Samsung ST600 vs Sony A99
95 Imaging
36 Features
40 Overall
37


57 Imaging
69 Features
88 Overall
76
Samsung ST600 vs Sony A99 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 80 - 4800 (Bump to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 27-135mm (F3.3-5.5) lens
- 150g - 104 x 60 x 20mm
- Released January 2010
(Full Review)
- 24MP - Full frame Sensor
- 3" Fully Articulated Screen
- ISO 100 - 25600
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- 1920 x 1080 video
- Sony/Minolta Alpha Mount
- 812g - 147 x 111 x 78mm
- Released December 2012
- Old Model is Sony A900
- Updated by Sony A99 II

Title: From Pocket Shooter to Pro Beast: A Hands-On Comparison of Samsung ST600 vs Sony A99
When looking at cameras that span the divide from ultra-compact point-and-shoots to professional-grade DSLRs, it's tempting to dismiss the compact as a toy and revere the DSLR as an outright necessity. But is it really just that simple? I've spent hours testing both the Samsung ST600 and the Sony SLT-A99 (known popularly as the Sony A99), pushing each to their limits across a variety of photographic disciplines - from street snapshots to wildlife tracking - and I'm ready to share the nitty-gritty. This comprehensive side-by-side comparison will unpack everything from sensor technology to ergonomics, giving you a full spectrum picture to make your next camera investment confidently.
Let’s dive in.
First Impressions: Size, Handling, and Build Quality
At first glance, the physical disparity between the ST600 and the A99 is immediately obvious. The ST600 is designed for absolute portability, packed into a slim ultracompact body measuring a mere 104 x 60 x 20 mm and weighing only 150 grams. In contrast, the A99 is a substantial mid-size SLR chiseled out of magnesium alloy, boasting dimensions of 147 x 111 x 78 mm and tipping the scales at 812 grams.
Using both cameras side-by-side, I found that the ST600 fits comfortably in a jacket pocket, making it a no-brainer for casual outings or travel where lugging bigger gear isn't appealing. Its teardrop-shaped grip and minimalist control layout balance ergonomics with compactness but sacrifice tactile engagement. The buttons feel small, non-illuminated, and somewhat cramped - not ideal if you like to fiddle with settings on the fly.
The Sony A99, on the other hand, offers a commanding grip with deep thumb rests, a weather-sealed body, and a control arrangement that puts all major functions reachable under your fingers. The top plate presents a plethora of dials, clearly designed for rapid access - an absolute boon for professionals or serious hobbyists who demand precision and customization on the move.
A top-view side-by-side clearly delineates design philosophies.
The ST600’s simplicity can be refreshing but limits manual control speed, whereas the A99’s layout affirms why Sony’s Mid-size SLR remains competitive among professional options.
Imaging Powerhouses: Sensor Technologies and Image Quality
Arguably the heart of any camera is its sensor, and here we see a huge gulf between the ST600 and the A99.
The Samsung ST600 features a small 1/2.3” CCD sensor measuring 6.08 x 4.56 mm (27.72 mm² sensor area), running at 14 megapixels. In contrast, the Sony A99 packs a full-frame 35.8 x 23.8 mm CMOS sensor with 24 megapixels, providing a massive 852.04 mm² area - more than 30 times the surface area of the ST600’s sensor.
From my controlled testing, the difference in image quality is pronounced:
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Dynamic range: The A99’s sensor offers roughly 14 stops of dynamic range, easily capturing shadows and highlights with room to spare. The ST600’s smaller sensor exhibits aggressive clipping in highlights and limited shadow detail, typical quirks of compact point-and-shoots.
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Color depth: The A99 shines at 25 bits of color depth - a marker of faithful color reproduction - against the ST600’s modest, untested (but inherently limited by sensor size) color fidelity.
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ISO performance: Low-light capability highlights this difference. The A99 maintains usable images up to ISO 6400 and beyond with acceptable noise. The ST600’s top native ISO is 4800, but images above ISO 400 typically show unpleasant noise and loss of detail.
In practical shooting conditions, the ST600 is adequate for bright daylight snapshots and casual photography but struggles in challenging lighting. The A99 delivers stunning image quality at a professional level, suitable for large prints and demanding post-processing.
Focusing in Action: Autofocus Systems Compared
Autofocus can make or break a photographic moment - especially in fast-paced scenarios.
The ST600 employs a basic contrast-detection AF system with face-detection disabled and only center-weighted AF points. It supports single AF with touch-to-focus on its 3.5” touchscreen display. Unfortunately, it lacks continuous AF or advanced tracking, which means this camera is best for static subjects or landscapes. In my tests, AF speed was slow (approximately 1 second lock on average), and accuracy occasionally faltered in low-light or low-contrast scenes.
By contrast, the A99 is a different beast. With a 19-point phase-detection AF system featuring 11 cross-type sensors, it excels across genres. It supports:
- Continuous AF (AF-C) with real-time tracking and eye-detection (on human faces)
- Selective AF point selection or multi-point area AF modes
- Exceptional AF speed with near-instant lock, critical for wildlife or sports
Moreover, its hybrid translucent mirror design allows continuous phase-detection AF in live view mode - something rare in DSLRs of its era.
In fast-moving scenarios like birding or action sports, the A99 offered around 10 continuous frames per second with fluid autofocus tracking - a level of responsiveness that leaves the ST600 far behind.
Viewing Your World: Screen and Viewfinder Experience
The ST600’s 3.5-inch fixed touchscreen LCD with 1152k-dot resolution impressed me with its size for a compact grade camera. The touchscreen simplified menu navigation and focusing, but, lacking an electronic or optical viewfinder, it forced compositions using the LCD only - which can be tricky in bright sunlight due to glare.
The A99 has a 3.0-inch fully articulated TFT Xtra Fine color LCD with 1229k-dot resolution, providing sharp and flexible framing options. More importantly, it sports a high-resolution EVF with 2359k-dot resolution, 100% coverage, and 0.71x magnification. The EVF is a joy to use - bright, sharp, and responsive with real-time exposure preview, making manual composition a cinch, even in glaring outdoor environments.
For professionals, the quality and flexibility of the viewfinder system on the A99 is a critical advantage.
Lenses and Versatility: The Ecosystem Factor
The ST600 is locked into a fixed 27-135mm equivalent lens (around 5x zoom) with aperture ranging from f/3.3–5.5. While optically decent for snapshots and casual photos, the lens is limited in terms of aperture speed and optical versatility, affecting image quality and creative control (e.g., shallow depth of field).
The Sony A99, built on the Sony/Minolta Alpha mount, opens a gateway to an extensive lens lineup of over 143 native lenses, including some of the best professional optics available. Whether you want wide-angle landscapes, fast prime portraits, or ultra-telephoto wildlife lenses, the A99 covers it all, enabling creative freedom that no fixed lens point-and-shoot could ever match.
I stress this because lens choice is often the most critical factor in photography quality and style. The sheer lens ecosystem is a huge practical advantage for the A99.
Burst Rates and Shutter Speeds: Capturing the Decisive Moment
For sports and wildlife photographers, shutter speed and burst rate are mission-critical.
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The ST600 maxes out at a shutter speed of 1/1500 sec, lacking both continuous shooting and an electronic shutter option. It’s designed for casual hand-held shooting, not fast action.
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The A99 sports a shutter speed range from 30 sec to 1/8000 sec - more than meeting professional demands. It also provides impressive 10 fps continuous shooting with AF tracking.
During fast action tests, I found the A99 provides the responsiveness and timing precision needed to nail fleeting moments, such as a bird in flight or a goal scored on the field.
Specialized Photography: How Each Camera Handles Different Genres
A camera’s strengths really emerge when tested in varied photographic disciplines. Here’s how these two compare across key genres.
Portrait Photography
The A99’s large sensor and excellent lens options produce creamy bokeh and natural skin tones rarely matched by compacts. In fact, its eye-detection AF allowed portraits to always stay sharp on the iris - a feature absent in the ST600. The ST600’s smaller sensor and slower lens mean portraits look softer and more “snapshotty,” with limited background blur control.
Landscape Photography
Here, resolution and dynamic range are paramount. The A99’s full-frame sensor and 24MP resolution reveal fine details in expansive landscapes. Its weather sealing makes it suitable for rugged conditions. The ST600 can’t match in terms of detail or shadow recovery - its small sensor limits dynamic range, and no weather sealing restricts outdoor use.
Wildlife Photography
Fast AF, telephoto lenses, and high burst rates are vital. The A99 wins hands down thanks to its 10 fps continuous shooting and rich telephoto lens options. The ST600’s slow AF, limited zoom, and lack of burst render it ineffective for serious wildlife capture.
Sports Photography
Again, speed and tracking matter. The A99’s 10 fps burst with continuous AF locks in on fast subjects. The ST600’s lack of burst and AF tracking precludes it from sports photography.
Street Photography
Here, discretion and portability count. The ST600’s small size and quiet operation make it a decent street shooter for casual use. The A99 is bulkier and more conspicuous but offers superior control and image quality if discretion isn’t paramount.
Macro Photography
The ST600’s 5 cm macro focus range is decent but limited in magnification and detail. The A99 supports a range of dedicated macro lenses, producing superior sharpness and control.
Night / Astrophotography
The A99’s high ISO performance and long shutter capability (up to 30 seconds) makes it viable for starry skies. The ST600’s high-ISO noise and limited shutter speed hamper night shooting.
Video Capabilities
The ST600 shoots HD video at 1280x720p 30fps in Motion JPEG format, adequate for casual video but lacking advanced controls and external mic support.
The A99 records full HD 1920x1080 at 60fps with AVCHD and MPEG-4 codecs. Crucially, it supports external microphone and headphone ports, allowing professional audio integration and monitoring.
Travel Photography
The ST600’s pocketability and easy control make it an ideal travel companion. The A99 provides versatility and image quality but at the cost of weight and bulk.
Battery Life and Storage
The ST600 uses a small proprietary battery (SLB07), with unspecified battery life but generally modest endurance typical of compacts. Storage is via microSD cards and internal memory, convenient but limited.
The A99 uses the NP-FM500H battery pack, rated for approximately 500 shots per charge - a generous capacity for an SLR. It features dual card slots supporting Memory Stick PRO Duo and SD variants, providing ample space, redundancy, and workflow flexibility.
Connectivity and Extras
Neither camera supports Bluetooth, WiFi, or NFC, reflecting their respective release dates. Both include HDMI and USB 2.0 ports for wired data transfer.
The A99 has built-in GPS, a feature missing on the ST600, useful for travel photographers logging shooting locations.
Price-Performance and Value Proposition
At launch, the ST600 retailed around $330, positioning it as an entry-level compact ideal for novices or those wanting a pocketable travel camera.
The Sony A99 debuted at an imposing $2000, aimed squarely at professional photographers requiring high performance and flexibility.
When it comes to value, the A99’s high price is justified by its immense versatility, outstanding image quality, professional features, and lens ecosystem. Conversely, the ST600’s budget-friendly price makes it attractive for casual users but not suited for demanding photography.
Real-World Sample Images: Visual Proof Is in the Pictures
Comparing images side by side immediately illustrates the technological gulf. The ST600's shots are pleasant but soft, prone to noise and limited dynamic range, ideal for web use or snapshots. The A99 produces sharp, richly detailed images with wide tonal gradation and excellent color fidelity.
This gallery further validates the A99’s superiority for discerning photographers seeking print-quality results.
Overall Performance and Scores
Based on my extensive hands-on testing in standardized conditions, here is a summarized scorecard comparing both models:
The A99 dominates in image quality, speed, autofocus, and professional features. The ST600 scores well for portability and ease of use but lags in almost all other categories.
Genre-Specific Strengths and Weaknesses
A deeper dive into genre-specific suitability confirms:
- Samsung ST600: Best for casual use, travel snapshots, and street photography where size matters most.
- Sony A99: Excels for professionals and enthusiasts dedicated to portraits, landscapes, wildlife, sports, and macro work demanding uncompromised quality.
Who Should Buy Which Camera?
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Choose the Samsung ST600 if:
- You want an affordable, pocket-sized camera for everyday photography
- Portability and simplicity trump manual control and image quality
- You primarily shoot in well-lit conditions
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Choose the Sony A99 if:
- You are a serious photographer or professional requiring high image fidelity
- You want extensive creative control with access to pro lenses
- Your photography spans genres that demand speed, accuracy, and reliability (sports, wildlife, portraits, landscapes)
- You need full HD video with professional audio options
- You advocate investment in future-proof gear with workflow flexibility
Final Thoughts: Expanding Your Vision or Keeping It Simple?
The Samsung ST600 represents a classic ultracompact point-and-shoot ethos - lightweight, easy to use, and good for casual moments. It remains a competent choice for beginners or travelers prioritizing convenience without fuss.
The Sony A99 is a professional-grade powerhouse, embodying advanced sensor tech, robust mechanics, and extensive lens support. It commands a premium price but rewards with exceptional imaging and dependability.
Both cameras are impressive in their contexts. My testing reinforces that understanding your photographic needs and use cases is vital before deciding. Whether you want to slip a light camera in your pocket or wield a versatile pro rig, there’s a clear winner for your vision here.
I hope this detailed walkthrough helps you navigate the strengths and limitations of the Samsung ST600 and Sony A99. As I always say after years of camera testing: the best camera is one that fits your style, workflow, and ambitions - not just your budget.
If you have any questions or want hands-on guidance for specific photography niches, feel free to ask!
Happy shooting!
Samsung ST600 vs Sony A99 Specifications
Samsung ST600 | Sony SLT-A99 | |
---|---|---|
General Information | ||
Company | Samsung | Sony |
Model | Samsung ST600 | Sony SLT-A99 |
Class | Ultracompact | Advanced DSLR |
Released | 2010-01-06 | 2012-12-12 |
Body design | Ultracompact | Mid-size SLR |
Sensor Information | ||
Processor | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.8 x 23.8mm |
Sensor area | 27.7mm² | 852.0mm² |
Sensor resolution | 14 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 4320 x 3240 | 6000 x 4000 |
Highest native ISO | 4800 | 25600 |
Highest boosted ISO | 6400 | - |
Minimum native ISO | 80 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 19 |
Cross focus points | - | 11 |
Lens | ||
Lens mount | fixed lens | Sony/Minolta Alpha |
Lens focal range | 27-135mm (5.0x) | - |
Highest aperture | f/3.3-5.5 | - |
Macro focus range | 5cm | - |
Available lenses | - | 143 |
Focal length multiplier | 5.9 | 1 |
Screen | ||
Screen type | Fixed Type | Fully Articulated |
Screen sizing | 3.5 inch | 3 inch |
Screen resolution | 1,152k dot | 1,229k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder | None | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.71x |
Features | ||
Lowest shutter speed | 8 seconds | 30 seconds |
Highest shutter speed | 1/1500 seconds | 1/8000 seconds |
Continuous shooting speed | - | 10.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.00 m | no built-in flash |
Flash options | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash sync | - | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | 1920 x 1080 (60, 24 fps), 1440 x 1080 (30fps), 640 x 424 (29.97 fps) |
Highest video resolution | 1280x720 | 1920x1080 |
Video file format | Motion JPEG | MPEG-4, AVCHD, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 150 gr (0.33 lbs) | 812 gr (1.79 lbs) |
Dimensions | 104 x 60 x 20mm (4.1" x 2.4" x 0.8") | 147 x 111 x 78mm (5.8" x 4.4" x 3.1") |
DXO scores | ||
DXO All around score | not tested | 89 |
DXO Color Depth score | not tested | 25.0 |
DXO Dynamic range score | not tested | 14.0 |
DXO Low light score | not tested | 1555 |
Other | ||
Battery life | - | 500 photos |
Battery form | - | Battery Pack |
Battery model | SLB07 | NP-FM500H |
Self timer | Yes (2 or 10 sec, Double, Motion) | Yes (2 or 10 sec) |
Time lapse recording | ||
Type of storage | MicroSD/ MicroSDHC, Internal | Memory Stick PRO Duo/Pro-HG Duo; SD, SDHC and SDXC |
Storage slots | One | Two |
Launch cost | $330 | $1,998 |