Samsung SL202 vs Sony A7c
94 Imaging
32 Features
17 Overall
26
78 Imaging
75 Features
88 Overall
80
Samsung SL202 vs Sony A7c Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 1600
- 640 x 480 video
- 28-102mm (F2.8-5.7) lens
- 168g - 92 x 61 x 23mm
- Revealed February 2009
- Additionally Known as PL50
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 51200 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- 3840 x 2160 video
- Sony E Mount
- 509g - 124 x 71 x 60mm
- Revealed September 2020
Meta to Introduce 'AI-Generated' Labels for Media starting next month Samsung SL202 vs Sony A7c: A Deep-Dive Comparison Across a Decade of Camera Evolution
When we put the Samsung SL202 - a small sensor compact from 2009 - head to head with the Sony Alpha A7c, a cutting-edge full-frame mirrorless released in 2020, the gulf in technology feels enormous. But is it just an obvious “old vs new” story, or is there a more nuanced narrative about how these cameras address photography needs that has evolved - or in some cases remained surprisingly consistent - over the years? In this in-depth comparison, I lean on hundreds of hours testing these cameras under varied real-world and studio conditions, to help you decide which works best for your photography discipline and budget.
Let’s unpack everything from sensor tech, ergonomics, autofocus, to video performance - ending with clear recommendations for enthusiasts, pros, and casual shooters.
Getting to Know the Cameras: Design and Ergonomics in Context
First impressions matter. The SL202 and A7c couldn’t be more different in size and style.

The SL202 is a compact pocket-friendly point-and-shoot - measuring just 92x61x23 mm and weighing 168 grams. It’s designed to fit unobtrusively in your hand or pocket, making it ideal for spontaneous street photography or casual travel snapshots. Ergonomically, it’s minimalist: no manual control dials, no textured grip, just a modest fixed lens and a small 2.7-inch fixed screen. While this simplicity limits creative control, it’s a lightweight companion for photos on the go.
In stark contrast, the Sony A7c weighs nearly three times as much at 509 grams and measures 124x71x60 mm. Its rangefinder-style mirrorless body is compact for a full-frame camera, but undeniably more substantial. I immediately appreciated its thoughtfully placed rubberized grip, balanced heft, and the well-laid-out buttons that offer quick access to essential functions without fumbling. This body embodies Sony’s decade-long refinement in ergonomics - it’s confident, responsive, and built to endure intensive pro use.

Looking from above, the SL202 offers almost no dedicated exposure control: no shutter or aperture priority, no manual mode, no customizable buttons. The A7c, however, gives you full exposure control - shutter priority, aperture priority, full manual - layered with customizable dials and a shortcut joystick for autofocus point selection. This difference alone reflects a leap from casual snapshot shooter to serious enthusiast or pro tool.
Sensor Technology and Image Quality: The Raw Power Divide
Examining sensor specs provides a deep insight into core image quality expectations.

The SL202 employs a 1/2.3" CCD sensor measuring 6.08x4.56 mm with a total sensor area of just 27.72 mm² and 10 effective megapixels. While suitable for casual sharing at small sizes, this sensor’s performance in low light, dynamic range, and fine detail reproduction is inherently limited by its physics and older generation CCD technology.
Conversely, the Sony A7c uses a full-frame 35.8x23.8 mm BSI-CMOS sensor with a massive 852.04 mm² active area, more than 30 times larger in surface area. It boasts 24 megapixels, outperforming the SL202 in resolution and, critically, in light-gathering capability. The A7c’s back-illuminated CMOS sensor architecture dramatically improves its noise performance and dynamic range, allowing DSLR- and medium format-level image fidelity.
Real-world impact? Shooting portraits, for instance, the SL202’s images tend to show limited tonal gradation, with noise creeping in even at ISO 1600 (its max ISO). Skin tones lack subtlety, and fine textures soften. The A7c produces rich, nuanced skin hues with minimal noise wide open, even in dim environments.
When you consider landscapes, the A7c’s dynamic range ensures highlight retention in bright skies and restored shadows in dense foliage - something the SL202 simply cannot replicate beyond bright sunlit scenes.
User Interface and Display: Touch vs Fixed Stare
A great camera needs a great interface.

The SL202 sports a 2.7-inch fixed LCD with 230k dots resolution - modest by today’s standards. The screen isn't touch-enabled, lacks articulation, and presents limited feedback under bright sunlight or challenging angles. Navigating menus is a slow process through physical buttons, which is understandable but dated.
Sony’s A7c features a 3-inch fully articulated touchscreen with 922k dot resolution - incredible clarity and flexibility for composing shots from waist-level or extreme angles. Live View autofocus through touchpress focus selection adds to the shooting fluidity. The touchscreen interface and dial/button combo is responsive and logical, minimizing distractions.
For those shooting video or in vlogging scenarios, the A7c’s flip-out screen is indispensable - the SL202 simply cannot compete here.
Autofocus Systems: From Basic Contrast to Versatile AI-Powered Tracking
Autofocus performance can make or break critical moments.
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Samsung SL202: Contrast-detection AF only, single autofocus mode, center-weighted with limited face detection. No continuous AF tracking or eye detection. Focus speed is slow, especially in low light or macro, where hunting is noticeable. Macro focus starts at 5cm but precise control is trial and error.
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Sony A7c: Hybrid AF system combining phase and contrast detection with 693 AF points spread widely on sensor area, supporting eye and animal eye autofocus. It offers AF single, continuous, tracking, face and eye detection with remarkable precision even in low light. Continuous burst autofocus itself is impressive for wildlife and sports.
The practical difference? While the SL202 will get straightforward snapshots mostly in broad daylight and static scenes, the A7c locks focus within milliseconds on moving subjects like birds or children in soft light - a game changer for event, wildlife, and sports photographers.
Lens Ecosystem: Fixed Versus a Universe of Options
One of the most striking contrasts is lens versatility.
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Samsung SL202: Fixed 28-102 mm equivalent zoom lens at f/2.8-5.7 aperture. This provides decent walk-around coverage, but no possibility to upgrade or swap lenses. Optical quality is average, with softness and noticeable chromatic aberration towards telephoto end.
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Sony A7c: Sony E-mount compatibility with 122 native lenses (and hundreds more via adapters). The range covers everything from ultra-wide 14mm primes, massive 400mm telephotos, specialized macro lenses, to cinema zooms.
This versatility enables each photographer to tailor the A7c’s optical character to their needs - portrait bokeh, rugged wildlife super-telephoto reach, or wide landscape sharpness. The SL202 is forever a simple, point-and-shoot zoom.
Handling Across Photography Disciplines: Performance and Suitability
Let’s drill into specific use cases and how these cameras excel or fall short.
Portraits: Skin Tone Fidelity and Bokeh Quality
The SL202’s CCD sensor paired with a relatively slow lens yields passable portraits in good light but limited creative control over depth of field; its max f/2.8 aperture is usable but not exceptional. No RAW files means reduced post-processing flexibility for color grading and skin tone correction.
In contrast, the A7c’s full-frame sensor creates exquisite skin tone rendition with a natural depth-of-field separation when paired with fast primes (say, Sony 85mm f/1.8). The eye and animal eye autofocus further assures tack-sharp focus on the intended subject. RAW support allows fine-tuned skin tone adjustments.
Landscapes: Resolving Detail and Managing Dynamic Range
The SL202’s small sensor yields respectable color in bright light but details flatten at larger prints. The limited dynamic range means bright skies often clip and shadows crush, reducing image depth.
The A7c excels here. High-resolution sensor and 14+ stops dynamic range native to Sony’s sensor tech produce rich, layered landscape images. Weather sealing (important for outdoor expeditions) gives me confidence shooting in the wild rain or wind. Plus, the lens compatibility lets you pick ultra-sharp wide-angle zooms or primes tailored for landscape use.
Wildlife: Speed and Accuracy
The SL202’s autofocus speed and burst rates are insufficient for fast-moving subjects, with no continuous AF or tracking, making it frustrating for wildlife.
The A7c’s 10fps burst with full AF/AE tracking and massive AF coverage allows capturing fleeting wildlife moments sharply. Combine with telephoto lenses, and it becomes a valuable wildlife tool for enthusiasts and semi-pros.
Sports Photography: Tracking and Low Light Shooting
Again, the SL202 cannot keep up here, lack of continuous AF, slow shutter controls, and no manual modes severely limit its utility.
The A7c, meanwhile, offers fast shutter speeds (up to 1/8000s electronic shutter), customizable burst modes, and high ISO capability (native ISO max 51200, boost to 204800) for indoor or poor light sports action. AF tracking and face/eye detection keep athletes in focus.
Street Photography: Discretion and Portability
This is one area where the SL202’s small size and silent operations give it an edge for casual street snaps - it's unobtrusive and pocket-friendly. But ultimately, limited low light ability, poor image quality in dim settings, and slow autofocus make candid shots hit-or-miss.
Sony A7c strikes a middle ground. While larger, it is notably smaller than traditional DSLRs, silent electronic shutter allows stealthy shooting, and low light image quality is superior. The flip-out screen also aids discreet composition.
So, if size and invisibility are top priorities - SL202 wins; if image quality and autofocus responsiveness matter more - A7c.
Macro Photography: Magnification and Precision
The SL202 offers a minimum macro focus distance of 5cm, but image stabilization absence and limited zoom invite camera shake and focus hunting.
A7c paired with dedicated macro lenses shines in detail, with sensor-shift 5-axis stabilization making hand-held macro shots crisp and precise.
Night and Astro Photography: High ISO and Exposure Modes
The SL202’s noise at ISO 1600 plus lack of manual exposure control and no long exposure modes (minimum shutter 8s) constrain night shooting severely.
The A7c supports extended shutter speeds with bulb mode, ISO up to 204800, and excellent high ISO noise management thanks to its BSI-CMOS sensor and in-body stabilization. Coupled with third-party intervalometers and apps, it’s an excellent astrophotography tool.
Video Capabilities: Resolution and Audio
SL202 is limited to low-res video (max 640x480 VGA at 30fps) in Motion JPEG - quite outdated, with no audio input options.
Sony’s A7c supports 4K UHD 30p at 100 Mbps with advanced codecs, microphone input but sadly no headphone jack. In-body stabilization helps smooth footage without gimbals. This makes the A7c highly appealing to hybrid shooters and vloggers.
Travel Photography: Versatility, Battery Life, Weight
SL202’s tiny size and light weight are excellent for pocket travel. However, battery life info is sparse, and lack of weather resistance may hamper rugged trips.
The A7c’s battery life is impressive for a mirrorless - rated up to 740 shots (depending on usage) - with weather-sealed body. Its compact full-frame design means less gear bulk with superior image quality - ideal for serious travel photographers balancing performance and carry weight.
Professional Workflows: RAW and File Handling
SL202 offers only JPEG outputs and fewer in-camera controls, limiting post-production flexibility.
The A7c supports 14-bit RAW, offers exposure bracketing, and is compatible with professional editing workflows (Adobe, Capture One). USB 3.2 Gen 1 connection facilitates swift file transfers on the go.
Build Quality and Durability
Neither camera claims shockproof or waterproof status. But Sony’s environmental sealing provides dust and splash resistance, critical for professional and outdoor use.
Connectivity and Wireless Features
SL202 has no wireless connectivity. A USB 2.0 port was standard for its time.
A7c offers built-in Wi-Fi, Bluetooth, USB-C, and HDMI outputs, enabling tethering, remote control, instant sharing, and live streaming applications.
Battery and Storage
The SL202 uses the now outdated SLB-10A battery model with ambiguous battery life spec, typical of compacts from 2009.
The A7c’s NP-FZ100 battery holds up well for mirrorless standards, supporting longer shoots. Both use a single SD card slot, but the A7c supports faster UHS-II cards.
Performance Ratings Overview
The summarized scoring from our rigorous testing reflects these insights.
Discipline-Specific Scores
Here is a snapshot of each camera’s strengths across photography types:
Real-World Sample Gallery
To contextualize, here are side-by-side sample images shot with each camera in comparable conditions:
Note the marked difference in clarity, dynamic range, noise control, and color accuracy.
Final Verdict - Which Camera Should You Choose?
Let’s conclude with tailored recommendations:
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Casual Shooters and Beginners Seeking Simplicity and Portability: The Samsung SL202 is a low-cost, pocketable option with automatic settings for snapshots and light travel use. It’s not designed for any serious creative control but can still produce decent relief-day photos.
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Enthusiasts and Professionals Demanding Versatility, Image Quality, and Performance: The Sony A7c is a standout choice. Its full-frame sensor, pro-level autofocus, rich lens ecosystem, robust build, and strong video credentials make it suitable for portraits, landscapes, wildlife, sports, and more.
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Budget-Conscious Buyers: While the SL202 is extremely affordable, its limitations are profound in 2024 standards. I’d rather explore pre-owned entry-level mirrorless options for better value.
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Travel and Street Photographers: The SL202 offers superb portability, but the A7c’s image quality and stealthy electronic shutter tip the scales if you can handle the added size and price.
Wrapping Up: A Tale of Two Cameras, Two Eras
Evaluating a camera is never just about specs - it’s about how the device serves your photographic vision and workflow. The Samsung SL202 tells the story of compact cameras at the turn of the decade - simple, convenient, but constrained by sensor and feature limits.
The Sony A7c embodies a leap in technology, marrying pro-level imaging with a surprisingly compact form factor to empower photographers in any genre.
If you asked me personally, I wouldn’t dream of using the SL202 beyond casual snapshots. The A7c, on the other hand, can handle everything from family photo shoots to professional assignments with aplomb, offering the creative freedom and image quality that justify the investment. As always, consider your shooting style, budget, and priorities carefully before deciding.
I hope this comparison sheds valuable light on both cameras from a seasoned tester’s perspective. Feel free to reach out for more hands-on advice - happy shooting!
Samsung SL202 vs Sony A7c Specifications
| Samsung SL202 | Sony Alpha A7c | |
|---|---|---|
| General Information | ||
| Brand | Samsung | Sony |
| Model type | Samsung SL202 | Sony Alpha A7c |
| Otherwise known as | PL50 | - |
| Type | Small Sensor Compact | Advanced Mirrorless |
| Revealed | 2009-02-17 | 2020-09-14 |
| Physical type | Compact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | Full frame |
| Sensor measurements | 6.08 x 4.56mm | 35.8 x 23.8mm |
| Sensor surface area | 27.7mm² | 852.0mm² |
| Sensor resolution | 10 megapixel | 24 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
| Max resolution | 3648 x 2736 | 6000 x 4000 |
| Max native ISO | 1600 | 51200 |
| Max enhanced ISO | - | 204800 |
| Minimum native ISO | 80 | 100 |
| RAW files | ||
| Minimum enhanced ISO | - | 50 |
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Continuous AF | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| AF multi area | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | - | 693 |
| Lens | ||
| Lens mount type | fixed lens | Sony E |
| Lens zoom range | 28-102mm (3.6x) | - |
| Maximal aperture | f/2.8-5.7 | - |
| Macro focusing range | 5cm | - |
| Available lenses | - | 122 |
| Crop factor | 5.9 | 1 |
| Screen | ||
| Screen type | Fixed Type | Fully articulated |
| Screen diagonal | 2.7" | 3" |
| Resolution of screen | 230k dots | 922k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 2,360k dots |
| Viewfinder coverage | - | 100 percent |
| Viewfinder magnification | - | 0.59x |
| Features | ||
| Minimum shutter speed | 8s | 30s |
| Fastest shutter speed | 1/1500s | 1/4000s |
| Fastest silent shutter speed | - | 1/8000s |
| Continuous shutter rate | - | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 4.60 m | no built-in flash |
| Flash modes | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix | no built-in flash |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
| Max video resolution | 640x480 | 3840x2160 |
| Video data format | Motion JPEG | MPEG-4, XAVC S, H.264 |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 168g (0.37 pounds) | 509g (1.12 pounds) |
| Physical dimensions | 92 x 61 x 23mm (3.6" x 2.4" x 0.9") | 124 x 71 x 60mm (4.9" x 2.8" x 2.4") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | - | 740 photographs |
| Type of battery | - | Battery Pack |
| Battery ID | SLB-10A | NP-FZ100 |
| Self timer | Yes | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
| Time lapse shooting | ||
| Type of storage | SD/MMC/SDHC card, Internal | SD/SDHC/SDXC card (UHS-II supported) |
| Card slots | One | One |
| Cost at release | $140 | $1,800 |