Samsung EX2F vs Sony A6300
90 Imaging
37 Features
62 Overall
47


83 Imaging
66 Features
82 Overall
72
Samsung EX2F vs Sony A6300 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fully Articulated Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-80mm (F1.4-2.7) lens
- 294g - 112 x 62 x 29mm
- Released December 2012
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Bump to 51200)
- 3840 x 2160 video
- Sony E Mount
- 404g - 120 x 67 x 49mm
- Announced February 2016
- Old Model is Sony A6000
- Replacement is Sony A6500

Samsung EX2F vs Sony A6300: A Hands-On Comparative Journey for Enthusiasts and Pros
Choosing your next camera can feel like navigating a labyrinth, especially when models come from vastly different categories with distinct philosophies. On one hand, we have the Samsung EX2F, a sleek small sensor compact from 2012 celebrated for its bright optics and portability. On the other, the Sony Alpha A6300, a 2016 mirrorless powerhouse boasting cutting-edge autofocus and 4K video in a compact body. Having extensively tested both cameras over the years through varied shooting conditions and genres, I’m excited to unpack how they compare, not just on paper but through practical, real-world usage.
Grab your metaphorical lens cloth, and let’s dive in!
Size and Handling: Portability vs. Professional Feel
The first impression any photographer experiences is the camera’s physicality. The Samsung EX2F embraces pocketability with a slim profile, while the Sony A6300 leans into a robust mirrorless design.
At 112x62x29 mm and weighing just 294 grams, the EX2F is delightfully compact. It slips into a coat pocket effortlessly, making it an ideal street or travel companion when bulk is a concern. The lens is fixed, and the body’s smooth finish aligns well with casual use, though I found that longer shoots could tax grip comfort due to the small size and minimal tactile controls.
Conversely, the Sony A6300 is larger at 120x67x49 mm and heavier, tipping scales at 404 grams. The extra heft contributes positively to handling, especially with larger lenses. Its rangefinder-style mirrorless body offers an excellent tactile experience with well-placed buttons and a solid grip - features I appreciated during extended wildlife and sports sessions. The weight remains manageable enough for travel but commands presence.
Design Nuances: Controls and User Interface
Moving beyond size, the top panel and control layout play a huge role in shooting efficiency, especially when capturing fleeting moments.
The Samsung EX2F sports a minimalist top layout - quite simple with a mode dial, shutter button, and a zoom rocker integrated around it. While intuitive for beginners, enthusiasts might find the lack of customizable buttons limiting. Notably, the fully articulated AMOLED 3-inch screen, though lacking touch capability, is a joy for creative angles; however, the absence of a built-in electronic viewfinder (EVF) felt like a gap, particularly under strong sunlight.
Sony’s A6300 impresses with a richly appointed top deck: dedicated exposure compensation dial (rare in this class), customizable function buttons, and a retractable pop-up flash. Another win is the tilting 3-inch LCD with 922k-dot resolution, crisp and responsive for framing. Best of all, the built-in EVF with 0.7x magnification and 100% coverage provides crucial compositional accuracy in bright environments, making it easier to focus precisely in challenging conditions.
Sensor and Image Quality: The Heart of the Matter
No comparison would be complete without diving into sensor performance - a cornerstone of photographic image quality.
The EX2F features a 1/1.7-inch BSI-CMOS sensor at 12MP resolution, quite respectable for a compact camera. While not groundbreaking, it shines at base ISO with sharp, pleasing images and an impressively bright f/1.4 lens at the wide end. However, its limited dynamic range (measured at DXOmark around 11.5 EV) and modest low-light ISO performance (best ISO ~3200) restrict creative latitude in complex lighting.
On the flip side, the Sony A6300 packs a substantially larger APS-C CMOS sensor measuring 23.5x15.6 mm with 24MP resolution. This sensor delivers a vastly superior dynamic range (~13.7 EV, DXOmark) and an impressive low-light ISO capability up to 25600 native (boostable to 51200), enabling stunning detail recovery in shadows and minimal noise at higher ISO settings. The inclusion of an antialiasing filter strikes a balanced trade-off between moiré control and sharpness retention.
From my hands-on comparisons, landscapes and portraits rendered on the Sony show richer tonality and finer texture nuances compared to the EX2F. Skin tones appear more natural and nuanced on the A6300, supported by superior color depth measurements (24.4 bits vs. EX2F’s 20 bits).
Viewing Experience: LCD and Viewfinders Compared
Often overlooked but crucial, the shooting interface impacts responsiveness and comfort during critical moments.
Both cameras employ 3-inch LCDs, but their characteristics differ significantly. The EX2F’s AMOLED screen dazzles with vibrant colors and deep blacks, lending vivid scene previews. Its fully articulated hinge shines during macro shots or video vlogging, though limited resolution and lack of touch can constrain menu navigation fluidity.
The A6300’s tilting LCD offers sharper imagery due to higher 922k-dot resolution, enhancing focus checking and playback clarity. Paired with its exceptional EVF, it delivers flexibility rarely matched at this price point. I found myself primarily framing with the EVF in bright daylight, switching to the LCD for low-angle or tripod work - a versatile combo for hybrid shooters.
Autofocus Systems: Speed and Precision in Action
In today’s fast-paced shooting scenarios, autofocus (AF) prowess can define success or failure.
The Samsung EX2F employs a contrast detection AF system with no phase detection or advanced tracking capabilities. This results in slower, sometimes hesitant autofocus, particularly in low light or fast action. During my wildlife shoots, it struggled to lock onto moving subjects consistently. Additionally, manual focus assistance is minimal, reducing control for precise macro or portrait work.
By contrast, Sony’s A6300 integrates a sophisticated 425-point hybrid AF system combining phase-detect and contrast detection. The autofocus speed is blistering - capable of locking in under 0.05 seconds - with reliable face and eye detection algorithms. The camera’s AF tracking excels in sports and wildlife, maintaining focus on erratic subjects across bursts running at 11 fps, a game-changer when capturing decisive moments.
This autofocus advantage gives the A6300 a definitive edge for anyone prioritizing action, whether bird photography or candid street moments.
Lens Ecosystem and Creative Flexibility
Adaptability is key for serious photographers. Lens compatibility broadens creative horizons and defines a camera’s longevity.
The Samsung EX2F is saddled with a fixed 24-80mm equivalent f/1.4-2.7 zoom lens - a lens renowned for its bright aperture and versatility within its range. It creates beautiful bokeh and performs admirably in low light, especially at the wide end. However, you’re locked to this optical configuration with no option to swap lenses or add specialty optics beyond filters or flashes.
In stark contrast, the Sony A6300 is part of the extensive Sony E-mount system, granting access to over 120 lenses from Sony and third-party manufacturers. Whether you want ultra-wide landscapes, telephoto reach for wildlife, ultra-fast primes for portraits, or dedicated macro optics, the E-mount ecosystem delivers with abundant choices at various budgets. In my experience, this flexibility dramatically amplifies the camera’s value, adapting from casual walkabouts to specialized professional work as needs evolve.
Burst Shooting, Buffer, and Speed
When capturing wildlife or fast-paced sports, burst shooting speed and buffer capacity matter immensely.
The Samsung EX2F mentions no specific burst capability, which aligns with my experience where continuous shooting is limited and slow - unsuitable for demanding action photography.
The Sony A6300, however, supports 11 frames per second (fps) continuous shooting with full autofocus and exposure tracking. The buffer is deep enough to shoot substantial bursts without stalling, ensuring you rarely miss the critical shot. For sports shooters and wildlife enthusiasts, this level of responsiveness is invaluable.
Image Stabilization and Video Performance
Image stabilization (IS) is a critical feature for many, especially for low-light or video capture.
The EX2F features optical image stabilization integrated within its lens, which helps significantly at slower shutter speeds for handheld photography. Its video capabilities max out at 1080p Full HD, offering decent quality but lacking 4K. There’s no external microphone input, somewhat limiting audio options for serious videographers.
Sony’s A6300 lacks in-body stabilization but can employ optical stabilization via many lenses. More critically, it boasts 4K UHD video recording at up to 30p, along with excellent slow-motion options at 1080p up to 120fps. A microphone jack is a significant advantage for creators wanting better sound control. For vloggers or hybrid shooters, the A6300 provides a substantially superior video toolkit.
Weather Sealing and Build Quality
For field photographers, environmental durability is often a deciding factor.
The Samsung EX2F lacks any weather sealing or ruggedization, making it best suited for controlled settings or fair-weather outings.
Sony’s A6300 offers magnesium alloy construction with environmental sealing, providing moderate resistance to dust and moisture - a reassuring feature for outdoor use across various climates.
Battery Life and Connectivity
Extended shoots demand reliable battery and ease of sharing images.
The EX2F’s exact battery life is unspecified but generally delivers average endurance typical for compact cameras. It supports wireless connectivity, but limited to basic functions without Bluetooth or NFC.
Sony’s A6300 rates around 400 shots per battery charge, respectable for a mirrorless. Built-in Wi-Fi and NFC facilitate quick image transfers and remote camera control via smartphone, streamlining workflows on the go.
Real-World Photography Across Genres
Let me now relate how both cameras perform across popular photography styles based on extensive field tests.
Portraits
- EX2F: The fast f/1.4 lens produces creamy bokeh, particularly pleasant on skin tones. However, lack of precise autofocus, especially eye-detection, demands manual tweaking. The sensor’s color depth isn’t as refined, sometimes rendering less subtle tonal gradations.
- A6300: Excellent skin tone reproduction, accurate autofocus with eye-detection facilitates pin-sharp portraits reliably. Ability to swap in portrait primes elevates creative control.
Landscapes
- EX2F: Limited by sensor size and modest dynamic range, images require post-processing to recover shadows and highlights. The wide aperture allows interesting shallow focus but resolution caps fine detail capture.
- A6300: Large sensor and improved dynamic range produce richly detailed, vibrant landscapes with great tonal balance. Weather sealing offers confidence shooting in challenging outdoor environments.
Wildlife and Sports
- EX2F: Slow autofocus and minimal burst mode reduce practicality for fast action. Lens reach (24-80mm eq.) feels limiting without telephoto capabilities.
- A6300: Fast, reliable AF and high fps continuous shooting excel at tracking birds and athletes. Extensive telephoto lens options add reach and sharpness.
Street Photography
- EX2F: Lightweight and discreet, perfect for candid street scenes. Bright lens aids in low light, though AF lag can be frustrating.
- A6300: Slightly heavier but still portable. Superior AF and EVF help frame discreetly, yet larger form may attract attention.
Macro Photography
- EX2F: No dedicated macro mode but bright lens allows close focusing within limits.
- A6300: Access to specialized macro lenses and focus peaking on EVF makes it a clear winner.
Night and Astro
- EX2F: Max ISO 3200 restricts low-light capabilities; noise becomes evident beyond ISO 800.
- A6300: High ISO support and dynamic range enable cleaner astro and night scenes. Silent shutter helps prevent vibrations.
Video
- EX2F: Full HD, limited features; convenient for casual videos.
- A6300: 4K recording, microphone input, and slow motion provide a semi-professional lap combined with strong image quality.
Travel
- EX2F: Ultra-portable, lightweight, simple, great for casual tourism.
- A6300: More versatile and capable but requires additional lenses and gear, increasing bulk.
Professional Workflow
- EX2F: Raw support but limited resolution and dynamic range make it more suitable for enthusiasts.
- A6300: Higher resolution raw files, more flexible lens choices, and superior performance support demanding professional projects.
Sample Gallery: Seeing Is Believing
To illustrate real-world outputs, here are side-by-side comparisons of landscape and portrait photos I captured during testing.
Notice the Sony A6300’s richer detail and cleaner high-ISO shots compared to the Samsung EX2F’s pleasant but softer results at base settings. Colors from the A6300 feel more natural, with superior highlight retention.
Performance Ratings in Summary
It’s instructive to look at numerical performance consolidated from extensive benchmarks to complement these subjective findings.
Sony A6300 leads significantly in image quality, autofocus, video capabilities, and versatility. Samsung EX2F holds niche strengths in compactness and bright lens speed.
Genre-Specific Performance Breakdown
Here’s how both cameras stack up across photography categories based on both lab metrics and real-world results.
Final Thoughts: Who Should Buy Which?
After immersing myself in both cameras and reflecting on their unique value propositions, here are my recommendations to help guide your decision.
Buy the Samsung EX2F if:
- You prioritize ultra-portable, pocketable gear for casual shooting or street candidness.
- You value a bright lens for low-light snapshots without changing lenses.
- You prefer a simple point-and-shoot experience without complex menus or setups.
- Your budget is tight and you want decent image quality without investing heavily.
- You shoot mostly outdoors in good lighting and want a camera that fits easily into your day-to-day carry.
Opt for the Sony A6300 if:
- You need a serious hybrid camera for photography and videography with high resolution and 4K.
- Autofocus speed, accuracy, and burst rate are critical (e.g., sports, wildlife).
- Lens versatility and future-proofing with an extensive ecosystem matter to you.
- You shoot professionally or enthusiastically across multiple genres demanding superior image quality.
- You want advanced features like weather sealing, customizable controls, and electronic viewfinder precision.
- You are comfortable investing more for a camera that will serve you well for years.
Personal Takeaway
Having shot with both extensively, the EX2F remains a charming compact with a bright lens and simple usability, perfect for beginners and casual explorers who crave high image quality in a small package. The A6300, however, represents a quantum leap in capability and flexibility - matching both professional demands and enthusiast ambitions admirably.
Neither camera is a bad choice; instead, they excel in different arenas. Your final pick should hinge on your shooting style, subject preferences, budget, and how much you intend to grow as a photographer.
Happy shooting!
Disclosure: I have no affiliations with Samsung or Sony, and this review reflects genuine hands-on testing and insights gathered over multiple years and evolving firmware versions.
If you found this comparison insightful, I invite you to share your experiences below or ask questions about using these cameras in specific scenarios.
Samsung EX2F vs Sony A6300 Specifications
Samsung EX2F | Sony Alpha a6300 | |
---|---|---|
General Information | ||
Brand Name | Samsung | Sony |
Model | Samsung EX2F | Sony Alpha a6300 |
Category | Small Sensor Compact | Advanced Mirrorless |
Released | 2012-12-18 | 2016-02-03 |
Physical type | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Processor | - | BIONZ X |
Sensor type | BSI-CMOS | CMOS |
Sensor size | 1/1.7" | APS-C |
Sensor dimensions | 7.44 x 5.58mm | 23.5 x 15.6mm |
Sensor area | 41.5mm² | 366.6mm² |
Sensor resolution | 12 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | - | 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 6000 x 4000 |
Highest native ISO | 3200 | 25600 |
Highest boosted ISO | - | 51200 |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | - | 425 |
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | Sony E |
Lens focal range | 24-80mm (3.3x) | - |
Largest aperture | f/1.4-2.7 | - |
Available lenses | - | 121 |
Focal length multiplier | 4.8 | 1.5 |
Screen | ||
Display type | Fully Articulated | Tilting |
Display size | 3" | 3" |
Resolution of display | 0k dots | 922k dots |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Display technology | AMOLED | - |
Viewfinder Information | ||
Viewfinder type | Electronic (optional) | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | - | 30 seconds |
Highest shutter speed | - | 1/4000 seconds |
Continuous shooting rate | - | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | 6.00 m (at ISO 100) |
Flash options | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction, Hi-speed sync, Wireless |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1920 x 1080 | 4K (3840 x 2160 @ 30p/24p), 1920 x 1080 (120p, 60p, 60i, 30p, 24p), 1280 x 720 (24p) |
Highest video resolution | 1920x1080 | 3840x2160 |
Video file format | H.264 | MPEG-4, AVCHD, XAVC S, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 294 grams (0.65 lb) | 404 grams (0.89 lb) |
Physical dimensions | 112 x 62 x 29mm (4.4" x 2.4" x 1.1") | 120 x 67 x 49mm (4.7" x 2.6" x 1.9") |
DXO scores | ||
DXO All around score | 48 | 85 |
DXO Color Depth score | 20.0 | 24.4 |
DXO Dynamic range score | 11.5 | 13.7 |
DXO Low light score | 209 | 1437 |
Other | ||
Battery life | - | 400 images |
Battery type | - | Battery Pack |
Battery model | SLB-10A | NP-FW50 |
Self timer | Yes | Yes |
Time lapse feature | With downloadable app | |
Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
Card slots | One | One |
Cost at launch | $478 | $889 |