Samsung ST700 vs Sony A900
99 Imaging
38 Features
22 Overall
31


54 Imaging
66 Features
62 Overall
64
Samsung ST700 vs Sony A900 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 0 - 0
- 1280 x 720 video
- ()mm (F) lens
- n/ag - 99 x 55 x 20mm
- Introduced January 2011
(Full Review)
- 25MP - Full frame Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Sensor based Image Stabilization
- 1/8000s Max Shutter
- No Video
- Sony/Minolta Alpha Mount
- 895g - 156 x 117 x 82mm
- Announced October 2008
- Updated by Sony A99

From Pocketable Snapshots to Professional Full-Frame: A Hands-On Comparison Between the Samsung ST700 and Sony A900
In the diverse ecosystem of cameras, from a pocketful of pixels to a professional-grade powerhouse, every photographer finds tools uniquely suited to their vision - and budget. Today, we pit two decidedly different beasts against each other, the 2011 Samsung ST700 ultracompact and the 2008 Sony Alpha DSLR-A900 full-frame DSLR, to unpack what each offers and where each excels. Having personally tested thousands of cameras spanning this very spectrum, my goal is to shed light on these models from both technical and practical perspectives so you can discern where your needs fit in.
Size Matters: Handling and Ergonomics in Contrast
The Samsung ST700, at a petite 99mm x 55mm x 20mm, is a quintessential ultracompact camera designed to slide effortlessly into a pocket or bag. It lacks the heft or pronounced grip of larger machines but compensates with convenience. It’s incredibly light although no specific weight data is given, but certainly low enough to forget on a quick outing.
Contrast this with the Sony A900’s substantial mid-size SLR body measuring 156mm x 117mm x 82mm and tipping 895 grams on the scale. This camera commands presence in hand with a deeply contoured grip and robust alloy construction - traits that support prolonged shooting sessions especially with large lenses attached. Its bulk also means easier operation of more physical controls, lending precision for professionals who demand rapid setting adjustments.
Ergonomically, the ST700 is minimalistic. Its 3-inch touchscreen is a blessing for intuitive navigation, but it lacks manual dials or buttons, relying entirely on onscreen menus - a common compromise with ultracompacts. No viewfinder or hotshoe limits flash options and manual exposure control is absent, tailoring this camera squarely to automatic point-and-shoot users.
The A900, on the other hand, excels in manual control with dedicated dials for shutter speed, aperture (via compatible lenses), exposure compensation, and more - vital for professionals who prefer tactile feedback while shooting. The camera also features a top display panel revealing key info at a glance - a boon for quick settings checks. Environmental sealing is another major advantage for pro use outdoors, though it isn’t waterproof.
Peering Through the Glass: Sensor Architecture and Image Quality
At the heart of any camera is its sensor, the proverbial "digital film" that captures light. The ST700’s small 1/2.3-inch CCD sensor measures roughly 6.16 x 4.62 mm (28.46 mm²) with 16 megapixels of resolution. This sensor size is typical for ultracompacts and imposes inherent limitations on dynamic range, noise control, and resolution detail.
By contrast, the Sony A900 houses a true full-frame 35.9 x 24 mm (861.6 mm²) CMOS sensor, delivering 25 megapixels. This is roughly 30 times the sensor area of the ST700, translating directly into superior light gathering ability, color fidelity, lower noise, and improved tonal gradation.
In real-world shooting, this sensor size difference is palpable. Landscapes captured on the A900 reveal nuanced shadow details with less noise at ISO 800 compared to the ST700, which struggles to control grain beyond low ISO settings. Portraits benefit from the natural bokeh and separation full-frame lenses provide, while the ST700’s fixed lens produces flatter backgrounds due to shorter focal lengths and smaller sensor crop.
Sony’s sensor also boasts a sophisticated anti-aliasing filter and supports raw capture - indispensable for those who want maximum post-processing flexibility. The ST700’s sensor has an anti-aliasing filter as well but strictly outputs JPEGs, limiting editing latitude.
Autofocus and Shooting Dynamics: Speed, Precision, and Flexibility
Autofocus (AF) performance often separates capable cameras from exceptional ones. The Samsung ST700 surprisingly offers no AF system to speak of - no face detection, touch AF, continuous focusing, or tracking. This is unsurprising given its ultracompact design and autofocus is limited to basic contrast-detection with preset zones. Thus, sports, wildlife, or action photography is beyond its scope.
The Sony A900, equipped with a 9-point phase-detection AF system, including cross-type sensors, offers highly accurate and responsive focusing. It supports single, continuous, and selective AF area modes, helpful for subjects that move unpredictably. Though not the newest AF technology by today’s standards, it still provides reliable performance for sports or wildlife genres, especially paired with Sony/Minolta Alpha lenses designed for high-speed focusing.
Continuous shooting tops out at 5 frames per second on the A900, allowing moderate burst photography, whereas the ST700 does not provide continuous shooting capabilities.
This difference in autofocus and shooting speed directly influences usability across demanding genres like sports or wildlife, where the Sony stands far ahead.
Display and User Interface: Navigating the Visual Experience
The Samsung ST700 employs a 3-inch fixed touchscreen LCD with a modest resolution of 230,000 pixels. Its touchscreen facilitates straightforward menu navigation, zoom control, and shot review, which is helpful for casual users unfamiliar with physical dials or buttons. However, the low resolution can make detailed image inspection somewhat grainy.
Meanwhile, the Sony A900 features a 3-inch TFT Xtra Fine LCD with 922,000 dots, offering dramatically superior clarity for critically evaluating focus and exposure. Although lacking touchscreen functionality, its rich color accuracy and brightness support outdoor visibility. Crucially, the A900 comes with an optical pentaprism viewfinder covering 100% of the frame with 0.74x magnification - a feature absent in the ST700. For photographers who rely on eye-level composition, especially in bright sunlight, this is a non-negotiable advantage.
Lens Ecosystem and Optical Versatility
The fixed lens on the Samsung ST700, while convenient, is a pivotal limitation. Its effective focal length multiplier of 5.8 (due to the small sensor) corresponds to roughly a moderate zoom range but specifics are vague. The lack of interchangeable lenses means users are confined to what the camera offers optically, ruling out telephoto for wildlife or macro close-ups. Optical image stabilization is also absent, exacerbating issues with camera shake at longer focal lengths or lower shutter speeds.
The Sony A900, compatible with the extensive Sony/Minolta Alpha mount offering 143 native lenses at the time, grants unparalleled flexibility, spanning wide-angle, super-telephoto, prime portrait, macro, and shift lenses. Paired with in-body sensor-shift image stabilization, it can mitigate hand shake across many lenses, particularly beneficial for macro and telephoto use.
This versatility strongly favors the Sony in any serious photographic endeavor, while the ST700 remains an easy, no-fuss grab-and-shoot stalwart for snapshots.
Battery Life and Storage Solutions
Surprisingly robust, the Sony A900 is rated to last approximately 880 shots per charge using its NP-FM500H battery pack. This endurance supports prolonged shooting trips even in remote locations. It also features dual card slots supporting Compact Flash and Memory Stick Duo/Pro Duo formats with UDMA Mode 5 speeds - important for professional workflows requiring redundancy or large continuous storage.
The Samsung ST700’s battery life details are unspecified, but ultracompacts generally average around 200 shots per charge using proprietary lithium-ion batteries. Storage is accepted through a single slot (likely SD/SDHC).
While the ST700’s lightweight convenience facilitates travel, extended shooting sessions without extra batteries or card swapping could be limiting.
Connectivity and Additional Features: The Missing Links
Neither camera offers wireless connectivity such as Wi-Fi, Bluetooth, or NFC - unsurprising given their release dates but notable omissions by today’s standards. The Sony provides USB 2.0 and HDMI ports, the latter allowing playback on HDTVs - useful for client reviews or presentations. The ST700 lacks USB and HDMI connections entirely, restricting image transfer options to card readers.
The ST700 does sport a built-in flash, an essential for indoor or fill-light on the go, whereas the Sony A900 omits a pop-up flash but supports extensive external flash compatibility and advanced modes (wireless, rear curtain, etc.) via hotshoe - preferred by pros to control lighting creativity.
Performance in Photography Genres: Who Shines Where?
-
Portrait Photography: The Sony A900’s full-frame sensor combined with an excellent lens lineup produces superior skin tone rendering, smooth bokeh, and accurate eye detection via AF points. The ST700, while capable of decent casual portraits, produces flatter backgrounds and struggles to isolate subjects with clarity.
-
Landscape Photography: Here, sensor size, dynamic range, and weather sealing matter. The Sony’s high dynamic range (measured by DxO at 12.3 EV) reveals subtle shadow and highlight details in challenging scenes. Its sealing enables shooting in variable weather. The ST700’s small CCD and lack of sealing limit performance and durability outdoors.
-
Wildlife Photography: Fast, accurate AF and high burst rates are critical. The Sony A900’s 5 fps and 9 AF points, while not cutting edge by today’s standards, outperform the ST700’s passive focus system that cannot track animals effectively.
-
Sports Photography: Capturing fast motion demands excellent AF and frame rates again; the Sony here wins decisively.
-
Street Photography: Portability and discretion are key. The ST700 excels in sneakiness and quick pocket carry, while the Sony’s bulk may intimidate or draw attention. However, the Sony’s manual controls allow rapid adaptation to changing light - critical in dynamic urban environments.
-
Macro Photography: The Sony’s wider lens ecosystem and sensor stabilization enable superior close-up images; the ST700 offers no special macro modes or lens options.
-
Night and Astro Photography: The Sony’s superior high ISO performance (ISO up to 6400, low noise) and full manual modes support long exposures necessary for night scenes; the ST700 caps at low ISO, lacks manual exposure, and is less suitable for challenging low-light conditions.
-
Video Capabilities: The Samsung ST700 surprisingly offers 720p HD video at 1280x720 resolution, albeit no advanced codecs or external microphone ports. The Sony A900 does not have video recording capability - typical for DSLRs of its time.
-
Travel Photography: The ST700’s pocketable design and touchscreen interface make it a convenient travel companion for casual shooters. The Sony’s size, weight, and price are trade-offs for versatility and image quality suitable for professional work on the road.
-
Professional Work: The Sony A900 is a capable professional tool with its full-frame sensor, raw support, robust build, and workflow-friendly storage. The ST700 is no substitute here, targeting hobbyists and casual users.
A quick glance at performance metrics underscores the power divide: the A900 outpaces the ST700 in color depth, dynamic range, and low light ISO sensitivity - the trinity of image quality metrics.
Price-to-Performance: Value Assessment
Samsung originally priced the ST700 around $280, placing it within reach for beginners or casual shooters prioritizing portability and ease of use. The Sony A900 launched at a premium near $2700, reflective of its professional-grade capabilities.
Today, the A900 can often be found used at competitive prices for full-frame entry, offering tremendous value for image quality and manual control. The ST700 remains a budget-friendly compact but with compromises in speed, control, and output quality.
Wrapping It Up: Which Camera Should You Choose?
In my experience putting these cameras through their paces, the choice boils down to your photography aspirations and budget.
-
Choose the Samsung ST700 if:
- You need a truly pocketable camera for travel or casual use
- Video recording in HD at a pinch is desired
- You prioritize simplicity and touchscreen ease over manual controls
- Budget constraints exclude professional gear
-
Choose the Sony A900 if:
- You demand top-tier image quality with rich detail and dynamic range
- Manual control, versatile lenses, and lighting options are essential
- You shoot professionally or pursue serious genres like portrait, landscape, or wildlife
- You require dual card slots and robust battery life for extended shoots
While these cameras inhabit opposite ends of the photographic spectrum, both fulfill important roles. The ST700 is a competent point-and-shoot marvel of portability, while the A900 remains an enduring full-frame workhorse for photographers who want uncompromised control and image quality. My testing affirms that understanding your needs first ensures the best fit - whether a light-pocket companion or a professional creative tool.
This comparative exploration grounds itself in real-world testing, technical analysis, and user experience - aiming to empower your decision in the ever-evolving world of digital photography.
Samsung ST700 vs Sony A900 Specifications
Samsung ST700 | Sony Alpha DSLR-A900 | |
---|---|---|
General Information | ||
Company | Samsung | Sony |
Model | Samsung ST700 | Sony Alpha DSLR-A900 |
Class | Ultracompact | Advanced DSLR |
Introduced | 2011-01-05 | 2008-10-22 |
Body design | Ultracompact | Mid-size SLR |
Sensor Information | ||
Processor Chip | - | Bionz |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.16 x 4.62mm | 35.9 x 24mm |
Sensor surface area | 28.5mm² | 861.6mm² |
Sensor resolution | 16MP | 25MP |
Anti aliasing filter | ||
Aspect ratio | - | 3:2 and 16:9 |
Highest resolution | 4608 x 3456 | 6048 x 4032 |
Highest native ISO | - | 6400 |
Min native ISO | - | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | - | 9 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | Sony/Minolta Alpha |
Lens focal range | () | - |
Total lenses | - | 143 |
Focal length multiplier | 5.8 | 1 |
Screen | ||
Range of screen | Fixed Type | Fixed Type |
Screen diagonal | 3 inch | 3 inch |
Resolution of screen | 230k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Screen tech | - | TFT Xtra Fine color LCD |
Viewfinder Information | ||
Viewfinder type | None | Optical (pentaprism) |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.74x |
Features | ||
Lowest shutter speed | 8s | 30s |
Highest shutter speed | 1/2000s | 1/8000s |
Continuous shooting speed | - | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | - | no built-in flash |
Flash modes | - | Auto, On, Off, Red-Eye, Slow Sync, Rear Curtain, Fill-in, Wireless |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | - | 1/250s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 | - |
Highest video resolution | 1280x720 | None |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | none | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | - | 895 gr (1.97 pounds) |
Physical dimensions | 99 x 55 x 20mm (3.9" x 2.2" x 0.8") | 156 x 117 x 82mm (6.1" x 4.6" x 3.2") |
DXO scores | ||
DXO All around score | not tested | 79 |
DXO Color Depth score | not tested | 23.7 |
DXO Dynamic range score | not tested | 12.3 |
DXO Low light score | not tested | 1431 |
Other | ||
Battery life | - | 880 pictures |
Form of battery | - | Battery Pack |
Battery model | - | NP-FM500H |
Self timer | - | Yes (2 or 10 sec) |
Time lapse shooting | ||
Storage media | - | Compact Flash (Type I or II), Memory Stick Duo / Pro Duo, UDMA Mode 5, Supports FAT12 / FAT16 / FAT32 |
Storage slots | Single | 2 |
Cost at launch | $280 | $2,736 |