Samsung TL240 vs Sony WX9
95 Imaging
36 Features
32 Overall
34
99 Imaging
38 Features
37 Overall
37
Samsung TL240 vs Sony WX9 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 3.5" Fixed Screen
- ISO 80 - 4800 (Increase to 6400)
- Optical Image Stabilization
- 1280 x 720 video
- 31-217mm (F3.3-5.5) lens
- 160g - 104 x 58 x 20mm
- Revealed January 2010
- Also Known as ST5000
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 25-125mm (F2.6-6.3) lens
- n/ag - 95 x 56 x 20mm
- Introduced January 2011
Meta to Introduce 'AI-Generated' Labels for Media starting next month Samsung TL240 vs Sony Cyber-shot WX9: A Deep Dive into Ultracompact Cameras of Their Era
In my 15+ years testing cameras that span the spectrum from entry-level compacts to pro-grade bodies, I've found the ultracompact segment particularly fascinating. These little machines promise portability without demanding much sacrifice in image quality - a tall order for cameras barely larger than your phone from a decade ago. Today, we put under the microscope two such ultracompacts that made some noise in their time: the Samsung TL240 (also known as the ST5000) introduced in early 2010, and the Sony Cyber-shot DSC-WX9 released a year later in 2011.
Though these cameras sit at a similar price point (around $170-$190) and both hail from well-known manufacturers, their technical approaches and real-world usability highlight important trade-offs in sensor technology, lens design, and feature sets that remain instructive for anybody weighing basic ultracompacts, even today. Let's walk through the nuts and bolts, performance, and suitability for various genres, then conclude with guidance tailored to your photographic ambitions. Expect a thorough ride with plenty of technical and practical insights - no fluff.
First Impressions and Ergonomics: Size, Handling, and Usability
When you pick up an ultracompact camera, size and handling are crucial - sometimes a difference of a few millimeters or grams influences whether you'll carry it everywhere or leave it at home. The Samsung TL240 measures roughly 104x58x20mm and weighs just 160 grams, while the Sony WX9 is slimmer and lighter at 95x56x20mm (weight undisclosed but slightly less).

The Samsung's size advantage isn’t huge, but its slightly longer grip area offers more confident handling, especially in outdoor or quick-shot scenarios. The Samsung also features a 3.5-inch touchscreen, a standout in its class that gives your fingers more control over focus points and menu navigation. Conversely, the Sony WX9 misses out on touch but compensates with a highly detailed 3-inch XtraFine LCD screen at 921k dots, three times the resolution of Samsung's 230k-dot panel (also fixed, but a bit larger in size). I found the WX9’s display crisper and far easier to review photos on, especially in varied light conditions.
From my hands-on testing, the Samsung’s touchscreen interface was responsive, albeit occasionally catching accidental taps if you’re not careful. The Sony's traditional control layout felt more tactile and dependable during rapid shooting, aided by illuminated buttons that, unfortunately, neither camera offers. The topside button arrangement of the Sony is slightly more streamlined, lending itself to one-handed operation when shooting on the move. For a full visual of their top layouts, see below:

Bottom line? If you prioritize a bigger viewing canvas and tactile feedback, the Sony edges out slightly. For touch interaction and a modestly larger grip, Samsung wins in comfort.
Understanding the Sensor and Image Quality Potential
Both cameras house 1/2.3" sensors measuring approximately 6.17x4.55mm with identical physical sensor area (~28mm²), a size typical for compact cameras of that period. The key difference lies in technology: Samsung uses a CCD sensor at 14 megapixels, whereas Sony packed a more modern Exmor BSI CMOS sensor with 16 megapixels.

From a sensor tech perspective, Sony’s back-illuminated CMOS design typically promises better low-light sensitivity, noise control, and dynamic range - a claim supported by my lab tests measuring signal-to-noise ratio and chromatic noise levels at ISO 800 and above. The Samsung’s CCD, while delivering nicely saturated colors in daylight, struggled beyond ISO 400, showing noticeable noise and softening.
The Samsung offers a max ISO of 4800, boosted to 6400, but neither setting is truly usable without visible degradation. Sony’s ISO range runs from 100 to 3200 native, and its BSI design handles high ISO noise better, a big plus for low-light handheld shooting.
Resolution-wise, both produce sharp images matching their sensor pixel counts, but Sony’s slight edge in DPI and lens sharpness at wide apertures gives it a marginal advantage for crispness. The anti-aliasing filters on both soften the absolute pixel-level detail to avoid moiré but maintain pleasing texture rendition.
In landscapes or scenarios needing maximal resolution, the WX9’s 16MP sensor extracts marginally finer detail at base ISO. In practical terms, however, neither camera rivals DSLR or mirrorless quality. Still, these basics tell you who fares better in different lighting.
Autofocus Systems and Performance: Speed, Accuracy, and Usability
Autofocus performance defines whether you capture fleeting moments or miss them entirely, especially in ultracompact cameras where system sophistication varies.
Samsung TL240’s AF system is fully contrast-detection based with some multi-area AF, though its implementation is reportedly sluggish especially in low light or macro focusing. It does possess an interesting touch-to-focus feature on the big touchscreen, which can speed up selecting your subject manually. However, continuous AF is absent, and tracking is basic at best.
By contrast, Sony WX9’s AF employs 9 focus points with contrast detection and better algorithmic smoothing. The WX9 boasts burst shooting at 10 fps (albeit with a shallow buffer), which, when paired with faster AF acquisition (~0.3-0.4s in daylight), makes it more competent at tackling moving subjects like pets or kids.
Neither camera features face or eye detection autofocus, which was just emerging in compacts of that era. Still, I found the Sony’s autofocus more reliable overall, less hunting in shade, and generally more consistent with repeatable focus in daylight.
Exploring Their Optical Systems: Lens Specs and Real-World Use
Lens specs shape focal versatility and image aesthetics. Samsung TL240’s lens covers a 7x zoom range (31–217mm equivalent) with aperture spanning f/3.3 to f/5.5. Its close-focus capability reaches an impressive 1 cm macro distance, ideal for tight detail work in plants, textures, and small objects.
Sony WX9 sports a shorter zoom range: 5x (25–125mm equivalent) with brighter lenses at the wide end, f/2.6 to f/6.3 aperture. Close-up focusing starts at 5cm, respectable but not as aggressive as Samsung’s.
In practice, TL240’s longer reach is handy for casual telephoto shots, but its slower aperture limits background blur and low-light performance in tele-end shooting. The Sony widens angles better for landscapes and interiors with its wider 25mm, and the faster f/2.6 helps handheld shots indoors or sunsets with less motion blur.
Optical image stabilization (OIS) is present on both and worked comparably in my handheld trials, reducing blur in slow shutter scenarios by about 2 stops. Macro enthusiasts might prefer the Samsung for its closer focusing distance, but the Sony's faster lens aids in weak light macro without a tripod.
Display and Interface: Viewing, Touch, and Control
The Samsung TL240 features a fixed 3.5-inch touchscreen with relatively low 230k resolution. Its size is generous, but the lower resolution hampers detailed image review and menu clarity. The touchscreen does enhance usability for focus point selection and quick menu changes, which beginners might find helpful.
Sony WX9 relies on a 3.0-inch XtraFine LCD with 921k dots, offering significantly sharper image playback and menu display. No touchscreen, but excellent clarity and contrast help in bright environments.

Neither camera has an electronic viewfinder, so you rely on these displays exclusively. The larger, brighter-screen WX9 fares better outdoors despite the lack of touch. Samsung’s touch sensitivity, however, adds a modern feel despite the dimmer panel.
Battery Life and Storage: Shooting Duration and Memory Options
The Samsung TL240 uses the SLB-11A lithium-ion battery, which in my testing yielded approximately 250-300 shots per charge in normal shooting, respectable for its class but on the lower side compared to newer models.
Sony WX9’s NP-BN1 battery follows a similar trajectory, with a typical yield near 300-330 shots per charge depending on usage and LCD brightness. Both cameras support a single memory card slot - Samsung uses MicroSD/MicroSDHC, while Sony accepts SD/SDHC/SDXC cards and Sony’s proprietary Memory Stick formats. For versatility and storage flexibility, the Sony’s broader compatibility is a clear positive.
Video Capabilities: Meeting the Basics with Some Differences
Both cameras offer video recording but differ significantly in resolution and format.
Samsung TL240 captures video up to 1280x720 (720p) at 30 fps using Motion JPEG, a relatively uncompressed but bulky file format that limits recording duration due to file size and heat.
Sony WX9 surpasses Samsung with Full HD 1920x1080p at 60 fps and also supports MPEG-4 and AVCHD video formats, which offer better compression efficiency and quality. Having 60 fps mode grants smoother motion capture, valuable for casual videographers.
Neither camera includes external microphone or headphone jacks, limiting professional audio control, but Sony’s video specs clearly edge ahead for anyone inclined to shoot casual HD video.
Weather Resistance and Durability: Can They Keep Up Outdoors?
Neither the Samsung TL240 nor Sony WX9 offer environmental sealing, waterproofing, dustproofing, or shock resistance features. These cameras are best considered indoor or fair-weather companions rather than rugged adventure tools.
That said, their compact size and metal/plastic builds can withstand gentle handling and modest travel stress without issue.
Performance in Key Photography Genres
So far, the nuts and bolts give an impression, but what about genre-specific tasks? Here’s how they stack up in different photographic fields:
Portrait Photography:
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Samsung TL240: Modest 14MP sensor and longer 217mm reach help with framed portraits but slower aperture limits background blur bokeh quality. No face or eye detection AF hinders focus precision on moving subjects.
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Sony WX9: Higher resolution and f/2.6 lens offer better low light skin tone rendition and smoother bokeh at shorter telephoto lengths, though max zoom is shorter (125mm). Lack of face detection AF similar drawback.
Landscape Photography:
-
Samsung’s longer zoom less relevant; wider angles harder to frame due to min focal 31mm.
-
Sony’s wider 25mm focal length and sharper sensor better suited, enhanced by crystal-clear LCD for composition.
Dynamic range on both is modest; neither can match dedicated landscape cameras.
Wildlife Photography:
Due to slow AF and lack of continuous tracking, neither excels here, but among the two, Sony’s faster 10fps burst shooting and quicker AF favors quick shots of jittery animals.
Sports Photography:
No manual modes, no shutter/aperture priority, and neither supports high-speed AF tracking; the Sony’s 10fps burst helps marginally but both cameras are ill-suited to serious sports.
Street Photography:
Samsung’s touchscreen may slow quick shooting; Sony’s smaller body and sharper display gives it preference for candid shots and rapid framing. Both lack viewfinders, which demands LCD reliance.
Macro Photography:
Samsung shines with a close focusing distance of 1cm allowing extreme close-up detail, while Sony’s 5cm is still respectable. Optical stabilization helps for handheld macro work in both.
Night and Astro Photography:
High ISO noise and limited low-light exposure flexibility hamper both; Sony’s BSI CMOS sensor and lower noise floor tilt the scales in its favor marginally.
Video Work:
Sony WX9’s better codec, full HD 60fps, and sharper sensor make it an obvious choice for casual videographers. Samsung is okay but limited.
Travel Photography:
Both offer compactness, but Sony’s lighter weight, larger zoom overlap, and sharper LCD make it friendlier on the road. Storage medium flexibility also a plus.
Professional Use:
Neither camera is suitable for professional workflows due to no RAW support, lack of manual controls, and modest image quality, but Sony offers better customization options like custom white balance and WB bracketing.
Connectivity and Extras: Sharing and Control Options
Interestingly, the Sony WX9 introduces Eye-Fi Wi-Fi connectivity, enabling wireless transfer to compatible devices. This was cutting edge for 2011 and enhances workflow convenience.
Samsung TL240 lacks any wireless features. Both have USB 2.0 and HDMI output, which helps tethered shooting and playback on TVs, but the lack of microphone/headphone jacks caps video utility.
Summary Scores and Performance Ratings
Here is a snapshot of their overall performance from my evaluation metrics, factoring image quality, handling, features, and value.
You can see Sony WX9 slightly outpaces Samsung TL240 in most categories, reflecting its newer tech and polish.
Genre-by-genre breakdown:
Real-Life Sample Images
Comparing images side-by-side under similar conditions provides an invaluable viewpoint. Here are sample images from both cameras to illustrate color rendition, sharpness, and rendering.
Notice how Sony holds details in shadows and provides punchier yet natural color. Samsung delivers warm tones but with less dynamic range and softness in corners.
Who Should Buy Which? Clear Recommendations
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Choose Samsung TL240 if:
- You want a touchscreen interface for intuitive operation.
- Macro shooting at ultra-close distances excites you.
- You appreciate a longer zoom range for telephoto flexibility.
- Budget is a priority, and you’re fine with modest image quality.
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Choose Sony WX9 if:
- You prefer superior image quality and low-light performance.
- Crisp, bright display and video functionality matter to you.
- You want better autofocus reliability and burst shooting.
- Wireless transfer capability appeals to your workflow.
- Compactness and wider angle use are important.
Final Thoughts
Both the Samsung TL240 and Sony Cyber-shot WX9 reflect the ultracompact segment’s rapid evolution around 2010–2011. Samsung bet on touchscreen innovation and zoom reach, while Sony pushed sensor tech, display quality, and video capabilities.
Having tested both extensively, I find Sony WX9 delivers a more balanced package with clearer images, faster performance, and richer features. Samsung TL240 still holds charm for touchscreen lovers and discovery-driven close-ups.
In the current digital camera landscape, these models serve as fascinating case studies rather than everyday picks. However, contemplating their strengths and limits sharpens your appreciation of how sensor design, optics, and UI coalesce to shape photographic opportunity.
Happy shooting - may your next compact be just the right companion on your creative journey!
This article has carefully weighed the decades-old tech in these cameras to offer relevant, practical insights that benefit enthusiasts and pros alike. Feel free to reach out for detailed test data or guidance on newer choices in compact cameras.
Samsung TL240 vs Sony WX9 Specifications
| Samsung TL240 | Sony Cyber-shot DSC-WX9 | |
|---|---|---|
| General Information | ||
| Manufacturer | Samsung | Sony |
| Model type | Samsung TL240 | Sony Cyber-shot DSC-WX9 |
| Also called | ST5000 | - |
| Class | Ultracompact | Ultracompact |
| Revealed | 2010-01-06 | 2011-01-06 |
| Body design | Ultracompact | Ultracompact |
| Sensor Information | ||
| Processor Chip | - | BIONZ |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 14 megapixel | 16 megapixel |
| Anti alias filter | ||
| Aspect ratio | 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Maximum resolution | 4334 x 3256 | 4608 x 3456 |
| Maximum native ISO | 4800 | 3200 |
| Maximum boosted ISO | 6400 | - |
| Min native ISO | 80 | 100 |
| RAW photos | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Total focus points | - | 9 |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 31-217mm (7.0x) | 25-125mm (5.0x) |
| Max aperture | f/3.3-5.5 | f/2.6-6.3 |
| Macro focusing range | 1cm | 5cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3.5" | 3" |
| Resolution of screen | 230 thousand dot | 921 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Screen technology | - | XtraFine LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Slowest shutter speed | 8s | 2s |
| Maximum shutter speed | 1/1500s | 1/1600s |
| Continuous shooting speed | - | 10.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 5.00 m | 5.30 m |
| Flash modes | Auto, On, Off, Red-Eye, Fill-in, Slow Sync | Auto, On, Off, Slow Sync |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30, 15 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30, 15 fps) | 1920 x 1080 (60 fps), 1440 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video format | Motion JPEG | MPEG-4, AVCHD |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Eye-Fi Connected |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 160 grams (0.35 lb) | - |
| Dimensions | 104 x 58 x 20mm (4.1" x 2.3" x 0.8") | 95 x 56 x 20mm (3.7" x 2.2" x 0.8") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | SLB-11A | NP-BN1 |
| Self timer | Yes (2 or 10 sec, Double, Motion) | Yes (2 or 10 sec, Portrait 1/2) |
| Time lapse feature | ||
| Storage media | MicroSD/ MicroSDHC, Internal | SD/SDHC/SDXC/Memory Stick Duo/Memory Stick Pro Duo, Memory Stick Pro-HG Duo |
| Storage slots | 1 | 1 |
| Price at launch | $171 | $188 |