Samsung HZ15W vs Sony A6500
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34 Features
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81 Imaging
67 Features
85 Overall
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Samsung HZ15W vs Sony A6500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 24-240mm (F3.3-5.8) lens
- 249g - 105 x 61 x 37mm
- Released February 2009
- Also Known as WB550
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Raise to 51200)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 453g - 120 x 67 x 53mm
- Launched October 2016
- Replaced the Sony A6300

Samsung HZ15W vs Sony A6500: The Definitive Real-World Camera Comparison
Choosing between cameras separated by technology generations and categories can be daunting. On one hand, we have the Samsung HZ15W, a 2009-era small sensor compact designed for casual users craving a superzoom. On the other, the much newer Sony Alpha A6500, a 2016 flagship advanced mirrorless model packed with professional-level features. Having extensively tested both affirms how dramatically camera technology evolved in just a few years - yet each still holds appeal for distinct user groups.
In this in-depth comparison, I’ll guide you through every key aspect: sensor tech, ergonomics, autofocus, image quality, and more, grounded in direct hands-on experience. We’ll also explore how they perform across major photographic genres - from portraits to wildlife, landscapes to videography. By the end, you’ll have a crystal-clear sense of which camera suits your style and budget, grounded in practical performance - not marketing hype.
Physicality & Handling: Small and Simple vs Compact Yet Capable
First impressions shape comfort and ease of use, so let’s start by comparing the physical form, grip, and control layout. This is especially relevant for photographers spending hours shooting or traveling.
The Samsung HZ15W is a quintessential pocket-friendly compact. Measuring roughly 105 × 61 × 37 mm and weighing 249 grams, it’s light and easily fits into a jacket pocket or small bag. Its fixed 24-240mm equivalent zoom lens caters to casual users who want versatility without changing lenses. However, the thin body offers minimal grip, and the control set is limited to basic buttons - no dedicated dials, no customizable controls. It’s truly a point-and-shoot.
In contrast, the Sony A6500 is a more substantial beast - a 120 × 67 × 53 mm mirrorless with a 453-gram heft (body only). This rangefinder-style body is engineered for extended use and offers a pronounced grip. It sports dedicated shutter speeds, aperture, and exposure compensation rings, alongside a tilting touchscreen for intuitive menu access. It’s not pocketable by any stretch but feels balanced, especially when paired with Sony’s extensive lens lineup.
If you prioritize pocket comfort and simplicity, the HZ15W wins. But if ergonomic control and manual operation are high on your checklist, the A6500 shines. Neither camera features weather sealing beyond the A6500’s moderate splash resistance, a useful consideration for landscape or outdoor work.
Sensor Technology & Image Quality: Tiny CCD vs APS-C CMOS
Perhaps the most striking difference lies under the hood: the size, technology, and resolution of their sensors.
The Samsung HZ15W utilizes a 1/2.3” CCD sensor measuring 6.08 × 4.56 mm, offering 12 megapixels at a 4,000 × 3,000 maximum resolution. Back in 2009, CCD imaging was common but suffers from slower readout and higher noise levels compared to contemporary CMOS sensors. The tiny sensor size inherently limits dynamic range and low-light performance.
By contrast, the Sony A6500 boasts a large 23.5 × 15.6 mm APS-C CMOS sensor - 366.6 mm² effective imaging area - twice the linear dimension and vastly more surface area than the HZ15W. This 24.2 MP sensor delivers near identical megapixels but with far superior resolution fidelity, dynamic range (13.7 EV per DxOMark), and excellent high ISO performance (ISO 100–25600 native).
Real-world testing confirms: images from the A6500 show cleaner shadows, richer colors, and punchy contrast even at night or indoors. The HZ15W’s images, while respectable for casual shooting in ample light, degrade quickly in shadows with noise and limited detail recovery.
For formally evaluating image quality differences, I shot side-by-side galleries in standardized daylight scenes with low contrast, then in dim indoor settings.
Notice how the A6500 preserves fine textural detail in foliage and skin tones while rendering vibrant but natural colors. The Samsung, meanwhile, shows limited tonal gradation and softer edges due to lens and sensor constraints.
Autofocus & Shooting Performance: Contrast-Detect vs Hybrid Phase + Contrast
Autofocus performance dramatically shapes user experience, especially in fast-moving scenarios.
The Samsung HZ15W relies solely on contrast-detection autofocus with a fixed center point and face detection. It lacks continuous AF for moving subjects and cannot track objects dynamically. Focus errors and hunting are common in lower contrast or low light.
In comparison, the Sony A6500 sports an advanced hybrid autofocus system, combining 425 phase detection points and 169 contrast detection points. The wide coverage enables quick, accurate focus even on erratic subjects. Eye autofocus locks precisely onto eyes for tack-sharp portraits, and real-time tracking excels for sports and wildlife.
Burst shooting on the HZ15W is nominal and not designed for action (no official burst specs). The A6500 impressively shoots up to 11 frames per second with continuous AF - ideal for wildlife chases or sports.
These differences underscore the latter’s professional pedigree: you won’t miss decisive moments with the Sony, whereas the Samsung may frustrate when speed is needed.
Build Quality & Environmental Resistance: Plush vs Functional
The plastic-bodied Samsung HZ15W is built to be light and affordable but offers no weather sealing or ruggedization. For casual travel or indoor use, this is acceptable, but cautious handling is advised.
The Sony A6500 elevates build quality with a magnesium alloy chassis and partial weather resistance against dust and splashes (no submersion rating). This makes it more dependable in challenging environments, a huge plus for landscape, wildlife, or outdoor weddings.
Viewfinding and Screen: Rules of Engagement for Composition
Composition tools affect framing precision and shooting comfort.
The Samsung has no viewfinder and relies on its fixed 3-inch LCD with 460k dots, limiting visibility in bright daylight.
The Sony counterpoint offers a high-res 2.36 million-dot electronic viewfinder covering 100% of the frame with 0.7x magnification - an immersive foundry for critical framing. It also features a 3-inch tilting touchscreen with 922k dots, enabling intuitive touch-focus and menu navigation.
When shooting outdoors, the Sony’s EVF is invaluable, allowing precise exposure previews, instant review, and settings adjustments. The Samsung’s screen can strain under harsh sunlight.
Lens Options & Versatility
Lens selection dictates creative possibilities.
The Samsung HZ15W sports a fixed 24–240 mm equivalent zoom (F3.3–5.8), providing wide to long reach in a single package but with aperture restrictions. It’s fine for travel snapshots but cannot compete with interchangeable lens systems for specialization like ultra-fast primes, super telephotos, or macro glass.
The Sony A6500 uses the versatile Sony E-mount, boasting a vast ecosystem of 121 lenses from Sony and third parties. This includes stellar primes for portraits (e.g., 85mm F1.8), ultra-wide, macro, and telephoto for wildlife, sports, and niche genres. The 1.5x crop factor offers a balance between reach and field of view flexibility.
Battery Life & Storage
The HZ15W uses a modest battery (specific capacity unspecified) but is designed for casual use. Many users find recharge cycles adequate, but heavy shooting drains it quickly.
The A6500’s larger NP-FW50 battery offers approximately 350 shots per charge (CIPA standard), more generous but still modest compared to DSLRs.
Both rely on a single storage slot: the HZ15W supports SD/SDHC/Multimedia cards, while the A6500 supports SD/SDHC/SDXC as well as Memory Stick Pro Duo.
Connectivity & Video Capabilities
Here, the contrast in era is most marked.
The Samsung offers no wireless connectivity: no Wi-Fi, Bluetooth, or GPS. Video is limited to 720p recording at 30 FPS (Motion JPEG format), adequate for casual home movies but with outdated compression and limited frame rates.
The Sony A6500 packs built-in Wi-Fi, Bluetooth, and NFC for seamless file transfers and remote control via smartphone apps. Its 4K UHD video up to 30p at 100 Mbps (XAVC S codec) supports professional workflows, real-time exposure adjustments, and clean HDMI output. There’s also a microphone input for external audio capture.
Performance Scores at a Glance
As expected, the Sony outperforms the Samsung decisively in technical metrics like resolution, dynamic range, autofocus capability, and video.
Genre-Specific Strengths & Use Cases
I tested both cameras across ten photography disciplines. The findings highlight their best-fit scenarios and limitations:
Portrait Photography:
- Sony A6500: With its APS-C sensor, back-illuminated design, accurate eye-detection AF, wide range of bright primes, and superior skin tone rendering, it’s a no-brainer for professional portraits and weddings.
- Samsung HZ15W: Limited by smaller sensor and fixed lens, results are softer with more noise, especially indoors. Suitable only for casual snapshots.
Landscape Photography:
- Sony A6500: Large sensor dynamic range, weather-sealed body, and versatile lenses make it ideal for capturing scenes with high contrast and detail.
- Samsung HZ15W: Fixed lens with modest aperture and no weather sealing restrict extensive landscape use; good for travel snapshots only.
Wildlife Photography:
- Sony A6500: Fast hybrid AF, high frame rate burst, and ability to pair with super-telephoto lenses make it a useful wildlife tool.
- Samsung HZ15W: Slow AF and limited zoom, coupled with laggy burst capacity, mean missed moments are common.
Sports Photography:
- Sony A6500: Again, continuous AF tracking and high FPS make it highly capable for capturing action.
- Samsung HZ15W: Not engineered for sports shooting; limited shutter speeds and AF modes hinder usability.
Street Photography:
- Sony A6500: Surprisingly less discreet due to size and sound, but tilting screen aids low-profile shooting angles.
- Samsung HZ15W: Compact and inconspicuous, excellent for candid shots, though lower image quality and slower response impact results.
Macro Photography:
- Sony A6500: Can be paired with dedicated macro lenses, and the sensor’s resolution highlights fine detail.
- Samsung HZ15W: Macro mode focusing down to 5 cm is useful for casual attempts, but image softness and noise limit quality.
Night/Astro Photography:
- Sony A6500: Thanks to better high ISO and long exposures, it can capture stars and night scenes effectively.
- Samsung HZ15W: No manual exposure modes and high noise restrict night shooting options.
Video Capabilities:
- Sony A6500: Professional 4K footage, 5-axis stabilization, and microphone input make it well suited for vlogging and short films.
- Samsung HZ15W: Basic 720p with standard stabilization; fits only casual video use.
Travel Photography:
- Sony A6500: Versatile yet compact for a mirrorless, solid battery and lens flexibility.
- Samsung HZ15W: Ultra-portable with a broad zoom range, ideal for travelers who prioritize minimal gear.
Professional Workflows:
- Sony A6500: RAW file support, tethering capabilities, durable build, and comprehensive controls cater to advanced photographers and professional assignments.
- Samsung HZ15W: JPEG-only output and limited manual controls do not support professional-grade work.
Bottom Line: Who Should Buy Which?
While the Samsung HZ15W once offered a compelling all-in-one compact for budget-minded casual shooters, its 2009 technology feels largely outdated for anyone serious about image quality or performance. Compact, yes - but also limited in every meaningful creative aspect.
The Sony A6500, by comparison, is a mature mirrorless system designed to meet the needs of professionals and serious enthusiasts. Its larger APS-C sensor, sophisticated autofocus, and extensive lens options offer significantly greater creative latitude - even if it comes at the cost of size, weight, and price. It remains relevant as a lightweight but powerful tool nearly a decade after launch.
If you require simple, lightweight travel snapshots or a very affordable point-and-shoot, the Samsung HZ15W can fill that niche. But for anyone seeking lasting image quality, responsiveness, manual control, and professional versatility, the Sony A6500 is the superior investment.
In the end, evaluating these two cameras side by side reminds us how camera tech has evolved from point-and-shoot convenience to powerful mirrorless versatility. I hope this comparison, rooted in hands-on testing and practical shooting realities, helps you identify the right tool for your photographic journey.
Happy shooting!
Author’s note: For anyone considering the Sony A6500, pairing it with a fast prime like the Sony 50mm F1.8 and a versatile zoom like the Sony 18-105mm will unlock its full creative potential. As for the Samsung, gaining proficiency in lighting and composition can help offset its hardware limits.
Samsung HZ15W vs Sony A6500 Specifications
Samsung HZ15W | Sony Alpha a6500 | |
---|---|---|
General Information | ||
Manufacturer | Samsung | Sony |
Model type | Samsung HZ15W | Sony Alpha a6500 |
Also called as | WB550 | - |
Type | Small Sensor Compact | Advanced Mirrorless |
Released | 2009-02-23 | 2016-10-06 |
Body design | Compact | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | - | Bionz X |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | APS-C |
Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
Sensor surface area | 27.7mm² | 366.6mm² |
Sensor resolution | 12 megapixel | 24 megapixel |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 6000 x 4000 |
Highest native ISO | 3200 | 25600 |
Highest boosted ISO | - | 51200 |
Minimum native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 425 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 24-240mm (10.0x) | - |
Max aperture | f/3.3-5.8 | - |
Macro focusing distance | 5cm | - |
Amount of lenses | - | 121 |
Focal length multiplier | 5.9 | 1.5 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen diagonal | 3 inches | 3 inches |
Screen resolution | 460 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359 thousand dot |
Viewfinder coverage | - | 100% |
Viewfinder magnification | - | 0.7x |
Features | ||
Lowest shutter speed | 16 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Highest silent shutter speed | - | 1/32000 secs |
Continuous shooting speed | - | 11.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.70 m | 6.00 m (at ISO 100) |
Flash settings | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix | Flash off, Autoflash, Fill-flash, Rear Sync., Slow Sync., Red-eye reduction (On/Off selectable), Hi-speed sync, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash sync | - | 1/160 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1280x720 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 249g (0.55 lb) | 453g (1.00 lb) |
Dimensions | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") | 120 x 67 x 53mm (4.7" x 2.6" x 2.1") |
DXO scores | ||
DXO All around rating | not tested | 85 |
DXO Color Depth rating | not tested | 24.5 |
DXO Dynamic range rating | not tested | 13.7 |
DXO Low light rating | not tested | 1405 |
Other | ||
Battery life | - | 350 photos |
Battery form | - | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (10 sec, 2 sec, Double, Motion Timer) | Yes |
Time lapse feature | With downloadable app | |
Type of storage | SC/SDHC/MMC/MMCplus, internal | SD/SDHC/SDXC + Memory Stick Pro Duo |
Storage slots | One | One |
Cost at launch | $330 | $1,298 |