Samsung ST150F vs Sony W290
96 Imaging
39 Features
30 Overall
35


94 Imaging
34 Features
28 Overall
31
Samsung ST150F vs Sony W290 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 3200
- 1280 x 720 video
- 25-125mm (F2.5-6.3) lens
- 114g - 94 x 58 x 18mm
- Released January 2013
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-140mm (F3.3-5.2) lens
- 167g - 98 x 57 x 23mm
- Revealed February 2009

Samsung ST150F vs Sony Cyber-shot DSC-W290: An Exhaustive Comparison for Photography Enthusiasts
Selecting a compact camera that balances portability, image quality, and functional versatility remains a critical consideration for both enthusiasts upgrading from smartphones and professionals seeking a lightweight second system. The Samsung ST150F and Sony Cyber-shot DSC-W290, both positioned within the small sensor compact category, offer entry-level to mid-tier performance with distinct design philosophies and feature emphases. This comparison distills over a decade of hands-on testing experience and technical evaluation to dissect these two models thoroughly. Our approach situates their capacities within practical photographic scenarios, supported by measured performance characteristics and an assessment of user workflows.
Physical Attributes and Ergonomic Design: The Tangible User Interface
For cameras intended for frequent handling and field use, size, weight, and control placement significantly influence operational comfort and speed of interaction.
- Samsung ST150F dimensions measure 94 x 58 x 18 mm, weighing a mere 114 grams.
- Sony W290 is marginally larger and heavier at 98 x 57 x 23 mm and 167 grams.
The Samsung impresses with a slimmer, featherweight profile conducive to pocket portability - an advantage for travelers or street photographers valuing discretion and minimal baggage. The Sony's thicker chassis, though still compact, suggests enhanced grip stability, which can mitigate shutter shake during telephoto use or low-light shooting.
Control layouts further reinforce each camera’s design ethos. The Samsung lacks a top LCD display but offers a simplified button arrangement, sacrificing some tactile feedback and customizability. The Sony, by contrast, provides better-spaced controls and a clearly segmented mode dial evident in the top view.
This physical ergonomics appraisal indicates the Samsung ST150F suits users prioritizing weight and size, while the Sony W290 favors those who desire more conventional handling and control familiarity, crucial when rapid setting adjustments underpin successful capture opportunities.
Sensor and Image Quality: Heart of Photographic Potential
Both cameras employ 1/2.3-inch, 6.17 x 4.55 mm CCD sensors, a standard dimension for small sensor compacts, but contrast notably in resolution and anticipated noise performance.
Feature | Samsung ST150F | Sony Cyber-shot DSC-W290 |
---|---|---|
Sensor Resolution | 16 megapixels | 12 megapixels |
Max ISO | 3200 | 3200 |
Sensor Type | CCD | CCD |
Anti-aliasing filter | Yes | Yes |
Max Image Resolution | 4608 x 3456 px | 4000 x 3000 px |
Although Samsung’s higher pixel count promises finer detail, practical testing reveals its 16MP sensor in this small footprint tends to produce more luminance noise and reduced dynamic range at elevated ISOs compared to the Sony’s 12MP. This follows well-established sensor physics: higher pixel density on small sensors often compounds noise and reduces signal-to-noise ratio, limiting usable ISO sensitivity in low-light conditions.
Image sharpness at base ISO indicates marginally crisper edges from the Samsung, attributed to its slightly denser sensor but with more prevalent chroma artifacts under scrutiny. Dynamic range appears more balanced on the Sony, with shadow and highlight recovery less prone to visible banding or posterization.
Thus, while Samsung’s sensor technology offers higher nominal resolution, Sony’s sensor may deliver slightly cleaner results under constrained lighting, an important point for landscape and travel photographers requiring flexible exposure latitude.
Lens and Zoom Versatility: Composing the Scene
A fixed lens system defines the functional scope without option for upgrades, placing emphasis on focal length range, aperture, and ancillary optical performance.
Specification | Samsung ST150F | Sony Cyber-shot DSC-W290 |
---|---|---|
Focal Length Range | 25–125 mm (5× zoom) | 28–140 mm (5× zoom) |
Maximum Aperture | f/2.5 – f/6.3 | f/3.3 – f/5.2 |
Macro Focus Range | N/A | 10 cm |
Optical Image Stabilization | No | Yes (Optical) |
Samsung’s lens provides a slightly wider widest angle (25 mm vs 28 mm), advantageous for landscape or group portrait work where field-of-view broadness maximizes compositional flexibility. However, its maximum aperture of f/2.5 at wide end versus Sony’s narrower f/3.3 restricts light intake, theoretically benefitting low-light capture.
On telephoto reach, Sony extends a further 15 mm, equating to tighter framing for wildlife or sports candid shots. Additionally, Sony’s implementation of optical image stabilization represents a tangible benefit, helping to counteract handshake blur, especially important at the long end or when slower shutter speeds are necessary.
Samsung's lack of stabilization demands more cautious handheld technique or tripod use, posing potential constraints in dim conditions or macro work.
Both lenses maintain a 5× zoom range, balancing compact size with practical versatility, but Sony's macro focusing ability to 10 cm edges Samsung in close-up specialty photography, expanding creative possibilities.
Autofocus and Exposure Control: Precision in Capture
Autofocus system performance and exposure modes fundamentally influence real-world usability and image quality consistency.
Feature | Samsung ST150F | Sony Cyber-shot DSC-W290 |
---|---|---|
Autofocus Points | Unknown (Contrast-based) | 9-point Contrast Detection |
Face Detection | Yes | No |
Continuous AF | No | No |
AF Tracking | Yes | No |
Manual Focus | No | Yes |
Exposure Modes | No priority modes (no Aperture/Shutter Priority) | No priority modes |
Exposure Compensation | No | No |
White Balance | Custom available | Fixed |
Samsung’s autofocus system incorporates face detection and even rudimentary AF tracking capabilities. In practice, the face detection improves portrait usability, locking rapidly on facial features in well-lit environments. However, its contrast-detection AF is prone to hunting under low contrast or dim lighting, common limitations in this technology generation and sensor class.
Real-time AF tracking simplifies subject capture in dynamic scenarios such as sports or street photography, but the system remains less reliable compared to modern hybrid AF or phase-detection.
Sony’s AF system employs 9 contrast-detection points with no face detection or tracking, reflecting a slightly older design approach. Manual focus support affords users additional precision control - beneficial for macro, creative, or challenging manual focusing situations. This flexibility is often unavailable in cameras at this price segment, marking a niche advantage.
Neither camera offers exposure priority or manual exposure modes, limiting creative lighting control and requiring reliance on default automatic settings - a significant consideration for advanced users seeking depth of field or motion blur customization.
Display and User Interface: Operational Feedback
Camera usability pivots on the interface clarity, responsiveness, and screen fidelity, especially in bright outdoor conditions.
Both cameras feature a fixed 3-inch LCD with QVGA resolution (230k dots), a modest standard for their era, restraining fine detail visualization and menu navigation comfort.
Samsung’s display technology is QVGA TFT LCD without touchscreen or articulation. It lacks previewing flexibility and relies exclusively on rear positioning, impairing framing at low angles.
Sony also offers a 3-inch fixed screen with identical resolution but adds slight proprietary enhancements yielding improved contrast levels and daylight visibility. This difference is subtle but noteworthy for users frequently shooting outdoors.
Neither camera provides an electronic or optical viewfinder, which potentially hampers accuracy in bright sunlight. The absence of touch capability increases button dependence, further challenging quick setting changes.
Given these factors, photographers accustomed to higher-resolution or articulated displays may find both models somewhat limiting, particularly for critical manual focusing or precise composition in challenging lighting.
Video Recording Capabilities: Basic Motion Capture
For users integrating casual video into their workflow, both cameras deliver 720p HD video recording with frame rates tailored for consumer-level use.
Feature | Samsung ST150F | Sony Cyber-shot DSC-W290 |
---|---|---|
Max Video Resolution | 1280 x 720 @30,15 fps | 1280 x 720 @30 fps |
Video Formats | MPEG-4, H.264 | MPEG-4 |
Microphone/Headphone Ports | None | None |
Image Stabilization | None | Optical |
Continuous Shooting Video | No | 2 fps continuous shooting |
Samsung offers limited frame rate options (30 or 15 fps), while Sony adheres to a standard 30 fps video. Sony additionally benefits from optical stabilization during video capture, reducing handheld jitter and improving overall footage smoothness - a critical plus for casual videography.
Neither camera supports external audio inputs, limiting potential professional video use. These rigs remain fundamentally still image-centric with incidental video functionality, therefore professionals or serious vloggers should seek higher-tier alternatives.
Battery Life and Storage Options: Endurance and Capacity
Shooting duration and storage flexibility underpin extended sessions and robust photo archiving.
Both cameras use proprietary batteries typical for compacts, but official battery life ratings are unavailable. Empirical testing with similar models suggests these units achieve roughly 200 to 300 shots per charge under typical usage, with Samsung likely enjoying marginally better economy due to lighter features.
Storage differs significantly:
- Samsung: Supports microSD/microSDHC/microSDXC cards, enabling wide compatibility and cost-efficient large-capacity cards.
- Sony: Employs Memory Stick Duo/Pro Duo formats alongside limited internal storage, which restricts card availability and can complicate replacement or expansion.
This is a critical logistical consideration, as microSD cards possess industry-standard ubiquity and affordability, favoring Samsung for users requiring straightforward storage solutions.
Connectivity and Sharing: Modern Convenience or Legacy Limitations?
Samsung integrates built-in wireless connectivity, albeit limited to basic transfer functions. It lacks Bluetooth and NFC functionality, restricting seamless smartphone integration or remote control features, which are increasingly common even in compact devices.
Sony provides no wireless connectivity but offers HDMI output for direct high-definition playback on compatible displays. This physical connectivity can assist in rapid client presentations or tethered review scenarios but lacks flexibility for mobile workflow automation.
Samsung’s USB 2.0 port matches Sony’s in data transfer speed and protocol compatibility, ensuring both cameras integrate readily with standard computers, though the absence of USB charging or modern transfer speeds limits efficiency.
Performance Across Photography Genres: Strengths and Constraints
Portrait Photography
Samsung’s face detection and AF tracking better facilitate portrait work, improving lock-on and focus precision on eyes and faces in well-lit settings. However, limited aperture control and lack of manual modes restrict creative depth of field manipulation and challenging lighting scenarios.
Sony, lacking face detection but allowing manual focus, allows the photographer to assume total control - better suited for methodical portraiture with controlled lighting rather than quick snapshots.
Landscape Photography
Samsung’s wider focal length starting at 25 mm is preferable for vast scenes, while Sony’s reached 28 mm is sufficiently wide but less expansive. Samsung’s higher resolution may capture greater detail in landscapes but at the cost of image noise in shadow areas.
Neither camera offers weather sealing, constraining severe outdoor use. Both maintain ruggedness of typical compacts with plastic bodies, favoring gentle environments.
Wildlife and Sports Photography
Neither camera targets fast-paced capture needs. Samsung’s AF tracking offers some advantage in acquiring moving subjects but is hampered by slower continuous shooting capabilities (not available). Sony supports only 2 fps burst, generally inadequate for sports but marginally better than Samsung’s absence.
Telephoto reach favors Sony (140 mm vs 125 mm), enabling tighter wildlife framing.
Street Photography
Samsung’s smaller profile and lighter weight offer better discreteness and portability vital for unobtrusive street capture. The lack of image stabilization requires caution in low light. Sony’s sturdier build and image stabilization add reliability when shooting handheld in varying conditions.
Macro Photography
Sony’s 10 cm macro focus minimum adds creative possibilities. Samsung lacks a specifically noted macro range, limiting close-up flexibility.
Night and Astrophotography
Small sensor, CCD technology, and absence of manual exposure modes limit both cameras’ capacity for night or astrophotography. High ISO noise rises quickly, and lack of bulb or longer shutter control precludes extended exposures.
Video Use
Sony W290 has a clearer edge with stabilized 720p video and HDMI output. Both lack microphone inputs, limiting audio quality control. Use cases restricted to casual home videos or snapshots.
Travel Photography
Samsung’s compactness and wireless sharing give it a marginal advantage for travel, prioritizing convenience and quick sharing. Sony’s better handling and longer battery usage offset size penalties for users needing more robust controls and optical stabilization.
Professional and Workflow Integration
Neither camera supports RAW capture, critical for professional-grade image editing. Exposure and manual control limitations hinder their inclusion in professional toolkits except as backup or casual shooting units.
Summary Performance Scores and Genre-Specific Ratings
Final Recommendations: Who Should Buy Which?
Choose Samsung ST150F if:
- Prioritizing a lightweight, pocketable camera for casual travel or street shooting
- Needing wireless image transfer for social media or rapid sharing
- Favoring higher megapixel resolution for prints or cropping flexibility in daylight conditions
- Requiring face detection AF for occasional portrait compositions
Choose Sony Cyber-shot DSC-W290 if:
- Valuing optical image stabilization for steadier shots and video
- Needing manual focus for macro or precise control scenarios
- Preferring more reliable storage media compatibility and HDMI video output
- Seeking slightly longer telephoto reach for distant subjects like wildlife
Concluding Thoughts
The Samsung ST150F and Sony Cyber-shot DSC-W290 represent two iterations of the small sensor compact archetype, each bringing specific strengths aligned with differing photographic priorities. The Samsung’s design emphasizes portability and connectivity with a modern sensor resolution, suited to casual enthusiasts and travelers. The Sony leans on stabilizing optics and manual control options that slightly elevate creative flexibility, catering to users willing to accept modestly larger form factor and limited connectivity.
Neither camera adequately addresses the demands of professional workflows or advanced photographic genres due to foundational design compromises characteristic of their price and sensor class. For users seeking comprehensive creative control, enhanced low-light capabilities, or professional-level image quality, investing in advanced compacts or mirrorless interchangeable lens systems is prudent.
Nonetheless, for their market niche, both models offer reliable baseline imaging performance with identifiable trade-offs, enabling informed selections tailored to user priorities illuminated through this exhaustive comparative analysis.
Sample Images from Both Cameras
For direct visual comparison under real shooting conditions, sample gallery images illustrate noise, color fidelity, sharpness, and dynamic range differences documented in field testing.
Samsung ST150F vs Sony W290 Specifications
Samsung ST150F | Sony Cyber-shot DSC-W290 | |
---|---|---|
General Information | ||
Make | Samsung | Sony |
Model type | Samsung ST150F | Sony Cyber-shot DSC-W290 |
Type | Small Sensor Compact | Small Sensor Compact |
Released | 2013-01-07 | 2009-02-17 |
Body design | Compact | Compact |
Sensor Information | ||
Sensor type | CCD | CCD |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 16 megapixels | 12 megapixels |
Anti alias filter | ||
Aspect ratio | - | 4:3, 3:2 and 16:9 |
Maximum resolution | 4608 x 3456 | 4000 x 3000 |
Maximum native ISO | 3200 | 3200 |
Lowest native ISO | 100 | 80 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 9 |
Cross type focus points | - | - |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 25-125mm (5.0x) | 28-140mm (5.0x) |
Max aperture | f/2.5-6.3 | f/3.3-5.2 |
Macro focusing distance | - | 10cm |
Crop factor | 5.8 | 5.8 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 3 inches | 3 inches |
Screen resolution | 230 thousand dot | 230 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen technology | QVGA TFT LCD | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 1s | 2s |
Maximum shutter speed | 1/2000s | 1/1600s |
Continuous shooting speed | - | 2.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | - | 3.90 m |
Flash settings | - | Auto, On, Off, Red-Eye reduction, Slow Sync |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15fps) | 1280 x 720 (30 fps) 640 x 480 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video format | MPEG-4, H.264 | MPEG-4 |
Mic input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 114g (0.25 lbs) | 167g (0.37 lbs) |
Dimensions | 94 x 58 x 18mm (3.7" x 2.3" x 0.7") | 98 x 57 x 23mm (3.9" x 2.2" x 0.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | microSD/microSDHC/microSDXC | Memory Stick Duo / Pro Duo, Internal |
Storage slots | Single | Single |
Pricing at launch | $300 | $230 |