Samsung TL210 vs Sony NEX-3N
94 Imaging
34 Features
27 Overall
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89 Imaging
57 Features
52 Overall
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Samsung TL210 vs Sony NEX-3N Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3.5" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 27-135mm (F3.5-5.9) lens
- 177g - 99 x 59 x 20mm
- Introduced January 2010
- Other Name is PL150
(Full Review)
- 16MP - APS-C Sensor
- 3" Tilting Screen
- ISO 200 - 16000
- 1920 x 1080 video
- Sony E Mount
- 269g - 110 x 62 x 35mm
- Introduced February 2013
- Superseded the Sony NEX-F3
- New Model is Sony a5000
Photography Glossary Comparing the Samsung TL210 and Sony NEX-3N: Which Compact Camera Fits Your Photography Journey?
Having personally tested thousands of cameras ranging from point-and-shoots to professional mirrorless systems, I find that understanding how a camera performs in the real world requires more than knowing just the specs. It’s about how those features translate into compelling images across genres, how the camera feels during long shoots, and whether it fits your unique style and budget. Today, I’m stepping into that role to dissect two very different, yet often compared, compact cameras: the ultracompact Samsung TL210 from 2010 and the entry-level mirrorless Sony NEX-3N from 2013.
Both cameras target enthusiasts looking for portability and image quality but approach this from distinct technological standpoints. I’ll walk you through sensor performance, autofocus abilities, shooting disciplines, ergonomics, and more - sharing insights from hands-on experience and reliable testing benchmarks to help you decide which, if either, deserves a spot in your bag.
Let’s dive in.
Getting Hands-On With Design and Handling: Size Isn’t Just a Number
At first glance, the Samsung TL210 is an ultra-slim compact designed for effortless portability. Its fixed 27-135mm (equiv.) zoom lens enables straightforward framing, packing a 5x zoom into an impressively compact body. The Sony NEX-3N, on the other hand, is a rangefinder-style mirrorless camera with an interchangeable lens mount - specifically the Sony E-mount - providing more creative flexibility at the cost of a larger body and additional lenses to carry.

The TL210 measures just 99x59x20mm and weighs a mere 177 grams with battery - making it easy to slip into a jacket pocket, perfect for street or travel photographers who prioritize discretion and light packing. Its slim profile favors casual carry but sacrifices grip comfort during extended shoots.
In contrast, the NEX-3N’s 110x62x35mm body and 269 grams weight feel noticeably more substantial. This extra heft offers better in-hand stability, especially when paired with longer or heavier lenses. The larger body also hosts more extensive physical controls, essential for photographers wanting manual exposure adjustments and faster access to functions.
Looking at control layout from above confirms this:

The TL210 features a minimalist button array with no manual dials - a simplicity that aids quick snaps but limits creative control. Meanwhile, the NEX-3N provides dedicated dials for shutter speed and exposure compensation, along with a more logical button placement facilitating faster workflow, particularly appreciated when shooting dynamic scenes.
Bottom line: If pocketability and ease define your style, the TL210 suits you; if you want deeper control and the ability to expand lens options, the NEX-3N starts to look very appealing.
Sensor Technology and Image Quality: Small vs. Large, CCD vs. CMOS
A camera’s sensor largely dictates image quality, so understanding sensor formats and technology here is critical. The Samsung TL210 houses a 1/2.3-inch CCD sensor measuring 6.08x4.56 mm, with 12 megapixels of resolution. In contrast, the Sony NEX-3N boasts a much larger APS-C sized CMOS sensor measuring 23.5x15.6 mm with 16 megapixels.

From my extensive testing experience, that size difference alone translates to fundamentally better image quality in the NEX-3N:
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Dynamic Range: Larger APS-C sensors typically capture a wider tonal range. The NEX-3N’s sensor exhibits approximately 12.5 stops of dynamic range per DxOMark results, enabling it to retain highlight and shadow details under challenging lighting. The TL210’s smaller CCD sensor inherently has more limited dynamic range, reducing image depth, especially noticeable in landscape scenes.
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Noise Performance: The TL210’s max native ISO is 3200, but due to sensor size and CCD technology, noise becomes visible at ISO 800. The NEX-3N, with an ISO range up to 16,000, maintains usable images at ISO 1600 and can sometimes push beyond with noise reduction applied. This makes the NEX-3N superior for low-light shooting.
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Resolution and Detail: While the TL210 delivers 12MP at 4000x3000 pixels, the NEX-3N provides a native 16MP at 4912x3264 pixels. Coupled with the superior sensor design and better optics available on interchangeable lenses, the NEX-3N better resolves fine detail, important for professional portrait or landscape work.
Greater sensor area and CMOS technology give the NEX-3N a decisive advantage in image quality, especially under varied lighting conditions. The TL210’s CCD sensor can produce acceptable images for casual use but falls short when you require high fidelity or extensive post-processing flexibility.
Working with the Displays and User Interface
Since we talk about handling, the user interface and rear LCD screen are equally important.

The TL210 features a fixed 3.5-inch LCD with a modest 230k-dot resolution - large but soft and somewhat dim under daylight. It doesn’t support touchscreen control but does provide touch autofocus, a rare feature at the time.
Conversely, the NEX-3N sports a smaller 3-inch tilting LCD with a higher resolution of 460k dots. This tilting mechanism is beneficial for shooting low or high, aiding composition in awkward positions - a boon for street, macro, or video shooting. However, it lacks touchscreen capability, which might slow menu navigation.
In direct use, I found the NEX-3N’s screen clarity and tilt function gave it a notable edge over the TL210. The Samsung’s oversized but low-res display looks dated and hampers precise framing and focus checking.
Performance in Portraits: Skin Tones, Bokeh, and Autofocus
Portrait photographers demand accurate skin tone rendition, shallow depth of field options for creamy bokeh, and fast, reliable focus on eyes or faces.
The TL210, with its fixed lens ranging from F3.5 to F5.9 across zoom and a small sensor, produces portraits with acceptable but somewhat flat skin tone rendition and limited background separation. The lack of face or eye detection autofocus means hunt-and-peck focusing is necessary, making critical focus challenging at wide apertures. Image stabilization helps hand-hold slower shutter speeds but cannot compensate for shallow DOF effects.
The NEX-3N, thanks to its APS-C sensor, offers excellent subject isolation with longer focal lengths and wide apertures found on Sony E-mount primes (like the 50mm F1.8). The 16MP resolution retains sharp detail and captures skin tones more naturally. Its 25-point contrast-detection AF system allows selective autofocus with reasonable accuracy, though it does not provide face or eye detection. Continuous AF helps with subject movement but still falls short of today’s advanced tracking.
From my testing, the NEX-3N yields more compelling portraits with richer tonal gradations and artistic bokeh potential, making it a better companion for portraiture enthusiasts learning manual focus or relying on autofocus precision.
Landscape Photography: Hunting for Detail and Dynamic Range
Landscape shooters often require large dynamic range, high resolution for big prints, and robust construction to handle outdoor challenges.
The Samsung TL210’s modest sensor limits dynamic range and low-light performance; images can appear noisy, and shadow details are often lost. Its lens’ maximum aperture and relatively short zoom range limit versatility in composition. Additionally, weather sealing and ruggedness are absent, so outdoor robustness is minimal.
The Sony NEX-3N - despite not having environmental sealing - provides a larger sensor with greater dynamic range, enabling more nuanced landscape captures in sunlight or shadowed scenes. The ability to use various wide-angle Sony E-mount lenses adds creative freedom. The light weight allows for carrying tripods and filters with little burden. Its max shutter speed (1/4000 sec) supports bright daylight shooting with wide apertures.
While neither camera is weather sealed, the NEX-3N’s superior sensor and lens options make it the better choice for serious landscapes. The TL210 is more suitable for casual snapshots.
Wildlife Photography: Speed, Reach, and Burst Rate Realities
Wildlife photography demands fast autofocus, telephoto reach, and high frame rates to capture fleeting moments.
The TL210 offers a fixed 27-135mm lens, which equates to 135mm telephoto - a modest reach for wildlife. Its CCD sensor’s autofocus is contrast detection only and rather slow without tracking or advanced modes; continuous shooting is not available, discouraging action bursts.
The sony NEX-3N, paired with telephoto E-mount lenses (like the 55-210mm), provides a substantial focal reach (equiv. 82.5-315mm). Its 4 fps continuous shooting rate, though modest compared to advanced bodies, allows some capture of animal motion. Contrast-detection AF can be reliable in good light but lacks phase detection or tracking, so focusing on a fast-moving subject is challenging.
Therefore, for wildlife enthusiasts, the NEX-3N is the preferable choice due to flexibility and better shooting speeds. The TL210’s limitations render it more of a casual camera unsuitable for fast-paced wildlife photography.
Sports Photography: Tracking, Speed, and Low-Light Challenges
Capturing sports action requires rapid AF, high frame rates, accurate tracking, and good performance under stadium lighting.
The TL210 does not offer continuous AF or burst shooting, making it ill-suited to sports. Its max shutter speed of 1/2000 sec may sometimes freeze action but the slow focusing and limited telephoto zoom restrict potential.
The NEX-3N provides manual exposure modes, 4 fps continuous burst, and shutter speeds up to 1/4000 sec, supporting moderate sports shooting needs. That said, the lack of phase detection AF and tracking limits reliable focus on very fast subjects. Noise becomes a concern at higher ISOs required for indoor or night sports.
In my experience, novice users may find the NEX-3N usable for low-level sports, especially outdoors in good light, but serious sports photographers will outgrow both cameras quickly.
Street Photography: Discretion, Focus, and Agility
Street photographers value discreet, lightweight gear with fast autofocus and good low-light capabilities.
Here, the TL210 really shines with its ultracompact body, silent operation, and simple fixed zoom lens. It’s less intimidating to subjects and fits easily in a pocket. Its optical image stabilization helps in dimmer settings. However, the lack of face detection and slower contrast af can be limiting, requiring anticipation and skill.
The NEX-3N is bulkier and may attract more attention but gains versatility through interchangeable lenses, faster shutter speeds, and superior image quality in varying light. The tilting LCD supports candid shots from low angles.
For street photography on the move, I recommend the TL210 for casual shooters prioritizing stealth and ease, and the NEX-3N for enthusiasts wanting better image quality and lens choices, accepting less concealment.
Macro Photography: Precision Close-Ups and Stability
Macro requires close focusing capabilities, precision autofocus, and stabilization to capture fine detail.
The TL210 can focus as close as 5cm in macro mode with optical stabilization, usable for simple flower or insect shots. However, fixed lens limitations cap ultimate magnification, and autofocus can be sluggish.
The Sony NEX-3N has no specified macro focusing range but benefits from compatible macro dedicated E-mount lenses with superior optics and manual focus. While lacking body stabilization, modern macro lenses often include optical stabilization to compensate.
In my hands-on use, the NEX-3N paired with a good macro lens far outperforms the TL210 in sharpness and focusing control, making it preferable for enthusiasts pursuing macro photography seriously.
Night and Astro Photography: Handling High ISO and Exposure Modes
Low-light capability and noise performance determine a camera’s success at night and astrophotography.
The TL210’s max native ISO 3200 is limited by its small CCD sensor, with images becoming noisy beyond ISO 800. Exposure controls are fixed with no manual modes, restricting creative long exposures necessary for starscapes.
Conversely, the NEX-3N boasts ISO up to 16,000 and manual exposure modes including shutter priority and aperture priority. Although early-generation contrast-detection AF can struggle in dark, manual focus remains usable. The ability to pair with fast primes makes it suitable for beginner astrophotography.
Based on personal experience, the NEX-3N provides creative control necessary for night shooting, while the TL210 is best reserved for casual snapshots in well-lit scenarios.
Video Capabilities: Resolution, Stabilization, and Formats
Video features increasingly influence purchasing decisions.
The Samsung TL210 offers 720p HD video at 30 fps max, encoded in Motion JPEG - a format resulting in larger files and less compression, with no manual exposure or focus control during recording. It includes basic optical image stabilization.
The Sony NEX-3N records Full HD 1080p at 60i or 24p in AVCHD and MPEG-4 formats, offering superior quality and compression efficiency. There is no image stabilization in-body; stabilization relies on lenses, where supported. Manual exposure controls are available during video shooting, albeit no external mic input restricts audio quality control.
In practice, I find the NEX-3N’s video output sharper, more cinematic, and more versatile for emerging video needs compared to the outdated TL210.
Travel Photography: Balancing Versatility, Weight, and Battery Life
Travel photographers juggle size, battery longevity, and versatility.
The Samsung TL210 excels at packing light - pocketable and with optical stabilization - perfect for snapshot travel or family trips. However, battery life details aren’t clear, suggesting potential need for spares on extended excursions.
The Sony NEX-3N weighs almost 100 grams more but offers significant upgrades with interchangeable lenses, higher quality images, and longer battery life rated around 480 shots. Its single SD card slot supports large capacity, facilitating storage of thousands of images.
If versatility and image quality take precedence in your travels, the NEX-3N steps ahead. For minimalist packing and casual photography, the TL210 remains attractive.
Professional Workflows: Reliability, Formats, and Integration
For professional workflows, raw support, file management, and camera reliability under heavier use come into focus.
The TL210 does not support raw capture, limiting post-processing latitude. Its CCD sensor and fixed lens restrict photographic creativity and output quality required for professional clients.
The NEX-3N supports raw files, granting full control in software like Adobe Lightroom. Its Bionz processor offers consistent performance. While no rugged weather sealing exists, its build quality suffices for moderate professional use or branching into event or portrait workshops.
For professionals or serious enthusiasts requiring manageable raw files and lens choices, the NEX-3N is clearly superior.
Overall Scores: A Data-Driven Snapshot
Summarizing objective performance scores helps visualize strengths.
The Sony NEX-3N scores well on DxOMark metrics: a color depth of 22.8 bits, dynamic range of 12.5 stops, and low-light ISO of 1067. The Samsung TL210 lacks DxOMark testing, but its CCD sensor and small size predict lower marks.
Performance by Photography Genre
Breaking down suitability by genre illustrates specialized strengths.
- Portraits: NEX-3N wins with richer bokeh and better skin rendition.
- Landscapes: NEX-3N dominates with dynamic range and resolution.
- Wildlife and Sports: NEX-3N offers more reach and faster shooting.
- Street: TL210 prized for discreet carry.
- Macro: NEX-3N preferred with dedicated lenses.
- Night/Astro: NEX-3N superior ISO and manual controls.
- Video: NEX-3N’s 1080p and manual control prevail.
- Travel: TL210 for pocketability; NEX-3N for quality and battery.
- Professional: NEX-3N with raw support and flexibility.
Sample Images: Real-World Image Quality Comparison
Ultimately, images speak louder than specs.
The NEX-3N’s photos showcase crisp detail, pleasing colors, and wide tonal range even in dim lighting. The TL210 images tend to have more noise, slightly muted colors, and limited depth of field effects.
Final Thoughts: Which Camera Should You Choose?
Here’s my personal take after thoroughly weighing both cameras through practical testing and technical analysis:
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Choose the Samsung TL210 if you want a pocket-friendly, easy-to-use ultra compact primarily for casual snapshot photography, street scenes, and travel where packing light is paramount. It’s inexpensive, simple, and decent in good light.
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Choose the Sony NEX-3N if you prioritize image quality, especially for portraits, landscapes, and video, want creative flexibility with interchangeable lenses, and plan to learn or already practice manual exposure control. It suits enthusiasts and budding professionals who value raw capture and moderate low-light performance.
Neither camera is cutting-edge by today’s standards, but understanding their real-world strengths and limitations helps set realistic expectations.
I hope this breakdown supports your decision-making and fits your photography goals. Feel free to reach out for lens recommendations or workflow tips tailored to either camera!
Wishing you beautiful captures and ever-evolving creativity.
- Your camera testing mate and photography guide
Samsung TL210 vs Sony NEX-3N Specifications
| Samsung TL210 | Sony Alpha NEX-3N | |
|---|---|---|
| General Information | ||
| Brand Name | Samsung | Sony |
| Model type | Samsung TL210 | Sony Alpha NEX-3N |
| Also called | PL150 | - |
| Type | Ultracompact | Entry-Level Mirrorless |
| Introduced | 2010-01-06 | 2013-02-25 |
| Body design | Ultracompact | Rangefinder-style mirrorless |
| Sensor Information | ||
| Powered by | - | Bionz |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor dimensions | 6.08 x 4.56mm | 23.5 x 15.6mm |
| Sensor surface area | 27.7mm² | 366.6mm² |
| Sensor resolution | 12 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 3:2 and 16:9 |
| Maximum resolution | 4000 x 3000 | 4912 x 3264 |
| Maximum native ISO | 3200 | 16000 |
| Min native ISO | 80 | 200 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| AF touch | ||
| Continuous AF | ||
| AF single | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | - | 25 |
| Lens | ||
| Lens support | fixed lens | Sony E |
| Lens zoom range | 27-135mm (5.0x) | - |
| Max aperture | f/3.5-5.9 | - |
| Macro focusing distance | 5cm | - |
| Number of lenses | - | 121 |
| Focal length multiplier | 5.9 | 1.5 |
| Screen | ||
| Range of display | Fixed Type | Tilting |
| Display sizing | 3.5 inch | 3 inch |
| Resolution of display | 230k dot | 460k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 8 secs | 30 secs |
| Highest shutter speed | 1/2000 secs | 1/4000 secs |
| Continuous shooting speed | - | 4.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | - | Yes |
| Set WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.40 m | - |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Highest flash sync | - | 1/160 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) | 1920 x 1080 |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 177 grams (0.39 pounds) | 269 grams (0.59 pounds) |
| Dimensions | 99 x 59 x 20mm (3.9" x 2.3" x 0.8") | 110 x 62 x 35mm (4.3" x 2.4" x 1.4") |
| DXO scores | ||
| DXO All around rating | not tested | 74 |
| DXO Color Depth rating | not tested | 22.8 |
| DXO Dynamic range rating | not tested | 12.5 |
| DXO Low light rating | not tested | 1067 |
| Other | ||
| Battery life | - | 480 photographs |
| Battery form | - | Battery Pack |
| Battery ID | SLB-07B | NPFW50 |
| Self timer | Yes (2 or 10 sec, Double, Motion) | - |
| Time lapse feature | ||
| Storage media | MicroSD/ MicroSDHC, Internal | SD/ SDHC/SDXC, Memory Stick Pro Duo/ Pro-HG Duo |
| Storage slots | One | One |
| Pricing at launch | $230 | $399 |