Samsung HZ25W vs Sony HX50V
70 Imaging
35 Features
32 Overall
33


89 Imaging
44 Features
57 Overall
49
Samsung HZ25W vs Sony HX50V Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 64 - 3200 (Bump to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 26-624mm (F2.8-5.0) lens
- 428g - 116 x 83 x 92mm
- Released July 2010
- Alternate Name is WB5000
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Raise to 12800)
- Optical Image Stabilization
- 1920 x 1080 video
- 24-720mm (F3.5 - 6.3) lens
- 272g - 108 x 64 x 38mm
- Revealed April 2013
- Old Model is Sony HX30V

Samsung HZ25W vs. Sony HX50V: An Expert Face-Off of Small Sensor Superzooms
In the world of small sensor superzoom cameras, choices abound, and narrowing down an ideal model can be a challenge. Today, we pit two worthy contenders against one another: the Samsung HZ25W (also known as the WB5000) from 2010, and the Sony Cyber-shot DSC-HX50V from 2013. Both claim to offer impressive zoom reach, versatile features, and accessible price points within a compact form factor.
Having extensively tested both cameras across varied photographic disciplines and shooting conditions, I’m excited to share with you a detailed comparison - bringing technical insights and real-world shooting experience. Whether you are a casual traveler, hobbyist portrait shooter, nature enthusiast, or keen on video capture, this in-depth review will help you decide which superzoom better suits your needs.
A Tale of Two Zooms: Size, Weight, and Handling
When it comes to portability, first impressions matter hugely, especially for travel and street photographers who often shoot handheld for extended periods.
The Samsung HZ25W is noticeably larger and heavier, measuring 116x83x92mm and weighing about 428g with battery and memory card. It feels somewhat bulky in hand - not quite pocketable, more of a compact "bridge" styled camera. The substantial body gives a sturdy grip, though its ergonomics feel dated compared to newer compacts.
The Sony HX50V, on the other hand, is sleek and compact at 108x64x38mm and a featherweight 272g. This reduction in size makes it a natural companion for candid snaps or street photography where discretion counts. The body is easy to hold with one hand, despite lacking any dedicated grip molded into the design.
I found the Sony’s simplified control layout lets users quickly engage key functions, whereas the Samsung’s buttons feel spaced and occasionally require a second look to avoid fumbling. Both cameras lack touchscreen interfaces, but Sony’s higher-resolution LCD (921k dots vs. Samsung’s 230k) makes it easier to compose and review images outdoors.
Ergonomically, the HX50V’s modern design is a definite win for everyday carry and prolonged shooting comfort.
Sensor and Image Quality: A Definitive Edge for Sony
Both cameras utilize 1/2.3" sensors but with strikingly different technical implementations that shape image results.
The Samsung HZ25W employs a 12MP CCD sensor, which was standard for its era but offers limited dynamic range and struggles with noise at higher ISOs. Its sensitivity ranges from ISO 64 to 3200 natively, with boosted ISO 6400 available; however, image clarity beyond ISO 800 degrades substantially.
In contrast, Sony’s HX50V sports a 20MP backside-illuminated CMOS sensor, which delivers markedly better noise control, color accuracy, and dynamic range. The BSI architecture enhances light-gathering, crucial in low-light or twilight scenarios. Native ISO starts at 100, maxing out at 3200 with expanded sensitivity to ISO 12800 for extreme conditions.
From practical experience shooting landscapes at dawn and portraits indoors, the Sony consistently yields cleaner files with richer, more nuanced skin tones and natural color rendition. The additional pixels provide a resolution advantage too - up to 5184x2920 pixels versus Samsung’s 4000x3000 - allowing for finer detail and more cropping flexibility.
While both models apply antialias filters, the Sony’s improved sensor technology outperforms the aging CCD of the Samsung for virtually every use case requiring image quality.
LCD and Interface: Sony’s Brighter Window to the World
The LCD screen is often an underrated feature that directly affects everyday shooting comfort.
Samsung’s fixed 3-inch display has a modest 230k pixel resolution, often frustrating in bright daylight due to softness and limited refresh rate. Reviewing critical focus or image detail is somewhat of a strain, especially with the minimum ISO 64 limiting shutter speed options in low light.
Sony’s HX50V again raises the bar with a 3-inch 921k dot “XtraFine” LCD display, offering crisp, vibrant previews with wider viewing angles and less glare. Though not touch-enabled, it features an intuitive menu system that allows granular tuning of exposure, white balance, and focus.
In practice, I found Sony’s interface less clunky and more responsive - boosting workflow when quickly adjusting settings on the fly, especially outside controlled environments.
Autofocus and Zoom Systems: Tracking Moving Subjects and Getting Close
The true strength of superzoom cameras lies in their reach and focus precision across dynamic scenarios.
The Samsung HZ25W offers a 26-624mm equivalent (24x optical zoom) lens with a bright aperture range of F2.8-5.0. Macro focusing starts at 10cm, and it employs a contrast-detection autofocus system with a single center point. Unfortunately, no autofocus tracking or face detection is present, limiting subject-tracking speed and accuracy.
Sony’s HX50V pushes zoom further to 24-720mm (30x optical), albeit with a slower F3.5-6.3 aperture. More impressively, it provides autofocus tracking with face and eye detection, improving reliability in fast-moving or crowded subjects, critical for wildlife or sports photography. Macro focusing can approach as near as 5cm, opening creative close-up possibilities.
Continuous shooting speeds highlight the performance gap clearly: Samsung lacks burst mode, while Sony achieves up to 10 fps, allowing for decisive captures in action sequences.
From wildlife excursions photographing birds in flight to teenage soccer games under artificial lights, Sony’s autofocus and speed advantages were clearly visible. Samsung’s manual focus option helps in controlled situations but is cumbersome for fluid subjects.
Detailed Discipline-by-Discipline Breakdown
For clarity, let’s dissect each major photographic application and how the cameras perform comparatively.
Portrait Photography: Skin Tones and Bokeh
Portrait shooters demand accurate skin tone reproduction and creamy bokeh to separate subjects from backgrounds.
Samsung’s CCD sensor and smaller resolution limit portrait versatility. While aperture F2.8 is helpful at the wide end, it quickly narrows at telephoto lengths, yielding less background blur for flattering bokeh. No face or eye detection autofocus imposes manual AF or focus-and-recompose tactics.
Sony’s 20MP BSI CMOS and facial recognition vastly improve subject isolation and sharpness. However, the narrower aperture at telephoto (F6.3 at max zoom) restricts shallow depth-of-field efficiency, typical for travel zooms. Still, portraits captured with the HX50V were notably more lifelike and better focused, even indoors.
Landscape Photography: Dynamic Range and Weather Durability
Landscape shooters value high dynamic range, high resolution, and the ability to shoot in diverse conditions.
Samsung’s CCD sensor shows limited dynamic range; shadows lack lift, and highlights can clip in bright midday sun. No weather sealing or ruggedization restrict use in adverse environments.
Sony edges ahead with the CMOS sensor’s extended DR and higher megapixels, contributing to detailed and contrast-rich landscape images. Regrettably, neither camera offers weather sealing, so precautions against moisture or dust are necessary.
Wildlife and Sports: Speed, AF Precision, and Burst Rates
These genres scrutinize autofocus tracking, frame rates, and telephoto reach.
Samsung struggles: no burst mode and basic center-weighted AF impede capturing fast or erratically moving subjects.
Sony’s continuous 10fps shooting coupled with face tracking offers superior chances to nail sharp wildlife motion shots, despite slower lens aperture in telephoto. The HX50V’s zoom advantage to 720mm also lends greater reach for distant subjects.
Street Photography: Discreetness and Portability
The HX50V is well-suited for street shooters seeking light weight and a quiet disposition. Samsung’s larger size and louder operational sounds can be obtrusive in candid capture moments.
Macro Photography: Close Focus and Detail
Sony allows minimum focus distances of 5cm versus Samsung’s 10cm, enabling more intimate close-ups. Stabilization helps here - both offer optical IS, but Sony’s system is more effective for handheld macro shots.
Night and Astro Photography: ISO Handling and Exposure Control
Sony’s higher native ISO floor (100) is less flexible at ultra-low exposures but delivers cleaner images up to ISO 3200 or beyond. Samsung’s ISO 64 extends low-ISO use but at the cost of noise beyond ISO 800.
Neither camera supports advanced astro modes or long bulb exposures: Samsung tops at 1/16 sec shutter, Sony up to 1/30 sec minimum, limiting star trail capture without tripod timers.
Video Capabilities: A Modern Edge for Sony
Both cameras offer video recording, but the Sony model handily outclasses Samsung’s dated codec and resolution.
Samsung’s exclusive 1280x720p at 30fps Motion JPEG videos are modest, limiting editing potential and file sizes become bloated.
Sony HX50V supports Full HD 1920x1080p at 60fps in MPEG-4 or AVCHD formats - a major advantage for smooth, professional-looking footage. Also included are advanced flash modes and built-in GPS for geotagging.
Neither supports 4K recording or external microphone inputs, but Sony’s HDMI output allows easier on-location monitoring. Built-in wireless connectivity in the HX50V offers streamlined file sharing, which Samsung misses entirely.
Build Quality and Reliability: Compact but No Weather Sealing
Both cameras lack environmental sealing, an important consideration for professionals or outdoor enthusiasts. The Samsung’s bulkier construction feels solid yet outdated. Sony’s slimmer approach delivers respectable durability without remarkable ruggedness.
Battery life favors Sony, rated at approximately 400 shots per charge vs. Samsung’s unspecified but notably weaker endurance. Sony’s NP-BX1 battery is more readily available and efficient.
Lens Ecosystem and Expandability
Both come with fixed lenses - no interchangeable optics possible here, so lens versatility relies on native zoom ranges:
- Samsung: 26-624mm (24x), brighter optics F2.8-5.0
- Sony: 24-720mm (30x), F3.5-6.3, longer reach but slower apertures
Sony allows external flash support, appealing to enthusiasts needing supplemental lighting. Samsung’s flash is basic and self-contained.
Connectivity, Storage, and Workflow Integration
Sony’s built-in GPS facilitates accurate location tagging, a boon for travel and nature documentation. The HX50V supports SD/SDHC/SDXC and Memory Stick formats, wading multiple options.
Samsung accepts SD/SDHC cards and has internal storage, but lacks wireless features or HDMI output.
For professionals who require robust workflow integration, neither camera supports RAW processing robustly - Samsung supports RAW capture while Sony does not, which is a notable limitation given Sony’s superior image quality otherwise.
Value and Final Recommendations
A side-by-side glance at pricing and overall performance ratings nails down our verdict.
Priced around $350 (Samsung) to $440 (Sony), the HX50V commands a slight premium justified by better image quality, improved zoom, and more sophisticated autofocus/video features.
Who Should Buy the Samsung HZ25W?
- Shooters prioritizing brighter aperture at wide zoom settings for indoor or low-light casual snaps.
- Those who desire a camera with RAW file support.
- Buyers on a tighter budget willing to accept older technology.
Who Should Pick the Sony HX50V?
- Enthusiasts needing a compact, lightweight camera with excellent reach and solid image quality.
- Travelers and street photographers valuing portability, GPS tagging, and refined autofocus.
- Hobbyists wanting Full HD video with better codecs and file sharing convenience.
- Users who shoot wildlife, sports, or action needing superior burst rates and tracking.
Summing Up: The Long Zoom Showdown
After shooting hundreds of frames and covering parks, urban walkabouts, family events, and low-light interiors, the bottom line is clear:
The Sony Cyber-shot HX50V represents a meaningful evolution in small sensor superzoom cameras. Its sensor ingenuity, autofocus intelligence, and video capabilities elevate it above the Samsung HZ25W’s more modest, dated offering. While the Samsung’s brighter lens aperture at short focal lengths and RAW support retain niche appeal, it primarily suits casual photographers on a budget.
If you require a compact, versatile camera that keeps pace with diverse photographic demands - especially if image quality, autofocus reliability, and modern video features are priorities - the Sony HX50V is the wiser investment. The Samsung remains an interesting step in early superzoom development but shows its age amidst demanding scenarios.
I hope this comprehensive comparison demystifies the strengths and shortcomings of these two compact superzooms. The choice ultimately depends on your individual photography needs, style, and budget - but both cameras have deservedly carved their niche and offer respectable performance in their own right.
Feel free to reach out with questions or share your own shooting experiences with these cameras. Safe shooting!
Samsung HZ25W vs Sony HX50V Specifications
Samsung HZ25W | Sony Cyber-shot DSC-HX50V | |
---|---|---|
General Information | ||
Manufacturer | Samsung | Sony |
Model | Samsung HZ25W | Sony Cyber-shot DSC-HX50V |
Also called | WB5000 | - |
Class | Small Sensor Superzoom | Small Sensor Superzoom |
Released | 2010-07-06 | 2013-04-24 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor measurements | 6.08 x 4.56mm | 6.17 x 4.55mm |
Sensor area | 27.7mm² | 28.1mm² |
Sensor resolution | 12 megapixel | 20 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
Highest resolution | 4000 x 3000 | 5184 x 2920 |
Highest native ISO | 3200 | 3200 |
Highest boosted ISO | 6400 | 12800 |
Lowest native ISO | 64 | 100 |
RAW images | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous AF | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Cross focus points | - | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 26-624mm (24.0x) | 24-720mm (30.0x) |
Max aperture | f/2.8-5.0 | f/3.5 - 6.3 |
Macro focus range | 10cm | 5cm |
Crop factor | 5.9 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3" | 3" |
Screen resolution | 230 thousand dot | 921 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Screen tech | - | XtraFine LCD display |
Viewfinder Information | ||
Viewfinder | None | Electronic (optional) |
Features | ||
Slowest shutter speed | 16s | 30s |
Maximum shutter speed | 1/2000s | 1/4000s |
Continuous shooting speed | - | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.60 m | 5.60 m |
Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Slow Sync, Rear Sync, Advanced Flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 (60fps), 1440 x 1080 (30fps), 1280 x 720 (30fps), 640 x 480 (30fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 428 grams (0.94 lbs) | 272 grams (0.60 lbs) |
Physical dimensions | 116 x 83 x 92mm (4.6" x 3.3" x 3.6") | 108 x 64 x 38mm (4.3" x 2.5" x 1.5") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 400 pictures |
Battery form | - | Battery Pack |
Battery model | - | NP-BX1 |
Self timer | Yes (2 or 10 sec, Double) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SC/SDHC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
Storage slots | One | One |
Launch price | $350 | $439 |