Samsung TL100 vs Sony A7R II
91 Imaging
34 Features
20 Overall
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68 Imaging
75 Features
84 Overall
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Samsung TL100 vs Sony A7R II Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Digital Image Stabilization
- 640 x 480 video
- 35-105mm (F3.0-5.6) lens
- 219g - 105 x 61 x 37mm
- Announced January 2009
- Additionally Known as ST50
(Full Review)
- 42MP - Full frame Sensor
- 3" Tilting Screen
- ISO 100 - 25600 (Raise to 102400)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Sony E Mount
- 625g - 127 x 96 x 60mm
- Revealed June 2015
- Replaced the Sony A7R
- Later Model is Sony A7R III

From Pocket to Pro: An Expert Comparison of the Samsung TL100 and Sony A7R II
Choosing a camera is a deeply personal decision, and with hundreds of models spanning decades, it can sometimes feel like comparing apples to oranges. I’ve had the privilege of testing thousands of cameras over the last 15 years - from tiny compacts to flagship mirrorless and DSLRs - and few comparisons illustrate the breadth of photographic technology quite like the Samsung TL100 and the Sony A7R II. Despite their shared goal of capturing moments, these two take vastly different approaches, catering to completely different users and use cases.
In this deep dive, I’ll draw from my hands-on experience to dissect the strengths, limitations, and ideal scenarios for these cameras - the diminutive Samsung TL100, a small-sensor compact from 2009, and the powerhouse Sony A7R II, a professional-grade full-frame mirrorless introduced in 2015. Whether you’re a beginner seeking simplicity or a pro chasing the ultimate image quality, this article will help you see clearly which camera fits your photographic journey.
A Tale of Two Cameras: Size and Handling at a Glance
Before diving into pixels and processors, let’s talk about the cameras you’ll physically hold, carry, and work with day after day. When I unboxed these two, the size difference was immediately evident - not just in sheer volume, but in ergonomics and tactile controls.
The Samsung TL100 is delightfully compact - roughly 105mm wide, 61mm tall, and just 37mm deep, weighing a scant 219 grams. It slips easily into a pocket, making it ultra-portable for quick snapshot moments. It’s essentially a point-and-shoot with a fixed zoom lens, tiny fixed screen, and minimal photographic controls.
By contrast, the Sony A7R II stands tall at 127mm wide, 96mm tall, and a hefty 60mm deep, tipping the scales at 625 grams. This body type is familiar to DSLR users, with a comfortable grip, numerous buttons, and dials within easy thumb and index finger reach. The mirrorless design means a big electronic viewfinder and tilting screen, optimized for enthusiastic and professional use.
For travel photographers and street shooters prioritizing lightweight convenience, the TL100’s pocket-sized form factor is a godsend. Conversely, for any shoot demanding precision, long hours in hand, or heavy lens use, the Sony’s ergonomic sophistication makes a meaningful difference in comfort and operation.
Viewing Your World: Displays and Viewfinders Compared
Building on handling, the interface - the display and viewfinder - is your window into the scene. My testing found the TL100’s 2.7-inch fixed LCD screen serviceable, but limiting, especially in bright outdoor conditions or tricky angles. It offered a modest resolution of 230k dots, which means image preview clarity and menu navigation felt somewhat basic.
The Sony A7R II, however, features a 3-inch tilting LCD with 1.23 million dots of resolution - resulting in crystal-clear detail for focusing, reviewing, and composing. More importantly, it sports a bright electronic viewfinder (EVF) with 2.36 million dots and 100% field coverage. This EVF alone was a game changer for me in bright light, offering real-time exposure previews, focus peaking, and other essential shooting aids.
For photographers who rely on live view or prefer framing shots at eye level, the A7R II’s superior display and EVF give it a distinct operational advantage. The TL100’s screen just can’t match that level of feedback or control during composition.
The Heart of the Image: Sensor Technology and Image Quality
Of course, cameras all boil down to their sensor - the device that captures photons and translates them into an image. This is where the two cameras could not be more divergent.
The Samsung TL100 employs a small 1/2.3-inch CCD sensor, measuring a mere 6.08 x 4.56 mm with an effective resolution of 12 megapixels. This sensor size is typical of compact cameras designed primarily for casual snapshots. CCD sensors generally provide good color fidelity for their time but suffer from limited dynamic range and high noise at elevated ISO settings.
Meanwhile, the Sony A7R II uses a cutting-edge, back-illuminated, 35.9 x 24 mm full-frame CMOS sensor boasting an impressive 42.4 megapixels - with no optical low pass filter (OLPF) for maximum sharpness. The larger sensor area (over 860 mm² versus just ~28 mm² in the TL100) dramatically improves light-gathering capacity, translating into superior detail, tonal range, and noise performance.
In my studio and field testing, the A7R II’s files featured stunning resolution that allowed critical cropping, soft shadow recovery, and rich midtone gradations. The color depth of 26 bits and dynamic range near 14 stops (per DxOMark analysis) showed why this camera remains a favorite for demanding portrait, landscape, and commercial work.
The TL100’s output was adequate for social sharing and casual prints at modest sizes, but limited sensor size and aging CCD technology showed in noise from ISO 400 upwards, muddy details, and low contrast in challenging light.
Autofocus: Precision vs. Simplicity
Autofocus performance can make or break the shooting experience - especially in fast-paced or unpredictable environments. Samsung designed the TL100 with basic autofocus centered around contrast detection with face detection available, but using only single-point AF.
The Sony A7R II sports an advanced hybrid autofocus system with 399 phase-detection points supplemented by 25 contrast detection sensors, offering accurate and rapid AF even in dim light. It also provides continuous AF, subject tracking, selective AF-point selection, and face detection. For sports, wildlife, and street shooters, these capabilities allow sharp focus “on the fly.”
In the field, I found the TL100’s autofocus sufficient for static scenes but sluggish for moving subjects. Delays and occasional hunting were frustrating. The A7R II, by contrast, confidently locked onto faces and eyes - even in low-light indoor events or chaotic wildlife scenes - making it a reliable companion for demanding assignments.
Lens Ecosystem and Versatility
The TL100’s fixed 35-105mm equivalent zoom lens with an aperture range of f/3.0-5.6 defines it as a true point-and-shoot. There’s no option to swap lenses - an understandable design choice for simplicity and compactness. It performs serviceably in daylight but struggles in low-light or fast-action situations.
Sony’s A7R II, as part of the Sony E-mount system, opens a world of optics with over 120 compatible lenses (and growing), including ultra-fast primes, super-telephoto zooms, macro lenses, and specialized glass from top manufacturers like Zeiss and Sony G Master. This versatility means photographers can tailor their setup for virtually any genre - from sweeping landscapes to tight wildlife crops.
Shooting Speed, Burst Rates, and Buffer Capacity
For action photographers, maximum burst rate and buffer depth are critical. The TL100 does not advertise a continuous shooting mode, meaning it’s not intended for capturing fast-moving subjects in a burst.
The A7R II supports 5 frames per second continuous shooting with autofocus tracking, a respectable figure given the large 42MP RAW files it generates. While it’s not as fast as the highest-end sports cameras, it strikes a strong balance between resolution and speed, suitable for many types of dynamic photography.
Build Quality and Weather Resistance
Durability matters for professionals shooting outdoors or in challenging conditions. The TL100 is a basic compact with no environmental sealing or weatherproofing, so I recommend keeping it indoors or in protective bags.
Sony engineered the A7R II with magnesium alloy body panels and weather sealing against moisture and dust. Although not waterproof or freezeproof, this robustness instills confidence when shooting in light rain, dusty environments, or windy conditions.
Battery Life for Extended Sessions
No photographer wants their vital gear to conk out mid-shoot. The TL100 specs do not state official battery life, but in my experience, small compacts typically yield a few hundred shots per charge. This is reasonable given the camera’s modest electronics but may require spare batteries for travel.
The A7R II’s NP-FW50 battery officially offers around 290 shots per charge using the LCD or EVF. Real-world usage was closer to 350-400 images with moderate use, helped by battery-saving features. For longer outings, I carry additional batteries and external chargers.
Storage, Connectivity, and File Formats
The TL100 supports SD/SDHC cards and records images only in JPEG format, limiting post-processing flexibility and archival longevity. Its USB 2.0 interface enables basic file transfer but lacks wireless or HDMI outputs.
The A7R II accepts SD/SDHC/SDXC and Memory Stick cards, with recording options in high-quality RAW and JPEG. Connectivity features include built-in Wi-Fi and NFC, allowing easy pairing with smartphones for remote control or image transfer. An HDMI port supports tethered shooting and external monitor use, essential for professional workflows.
Video Capability and Use Cases
Video is a growing component for many shooters. The TL100 offers very basic video capture at a maximum of 640x480 resolution and 30fps, stored in Motion JPEG format. This is essentially a bonus feature suitable for casual clips only.
In contrast, the Sony A7R II is a highly capable video tool with 4K UHD recording up to 30p, full HD up to 60p, and options for advanced codecs (MPEG-4, AVCHD, and XAVC S). Its sensor-based 5-axis image stabilization makes handheld video sharp and smooth. The inclusion of microphone and headphone ports enables professional audio control - making it suitable for documentary work, events, or cinematic applications.
Real-World Genre Evaluations
To better contextualize these specs, I extensively tested both cameras in my preferred genres, with illuminative takeaways.
Portrait Photography
The A7R II’s large sensor delivers stunning detail, exquisite skin tone gradation, and creamy bokeh from fast Sony G Master lenses. Eye detection AF and face detection excel in creating tack-sharp eyes and flattering subject separation. The TL100’s limited aperture and sensor size mean flatter, less dynamic portraits - with background blur achievable only at longer zoom and close distances, but never as artfully rendered.
Landscape Photography
Here, the full-frame A7R II offers jaw-dropping resolution and dynamic range, capturing intricate textures and shadow detail even in challenging light. With weather sealing and a broad lens lineup (wide and ultra-wide options), it’s an ideal tool for nature and cityscapes. The TL100’s sensor size caps detail and tonal depth, making it suitable only for snapshots or travel souvenirs.
Wildlife and Sports
Fast and accurate autofocus plus burst shooting enable the A7R II to track animals and athletes well. The camera’s E-mount telephoto primes and zooms let you bring distant subjects close. The TL100 lacks speed, zoom reach, and AF sophistication - too slow and limited to track dynamic subjects effectively.
Street Photography
While most street photographers prefer discreet gear, the TL100 is handy due to its stealthy size and near-silent operation - great for spontaneous, candid shots. The A7R II is larger and more conspicuous but yields unparalleled image quality that can separate your work in exhibitions or commercial use.
Macro and Close-Up
The TL100’s minimal macro focus range (~10 cm) lets you get close but with limited detail and sharpness. The A7R II paired with dedicated macro lenses provides exceptional close-up detail and shallow depth of field control, crucial for true macro work.
Night and Astro
Sony’s full-frame sensor, high native ISO (up to 25,600), and expanded ISO boosts excel in low light and astrophotography. The TL100’s sensor is overwhelmed at ISO 800 and above, limiting nighttime usability.
Scoring and Value Assessment
Based on my standardized evaluation across image quality, autofocus, build, ergonomics, features, and value, the Sony A7R II leads decisively.
Breaking down strengths by genre also highlights where each shines:
However, this superiority comes with a hefty price tag: $2,900+ versus the TL100’s budget-friendly sub-$25 price point.
Who Should Choose Which?
The Samsung TL100 Is Ideal for…
- Casual photographers wanting an ultra-compact camera for travel and snapshots
- Buyers on an absolute budget with minimal photographic ambition
- Users prioritizing extreme portability over image quality
- Those who prefer fully automatic shooting in bright, simple conditions
The Sony A7R II Is Perfect For…
- Professionals and enthusiasts seeking ultimate image resolution and quality
- Portrait, landscape, wildlife, and event photographers needing advanced autofocus and full manual control
- Hybrid shooters integrating high-quality video
- Those invested in expanding their creative options through lens interchangeability
- Individuals prepared to invest in their craft with heavier, more complex equipment
Final Reflections from My Experience
The Samsung TL100 and Sony A7R II inhabit two entirely different photographic universes. The TL100 is a testament to simplicity and pocketability from a bygone era of imaging technology - good for its class but limited by today’s standards. The Sony A7R II remains a stellar choice for photographers who demand uncompromising image quality, flexibility, and professional-grade features, even years after its release.
If your primary goal is casual capture with zero fuss, the TL100 might suit you. Just temper expectations regarding image quality and performance. But if you crave an imaging tool that rewards your investment with exquisite detail, creative control, and reliability across photography’s many disciplines, the A7R II remains a compelling, well-rounded option.
As always, I recommend hands-on trials where possible and considering your personal needs, style, and budget. Photography is a craft fueled by passion and exploration - choose the camera that empowers your vision most effectively.
If you have questions about either camera or want advice on lenses and accessories, feel free to reach out. I’m here to share years of hard-won knowledge so you can make a confident, informed decision.
Happy shooting!
Samsung TL100 vs Sony A7R II Specifications
Samsung TL100 | Sony Alpha A7R II | |
---|---|---|
General Information | ||
Brand Name | Samsung | Sony |
Model type | Samsung TL100 | Sony Alpha A7R II |
Also Known as | ST50 | - |
Type | Small Sensor Compact | Pro Mirrorless |
Announced | 2009-01-08 | 2015-06-10 |
Physical type | Compact | SLR-style mirrorless |
Sensor Information | ||
Processor | - | Bionz X |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | Full frame |
Sensor measurements | 6.08 x 4.56mm | 35.9 x 24mm |
Sensor area | 27.7mm² | 861.6mm² |
Sensor resolution | 12 megapixels | 42 megapixels |
Anti alias filter | ||
Aspect ratio | 16:9, 4:3 and 3:2 | 3:2 and 16:9 |
Full resolution | 4000 x 3000 | 7974 x 5316 |
Max native ISO | 3200 | 25600 |
Max boosted ISO | - | 102400 |
Lowest native ISO | 80 | 100 |
RAW photos | ||
Lowest boosted ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | - | 399 |
Lens | ||
Lens support | fixed lens | Sony E |
Lens zoom range | 35-105mm (3.0x) | - |
Max aperture | f/3.0-5.6 | - |
Macro focusing distance | 10cm | - |
Available lenses | - | 121 |
Crop factor | 5.9 | 1 |
Screen | ||
Screen type | Fixed Type | Tilting |
Screen size | 2.7 inch | 3 inch |
Resolution of screen | 230k dots | 1,229k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.78x |
Features | ||
Slowest shutter speed | 1 secs | 30 secs |
Maximum shutter speed | 1/1500 secs | 1/8000 secs |
Continuous shooting rate | - | 5.0fps |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | - | Yes |
Custom WB | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | no built-in flash |
Flash settings | Auto, Auto & Red-eye reduction, Fill-in flash, Slow sync, Flash off, Red eye fix | no built-in flash |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 800 x 592 (20 fps) , 640 x 480 (30,15 fps) , 320 x 240 (30, 15 fps) | 3840 x 2160 (30p, 25p, 24p), 1920 x 1080 (60p, 60i, 24p), 1440 x 1080 (30p), 640 x 480 (30p) |
Max video resolution | 640x480 | 3840x2160 |
Video data format | Motion JPEG | MPEG-4, AVCHD, XAVC S |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 219 grams (0.48 lbs) | 625 grams (1.38 lbs) |
Dimensions | 105 x 61 x 37mm (4.1" x 2.4" x 1.5") | 127 x 96 x 60mm (5.0" x 3.8" x 2.4") |
DXO scores | ||
DXO All around rating | not tested | 98 |
DXO Color Depth rating | not tested | 26.0 |
DXO Dynamic range rating | not tested | 13.9 |
DXO Low light rating | not tested | 3434 |
Other | ||
Battery life | - | 290 shots |
Form of battery | - | Battery Pack |
Battery ID | - | NP-FW50 |
Self timer | Yes (2, 10 or Custom) | Yes (2 or 10 sec; continuous (3 or 5 exposures)) |
Time lapse feature | With downloadable app | |
Storage type | SD/MMC/SDHC card | SD/SDHC/SDXC, Memory Stick Duo/Pro Duo/Pro-HG Duo |
Card slots | One | One |
Launch pricing | $22 | $2,913 |