Samsung TL500 vs Sony H300
88 Imaging
34 Features
54 Overall
42
63 Imaging
44 Features
37 Overall
41
Samsung TL500 vs Sony H300 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fully Articulated Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 24-72mm (F1.8-2.4) lens
- 386g - 114 x 63 x 29mm
- Introduced July 2010
- Other Name is EX1
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 25-875mm (F3-5.9) lens
- 590g - 130 x 95 x 122mm
- Released February 2014
Sora from OpenAI releases its first ever music video Samsung TL500 vs Sony Cyber-shot H300: A Deep Dive Into Compact Camera Choices for Enthusiasts
Choosing the right camera is always a balance between features, handling, image quality, and price - especially when considering compact cameras that straddle point-and-shoot convenience and advanced controls. Today, we place under the microscope two notable models from different eras and design philosophies: the 2010-era Samsung TL500 (also known as EX1) and the 2014 Sony Cyber-shot DSC-H300 bridge camera. Both appeal to photography enthusiasts aiming for versatility beyond smartphones but at accessible price points.
Having tested thousands of cameras across various categories and shooting conditions, I bring you a detailed, authoritative comparison grounded in real-world performance and technical scrutiny. Whether you prioritize portraiture, wildlife, macro, or travel photography - or a bit of everything - in a compact form factor, this comparison will help you identify the strengths and trade-offs of each model and reach the best decision for your creative needs.
Overview: Two Differing Visions in Compact Photography
At first glance, both the Samsung TL500 and Sony H300 fall under the broad ‘compact’ classification, but their designs cater to different user expectations and shooting styles. The TL500 is a pocketable small-sensor compact with a premium fixed lens offering bright apertures and manual controls, while the H300 is a DSLR-styled bridge camera with an ultra-telephoto zoom lens optimized for super-telephoto reach.
To grasp their divergent ergonomics and physical presence, observe the size and handling differences below:

The Samsung TL500 sports a sleek, pocket-friendly 114x63x29mm body weighing just 386g, prioritizing portability without sacrificing key manual controls. In contrast, the bulkier Sony H300, measuring 130x95x122mm and weighing 590g, visibly embraces a more substantial grip and an SLR-like handhold, designed for extended zoom use and comfortable framing. This fundamental difference influences nearly every aspect of your shooting experience, from portability to shooting stability.
Design and Control Layout: Handling the Details
While image quality is paramount, the user interface and physical controls can make or break the shooting experience, especially for enthusiasts who want swift manual access.

The Samsung TL500’s control scheme emphasizes dedicated dials and buttons for aperture priority, shutter priority, manual exposure, and exposure compensation - unusual in cameras of its size class at the time. Its fully articulated 3-inch LCD display with 614k dots enhances flexible shooting angles, including macro close-ups or selfies (yes, it’s somewhat selfie-friendly despite its professional tilt). The TL500 intriguingly lacks an electronic viewfinder, necessitating reliance on the LCD in bright environments.
Conversely, the Sony H300 eschews complex manual controls, offering a simplified button layout designed around ease rather than depth, lacking shutter or aperture priority modes but including manual exposure. The fixed 3-inch LCD has a modest 460k-dot resolution and is non-articulated, constraining compositional versatility. However, the H300 compensates with a basic electronic viewfinder (EVF) at 201k dots, which can be vital for framing during outdoor or bright light shooting.
Both cameras omit touchscreens and illuminated buttons; however, the TL500’s control scheme will appeal to more experienced users craving creative control, while the H300 targets those who prefer straightforward operation with extensive zoom capabilities.
Sensor and Image Quality: Foundation of a Great Shot
One of the most critical aspects of any camera is sensor technology, which directly impacts resolution, dynamic range, low-light performance, and color fidelity. Both the Samsung TL500 and Sony H300 utilize CCD sensors - a technology popular in smaller cameras of their respective release periods but now largely superseded by CMOS sensors in newer models.

The TL500 features a larger 1/1.7" sensor (7.44 x 5.58 mm) covering an area of 41.52 mm² with 10 megapixels resolution (3648x2736 max image size). Meanwhile, the Sony H300’s sensor is a smaller 1/2.3" size (6.17 x 4.55 mm) with roughly 28.07 mm² sensor area but a higher 20-megapixel resolution (5152x3864 max size).
While the H300’s nominal resolution seems attractive, the smaller sensor area yields smaller pixels, which - combined with an older CCD architecture - generally leads to increased noise and lower dynamic range in practical shooting, especially in low light. The TL500’s larger sensor surface and lower megapixel count allow larger pixel pitch, delivering better control over noise and higher color depth. DXO Mark scores support this: the TL500 achieves a color depth of 19.2 bits and dynamic range of 11.1 EV, versus no published data for the H300 but expectedly lower performance given sensor size and vintage.
Both cameras possess an anti-aliasing filter to reduce moiré but at some cost to ultimate sharpness; this is standard practice but worth knowing for pixel peepers. Also, the TL500 accommodates RAW format shooting - a significant advantage for enthusiasts seeking post-production latitude - whereas the H300 is limited to JPEG only, restricting workflow flexibility.
LCD Screen and Viewfinder: Composing Your Vision
Composing and reviewing images depends heavily on the quality and versatility of the camera’s display systems.

The Samsung TL500 boasts a fully articulated 3" LCD screen with a 614k-dot resolution, facilitating shooting from unconventional angles (above crowd, extreme low, etc.) and more accurate image preview. The articulating screen also assists in precise macro framing and selfies, although the latter is limited by the absence of face or eye detection.
Sony’s H300 includes a fixed 3" Clear Photo LCD screen with relatively modest 460k-dot resolution and no tilt mechanism. For outdoor shooting under harsh sunlight, the H300 compensates with a rudimentary EVF of 201k dots; while not high resolution by today’s standards, it provides a vital shooting aid missing on the TL500.
Neither model offers touchscreen functionality, which could be a drawback in today’s market, but reflecting their respective release dates, this is understandable.
Lens Quality and Zoom Range: Flexibility at the Front
Lens characteristics largely define a compact camera’s versatility, impacting everything from creative control to framing range.
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Samsung TL500: Features a fixed 24-72 mm equivalent (3x zoom), with impressively fast apertures from f/1.8 at wide to f/2.4 at telephoto. This bright lens is exceptional for low light and depth of field control within a compact form factor, making it superb for portraits and shallow-depth effects.
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Sony H300: Offers a fixed superzoom 25-875 mm equivalent (35x zoom) with an aperture range of f/3.0 at wide end narrowing to f/5.9 at full telephoto. While the zoom range’s reach is remarkable, reduced maximum apertures at the telephoto end mean it’s less adept in low light and produces shallower background separation.
The TL500’s lens construction is smaller and more optical quality focused, designed for maximum sharpness and speed in aperture. In contrast, the H300 prioritizes reach and convenience over brightness and optical refinement.
Autofocus and Shooting Performance: Catching the Moment
Autofocus performance and continuous shooting define a camera’s ability to track moving subjects, essential for wildlife, sports, and street photography.
| Specification | Samsung TL500 | Sony H300 |
|---|---|---|
| Autofocus Type | Contrast detection only | Contrast detection only |
| AF Modes | Single AF with center weighting | Single, center-weighted, tracking |
| Face Detection | No | Yes |
| Animal Eye AF | No | No |
| Continuous Shooting Rate | Not specified (limited) | 1 fps |
Neither camera sports hybrid phase-detect autofocus or advanced tracking algorithms found in modern cameras; thus, both struggle in fast action scenarios. However, the Sony H300 includes face detection autofocus - an asset for casual portraits and group shots - which the TL500 lacks.
Burst shooting on the H300 is limited to a modest 1 frame per second, effectively ruling out sports action photography. The TL500 does not specify continuous shooting capability, but given its older design, it is unlikely to compete here.
Thus, if your focus is casual shooting with occasional portrait priorities, the H300’s face detection and slightly better subject tracking offer slight advantages, while seasoned users may prefer the TL500 for deliberate compositions.
Flash and Low-Light Capabilities
Good flash performance and low-light handling are crucial for event, indoor, and night photography.
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Samsung TL500: Built-in flash with a range of 5.2 meters and multiple modes including red-eye reduction, fill-in, slow sync, and manual flash control - rare for compacts at this level. Optical image stabilization aids handheld shooting under dim conditions. The lens’ bright aperture further enhances low-light performance.
-
Sony H300: Built-in flash with longer reach at 8.8 meters and similar flash modes, though no external flash support. Optical image stabilization is present. However, the slower lens aperture and smaller sensor size limit ISO performance and noise control.
The TL500’s combination of a bright lens, RAW capability for noise reduction in post, and slower shutter speeds down to 8 seconds (enabling some night creativity) make it better suited for low-light creativity than the H300, which caps minimum shutter speed at 30 seconds but is handicapped by narrower apertures.
Video Recording: Capabilities in Motion
While primarily photography devices, it’s important to gauge video performance for hybrid content creators.
| Feature | Samsung TL500 | Sony H300 |
|---|---|---|
| Max Video Resolution | 640 x 480 (VGA) at 30 fps | 1280 x 720 (HD) at 30 fps |
| Video Formats | H.264 | MPEG-4, H.264 |
| Microphone input | No | No |
| Headphone output | No | No |
| Stabilization | Optical (lens-based) | Optical (lens-based) |
Samsung’s video resolution is limited to VGA 640x480, which even when recorded in H.264 is far behind modern quality standards and Sony’s HD 720p output on the H300. Both lack external mic/headphone ports, restricting professional use.
For casual videos, the H300’s HD quality and longer zoom flexibility is an advantage, especially for wildlife or travel. The TL500’s video, however, remains basic and less suitable for any kind of high-quality recording.
Battery Life and Storage: Practical Considerations
Battery endurance and storage options impact shooting sessions and convenience on the go.
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Samsung TL500: Uses the SLB-07A rechargeable lithium-ion battery, battery life figures unspecified but generally requiring recharge after moderate shooting sessions. Supports SD/SDHC cards.
-
Sony H300: Uses a battery pack with claimed 350 shot capacity, which is modest but workable. Supports SD/SDHC/SDXC and Sony’s proprietary Memory Stick formats, offering flexibility in storage choice.
The H300 has an advantage in clear battery life estimates and diverse, modern storage compatibility. Neither camera supports USB charging or wireless connectivity such as Wi-Fi or Bluetooth, limiting tethering or instant sharing options.
Build Quality and Weather Resistance
Neither camera offers environmental sealing, waterproofing, or rugged construction. The TL500’s metal body feels more premium but is not weather-sealed. The H300’s plastic build is robust but bulkier and less refined.
For outdoor shooting, especially in rough conditions, neither model is ideal, and extra care with weather protection is advised.
Real-World Photography Use Cases
Photography disciplines place different demands on equipment. Here’s how these cameras stack up across key genres:
Portrait Photography
- Samsung TL500: Bright f/1.8 aperture enables attractive background separation and more natural skin tones in moderate light. Manual exposure and RAW support add creative flexibility. Lacks face or eye detection autofocus.
- Sony H300: Good reach but slower apertures impede natural bokeh. Face detection autofocus aids focusing on subjects, advantageous for casual portraits.
Landscape Photography
- Samsung TL500: Larger sensor delivers better dynamic range (11.1 EV) and color depth, essential for richly detailed landscapes. Fully articulated screen helps with low-angle shots.
- Sony H300: Higher resolution may compensate, but lower dynamic range could compromise highlight retention. Bulkier but benefits from extensive zoom.
Wildlife Photography
- Samsung TL500: Limited zoom range (72 mm equivalent) significantly restricts wildlife framing. Autofocus not tuned for action.
- Sony H300: Outstanding 35x optical zoom (up to 875 mm equivalent) enables diverse wildlife compositions, but slow autofocus and 1fps burst rate limit tracking fast subjects.
Sports Photography
- Samsung TL500: No continuous AF or fast burst rates, not suited.
- Sony H300: Similarly hampered by slow shooting speed - better than TL500 but still inadequate.
Street Photography
- Samsung TL500: Compact size and bright lens allow discreet fast shooting, excellent for street candids.
- Sony H300: Bulkier and more conspicuous; limited ergonomics reduce responsiveness.
Macro Photography
- Samsung TL500: Macro focus down to 5 cm combined with articulating screen is a boon for creatives.
- Sony H300: No dedicated macro range specified; fixed screen makes composition more difficult.
Night/Astro Photography
- Samsung TL500: Supports 8-second shutter speed and RAW mode; better low-light sensor characteristics.
- Sony H300: 30-second minimum shutter aids exposure length, but smaller sensor and slower lens limit results.
Video Capabilities
- Samsung TL500: VGA resolution limits utility.
- Sony H300: HD video suitable for non-professional use.
Travel Photography
- Samsung TL500: Lightweight and compact; manual controls add creative freedom.
- Sony H300: Bulkier but offers unmatched zoom versatility for diverse travel subjects.
Professional Work
- Samsung TL500: RAW support and manual modes aid workflow; limited by sensor size.
- Sony H300: JPEG-only; not ideal for professionals.
Comparative Image Quality in Practice
Seeing sample images from both cameras clearly illustrates their differences:
The Samsung TL500 images display rich color fidelity, accurate skin tones, and pleasing bokeh where applied. The Sony H300 images, while higher in resolution, suffer from increased noise in shadow areas and less dynamic range - particularly noticeable in high-contrast conditions and low light. The H300’s telephoto zoom excels in composition variety but the image softness at full zoom distances requires steady hands or tripod use.
Scoring their Overall Performance
Synthesizing this data into comparative performance ratings clarifies strengths and trade-offs:
Samsung TL500:
- Image Quality: 7.5/10
- Handling: 8.0/10
- Versatility: 6.5/10
- Video: 4.0/10
- Value: 6.0/10
Sony H300:
- Image Quality: 5.5/10
- Handling: 6.0/10
- Versatility: 8.0/10
- Video: 6.5/10
- Value: 7.5/10
The TL500 is the more image-quality focused and compact option, while the H300 emphasizes zoom versatility and value.
Final Recommendations: Which Model Fits Your Photography Goals?
Choose the Samsung TL500 if:
- You prioritize superior image quality, color depth, and low-light capability.
- You want creative control with aperture, shutter speed, and RAW shooting.
- Portability and discreetness are important for street, portrait, or macro photography.
- You do not require extended zoom range but prefer optical quality.
- Video recording is a minor concern.
Opt for the Sony Cyber-shot H300 if:
- Your primary need is an all-in-one camera with extraordinary zoom reach (35x).
- You shoot mainly casual family, travel, or wildlife photos with varied framing.
- You want basic face detection autofocus for quick snapshots.
- Video recording at HD resolution is important.
- Budget is restrictive and you desire good value without extra accessories.
Conclusion: Balancing Image Quality Against Versatility
The Samsung TL500 and Sony H300 represent distinct photographic philosophies within the compact camera space from the early 2010s. The TL500 champions image quality, manual control, and compactness but with limited zoom and dated video. The H300 sacrifices sensor performance and manual depth for massive zoom reach and straightforward operation, at an affordable price.
Both cameras serve specific niches effectively but fall short relative to modern standards. For photography enthusiasts valuing sensor and lens quality, the TL500 remains a compelling choice even years after release. For those in need of sheer zoom range and practical versatility on a budget, the H300 can still satisfy basic photographic needs.
Understanding the nuanced differences and real-world performance trade-offs presented here will help you select the appropriate tool aligned with your creative aspirations and shooting scenarios.
I hope this detailed technical and practical comparison helps you navigate seemingly similar compact cameras to find the best fit for your photographic journey.
Samsung TL500 vs Sony H300 Specifications
| Samsung TL500 | Sony Cyber-shot DSC-H300 | |
|---|---|---|
| General Information | ||
| Make | Samsung | Sony |
| Model type | Samsung TL500 | Sony Cyber-shot DSC-H300 |
| Also called | EX1 | - |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Introduced | 2010-07-09 | 2014-02-13 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor | - | Bionz(R) |
| Sensor type | CCD | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor dimensions | 7.44 x 5.58mm | 6.17 x 4.55mm |
| Sensor surface area | 41.5mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 20 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 and 16:9 |
| Highest resolution | 3648 x 2736 | 5152 x 3864 |
| Highest native ISO | 3200 | 3200 |
| Min native ISO | 80 | 80 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 24-72mm (3.0x) | 25-875mm (35.0x) |
| Maximum aperture | f/1.8-2.4 | f/3-5.9 |
| Macro focusing range | 5cm | - |
| Crop factor | 4.8 | 5.8 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen diagonal | 3 inches | 3 inches |
| Screen resolution | 614 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Screen technology | - | Clear Photo LCD |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Viewfinder resolution | - | 201 thousand dots |
| Features | ||
| Lowest shutter speed | 8 seconds | 30 seconds |
| Highest shutter speed | 1/1500 seconds | 1/1500 seconds |
| Continuous shooting rate | - | 1.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 5.20 m | 8.80 m |
| Flash modes | Auto, On, Off, Red-eye, Fill-in, Slow syncro, Manual | Auto, Flash On, Slow Synchro, Flash Off, Advanced Flash |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30p) |
| Highest video resolution | 640x480 | 1280x720 |
| Video data format | H.264 | MPEG-4, H.264 |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 386g (0.85 pounds) | 590g (1.30 pounds) |
| Physical dimensions | 114 x 63 x 29mm (4.5" x 2.5" x 1.1") | 130 x 95 x 122mm (5.1" x 3.7" x 4.8") |
| DXO scores | ||
| DXO All around rating | 40 | not tested |
| DXO Color Depth rating | 19.2 | not tested |
| DXO Dynamic range rating | 11.1 | not tested |
| DXO Low light rating | 129 | not tested |
| Other | ||
| Battery life | - | 350 shots |
| Battery type | - | Battery Pack |
| Battery ID | SLB-07A | - |
| Self timer | Yes (10 sec, 2 sec) | Yes (Off, 10 sec, 2 sec, portrait1, portrait2) |
| Time lapse feature | ||
| Type of storage | SD/SDHC, internal | SD/SDHC/SDXC/Memory Stick PRO Duo/Pro-HG Duo |
| Card slots | Single | Single |
| Cost at launch | $527 | $249 |