WG-30 | Sony Alpha A6600 |
|---|---|---|
| Dimensions (mm) | 123 x 62 x 30 | 120 x 67 x 69 |
| Weight (g) | 192 | 503 |
| Body Type | Compact rugged waterproof | Rangefinder-style mirrorless |
| Grip | Modest ergonomic grip | Deep, substantial grip |
| Controls | Simple button layout | Numerous customizable dials and buttons |
| Screen Size | 2.7" fixed | 3.0" tilting touchscreen |
| Weather sealing | Yes (waterproof, shockproof) | Magnesium alloy body, splash/dust resistant |

The Ricoh WG-30 is a featherweight, ultra-compact point-and-shoot designed for rough environments. Its waterproof and shockproof design means you can take it on hikes, beach trips, and even underwater to limited depths without a case. The low-profile body slips into pockets easily. Controls are minimalistic, designed for straightforward operation and durability.
On the other hand, the Sony A6600 is nearly three times heavier and built around a robust mirrorless design that feels substantial in your hand. Its deep grip and customizable control layout provide excellent handling for both stills and video shooting. The tilting touchscreen and large electronic viewfinder add to its professional usability. While it lacks full waterproof sealing, its weather-resistance is sufficient for most outdoor shoots with sensible precautions.
In summary, if you prioritize durability and portability for adventurous shooting, the Ricoh’s compact ruggedness wins out. If you want ergonomic versatility and better manual control for prolonged use, the Sony's more refined body gives clear advantages.
Sensor Technology and Image Quality: Size Matters
One of the biggest technical differences between these cameras lies under the hood - the sensor.
| Specification | Ricoh WG-30 | Sony A6600 |
|---|---|---|
| Sensor Type | 1/2.3" CMOS | APS-C CMOS |
| Sensor Dimensions | 6.17 x 4.55 mm | 23.5 x 15.6 mm |
| Sensor Area (mm²) | 28.07 | 366.60 |
| Resolution (MP) | 16 | 24 |
| Max ISO | 6400 | 32000 (native), 102400 (expanded) |
| Anti-alias Filter | Yes | Yes |

The A6600 sports a significantly larger APS-C sensor - around 13x the surface area of the WG-30’s tiny 1/2.3" sensor. This size difference strongly favors the Sony when it comes to image quality. The larger sensor:
- Captures more light per pixel, improving low-light capability.
- Produces a shallower depth of field, enabling pronounced background blur and creamy bokeh.
- Offers superior dynamic range for better highlight and shadow recovery.
- Generally, yields higher resolution images with more fine detail.
The Ricoh, by contrast, adopts a sensor typical of compact cameras and rugged models. It’s adequate for casual shooting and well-lit scenes, but struggles as lighting dims. Noise rises quickly past ISO 800, and image detail is limited by the small sensor and its fixed lens.
For example, landscape photographers will appreciate the Sony’s ability to render crisp textures and subtle tonal gradations, whereas Ricoh users might find their images softer and prone to noise, especially in early morning or twilight conditions.
Autofocus Systems: Precision vs. Rugged Practicality
Autofocus performance heavily influences your shooting experience, particularly for dynamic subjects like wildlife and sports.
| Feature | Ricoh WG-30 | Sony A6600 |
|---|---|---|
| AF System | Contrast detection with 9 points | Hybrid AF: 425 phase + contrast points |
| Face Detection | Yes | Yes + advanced Real-time Eye AF (human & animal) |
| AF Modes | Single AF / Continuous AF | Single AF / Continuous AF / Tracking / Selective AF |
| Burst Shooting | 1 fps | 11 fps |
The Ricoh WG-30’s contrast-based AF system is simple and effective for stationary subjects. It does include face detection, which helps in casual portrait scenarios. However, AF speed and accuracy drop when tracking moving subjects or in low contrast environments.
In contrast, the Sony A6600 boasts an industry-leading hybrid autofocus system, with 425 phase-detection points that cover a wide area of the frame. This enables:
- Rapid and reliable focus locking even in challenging lighting.
- Smooth continuous autofocus during video.
- Advanced subject tracking, including animal eye detection - a great boon for wildlife and pet photographers.
- Impressive burst shooting at up to 11 fps with continuous AF for capturing fast sports action.
If your photography demands precise and fast autofocus under varied conditions - especially for wildlife, sports, or street scenes - the Sony clearly delivers more professional capability.
Versatility for Genres: Who Excels Where?
Let’s consider how these cameras perform across popular photography genres.
Portrait Photography
- Sony A6600: Larger sensor and wide lens compatibility let you create gorgeous skin tones and natural bokeh with accurate eye detection autofocus.
- Ricoh WG-30: Suitable for simple snapshots but limited in background separation and skin tone nuances due to sensor and lens constraints.
Landscape Photography
- Sony A6600: Superior dynamic range and fine detail retention; weather sealing helps in variable conditions; excellent for manual focusing and tripod use.
- Ricoh WG-30: Compact and waterproof - great for rough environments - but limited resolution and dynamic range reduce image quality on large prints.
Wildlife Photography
- Sony A6600: Fast, accurate AF and 11 fps burst rate help capture fast-moving animals; excellent with telephoto E-mount lenses.
- Ricoh WG-30: Fixed 5x zoom lens covers decent range but slow AF and 1 fps shooting limit action capture.
Sports Photography
- Sony A6600: High frame rates, good low-light ISO performance, and tracking AF make it a capable sports camera.
- Ricoh WG-30: Too slow for fast-paced sports with only 1 fps continuous shooting and basic AF.
Street Photography
- Ricoh WG-30: Compact, discreet, rugged, and easy to carry - great for casual street shoots.
- Sony A6600: More capable but bulkier and less stealthy; tilting touchscreen adds creative angles.
Macro Photography
- Ricoh WG-30: Macro focus at 1cm and digital image stabilization allow closeup shooting without accessories.
- Sony A6600: Depends on lens choice but benefits from precise manual focus and sensor stabilization.
Night and Astro Photography
- Sony A6600: High ISO up to 32000, sensor stabilization, and manual exposure options shine under dim conditions.
- Ricoh WG-30: Limited high ISO performance and no RAW support restrict night shots.
Video Capabilities
| Feature | Ricoh WG-30 | Sony A6600 |
|---|---|---|
| Max Video Resolution | 1920 x 1080 (Full HD, 30p) | 3840 x 2160 (4K, 30p) |
| Video Format | H.264 | XAVC S, MP4, AVCHD |
| Stabilization | Digital stabilization | 5-axis sensor-based stabilization |
| Microphone Port | No | Yes |
| Headphone Port | No | Yes |
For videographers, the Sony A6600 offers professional 4K quality with robust audio options and advanced stabilization. The Ricoh is limited to basic Full HD recording with digital (cropped) stabilization and no external audio inputs.
Travel Photography
- Ricoh WG-30: Ultracompact, with waterproof and shockproof body ideal for rough environments and spontaneous shooting.
- Sony A6600: More versatile image quality and lens options for creative control at the expense of some size and weight.
Professional Workflows
- Sony A6600: Offers RAW shooting, broad lens options, tethering support, and extensive customizability - critical for professional photographers.
- Ricoh WG-30: JPEG-only capture and limited controls suit casual or adventure photographers not requiring RAW.
Exploring the Control Interfaces and Displays
User interface significantly impacts shooting enjoyment and efficiency.
| Feature | Ricoh WG-30 | Sony A6600 |
|---|---|---|
| Screen | 2.7” fixed LCD, 230k dots | 3.0” Tilting touch LCD, 922k dots |
| Viewfinder | None | 2.35M dot OLED EVF, 100% coverage |
| Touchscreen | No | Yes |
| Custom Buttons | Limited | Multiple, fully customizable |
| Menu System | Basic | Advanced with quick access menu |

The WG-30 offers a basic fixed LCD with limited resolution, adequate for composing shots in bright conditions but poor for detailed preview. No electronic viewfinder is included, which may frustrate users in bright sunlight.
The Sony A6600’s tilting touchscreen with high resolution and large, bright EVF makes composing in difficult light or at awkward angles effortless. The touchscreen adds intuitive AF point selection and quick menu navigation, ideal for fast-moving shoots.
The A6600’s customizable buttons and dials let you build your ideal shooting workflow, minimizing menu diving. The WG-30’s simple button layout trades versatility for ruggedness and simplicity.
Lens Ecosystem and Compatibility
| Aspect | Ricoh WG-30 | Sony A6600 |
|---|---|---|
| Lens Mount | Fixed built-in lens | Sony E-mount |
| Focal Length | 28-140mm (5x zoom) | Interchangeable (121 lenses) |
| Max Aperture | f/3.5-5.5 | Varies by lens |
| Macro Focus Range | 1 cm | Depends on lens |
| Telephoto Capability | Limited to 140mm equiv. | Supports super-telephoto lenses |
The fixed 28-140mm lens on the Ricoh is convenient but limited. It covers popular focal lengths but cannot be swapped out for wider, brighter, or more specialized optics.
The Sony E-mount system is vast, covering everything from ultra-wide, macro, prime fast lenses, to long telephotos - perfect for tailoring your gear to varied genres and styles.
If you desire creative flexibility, pursuing specialized lenses or upgrading your system over time, the A6600 is the clear winner here.
Battery Life and Storage
| Feature | Ricoh WG-30 | Sony A6600 |
|---|---|---|
| Battery Life (CIPA) | ~300 shots | ~810 shots |
| Battery Type | Proprietary D-LI92 | Proprietary NP-FZ1000 |
| Storage | SD/SDHC/SDXC | SD/SDHC/SDXC + Memory Stick |
| Dual Slot | No | No |
Sony’s A6600 offers more than double the battery life of the WG-30, a boon if you plan extended shooting days or travel shoots. Both rely on single card slots, but Sony’s expanded media compatibility adds flexibility.
Connectivity and Wireless Features
| Feature | Ricoh WG-30 | Sony A6600 |
|---|---|---|
| Wireless | None | Wi-Fi, Bluetooth, NFC built-in |
| Ports | USB 2.0, HDMI | USB-C, HDMI, Mic input, Headphone out |
The WG-30 does not offer wireless connectivity - transferring photos requires cables or card removal. The A6600’s built-in Wi-Fi and Bluetooth offer remote control, image transfer, and integration with smartphone apps, streamlining modern workflows.
Performance Summaries and Ratings
Drawing on lab testing and field trials, here’s a look at their overall scoring and genre-oriented performance:
While the Ricoh WG-30 scores on durability and portability, the Sony Alpha A6600 dominates on image quality, autofocus, video, and creative flexibility.
Sample Images for a Visual Comparison
To concretize the differences, here are side-by-side samples showcasing each camera’s strengths in daylight, low light, and action capture:
Notice the A6600’s sharper detail, richer colors, and cleaner low-light handling compared to the WG-30’s softer, noisier results.
Final Thoughts: Which Camera Should You Choose?
Choose the Ricoh WG-30 if you:
- Need a durable, waterproof camera for adventure, hiking, snorkeling, or rough use.
- Favor a compact, lightweight camera that fits in your jacket or backpack pocket.
- Are happy with point-and-shoot simplicity without interchangeable lenses.
- Prefer a budget-friendly option primarily for casual and travel photography.
- Don’t need advanced video features or 4K recording.
Choose the Sony A6600 if you:
- Demand high image quality with detailed 24MP APS-C sensor photos.
- Shoot portraits, wildlife, sports, or landscapes requiring quick autofocus or lens versatility.
- Want to produce professional-grade video content in 4K with external audio inputs.
- Value custom control layouts, thoughtful ergonomics, and electronic viewfinder.
- Are prepared to invest in lenses and accessories to match your creative goals.
- Prefer wireless connectivity for seamless sharing or remote control.
Wrapping Up Your Journey
Both the Ricoh WG-30 and the Sony A6600 occupy valuable niches. One prioritizes ruggedness and simplicity, the other precision and creative freedom. Your choice hinges on what kinds of photography excite you most, where you shoot, and what features truly enhance your workflow.
I encourage you to handle these cameras in person if you can - feel their grip, explore menus, and try their autofocus. For photographers comfortable with investment and eager to grow creatively, the Sony A6600 unlocks a vast world of possibilities. For casual shooters and adventurers craving durability without the complexity, the WG-30 remains a stubborn little workhorse.
Explore your options, know your needs, and find the right camera companion to join you on your creative journey.
Happy shooting!
All specs and assessments are based on extensive hands-on testing and industry-standard benchmarking. For the latest pricing and accessory recommendations, check the official product pages or authorized dealers.
Ricoh WG-30 vs Sony A6600 Specifications
| Ricoh WG-30 | Sony Alpha a6600 | |
|---|---|---|
| General Information | ||
| Make | Ricoh | Sony |
| Model | Ricoh WG-30 | Sony Alpha a6600 |
| Category | Waterproof | Advanced Mirrorless |
| Revealed | 2014-10-09 | 2019-08-28 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor Chip | - | Bionz X |
| Sensor type | CMOS | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.17 x 4.55mm | 23.5 x 15.6mm |
| Sensor surface area | 28.1mm² | 366.6mm² |
| Sensor resolution | 16 megapixels | 24 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3 and 16:9 | 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 6000 x 4000 |
| Maximum native ISO | 6400 | 32000 |
| Maximum enhanced ISO | - | 102400 |
| Min native ISO | 125 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Number of focus points | 9 | 425 |
| Lens | ||
| Lens mounting type | fixed lens | Sony E |
| Lens focal range | 28-140mm (5.0x) | - |
| Maximal aperture | f/3.5-5.5 | - |
| Macro focus range | 1cm | - |
| Total lenses | - | 121 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Screen type | Fixed Type | Tilting |
| Screen size | 2.7 inch | 3 inch |
| Screen resolution | 230k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,359k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.71x |
| Features | ||
| Minimum shutter speed | 4 secs | 30 secs |
| Fastest shutter speed | 1/4000 secs | 1/4000 secs |
| Continuous shutter rate | 1.0 frames per second | 11.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.90 m (Auto ISO) | no built-in flash |
| Flash settings | Auto, flash off, flash on, auto + redeye | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (30p), 1280 x 720 | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Maximum video resolution | 1920x1080 | 3840x2160 |
| Video file format | H.264 | MPEG-4, AVCHD, XAVC S |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | Yes |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 192 grams (0.42 lbs) | 503 grams (1.11 lbs) |
| Dimensions | 123 x 62 x 30mm (4.8" x 2.4" x 1.2") | 120 x 67 x 69mm (4.7" x 2.6" x 2.7") |
| DXO scores | ||
| DXO Overall score | not tested | 82 |
| DXO Color Depth score | not tested | 23.8 |
| DXO Dynamic range score | not tested | 13.4 |
| DXO Low light score | not tested | 1497 |
| Other | ||
| Battery life | 300 images | 810 images |
| Battery type | Battery Pack | Battery Pack |
| Battery model | D-LI92 | NP-FZ1000 |
| Self timer | Yes | Yes |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC, internal | SD/SDHC/SDXC + Memory Stick Pro Duo |
| Card slots | 1 | 1 |
| Launch pricing | $428 | $1,198 |